Matyas Seiber (1905-1960) was a Hungarian composer who lived and worked in the UK from 1935 until his death. He was born in Budapest and studied with Kodaly and toured the country to collect folk songs. Someof these were later published in 1949 as Three Hungarian Folk Songs with English words by the singer musicologist and self-styled ?Folklorist? A. L. Lloyd (1908-1982).Three Hungarian FolkSongs have been arranged for SAB choir with Piano accompaniment by the pianist and composer Maurice Jacobson (1896-1976). They are individually titled: The Handsome Butcher - Apple Apple - The OldWoman.

Director Stageright and Music Director Highnote are busy leading the final rehearsals for the annual Christmas pageant and holding a few last-minute auditions. Will they be able to find just the right trio to play the three wise men? Will Harold and the Angel Choir make their entrances on time? Appropriate for both schools and churches, the score of this simple-to-stage production features traditional carols and occasionally invites the audience to sing along! Works well with performers of any age. / Choeur

Une chanson de signature du groupe des années 1970 The Three Degrees, ce hit soul fonctionne pour les ensembles de toute taille dames. Ajoutez les parties instrumentales pour ce contact spécial! / Choeur

A Manual That Transforms a Choir's Warm-Up Time into Meaningful Voice-Building. Choral Cantabile is a manual that transforms a choir's warm-up time into meaningful voice-building. Dr. Katharin Rundus is a renowned singer, voice instructor and choral conductor who has authored three vocal pedagogy textbooks. The first, Cantabile (P5023), is a comprehensive college level text now used the world over. Cantabile: Voice Class (P5026), is single semester text with equal acclaim. Choral Cantabile is the final book in the series and is specifically for the choral conductor. Organized in the same unique, easy-read format, with clarifying icons and duplicatable exercises, this will be a required resource in the classroom and an aid for choral conductors everywhere.

25 Choral Highlights for Upper Voices. Following the great success of the award-winning first volume of Reine Frauensache! (crowned Best Edition 2017 by the German Music Publishers Association), Edition Peters presents the longawaited second book in this series. As previously, the collection includes pieces at easy to intermediate level that are fun to sing and highly effective in performance. The selection represents a broad cross-section of choral repertoire, making it a treasure trove for any female choir. ? 25 easy to intermediate choral settings in three or four parts, particularly suitable for amateur choirs ? Effective and varied repertoire ranging from Pergolesi to ABBA ? Four categories of pieces: Secular, Sacred, Folksongs and Pop ? Mostly a cappella piano/instrumental accompaniments are available separately ? Appendix with translations of foreign-language lyrics

Brahms's deeply moving Alto Rhapsody is one of the glories of the choral repertoire. Though it was written as a wedding song for the daughter of his friend Clara Schumann, the work clearly seems a deeply personal one for Brahms. Perhaps, as some have suggested, a melancholy reflection on his own solitary life. This great concert favorite is based on portions of the text of Goethe's Harzreise im Winter (Winter Journey in the Harz Mountains), and set for alto solo, men's chorus, and orchestra. In addition to the Alto Rhapsody, this volume contains three other major Brahms choral works: the Song of Destiny, a setting of a poem by Hölderlin: Nänie, a dirge for Brahms's friend Anselm Feuerbach, set to a text by Schiller: and Song of the Fates, set to passages from Act IV of Goethe's Iphigenie auf Tauris. All four works have been reprinted from the authoritative edition published by Breitkopf

Carl Philipp Emanuel Bach wrote his first great vocal composition the Magnificat in 1749 at the age of 35. It bears all the earmarks of “audition music” i.e. a piece that organists and choir directors had to submit when applying for a new position. This feature is especially evident in its stylistic variety which makes the work a rewarding and colorful challenge for all church choirs. Special attractions are the work's contrapuntal passages which are very similiar in sound and structure to those of J. S. Bach’s B minor Mass. The present arrangement for soloists chorus and organ is intended as a self contained version accessible to a widerange of choirs even those with limited financial means. - Self contained version for soloists (SATB) chorus (SATB) and organ - Ideal for use in church and concert hall - Clear and well presented organ part - Duration: ca. 40 minutes The Bärenreiter CHOIR&ORGAN Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed. The original orchestral parts have been transcribed into straight-forward organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ version by the composer has been used. The Organ parts are presented on three staves. The choir and solo parts always remain true to the original. One edition can be used by soloists singers and Organist alike.

Oratorio in three acts-Composed in 1748 Handel???s oratorio on the wise and righteous King Solomon is one of the most lavish works he created in this genre.He attached special importance to the choir: rarely does Handel???s music have such extended choral numbers ranging from homophonic settings to choruses of jubilation in eight contrapuntal parts.- Clear straightforward piano reduction in the vocal score- Urtext of the Halle Handel Edition- Full score (BA10709-01) and vocal score (BA10709-90) available for sale- Performance material available for hire

Par BREWER HERBERT A.. Organist of Gloucester Cathedral from 1896 till his death in 1928, as well as composer, choir-trainer, adjudicator and teacher, Sir Herbert Brewer was involved for over three decades with the Three Choirs Festival, and his Memories of Choirs and Cloisters offers a vivid account of the planning and execution of the festivals in that time, those at Gloucester in particular. Though his professional life was spent exclusively in the provinces, his championing of contemporary music brought him into wide contact with composers and other artistic figures both from Britain and the continent, including Robert Bridges, Elgar, Glazunov, Rider Haggard, Parry, Quiller-Couch, Ravel, Saint-Saëns and Sibelius (whose Luonnotar he premiered). John Morehen's fine new edition places Brewer's lively and insightful recollections of these and other encounters and connections in context for the modern reader, making the book an important addition to our fuller understanding of a remarkable period in British music. Neither a conventional autobiography nor a diary, but a collection of reminiscences compiled towards the end of his life, Brewer's Memories reveals a scrupulous and astute musician of great integrity, warm-hearted with a devotion to social justice and civic duty, and with a mischievous sense of humour./ Recueil / Choeur

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work. / Chant/Vocal/Choeur

It's a casting call for the annual holiday revue and a host of familiar North Pole faces are lined up to audition, headshots and resumes in hand. Three Elves, a not-so-famous Reindeer, a stage-worthy Snowman, Mrs. C. herself, and regular kid Cameron make the first cut and are put to test by their never seen but consistently heard through a sound system director---Santa Claus! Fantastic Broadway-style songs (complete with easy dance routines) and a simple script (that requires almost no scenery or props) bring this fabulous musical to life. Recommended for grades 3 and up. Book is 100% Reproducible. / Choeur

for Three or Four Equal Voices First Edition-Composer while studying at the Curtis Institute of Music Barber's Twelve Rounds are now available for the first time in print. With detailed historical commentary and manuscript facsimile.

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work. / Chant/Vocal/Choeur