SKU: HF.FH-3321
ISBN 9790203433217. 9 x 12 inches.
1. Qi Chang Qi Zou ; 2. Double Bass Shi Wo Peng You ; 3. Da Kai Wen Zhang ; 4. Xiao Xiao Shou Zhi ; 5. Wa Ha Ha !; 6. Bu Ting Chang Ge ; 7. Hao Peng You ; 8. Ha Ha Ha ; 9. Kan Kan Shi Jie ; 10. Hui Gu Niang De Qi Dai ; 11. Chui Niu De Xiao Wu Gui ; 12 .Meng Jing ; 13. Xiao Qing Wa Qu Dong Wu Yuan ; 14. An Xian Ge ; 15. Wu Zhi Xiao Mao Miao Miao Jiao ; 16. Wan Sheng Jie ; 17. Yi Shan Yi Shan Xiao Xing Xing ; 18. Zhu Ye Su Jiang Shi.
SKU: BR.EB-8814
ISBN 9790004183816. 9 x 12 inches.
In Book 2 we progress from the first position up and beyond the half, second and third positions to reach the second high position. Shifting is also obviously treated in detail. New bowing techniques such as spiccato and col legno are on the program, as well as typical double-bass parts from orchestral works of famous composers and information concerning the instrument. This runs like a red thread through every chapter. In addition, students can indulge in jazz bass playing through their first jazz standards.Kontrabass Book 2 offers a wealth of material for the progressing young bassist. Although the text is in German, most of the technical requirements are easy to understand. (David Heyes , Double Bass Sheet Music Reviews)We didnt want to let all those enthusiastic double-bass students wait too long for the second book of Kontrabass! - so here it is!
SKU: AP.12-0571543030
ISBN 9780571543038. English.
Stringtastic Book 2: Double Bass teaches through playing in an engaging exploration of musical styles. Part of the fully integrated Stringtastic series in which violin, viola, cello, and double bass can all learn and play together in any combination. Learn as you play through the world of Stringtastic, with 62 imaginative pieces that have been specifically designed to establish a secure playing technique and build confidence one step at a time. Following on from Stringtastic Book 1, this book takes the student from Grade 1 (Early Elementary) to Grade 2 (Elementary) level. Featuring equal-level duets for all instruments, the pieces are ideal for individual and group tuition as well as flexible ensemble and classroom settings. Every piece is supported by an exciting backing track plus a piano-only track for practice---all available to download. The Stringtastic Book 2: Teacher's Accompaniment book provides the complete piano score which works with any combination of the instrumental parts. Mark Wilson and Paul Wood have developed an engaging and accessible new series of string-playing method books⦠The presentation will appeal to young learners, and the careful, well-conceived pedagogy will thrill their teachers! Furthermore, the Stringtastic integrated approach gives proper deference to the social aspect of music-making by allowing violinists, violists, cellists, and bassists to play together from the start. I look forward to sharing this method with my young students and colleagues in early music education. -- Dr. Mark Elliot Bergman, Director of Strings and Orchestral Studies, Sheridan College.
SKU: BA.BA10418-85
ISBN 9790006564699. 32.5 x 25.5 cm inches. Key: G major.
Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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