SKU: LM.26846
ISBN 9790230968461.
Just in - Care-Free - With Gab - Walkin'in a Louisiana Street - Dede in the Middle - Call-Back - Two Stomp for You - Robert's Tune - Why 34' ? - As she Like it - Around it - Eastern Nostalgia - Up and Down Blues - Hi Chazz - Coming Together.
SKU: HL.44005643
UPC: 884088041137. 9x12 inches. International (more than one language).
Concertino No. 1 in F major for cello and piano. In The Platinum Series this excellent piece has been published in an edition for clarinet. On the CD that comes with the book you will first hear the piano accompaniment alone, followed by the demo version with both clarinet and piano. It is of course more instructive and enjoyable to play with a live accompanist if you can, using the piano part that is also included. This piece is a great addition to the clarinet repertoire!Een van de bekendste werken van Jean-Baptiste Breval is het Concertino No. 1 in F major voor cello en piano. Dit is voor The Platinum Series speciaal voor de klarinet bewerkt. Op de fantastische cd zijn eerst de pianobegeleidingente horen en vervolgens de schitterende demoversies - met klarinet en een live ingespeelde piano. Natuurlijk is het nog leerzamer en aangenamer om echt samen met een pianist te musiceren. Een aanwinst voor het klarinetrepetoire!Das ursprunglich fur Cello und Klavier geschriebene Concertino Nr. 1 in F-Dur des franzosischen Komponisten Jean-Baptiste Breval. Das dreiteilige Werk setzt sich aus einem lebhaften Allegro, einem lyrischen, majestatischen Mittelteil und einem resoluten Allegretto zusammen. Anstelle des Pianisten kann auch zur beiliegenden CD gespielt werden, auf der neben der Begleitung auch eine vollstandige Demoversion zu horen ist.Die Reihe The Platinum Series enthalt bekannte klassische Werke fur verschiedene Instrumente, die nun verschiedenen Holzblasern zuganglich gemacht wurden und sich in ihrer neuen Form wunderbar als Konzertstucke eignen. Die CDs derPlatinum Series bieten Ihnen die Gelegenheit, zu einer schonen Begleitung, die live mit Klavier, Cembalo, Kammerensemble oder gar Sinfonieorchester eingespielt wurde, zu spielen. Auf der CD erklingen jeweils alle Begleitungen und Demo-Versionen. Die Stucke mit Basso continuo, der auf dem Klavier oder Cembalogespielt werden kann, enthalten jeweils eine separate Solo- und Cellostimme, sodass sie auch von einem Ensemble aufgefuhrt werden konnen. Alle sechs Ausgaben sind im Schwierigkeitsgrad mittelschwer - schwer. La collection Platinum Series rassemble des œuvres classiques composees a l'origine pour divers instrument et idealement adaptees pour des instruments a vent de la famille des bois. Chaque ouvrage de cette collection est enrichi d'un compact disc (version integrale + accompagnement) d'une grande qualite musicale. Pour vous offrir un excellent confort de jeu, les accompagnements ont ete confies au piano, au clavecin, a un ensemble de musique de chambre et quelquefois meme a un Orchestre Symphonique. Les oeuvres avec basse continue (adaptee pour le piano ou le clavecin) disposent d'une partie soliste et d'une partie pour violoncelle separees afin de pouvoir constituer unensemble instrumental. La collezione >The Platinum Series e sinonimo di alta qualita. Troverete le piu importanti pagine di musica trascritte per strumenti a fiato. Sul CD sono registrati dapprima l'intero brano col solista, e poi le sole basi musicali d'accompagnamento, realizzate con strumenti autentici che realizzano il basso continuo al clavicembalo. Da oggi potrete interpretare col saxofono le musiche di grandi compositori come Benedetto Marcello, oppure suonare al clarinetto la trascrizione del Concerto n.1 di Breval per violoncello. Per le composizioni da suonare in duo, troverete sul CD sia l'incisione completa del brano, che la sola seconda voce o il solo Basso continuo, cosi da potersuonare sia da soli che assieme ad un vostro amico.
SKU: ST.C143
ISBN 9790570811434.
Alexander Konstantinovich Glazunov (1865-1936) trained under Rimsky- Korsakov and became the most illustrious Russian composer and conductor immediately succeeding Tchaikovsky. Glazunov’s close affinity with the Saint Petersburg Conservatory, of which institution he would later become Director for more than two decades, placed him ideally to assist in the Institute’s transition to the Petrograd Conservatory in the immediate wake of the Bolshevik Revolution of 1917. For the last six years of his life, Glazunov left the USSR, feeling hemmed in by propagandist restrictions and at the same time out of kilter with the Modernist movement.He lived in exile for a time, touring the USA, before eventually settling in Paris, though his stoical brand of Russian Romanticism never waned. Despite being partly remembered for having taught Shostakovich, Glazunov was never known as a revolutionary composer, more inclined to align himself with 19th century ideologies than with the thrusting new compositional paths forged by Prokofiev and others. Indeed, the nationalistic movement so successfully espoused by Balakirev found a new energy in Glazunov’s hands, and he discovered an opulence of scale which leaned more in the direction of Borodin.There can be no doubting Glazunov’s technical mastery, which successfully drew together contrapuntal, lyrical and virtuosic skills, and which were admired by the likes of Liszt. Glazunov steered a steady course at a time when it was most sorely needed; one need only hear the marvellous Violin Concerto in A minor to experience the full power and authority of his writing, though he possessed an enviable touch with more intimate forms too, such as those readily to be heard in these three charming Miniatures Op.42, originally composed for piano.Clarinet and PianoTranscribed by Mark TannerGrades 6 & 7 (Trinity Grades 6 & 7 syllabuses)Former Spartan Press Cat. No.: SP1360.
SKU: HL.48025291
ISBN 9783793144342. UPC: 196288172154. 9.0x12.0x0.062 inches.
“When I came to Sydney from Russia in 1975 with my sister and parents, we took only a few belongings with us, including beautiful hand-embroidered bed linen. It was so valuable that we never used it. One day I wanted to take a look at these treasures but found that they had moth holes. To ease the pain of losing the family heirloom, I decided to write this piece,†says Elena Kats-Chernin. The result was a ragtime (the English word “rag†also means “shredâ€), interspersed with pauses symbolising the holes. Staccato notes, especially in the clarinet part, represent the biting moths.
SKU: IS.CP6054EM
ISBN 9790365060542.
Charles Camilleri (1931 - 2009) was a Maltese composer. As a teenager, he composed a number of works based on folk music and legends of his native Malta. He moved from his early influences by Maltese folk music to a musical form in which nothing is fixed and his compositions evolve from themselves with a sense of fluency and inevitability. He composed over 100 works for orchestra, chamber ensemble, voice and solo instruments. Camilleri's work has been performed throughout the world and his research of folk music and improvisation, the influences of the sounds of Africa and Asia, together with the academic study of European music, helped him create a universal style. Camilleri is recognized in Malta as one of the major composers of his generation. He died on 3 January 2009 at the age of 77. His funeral took place two days later at Naxxar, his long-time town of residence. Flags across Malta were flown at half-mast in tribute to him.
SKU: HL.48024544
9.0x12.0 inches.
Newspaper advertisements of hotels and music halls announced: 'Boulanger plays today' - Georges Boulanger (1893-1958) was one of themost famous café violinists and band leaders of his time. He performed in Romania, Russia, Dresden, Berlin, London and Brazil and appeared on the screen next to many film stars in the 1930s/1940s. He left about 250 compositions, all of which were inspired by Balkan folklore and light Viennese music. Avant de mourir, written in 1926 and known as My Prayer in English-speaking countries, is one of his greatest hits which was recorded on vinyl by Glenn Miller, Jimmy Dorsey, Ella Fitzgerald, Lionel Hampton, Bert Kaempfert,Gene Krupa, Dean Martin, Roy Orbison, and Engelbert Humperdinck. The version of The Platters from 1956 reached the top of the charts. The wistful piece was often used in films as well.
SKU: BR.EB-32111
The first edition of a forgotten treasure
ISBN 9790004186763. 9 x 12 inches.
There are many composers of whom it is said today that they had gone back in time or had composed against contemporary taste. Today, the question arises, though, as to what of value is to be extracted, rediscovered, or re-edited. Camillo Schumann (1872-1946) is one of these nearly forgotten composers. His works are still largely unknown today. Schumann's tonal language combines the Brahmsian sound scape with the grand late romantic Liszt school. His piano pieces range even to sounds reminiscent of Rachmaninoff and are of tremendous power and virtuosity. The pronounced and inventive melody makes the works the testimony of a composer who has not yet come to the fore. His two sonatas for clarinet and piano have hitherto remained completely unknown. This is astonishing, for they are on the level of the sonatas of Johannes Brahms, who probably contributed the most essentially to this genre. Surfacing as a special treasure from the estate of the Saxon musicologist and collector Harald Schurz were the autographs of both clarinet sonatas, now to be published for the first time. Remember falling in love with the expressive qualities of the Brahms sonatas? You can rekindle that feeling with these works by Camillo Schumann. Commentators have compared Schumann's works not only to Brahms, but also to Liszt and Rachmaninoff. Run to your shop and order now.(Gregory Barrett, The Clarinet)The first edition of a forgotten treasure.
SKU: BR.EB-32112
ISBN 9790004186770. 9 x 12 inches.
SKU: HL.50490264
ISBN 9790080145494. 8.5x11.25x0.927 inches. Adam Kondor.
Variations on a Double is a real musical leviathan: almost an hour long, it is a sound-monstrosity that makes exceptional demands of the performers, and is the product of an unusual degree of fusion of the clarinet with the piano. Composed in 2005 for Csaba Klenyan and Gabor Csalog, the work interprets the meaning of the musical +double+ in an unconventional way: in it there is not a union of two independent instrumental characters, each with its individual identity - as in a grandiose sonata; instead, its artistic form tends in exactly the opposite direction. A single, monodically conceived unit of musical material passes over and over again through the doubling; they do not form two parts, yet do not unite in unison, but present the split face of a single endless - fragmented and episodic - monologue, like Siamese twins. Beware, this is only for the musically mature!
SKU: CZ.9798879339963
ISBN 9798879339963.
Discover Jazz Hymns â where cherished hymns meet the vibrant world of jazz! Immerse yourself in the timeless essence of twenty beloved hymns, now adorned with sophisticated jazz harmonies, designed to be easily performed by music enthusiasts of all levels.This unique collection features classics like 'Amazing Grace,' 'How Great Thou Art,' and 'What a Friend We Have in Jesus,' each thoughtfully arranged to blend tradition with the allure of contemporary jazz. Featuring beautiful arrangements, online audio mp3s and included lyrics, this book is a comprehensive resource for both musicians and congregations alike.Ideal for church services, personal devotion, or musical gatherings, these hymns resonate with a newfound energy while honoring their sacred roots. Elevate the ambiance of your gatherings and infuse them with the rich melodies and fresh harmonies found within Jazz Hymns.Embrace the beauty of tradition reimagined and experience the joy of playing these timeless hymns, perfectly suited for musicians seeking a harmonious blend of classic and modern influencesJazz Hymns is available is editions for flute, oboe, clarinet, saxophone, trumpet, trombone, violin, viola, cello, guitar and solo piano.
SKU: MA.EMR-50849
Cinderella / Sleeping Beauty / The Toy Festival / Funny Cats / A Dog's Life / Pirates / Serenade and Arabesque / Irish Variations / Russian Variations / A Russian Fantasy.
SKU: HL.44005963
ISBN 9789043149501. UPC: 884088044336. 9x12 inches. English-German-French-Dutch.
Tasty Tunes is a collection of short repertoire or concert pieces forthe developing instrumentalist. The descriptive titles, such as JellyCopters, Dough Raises Me, A Cream Tease and Cornish Pastichehelp conjure the mood of the music and act as a stimulus for theperformer. With a mixture of styles and tempi these piecesrepresent a worthwhile challenge for players of grades three tofive standard. Pieces may be performed individually or combinedin any number to create a suite - or perhaps a sweet? Although themusic is approachable and light in character, it provides importantand technical musical experience. Enjoy playing and wet youraudience's appetite! A separate pianoaccompaniment part isincluded with this book. 'Leckere Melodien' - ist voll von kurzen Repertoire oder Konzertstucken fur den etwas fortgeschrittenen Instrumentalisten. Aussagekraftige Titel beschworen verschiedene musikalische Stimmungen herauf und machen dem Spieler die Musik schmackhaft. Die Stucke konnen einzeln oder in beliebiger Anzahl kombiniert zu einer Suite gespielt werden. Der Charakter der Musik ist zwar eingangig und leicht, mit Tasty Tunes werden aber auch wichtige technische und musikalische Erfahrung gesammelt. Die CD enthalt Demo- und Mitspielversionen aller Stucke.Tasty Tunes (Melodies savoureuses) se developpe au gre d'un parcours musical gouteux ponctue d'oeuvres courtes et variees. La version papier des accompagnements de piano est jointe au recueil. Tasty Tunes (Melodie saporite) si sviluppa attraverso un percorso musicale gustoso punteggiato di brani corti e variati. Le musiche possono essere interpretate singolarmente oppure unite in una suite. Nonostante le musiche siano accessibili e leggere di carattere, offrono un materiale tecnico motivante per un'esperienza musicale interessante.
SKU: PR.144407370
ISBN 9781491131688. UPC: 680160680016.
Ethereal and meditative, Lauren Bernofsky’s SOLITUDE is a 5-minute poem infused with both warmth and poetic desolation. Originally composed with the B( Clarinet in mind, this publication also includes an ossia part for A Clarinet. SOLITUDE has been recorded by clarinetist Jessica Lindsey on her Albany CD, “Set No Limits (Music by Women Composers)â€.
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