Tout d'abord publié en Allemagne en 1964, Ave Maria de Franz Biebl était initialement inscrit pour choeur d'hommes 7-partie. Cette transcription expressive est basée sur une version de choeur mixte afin de mieux correspondre à l'enregistrement d'un ensemble à vent. Cuivres et bois stratifiés créent l'effet de la version chorale chevauchement des voix mâles et femelles. / Ensemble A Vent

Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two movements were performed, and possibly composed, independently from each other.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large-scale choral works, operas and symphonies, Haydn's Symphony #26 is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?. The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all of the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts available in a large format (25.5 x 32.5 cm) / Ensemble A Vent

Overture fougueux de Suppé est instantanément reconnaissable et dans cette transcription par Joseph Kreines, parfaitement adapté pour les performances de bande de concert ! / Ensemble A Vent