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Voice
DIDGERIDOO
Choral SSATB
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Mack Wilberg: Softly And Tenderly: Mixed Choir: Vocal Score
Choral SSATB
SSATB, Piano
[Vocal Score]
Oxford University Press
This gentle arrangement of Will L. Thompson's words and melody (1880) is ideal f...
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This gentle arrangement of Will L. Thompson's words and melody (1880) is ideal for upper-voice choirs of all levels of experience. The melody is sympathetically treated with simple Vocal harmonizations alongside unison singing and the accompaniment creates a lush bed of sound over which the voices resonate.
2.95 GBP - Sold by Musicroom UK
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Jonathan Dove: Arion and the Dolphin: Mixed Choir: Vocal Score
Choral SSATB
Peters
Music runs through the story of Arion which begins with a singing competition i...
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Music runs through the story of Arion which begins with a singing competition in Sicily. Arion wins the prize and this puts his life in danger: his newfound wealth excites the greed of the sailors who are supposed to be bringing him back to Corinth and they threaten to kill him. They allow Arion to sing one last song and the power of his singing attracts dolphins to the ship. At the end of his song he jumps overboard and one of the dolphins carries him to safety. So Arion’s musical gift gets him into trouble but it is also his salvation. The idea of being rescued by a music-loving dolphin is very appealing. In Robert Graves’account of the myth the dolphin could not bear to be parted from Arion and accompanied him back to court where “it soon succumbed to a life of luxury.” However Herodotus says that after his rescue and return to Corinth Arion failed to return the dolphin to the sea and it died there. Apollo placed the dolphin among the stars and next to it Arion’s lyre in recognition of his musical skill. This is one of the mythical explanations of the origins of the constellations Delphinus and Lyra. It seems natural to sing a story that has singing at its heart. When I was asked by the Nicholas Berwin Charitable Trust to write a choral work for Making Music something that would be within reach of many choirs and involve children this story struck me as ideal: the men of the chorus could be the bloodthirsty sailors and the women could create an atmosphere of mystery for the arrival of the dolphins represented by children’s voices. There would be one solo voice: Arion the marvellous singer. Andrew Fardell the conductor who was advisor to this commission had suggested that I might use the same instrumentation as a popular arrangement of Orff’s Carmina Burana a work that as well as using children’s chorus features a solo countertenor. I thought the magical otherworldly quality of this
14.95 GBP - Sold by Musicroom UK
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Sing For Joy, Alleluia!
Choral SSATB
SSATB A Cappella
Alfred Publishing
This full-sounding choral work with a driving, rhythmic intensity may be perform...
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This full-sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for school chorals . . . and a great festival work, too. Note: The SSAB edition is excellent for choirs with few men. / Choeur Mixte (SSATB) A Cappella
3.60 EUR - Sold by LMI-partitions
(Seller in french langage)
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Peter Philips: O Beatum Et Sacrosanctum Diem SSATB: SATB: Single Sheet
Choral SSATB
SSATB A Cappella
[Sheet music]
Chester
'O Beatum Et Sacrosanctum Diem' arranged for mixed voice choir SSATB.
3.25 GBP - Sold by Musicroom UK
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Henry Aldrich Orlando Gibbons: The Silver Swan Aldrich A Catch On Tobacco: SATB:
Choral SSATB
SSATB A Cappella
[Sheet music]
Novello & Co Ltd.
Composer Orlando Gibbons was the leading English composer of his time the late ...
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Composer Orlando Gibbons was the leading English composer of his time the late 16th and early 17th century. This five-Voice SSATB madrigal is the best known of his many madrigals and remains compellingly beautiful.The sheet music also includes A Catch on Tobacco by theologian philosopher and composer Dr Henry Aldrich. It dates from 1685 when the composer was Dean of Christ Church Oxford and widely known among his contemporaries as a convivial soul who among his writings created a Latin epigramme listing five reasons for drinking. The performance notes stipulate that the round is to be sung by four men while smoking their pipes.
2.99 GBP - Sold by Musicroom UK
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Giuseppe Verdi: Pater Noster: Mixed Choir: Vocal Score
Choral SSATB
SSATB A Cappella
[Vocal Score]
Oxford University Press
For SSATB unaccompanied This five-voice work is an unusual and interesting piece...
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For SSATB unaccompanied This five-voice work is an unusual and interesting piece of moderate difficulty and well worth investigation for any concert programme. Includes an English singing translation.
9.75 GBP - Sold by Musicroom UK
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Handel George Frideric - Foundling Hospital Anthem - Mixed Choir (par 10 Minimum)
Choral SSATB
SSATB A Cappella
Peters
Instrumentation: SSATB a cappella Format: Sheet Music Details: 12 madrig...
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Instrumentation: SSATB a cappella Format: Sheet Music Details: 12 madrigals for 5 voices (Italian/German) Contents: Contents: Ch'ami la vita mia; A che tormi il ben mio; Non si levav' ancor; E dicea luna; S'andasse amor a caccia; O com' e gran martire; Ch'io non t'ami; Anima mia perdona; Che se tu se il cor mio; O Mirtillo; Era l'anima mia gia presso; M'e pi' dolce il penar
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Roderick Williams: O Saviour of the World: Mixed Choir A Cappella: Vocal Score
Choral SSATB
SSATB A Cappella
Peters
O Saviour of the World. Composed for unaccompanied SSATB with an English text fr...
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O Saviour of the World. Composed for unaccompanied SSATB with an English text from the Book of Common Prayer. This five-minute anthem was written for the UK?s Thomas Tallis Society, having in mind Tallis?s famous work for 5 voices with latin text, Salvator Mundi. The music matches the sense of anguish in the text.
3.50 GBP - Sold by Musicroom UK
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Richard Allain: A Wedding Blessing: SSATB: Vocal Score
Choral SSATB
Novello & Co Ltd.
A wedding anthem for mixed voices SSATB setting the text of Richardâ??s broth...
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A wedding anthem for mixed voices SSATB setting the text of Richardâ??s brother Thomas.
1.75 GBP - Sold by Musicroom UK
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Gerald Finzi: Seven Poems of Robert Bridges op. 17/5: SATB: Vocal Score
Choral SSATB
Boosey and Hawkes
No. 5 Nightingales-Nightingales is a beautiful song for 5-part mixed voices (SSA...
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No. 5 Nightingales-Nightingales is a beautiful song for 5-part mixed voices (SSATB) a cappella taken from Gerald Finzi's settings of Seven Poems of Robert Bridges.
6.50 GBP - Sold by Musicroom UK
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Tarik O'Regan: From Heaven Distilled A Clemency: Soprano & SATB: Vocal Score
Choral SSATB
SSATB, Piano
Novello & Co Ltd.
From Heaven Distilled a Clemency is the third movement of Triptych a cantata fo...
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From Heaven Distilled a Clemency is the third movement of Triptych a cantata for choir and string orchestra. The aspirational text is underpinned by rhythmically-driving strings allowing the voices to soar excitedly overheard.
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Heinrich Schütz: Gib unsern Fürsten und aller Obrigkeit no.5 SWV373: SATB: Vocal
Choral SSATB
Barenreiter
From Geistliche Chor-Music-Published in 1648 Heinrich Schütz’s “Ge...
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From Geistliche Chor-Music-Published in 1648 Heinrich Schütz’s “Geistliche Chor-Music” is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig’s revised new text is available (BA 5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout retain the original keys and include an integrated figured bass realisation.In keeping with contemporary performance practice the ‘choral’ parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments (seeperformance material for BA 5901 and BA 5902).- Gib unsern Fürsten und aller Obrigkeit No.5 SWV 373 from 'Geistliche Chor-Music'- Cantus Quintus Countertenor Tenor Bassus Basso continuo ad lib.
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Heinrich Schütz: Verleih uns Frieden genädiglich no. 4 SWV 372: SATB: Vocal
Choral SSATB
Barenreiter
From Geistliche Chor-Music-Published in 1648 Heinrich Schütz’s “Ge...
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From Geistliche Chor-Music-Published in 1648 Heinrich Schütz’s “Geistliche Chor-Music” is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig’s revised new text is available (BA 5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout retain the original keys and include an integrated figured bass realisation.In keeping with contemporary performance practice the ‘choral’ parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments (seeperformance material for BA 5901 and BA 5902).- Verleih uns Frieden genädiglich No.4 SWV 372 from 'Geistliche Chor-Music'- Cantus Quintus Countertenor Tenor Bassus Basso continuo ad lib.
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John Tavener: The Fool (Chorus Part): Mixed Choir: Vocal Score
Choral SSATBB
[Sheet music]
Chester
Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint ...
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Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint the highest of all who discards everything for Christ's sake. He discards all convention all decency all wealth actual and spiritual and turns himself into a figure of fun - defying all acceptable behaviour - and all religious decency. He stands in the square and lets down his trousers - he stuffs himself with food on Good Friday - he gets drunk - he 'appears'to fornicate wildly. There is a faint possibility (in not the highest of 'Fools') of gaining worldly popularity by such flagrant denial of all moral behaviour. Can such behaviour be too interesting? The true fool however embraces all of this and also (unseen) shrinks before the face of his God. By his behaviour he plucks out all hypocrisy false piety and corruption. He is a figure much needed in our times!!! The way I have tried to tacklethis extraordinary subject is to show him in seven stages from an obscene huge fat traditional clown who is drunk fornicating etc. through a stumbling frail agonized figure to a sallow-faced gaunt business man in a formalsuit staring at an empty glass. Having first revered him then mocked him the 'people' while they get drunk and jabber away at 'Christmas' and at the Feast of Feasts 'Easter' are no longer aware of him. But the audience seeshim - a tiny ragged scrap of mortality lying in a corner and faintly so faintly the voice of the Fool the true Fool for Christ's sake sings above the ribald crowd. 'He has given His life'. The Gogmagogs are the 'people' 'priests' 'singers' etc. and one male singer who can 'create' or 'uncreate' this vast role (singing and acting miming etc.) John Tavener Arranged for SSATBB chorus. Date of composition 2000. Chorus part only.
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Richard Dering: Factum Est Silentium: Mixed Choir: Vocal Score
Choral SSATBB
SSATBB A Cappella
Chester
Respond For Michelmas for six voices.
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Rollo Dilworth: The Gift to Sing: Upper Voices a Cappella: Vocal Score
Choral SSATB
Hal Leonard
This gospel-flavored work is a setting of lyrics by famed Harlem Renaissance com...
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This gospel-flavored work is a setting of lyrics by famed Harlem Renaissance composer/poet James Rosamund Johnson depicting the power of music to change darkness to light and sadness to joy. A wonderful selection for combined choirs and festival performances!
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