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DIDGERIDOO
Clarinet and Piano
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Clarinette et Quatuor à Corde… (24)
Quartette Pour Flûtes à Bec … (24)
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Basson, 2 Violons, 2 Altos et … (24)
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Mark Tanner: Cornish Pastiche: Clarinet: Instrumental Album
Clarinet and Piano
-
Easy
Spartan Press
As I sit myself down to write this brief foreword I ask myself can there be mus...
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As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the
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Das fröhliche Weihnachtsliederheft (MAUZ RUDOLF (Arr)
Clarinet and Piano
Schott
Beliebte Weihnachtslieder und internationale Christmas Songs. Par MAUZ RUDOLF (A...
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Beliebte Weihnachtslieder und internationale Christmas Songs. Par MAUZ RUDOLF (Arr.). Rudolf Mauz has arranged these pieces for clarinet and piano, some in a traditional style, others in an original way. All of the pieces are presented in a progressive order. The piano part is easy to play and quite varied. Texts are included providing interesting information and material for Christmas events. A great resource for Christmas concerts and fun around the Christmas tree at home! / Date parution : 2021-12-09/ Recueil / Clarinette et Piano
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Helen Grime: Clarinet Concerto (Clarinet/Piano): Clarinet: Instrumental Work
Clarinet and Piano
[Sheet music]
Chester
For solo Clarinet in Bb and Ensemble.Clarinet and Piano Reduction.Commissioned b...
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For solo Clarinet in Bb and Ensemble.Clarinet and Piano Reduction.Commissioned by the Tanglewood Music Center through the generous support of the Mervyn Geffen M.D. and Norman Solomon M.D. New CommissionsFund.First performance by Brent Besner Clarinet and fellows of the Tanglewood Music Center August 2010.1. With Vigour2. Free and Enigmatic3. CalmoThere is usually some sort of extra-musicalstarting point for my pieces and for the Clarinet Concerto this was ‘The Cracked Bell’ by Baudelaire. In a short space of time the work seemed to take over and move further away the original stimulus with the character andinteractive roles of the soloist and ensemble were suggested by the wintry evocative atmosphere of the poem.The piece opens with declamatory cadenza-like passages in the clarinet that are in turn commented on by theensemble. A more playful section where the clarinet line is very virtuosic leads to a long gently-unfolding melody in the ensemble that begins in the depths of the bass register and gradually gets much higher. Virtuosicclarinet lines interject against the accompaniment and both pursue their own course until culminating in a high impassioned melody for the clarinet coloured by fast-moving passage work in the higher registers of ensemble. Themovement ends with the ‘call and response’ lines of its opening.The second movement opens with an extended solo for the clarinet in its haunting chalumeau register. With each rising phrase the clarinet line gets higheruntil the ensemble enters in unison. The movement becomes much faster and energetic from this point with brisk fleeting lines for soloist and ensemble.The third movement is the most reflective of the three. It opens witha flute solo leading to the solo clarinet line and makes much of the poignant singing style which is so characteristic of the instrument. A melancholy falling passage in the ensemble becomes a recurring feature before the
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My Family And Other Animals For Clarinet And Piano (JOLLIFFE EDMUND)
Clarinet and Piano
[Sheet music]
-
Easy
Stainer and Bell
Clarinet and Piano. Par JOLLIFFE EDMUND. The composer has written extensively fo...
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Clarinet and Piano. Par JOLLIFFE EDMUND. The composer has written extensively for film and television, and his gift for musical characterisation illuminates every bar of My Family and Other Animals. Here is a delightful human menagerie, a family circle with its typical variety of awkward and amiable relatives, beautifully portrayed in music of beguiling simplicity by Edmund Jolliffe. Technically, for beginners and early-grade players, there is an important lesson that musical expression is in essence the expression of personality, often from the most basic musical resources. Brother is a cool repeated phrase - a bit detached. Mum is a gentle lullaby, and Grandmother a soothing, dependable tune. Grandfather turns sweet too, but not before a spiky introduction. From his breezy melody Dad seems on his way elsewhere. Perhaps off to wash the car! / Niveau : Facile / Recueil / Clarinette et Piano
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Bernhard Henrik Crusell: Klarinettenkonzert f-moll op. 5: Clarinet: Score
Clarinet and Piano
G. Henle
Opus 6-The Swedish composer Bernhard Henrik Crusell was long viewed as an inside...
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Opus 6-The Swedish composer Bernhard Henrik Crusell was long viewed as an insider tip among clarinettists; in the meantime his concertos have found their way to the concert stage. This is hardly surprising considering theenchanting music with which Crusell himself a Clarinet virtuoso of international rank has enriched the early romantic repertoire.Crusell’s works needn’t shy from a comparison with Weber’s and Spohr’sClarinet output. This Henle Urtext edition of the F-Minor Concerto marks the beginning of a new publication series of all three Clarinet concertos by Crusell which has been entrusted to the editor andclarinettist Nicolai Pfeffer. Since he combines editorial experience with many years of performance practice the works are in the best possible hands.
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Rêverie et Scherzo: Clarinet: Instrumental Work
Clarinet and Piano
Leduc, Alphonse
French composer conductor and teacher Jules Semler-Collery (1902-1988) was bor...
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French composer conductor and teacher Jules Semler-Collery (1902-1988) was born to a musical father. He studied at the Paris Conservatoire where he won many prizes. Semler-Collery's works have been successful with many of his concertos being included in the Conservatoire's list of compulsory works. Rêverie Et Scherzo for Clarinet and Piano is no exception to the composer's success. Published in 1950 Semler-Collery's Rêverie is marked Andantino Cantabile and is in 6/8 meter. Both the Clarinet solo line and Piano accompaniment are virtousic exploiting rhythm tonality andharmony. A cadenza-like passage is heard towards the end. The Scherzo is marked Molta Leggiero and is staccato in 3/4 meter. Quaver and semiquaver passages are heard with the speed accelerating to a dramatic finale. For all advanced clarinetists Semler-Collery's Rêverie Et Scherzo provides an exciting performance work for performers and audiences alike.
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Bernhard Henrik Crusell: Klarinettenkonzert Es-dur op. 1: Clarinet: Score
Clarinet and Piano
G. Henle
Clarinet Concerto in E flat major op. 1-This edition completes Henle's series of...
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Clarinet Concerto in E flat major op. 1-This edition completes Henle's series of all three Clarinet concertos by the Swedish composer and clarinettist Bernhard Henrik Crusell. Issued in Leipzig in 1811 the Clarinet Concerto In E-FlatMajor Op.1 was Crusell's first published work but had definitely been composed several years prior to this. With its elegant head movement and the simple and moving Adagio it is probably the most“Mozartian” of all of his three concertos although the final rondo is reminiscent of Carl Maria von Weber. The editor and clarinettist Nicolai Pfeffer is now presenting this charming work betweenClassicism and Romanticism on the basis of the first edition. The Piano reduction wonderfully fits the hands and was prepared by Johannes Umbreit on the basis of the original orchestral parts.
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Karen Tanaka: Always In My Heart: Clarinet: Instrumental Work
Clarinet and Piano
[Sheet music]
Chester
For Clarinet and Piano.Quoting Karen Tanaka: Always in My Heart was commissioned...
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For Clarinet and Piano.Quoting Karen Tanaka: Always in My Heart was commissioned by the Japanese clarinetist Yuji Murai. He told me he liked my piece for harpsichord Jardin des herbes. In that piece I tried tocreate the fragrance of aromatic herbs with sound. Murai asked me to write something sweet and similar to Jardin des herbes for his clarinet. Always in My Heart comprises of three pieces: Letter to you Tears in therain and Always in my heart. It was first performed in Tokyo on 26 October 26 1999.
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Pyotr Ilyich Tchaikovsky: The Romantic Clarinet: A Tchaikovsky Collection:
Clarinet and Piano
[Sheet music]
-
Intermediate
Chester
A Tchaikovsky Collection-This collection presents melodies from across the range...
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A Tchaikovsky Collection-This collection presents melodies from across the range and includes passages which clarinettists will find in Tchaikovsky's own orchestral clarinet parts. The pieces should be treated as duets for Clarinet and Piano with theplayers listening carefully to one another. Arranged by Thea King and Alan Frank. Includes score and part.
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J. Lanning: Making The Grade: Grade One And Two: Clarinet: Instrumental Album
Clarinet and Piano
[Sheet music]
-
Beginner
Chester
This collection of 21 popular tunes has been carefully arranged and graded to pr...
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This collection of 21 popular tunes has been carefully arranged and graded to provide attractive teaching repertoire for young clarinettists. The familiarity of the material will stimulate pupils' enthusiasm and encourage theirpractice. The technical demands of the solo part increase progressively up to the standard of Associated Board Grades 1 and 2. The piano accompaniments are simple yet effective and should be within the range of most pianists.Jerry Lanning is a graduate of the Guildhall School of Music and Drama. He is a widely experienced arranger in both popular and classical fields with many published arrangements to his credit. He also teaches(mainly the piano) at Wycombe Abbey School and Bradfield College.
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Darius Milhaud: Duo Concertant Op.351: Clarinet: Instrumental Work
Français
Clarinet and Piano
Heugel
Duo Concertante Op. 351 by Darius Milhaud was composed in 1956 for the Paris Co...
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Duo Concertante Op. 351 by Darius Milhaud was composed in 1956 for the Paris Conservatoire Contest. Many influences can be recognised in this piece: from the Provence where he was born to Jazz and other melodies of South America. Lasting approximately 7 minutes Duo Concertante Op. 351 is started by a fanfare with a strong energy reminiscent of the South of France followed by a simple and moderate Clarinet partly joined by Piano chords. The initial theme is then repeated one last time for the finale. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He wasalso part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443.
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Sarabande Et Theme Varie (HAHN)
Clarinet and Piano
[Sheet music]
Heugel
Par HAHN. Written for the Paris Conservatoire contest of 1903, Sarabande Et Thè...
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Par HAHN. Written for the Paris Conservatoire contest of 1903, Sarabande Et Thème Varie is a piece by Reynaldo Hahn for Clarinet and Piano. Quite challenging, this piece is perfect for advanced students and would work well for a contest or a recital. As the name mentions it, this work is composed with a main sarabande. It is dedicated to Charles Turban, a French clarinettist. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote many pieces and melodies for different instruments./ Répertoire / Clarinette et Piano
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Duo Concertant (MILHAUD DARIUS)
Clarinet and Piano
[Sheet music]
Heugel
Par MILHAUD DARIUS. Duo Concertante, Op. 351 by Darius Milhaud was composed in 1...
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Par MILHAUD DARIUS. Duo Concertante, Op. 351 by Darius Milhaud was composed in 1956 for the Paris Conservatoire Contest. Many influences can be recognised in this piece: from the Provence where he was born, to Jazz and other melodies of South America. Lasting approximately 7 minutes, Duo Concertante, Op. 351 is started by a fanfare with a strong energy reminiscent of the South of France, followed by a simple and moderate Clarinet partly joined by Piano chords. The initial theme is then repeated one last time for the finale. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. He wasalso part of the Les Six and was strongly influenced by Jazz. His opus list ended at 443./ Répertoire / Clarinette et Piano
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J. Lanning: Making The Grade At Christmas: Clarinet: Instrumental Album
Clarinet and Piano
[Sheet music + CD]
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Easy
Chester
Easy popular Christmas pieces for young Clarinettists carefully arranged and gr...
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Easy popular Christmas pieces for young Clarinettists carefully arranged and graded to provide attractive teaching repertoire by Jerry Lanning and complete with a CD of accompaniments. New concepts and techniques areintroduced progressively and the familiarity with the material will stimulate pupils' enthusiasms and encourage their practice. The popular Christmas melodies will bring a smile to the face of every performer and listener especially when heard with the backing tracks! The CD also features a demonstration version of each piece to help you work through those tricky phrases.Suitable for players grades 1-2 standard.
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Niels Wilhelm Gade: Fantasy Pieces op. 43 for Clarinet and Piano: Clarinet:
Clarinet and Piano
G. Henle
clarinet part in B flat-Along with Robert Schumann?s identically titled op. 73 ...
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clarinet part in B flat-Along with Robert Schumann?s identically titled op. 73 the Fantasiestücke of 1864 by the Danish composer Niels Wilhelm Gade are an essential part of the repertoire of all clarinettists. Gade lived in Leipzig for a long time andhad been among Schumann?s close friends. With this deeply romantic composition he made an important contribution to establishing the clarinet as a chamber-music soloist. The four pieces in this collection can of course beperformed separately and are ideal teaching material. Our editor the clarinettist Nicolai Pfeffer has drawn upon the German and Danish first editions and the autograph in Copenhagen as sources and consequently has been able toeliminate several discrepancies found in older editions.
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Felix Mendelssohn Bartholdy: The Romantic Clarinet: A Mendelssohn Collection:
Clarinet and Piano
[Sheet music]
-
Intermediate
Chester
Thea King and Alan Frank have selected and arranged beautiful themes derived fro...
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Thea King and Alan Frank have selected and arranged beautiful themes derived from the vocal choral piano and orchestral works by Mendelssohn. This collection presents rewarding repertoire for players from grade 3 to 5 standard.
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Romantic Clarinet Anthology Vol.1
Clarinet and Piano
[Sheet music + CD]
Schott
This creative collection of easy pieces is intended to open up the wealth of Rom...
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This creative collection of easy pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes well known and popular themes by the great composers of this era. The book concludes with short studies by Friedrich Demnitz - a famous clarinettist of the period.The pieces selected here have been sensitively arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course they may also be enjoyed when played at home, along with the accompaniment tracks on the CD. / Clarinette Et Piano
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Fantasy Pieces For Clarinet And Piano Op. 73
Clarinet and Piano
Wiener Urtext
Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of...
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Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community. / Clarinette Et Piano
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Easy Pop Tunes For Clarinet Grades 2 To 3 Cd
Clarinet and Piano
[Sheet music + CD]
-
Intermediate
Chester
Cette sélection de 10 grandes chansons a été particulièrement graduées, arr...
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Cette sélection de 10 grandes chansons a été particulièrement graduées, arrangé et transposé en touches appropriées pour la clarinette et augmentera la jouissance de jouer à un stade précoce de l'apprentissage. Les accompagnements piano ne conviennent pas pour les joueurs intermédiaires et il y a superbe démonstration et jeu-le long de pistes support sur le CD-ROM inclus. / Clarinette
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Zurück Zur Gegenwart?
Clarinet and Piano
Schott
Inwieweit ist die oft zu hörende These berechtigt, der zufolge sich die zeitgen...
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Inwieweit ist die oft zu hörende These berechtigt, der zufolge sich die zeitgenössische Musik der letzten Jahre in völlig neuartiger Weise auf die Gegenwart bezieht und sich in ihr eine konzeptionelle Wende vollzieht? Die 68. Frühjahrstagung des Instituts für Neue Musik und Musikerziehung in Darmstadt vom 23. bis 26. April 2014 diskutierte grundsätzliche Erfahrungen und Auffassungen zu dem, was Aspekte wie etwa Engagement, Alltäglichkeit oder Wirklichkeitsbezug in Musik überhaupt heißen können. Sie porträtierte die Komponisten Helmut Lachenmann und Manos Tsangaris. Und sie brachte KomponistInnen der mittleren und jüngeren Generation ins Gespräch, die mit bestechender Energie und einer neuen Vielfalt an digitalen Möglichkeiten auf einen Paradigmenwechsel zielen: Brigitta Muntendorf, Annesley Black, Trond Reinoldtsen, Hannes Seidl, Martin Schüttler, Mesias Maiguashca und Manos Tsangaris. Weitere AutorInnen des Bandes sind Jörn Peter Hiekel, Dieter Mersch, Patrick Frank, Lydia Jeschke, Wolfgang Rüdiger, Rainer Nonnenmann, Barbara Balba Weber, Wolfgang Lessing und Raoul Mörchen. / Livre
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Bernhard Henrik Crusell: Clarinet Concerto B flat major op. 11: Clarinet: Score
Clarinet and Piano
G. Henle
Clarinet and Piano-Following the Henle edition of the Grand Concerto In F Minor ...
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Clarinet and Piano-Following the Henle edition of the Grand Concerto In F Minor Op. 5 (HN 1209) the series of Crusell’s Clarinet concertos has been expanded to include the one in B flat major op. 11. The Swedish composer washimself a prominent Clarinet virtuoso and the concertos were tailor-made for himself so to speak. Despite being technically very demanding the Concerto In B Flat Major avoids being overly virtuosic and wins usover with its melodic ingenuity. It is a very welcome addition to the early Romantic repertoire for the Clarinet. The clarinettist Nicolai Pfeffer edited the edition in an exemplary manner consulting the solesurviving source the first edition of 1829. Johannes Umbreit was responsible for the study score which wonderfully fits the hands.
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Peter Maxwell Davies: Strathclyde Concerto No. 4 (Clarinet Part): Clarinet: Part
Clarinet and Piano
[Sheet music]
Chester
Davies's feeling for the potency and bravura of the clarinet goes back to works ...
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Davies's feeling for the potency and bravura of the clarinet goes back to works of the 1960s; his concerto for the instrument is predictably a big ranging piece in two linked movements. The first fast with a brief slowintroduction has the soloist in propulsive melodic flights slipping over into florid runs but it is a virtuoso piece for the orchestra especially for the marimba and pair of horns. The Adagio that follows is in the spare cold birdcall-riven style of other recent Davies slow movements exploiting first the clarinet's low register and then at its climax the instrument's high extremes. A cadenza leads to the coda where Davies introduces a Scots tune previously hinted at with which he brings the work to an end in F sharp major.Clarinet part with piano reduction of the orchestral score.
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Bernhard Heiden: Sonatina: Clarinet and Accomp.: Instrumental Work
Clarinet and Piano
Associated
Bernhard Heiden (1910 - 2000) was a German conductor composer and music teache...
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Bernhard Heiden (1910 - 2000) was a German conductor composer and music teacher who settled in the United States in 1935. He started composing pieces at the age of 6 and studied Piano Clarinet and Violin from an early age. Much of his music is for either chamber groups or solo wind or string instruments with Piano. His Sonatina For Clarinet And Piano is one of this most frequently played works. It is written in three movements: Con Moto Andante and Vivace.
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Sonatas for Clarinet and Piano op. 120: Clarinet: Instrumental Work
Clarinet and Piano
Barenreiter
Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for C...
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Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising
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A Song From The Heart (EWAZEN ERIC)
Clarinet and Piano
Theodore Presser Co.
Par EWAZEN ERIC. Originally composed for Trumpet and Piano, A Song from the Hear...
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Par EWAZEN ERIC. Originally composed for Trumpet and Piano, A Song from the Heart is one of those rare new works that immediately captures performers and listeners in a wide range of settings. A beautiful melodic solo sings over a lush piano accompaniment, with passages that stick in the mind well after the performance. A Song from the Heart will be at home on any program, whether memorials, recitals, or weddings. For intermediate to advanced performers./ Répertoire / Clarinette en Sib et Piano
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Joy of Music ? Discoveries from the Schott Archives
Clarinet and Piano
[Sheet music]
Schott
Virtuoso and Entertaining Pieces for Clarinet and Piano. À l'occasion de son 25...
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Virtuoso and Entertaining Pieces for Clarinet and Piano. À l'occasion de son 250e anniversaire, Schott Music a le plaisir de vous présenter Joy of Music. Des trésors découverts dans les archives historiques, réédités et présentés dans cette très belle collection. Des ?uvres en grande partie de l'époque romantique, pour des musiciens de niveau intermédiaire à confirmé à la recherche de nouveautés./ Recueil / Clarinette et Piano
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The Chester Clarinet Anthology: Clarinet: Instrumental Album
Clarinet and Piano
[Sheet music]
-
Intermediate/advanced
Chester
14 Popular Works-14 popular works for Clarinet with Piano accompaniment featurin...
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14 Popular Works-14 popular works for Clarinet with Piano accompaniment featuring selected works from the major exam board syllabuses spanning Grades 5 to 8 and beyond. Includes pull-out part and performance notes by EmmaJohnson. 'Every clarinettist needs the music in this book: an essential library for any player who is beginning to explore the repertoire... A faboulous book - highly recommended'.Music Teacher - February 2018
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Donato Lovreglio: Fantasia La Traviata: Opera: Instrumental Work
Clarinet and Piano
[Sheet music]
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Intermediate/advanced
Chester
The nineteenth century saw an enthusuasm for Italian opera which live performanc...
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The nineteenth century saw an enthusuasm for Italian opera which live performance could never satisfy. In the absence of gramophone and radio the instrumental transcription flourished and composers often themselves virtuosoperformers found in the most popular arias ready material for their own sets of variations. Here is an outstanding example:Donato Lovreglio (1841-1907)played the flute and composed many pieces for his own instrument mainlyoperatic fantasias as well as a few for the clarinet. In Fantasia On The Opera 'La Traviata' he demonstrates his remarkable ability to write variations which whilst providing a dazzling display of notes neverthelessremain faithful to the character of the Verdi arias which inspired them.
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Robert Schumann: Soireestucke Op.73: Clarinet: Instrumental Album
Clarinet and Piano
Faber Music Limited
These three pieces for Clarinet and Piano are already well known under the title...
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These three pieces for Clarinet and Piano are already well known under the title Phantasiestucke Op.73. What is not generally known is that numerous important differences exist between the original manuscript and the first published version (the further model for all later editions). For the first time ever the pieces are being published exactly as they appear in Schumann's manuscript entitled Soireestucke.All points of difference between the manuscript and the first edition are outlined in a full commentary by Richard Platt and the significance of these differences emphasised by Alan Hacker in his Foreword where he comments on the superior strength of theoriginal: 'greater assymetry slightly varied harmony and many other touches all intensify passionate and impulsive instability the main expression of the work.'
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