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DIDGERIDOO
French Horn and Piano
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M. Tanner: Cornish Pastiche: French Horn: Instrumental Album
French Horn and Piano
[Sheet music]
Spartan Press
Timeless Cornish Melodies-As I sit myself down to write this brief foreword I a...
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Timeless Cornish Melodies-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the
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On The River D 943 For Voice, Horn And Piano
Français
French Horn and Piano
G. Henle
The scoring of Schubert's Auf dem Strom (On the River) for voice, horn and piano...
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The scoring of Schubert's Auf dem Strom (On the River) for voice, horn and piano is reminiscent of that of the Hirt auf dem Felsen (Shepherd on the Rock, HN 969) with obligato clarinet. Both pieces were written in 1828 and each one upon a musician's request - in this case that of the horn player Rudolf Lewy. Schubert gave the first performance of Auf dem Strom with the latter and the tenor Ludwig Tietze on 26 March 1828 in Vienna. It was such a success that it was soon performed again, and the press raved about it being an 'indescribable treat for the ears?. This popular work is now available in a handy format for singers, with, of course, parts for horn in E as well as a transposition for horn in F. / Voix, Cor Et Piano
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Wolfgang Amadeus Mozart: Concerto For Horn And Orchestra No. 4 Eb Major: French
French Horn and Piano
G. Henle
Oddly Mozart wrote out the score of his most famous Horn Concerto not only in b...
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Oddly Mozart wrote out the score of his most famous Horn Concerto not only in black ink but also in red green and blue. Whether he meant this as a genial prank or had higher aspirations in mind willremain an eternal mystery. Whatever the case Henle‘s Piano reduction takes Mozart at his word and prints the enclosed urtext Horn part in exactly the same colours as are found in the autograph score. Perhaps themulti-coloured publication will inspire Horn players to create new interpretations of this popular concerto.
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Henri Büsser: Cantecor Cor En Fa Et Piano: French Horn: Instrumental Work
French Horn and Piano
[Sheet music]
Leduc, Alphonse
French composer Henri Büsser entered the Paris Conservatoire in 1889. He won th...
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French composer Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer conductor teacher and organist. His compositions for a variety of instruments are exceptional Cantecor for Horn and Piano being no exception. As reflected in Cantecor for Horn and Piano Büsser's compositional style was sophisticated yet true to the 19th Century French tradition. Elements of Cantecor for Horn and Piano include chromaticism exploitation of tonality complex rhythms and significant tempo changes among other aspects. For all advanced Horn players Büsser's Cantecor for Horn and Piano is essential for a varied repertoire.
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Carl Maria von Weber: Concertino Op. 45 For Horn And Orchestra: French Horn:
French Horn and Piano
G. Henle
For Horn And Orchestra-The horn is surely the most ?romantic? of instruments an...
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For Horn And Orchestra-The horn is surely the most ?romantic? of instruments and it is a well-known fact that it plays a prominent role in Weber?s oeuvre. Der Freischütz and Oberon would be unthinkable without their horn calls whether to signifyyearning or the clarion call of the hunt. But Weber did more than give the instrument important solo parts in his operas; he also wrote a virtuoso concert piece that to this day is regarded as one of the most difficult in thewhole horn repertoire not least because the soloist has to play three-part chords (!) in the cadenza. This Henle Urtext edition is based on the autograph the engraver?s copy (checked by Weber himself) and the first edition andso offers the best possible musical text for those wishing to learn this highly effective virtuoso piece. The Preface also for the first time provides biographical details of Sebastian Rauch the Munich horn player whocommissioned this Concertino.
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Potter And The Prisoner (WILLIAMS JOHN)
French Horn and Piano
[Sheet music + CD]
Warner Bros.Publications
Par WILLIAMS JOHN. selections from Harry Potter and the Prisoner of Azkaban Inst...
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Par WILLIAMS JOHN. selections from Harry Potter and the Prisoner of Azkaban Instrumental solo book, accompaniment CD and set of performance parts for horn in F and piano accompaniment. With fingering chart, black and white photos and color photos. The arrangements are completely compatible with each other and can be played togor as solos. Each book contains: A carefully edited removable part that is appropiate for the Level -3 player, a piano accompaniment that can be easily played by a teacher or intermediate piano student (it includes the instrumental solo part in concech, added above the piano part so the accompanist or teacher can follow the soloist), a fully orchestrated accompaniment CD with each song on the Cd includes a Demo track, which features a live instrumental performance, followed by the Play-along traitself. Double Trouble - A Window To The Past/ Recueil / Cor et Piano
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A Song From The Heart (EWAZEN ERIC)
French Horn and Piano
Theodore Presser Co.
Par EWAZEN ERIC. Originally composed for Trumpet and Piano, A Song from the Hear...
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Par EWAZEN ERIC. Originally composed for Trumpet and Piano, A Song from the Heart is one of those rare new works that immediately captures performers and listeners in a wide range of settings. A beautiful melodic solo sings over a lush piano accompaniment, with passages that stick in the mind well after the performance. A Song from the Heart will be at home on any program, whether memorials, recitals, or weddings. For intermediate to advanced performers./ Répertoire / Cor en Fa et Piano
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Peter Maxwell Davies: Horn Concerto (Horn And Piano): French Horn: Instrumental
French Horn and Piano
[Sheet music]
Chester
This work was commissioned by the Royal Philharmonic Orchestra. It was first per...
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This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 2nd May 2000 at the Barbican Centre London by Richard Watkins. Peter Maxwell Davies: The horn writing is extremely virtuoso throughout not least in exploring the full range of the horn from the deepest notes in the bass normally exclusive to an orchestral fourth horn player to the highest most exposed sostenuto of a first horn soloist presenting herechallenges of embouchure and sheer stamina I should think fairly unprecedented.Duration c.23 minutes. Miniature score on sale CH61757 Conductor's score and orchestral parts on hire.
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Jean-Michel Damase: Berceuse Cor En Fa Et Piano: French Horn: Instrumental Work
French Horn and Piano
[Sheet music]
Leduc, Alphonse
Composed for upper-beginners Berceuse Op.19 is a piece for F Horn and Piano a...
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Composed for upper-beginners Berceuse Op.19 is a piece for F Horn and Piano accompaniment by J. M. Damase. Quite short this piece is quite easy with a difficulty level 3°. Really nice and peaceful this piece is perfect to enjoy playing music aside from all the exercises and études necessary for beginners. The Horn begins “Andante” with a theme in seven measures accompanied by chords on the Piano. A really melodious part then features until the end of the piece when the initial themes are played again a Tempo. J. M. Damaseis a French musician and a great composer who wrotenumerous lyrical works and some chamber music. One of his most famous pieces is the Sonata for Flute and Harp.
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Richard Strauss: Andante in C major for Horn and Piano: French Horn:
French Horn and Piano
G. Henle
In the summer of 1888 while also working on his tone poem Don Juan Richard Str...
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In the summer of 1888 while also working on his tone poem Don Juan Richard Strauss composed this brief Andante for his father Franz Strauss a member of the Munich Court Opera and one of the greatest horn players of his age. The Andante was intended as the slow movement ???of a still unfinished??? sonata that Strauss however never did complete (to the chagrin of all horn players). The piece thus remained unpublished until 1973. For the new Urtext edition by G. Henle Publishers the original autograph manuscript held at the Munich Public Library was able to be examined directly. The Andante is of only moderate difficulty and is ideally suited for teaching purposes and as aneffective Romantic performance piece. In the summer of 1888 while also working on his tone poem Don Juan Richard Strauss composed this brief Andante for his father Franz Strauss a member of the Munich Court Opera and one of the greatest horn players of his age. The Andante was intended as the slow movement ???of a still unfinished??? sonata that Strauss however never did complete (to the chagrin of all horn players). The piece thus remained unpublished until 1973. For the new Urtext edition by G. Henle Publishers the original autograph manuscript held at the Munich Public Library was able to be examined directly. The Andante is of only moderate difficulty and is ideally suited for teaching purposes and as aneffective Romantic performance piece.
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Theorie Der Tränen : Gesang (PAUSET BRICE)
Français
French Horn and Piano
[Sheet music]
Lemoine, Henry
Par PAUSET BRICE. Une première petite chronique. Depuis longtemps l'idée - la ...
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Par PAUSET BRICE. Une première petite chronique. Depuis longtemps l'idée - la nécessité plutôt - d'en finir avec les belles architectures victorieuses, les solides métaphores, le confort du déjà connu, pour imaginer les conditions d'une musique sinon inimaginable, du moins, moins 'calibrée'. Ce morceau représente la première pièce d'un cycle que je me refuse donc à planifier comme tel, tant le sujet est par ailleurs rétif aux outils de la raison. Les larmes - en allemand : Tränen (NdE) nous concernent tous sans exception. Elles matérialisent l'expression de nombre de nos sentiments. Nous les produisons nous-mêmes, avec nos propres corps et elles nous déterminent dans notre fragilité, ou plus exactement dans ce que nous acceptons d'en montrer. Il s'agira donc plutôt d'une chronique en forme de dérive, sans plan et sans fondations, mêlant distanciation poétique, observation presque physiologique, dialogues et même autobiographie. On me dira qu'il est étrange pour un compositeur mâle (ou supposé tel) de se pencher ainsi sur un sujet si traditionnellement féminin. On m'a appris tout petit qu'un homme ne pleure pas - une faille de plus dans mon éducation: je pleure très facilement et pour toutes sortes de raisons. Difficulté de rester dans le sujet, et de ne pas glisser vers ses conséquences: ne pas parler de pleureuses, donc, mais songer à des 'larmes professionnelles' - et surtout ne pas s'appesantir sur les larmes de tristesse: je leur préfère celles produites par le rire, ou celles, fluides entre toutes, émanant de la joie de retrouver enfin un être cher. Le chant - en allemand : Gesang (NdE) promis par le dernier élément du titre est un chant 'en négatif'. Il m'est personnellement très difficile, très périlleux de parler en pleurant. Les larmes sont plus fortes que le discours et imposent leur propre rythme à la voix. Le parler devient alors, à travers les larmes, un chant étrange, involontaire: le timbre de la voix se modifie, son souffle se dévoile sous un jour inhabituellement sensuel, la scansion du verbe est comme conditionnée par le mètre des larmes, faisant intervenir de courts silences, le discours lui-même se prête plus volontiers à des redites, comme des refrains compulsifs. Il s'agirait donc d'une musique purement mélodique, dont la ligne n'existerait en tant que telle qu'à travers une collection de brisures, de trous d'air, de vexations - une musique dépourvue de masque. Brice Pauset / contemporain / Répertoire / Cor en Fa et Piano
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Henri Büsser: Piece En Re -Cor Et Orch: French Horn: Instrumental Work
French Horn and Piano
[Sheet music]
Leduc, Alphonse
Cor En Fa Et Piano-French composer Henri Büsser entered the Paris Conservatoir...
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Cor En Fa Et Piano-French composer Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer conductor teacher and organist. His compositions for a variety of instruments are exceptional Piece In D for French Horn and Piano being no exception. As reflected in Piece In D Büsser's compositional style was sophisticated yet true to the 19th century French tradition. Elements of the work include include chromaticism use of a wide tessitura complex rhythms scalic passages and wide intervals. For all advanced Hornplayers Büsser's Piece In D is essential to a varied repertoire.
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Carl Nielsen: Canto Serioso For Horn And Piano: French Horn: Score
French Horn and Piano
G. Henle
Canto serioso for Horn and Piano-Carl Nielsen's Canto Serioso for Horn in F and ...
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Canto serioso for Horn and Piano-Carl Nielsen's Canto Serioso for Horn in F and Piano. Urtext edition score.The Danish composer Carl Nielsen was one of the most original composers at the turn of the 20th century. Basedon the German Romantic tradition he developed his own musical language especially in his symphonies that are still played very frequently. He also however often turned to chamber music settings.CantoSerioso was originally written as an audition piece for the Copenhagen Opera Orchestra where the position of low Horn player was to be filled. This fairly short work makes the most of the low register and theinstrument’s sonorous mid-range making it a welcome addition to the late Romantic repertoire for Horn.
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Camille Saint-Saëns: Romances - Horn And Piano: French Horn: Instrumental Work
French Horn and Piano
G. Henle
Romances for Horn and Piano-Camille Saint-Saëns composed his two Romances for H...
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Romances for Horn and Piano-Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 waswritten for Henri Garigue. Despite the illustrious recipients they are not virtuosic showpieces but as the term Romance suggests short ?Songs without words? that fully savour the typical romantic sound of the horn.Alongside the orchestral version Saint-Saëns also prepared a piano accompaniment for chamber music performances. Due to the fact that they are not overly technically demanding the Romances are also suitable for advancedstudents.
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John McCabe: Floraison (The Goddess Triolgy II): French Horn: Instrumental Work
French Horn and Piano
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
Floraison is a terrific 1975 composition by John McCabe from The Goddess Triloig...
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Floraison is a terrific 1975 composition by John McCabe from The Goddess Triloigy for Horn in F and Piano accompaniment. Floraison translates as 'flowering' or 'blossoming' and this piece depicts the flower maiden and love goddess Blodeuwedd ('bloom maiden') who is also an owl goddess. She was made up of nine kinds of flowers and in one pagan ritual her husband was sacrificed ascending after death into the skies in the form of an eagle. This composition is cast in the form of a passacaglia in which there are nine variations but perhaps more important than this is the initial image behind the piece which was that of a flower graduallyopening and then closing. This image governs the shape of the music with its increasingly elaborate and intense growth towards its climax and then a return at the close to the opening ideas.
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Richard Strauss: Horn Concerto No. 2 in E flat major: Horn: Study Score
French Horn and Piano
G. Henle
As if looking back on his youth toward the end of his life Richard Strauss wrot...
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As if looking back on his youth toward the end of his life Richard Strauss wrote a second concerto for horn and orchestra again in Eb major around sixty years after his first concerto for horn. This sublimely beautiful late work which gives no indication of the oppressive circumstances of Strauss? poor health and the Second World War was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss? death that the concerto appeared in print in London making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor Hans Pizka former principal horn of the BavarianState Opera in Munich learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances the especially playable piano reduction by Johannes Umbreit is a great help. As if looking back on his youth toward the end of his life Richard Strauss wrote a second concerto for horn and orchestra again in Eb major around sixty years after his first concerto for horn. This sublimely beautiful late work which gives no indication of the oppressive circumstances of Strauss? poor health and the Second World War was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss? death that the concerto appeared in print in London making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor Hans Pizka former principal horn of the BavarianState Opera in Munich learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances the especially playable piano reduction by Johannes Umbreit is a great help.
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Starke Töne - Horn Und Klavier (PAM WEDGWOOD / FRANZ SCHUBERT / ARCANGELO CORELLI)
French Horn and Piano
[Sheet music + CD]
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Easy
De Haske Publications
Ausgewählte Werke für den Junior- und D1-Bereich. Par PAM WEDGWOOD / FRANZ SCH...
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Ausgewählte Werke für den Junior- und D1-Bereich. Par PAM WEDGWOOD / FRANZ SCHUBERT / ARCANGELO CORELLI . Starke Töne ist eine Sammlung, die in Zusammenarbeit mit der Bläserjugend des Bundes Deutscher Blasmusikverbände (BDB) entstanden ist. Die Sammlung enthält eine Auswahl der beliebtesten Titel aus den Literaturlisten zum Jungmusiker-Leistungsabzeichen Bronze (D1) bzw. Junior. Die Vorteile liegen dabei klar auf der Hand: Die Instrumentalisten sparen mit diesem Buch nicht nur wertvolle Vorbereitungszeit, sondern auch bares Geld, denn wer fruüher mehrere Hefte anschaffen musste, hat mit Starke Töne bereits das Beste in einem Band versammelt. Somit befriedigt diese Ausgabe eine lang bestehende Nachfrage. In jeder Ausgabe ist jedes Stuück mit einerKlavierbegleitung notiert; urspruüngliche Solostuücke wurden eigens mit einer neu komponierten Begleitung versehen. Der Klavierpart ist in der Regel einfach bis mittelschwer, sodass die Begleitung auch von fortgeschrittenen Klavierschuülern uübernommen werden kann. Ein großer Vorteil fuür die Vorbereitung auf die praktischen Leistungspruüfungen ist die jedem Heft beiliegende CD, welche die auf einem echten Konzertfluügel aufgenommenen Klavierbegleitungen enthält. Neben Einspielungen im Originaltempo sind die meisten Stuücke zum leichteren Einstudieren auch in einer weiteren Version im langsameren Tempo zu hören. Mit Starke Töne ist in Zusammenarbeit mit dem BDB eine wertvolle Sammlung fuür alle Blasinstrumente und Klavier sowie fuür Schlagzeug entstanden, die selbstverständlich auch unabhängig von den Leistungsabzeichen das Unterrichts- und Vortragsrepertoire fuür jede dieser Besetzungen bereichert. / Niveau : Facile / Recueil / Cor et Piano
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Bachs Theologische Bibliothek
French Horn and Piano
[Sheet music]
Carus Verlag
Leaver, Robin A. (Trad.). Studien zu Komponisten , Wissenschaftliche Bücher - L...
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Leaver, Robin A. (Trad.). Studien zu Komponisten , Wissenschaftliche Bücher - Langue : Allemand/Anglais/ Répertoire / Livre
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Sonate (DAMASE JEAN-MICHEL)
Français
French Horn and Piano
[Sheet music]
Lemoine, Henry
Par DAMASE JEAN-MICHEL. / classique / Répertoire / Cor et Piano
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Eugène Bozza: On The Summits: French Horn: Instrumental Work
French Horn and Piano
[Sheet music]
Leduc, Alphonse
On the summits (Sur les cimes) by Eugène Bozza (1905-1991) is a very enjoyab...
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On the summits (Sur les cimes) by Eugène Bozza (1905-1991) is a very enjoyable piece for F Horn and Piano which lasts 7 minutes. Difficult to play it requires the mastering of techniques such as the glissando the lip trill and the mute. Also challenging because of its cadenza part it was composed in one movement which features five sections. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.
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Paul Dukas: Villanelle für Horn und Klavier: French Horn: Instrumental Work
French Horn and Piano
G. Henle
Villanelle for Horn and Piano-Paul Dukas wrote his Villanelle as a demanding exa...
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Villanelle for Horn and Piano-Paul Dukas wrote his Villanelle as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. The title referencing a cheerful traditional vocal genre that originated in 16th century Italy already shows that it is by no means a dry etude.Alongside the technical challenges (stopped notes fast scales playing without valves using natural horn techniques) the piece is successful because of its refreshingmelodies for which reason the Villanelle is still one of the most popular performance pieces for the horn. For our Urtext edition we consulted the autograph as well as the first edition that was originally for horn andpiano: the later version with orchestral accompaniment does not stem from the composer.
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Wolfgang Amadeus Mozart: Ave Verum (K618): French Horn: Instrumental Work
French Horn and Piano
Fentone Music
Mozart’s final year was a difficult one as his employment was precarious...
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Mozart’s final year was a difficult one as his employment was precarious his financial situation usually quite desperate and his wife Constanze frequently in ill health and at the spa in Baden near Vienna for treatments. On one such occasion in June of 1791 Mozart visited her and while there composed a short sacramental anthem for his friend Anton Stoll organist and choirmaster of the Baden parish church. The exquisite Ave verum corpus (K.618) was the first piece of sacred music he had written in over eight years (and the last before his unfinished Requiem) and has proven to be one of his most beloved compositions. Within six months of its writing Mozart himself hadfallen seriously ill and died in December of that year.
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Franz Strauss: Thema & Variationen Op.13: French Horn: Instrumental Work
French Horn and Piano
[Sheet music]
-
Intermediate
Zimmermann
Thema Und Variationen (Theme And Variations) Op.13 is a beautiful work for Horn ...
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Thema Und Variationen (Theme And Variations) Op.13 is a beautiful work for Horn in F with Piano Accompaniment composed by Franz Strauss (1822-1905). This piece will provide an enjoyable challenge for the hornist and pianist alike.The solo Horn in F part is also included on a separate insert.
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Giacomo Puccini: Play Puccini: French Horn: Instrumental Album
French Horn and Piano
[Sheet music + CD]
Ricordi
Instrumental Play-Along-Who needs a singer? With Play Puccini instrumentalists ...
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Instrumental Play-Along-Who needs a singer? With Play Puccini instrumentalists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed forintermediate level solo instrument and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as wellas piano accompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca andTurandot.
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Alain Louvier: L'Hydre À Cinq Têtes: Alto Saxophone: Instrumental Work
Français
French Horn and Piano
Leduc, Alphonse
French composer Alain Louvier (b. 1945) studied at the Paris Conservatoire wher...
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French composer Alain Louvier (b. 1945) studied at the Paris Conservatoire where he won the 1968 Prix de Rome. His L'Hydre À Cinq Têtes makes for an exciting addition to the repertoires of the Horn Trombone Alto Saxophone Clarinet and Bassoon. As suggested by the title this Louvier work is influenced by a serpent-like water monster in Greek mythology the Lernaean Hydra who possessed many heads. Louvier's composition is virtousic for all instruments exploiting extended techniques such as ornamentations articulations and breath notes amongst other elements. With a typical performancelasting around four minutes Louvier's L'Hydre À Cinq Têtes is perhaps ironic in being adaptable to five different solo instruments; Horn Trombone Alto Saxophone Clarinet or Bassoon with Piano accompaniment. L'Hydre À Cinq Têtes is a challenging yet inspiring work for advanced players.
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Wolfgang Amadeus Mozart: Horn Concerto No.2 In E Flat K.417: French Horn:
French Horn and Piano
G. Henle
A highly authoritative Urtext edition of W.A. Mozart's Horn Concerto No.2 In E F...
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A highly authoritative Urtext edition of W.A. Mozart's Horn Concerto No.2 In E Flat K.417 as edited by Henrik Wiese with Piano Reduction by Jan Philip Schulze. Solo parts for Horn in E Flat and Horn in F are included.
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Horn Concerto No. 1 In E Flat Major Op. 11 (STRAUSS RICHARD)
French Horn and Piano
G. Henle
Par STRAUSS RICHARD. Avec son premier concerto pour cor, et étant à peine âg...
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Par STRAUSS RICHARD. Avec son premier concerto pour cor, et étant à peine âgé de 18 ans, Richard Strauss accomplit un coup de génie ravissant. Jusqu'à nos jours, ce concerto est apprécié dans le monde entier par les cornistes (et par d'autres), faisant partie, aux côtés des chefs-d'oeuvre de Mozart, des pièces de répertoire incontournables à l'instrument. Peter Damm, ancien cor solo de l'orchestre de la Sächsische Staatskapelle de Dresde et soliste de renommée mondiale, ne s'est pas contenté de jouer lui-même en public ce concerto plus de 170 fois, mais il a en outre présenté et publié les résultats fondamentaux de ses investigations concernant la genèse de ce concerto. Son édition Urtext prenden considération toutes les sources conservées et peut ainsi être considérée comme une édition de référence. Pour l'étude de la pièce ainsi que pour les auditions, la réduction pour piano réalisée par Johannes Umbreit et particulièrement bien jouable, s'avère d'une grande aide. Avec son premier concerto pour cor, et étant à peine âgé de 18 ans, Richard Strauss accomplit un coup de génie ravissant. Jusqu'à nos jours, ce concerto est apprécié dans le monde entier par les cornistes (et par d'autres), faisant partie, aux côtés des chefs-d'oeuvre de Mozart, des pièces de répertoire incontournables à l'instrument. Peter Damm, ancien cor solo de l'orchestre de la Sächsische Staatskapelle de Dresde et soliste de renommée mondiale, ne s'est pas contenté de jouer lui-même en public ce concerto plus de 170 fois, mais il a en outre présenté et publié les résultats fondamentaux de ses investigations concernant la genèse de ce concerto. Son édition Urtext prenden considération toutes les sources conservées et peut ainsi être considérée comme une édition de référence. Pour l'étude de la pièce ainsi que pour les auditions, la réduction pour piano réalisée par Johannes Umbreit et particulièrement bien jouable, s'avère d'une grande aide./ Répertoire / Cor et Piano
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Morceau De Concert F-Moll Op. 94 (SAINT-SAENS)
French Horn and Piano
G. Henle
Par SAINT-SAENS. Ähnlich wie Schumanns 'Konzertstück für vier Hörner' op. 86...
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Par SAINT-SAENS. Ähnlich wie Schumanns 'Konzertstück für vier Hörner' op. 86 (HN 1138) entstand auch Saint-Saëns' 'Morceau de Concert' mit der Idee, die technischen Möglichkeiten einer neuen Ventilhorn-Konstruktion auszureizen. In diesem Falle gab der französische Hornist Henri Chaussier den Anstoß. Er hatte ein neuartiges „Cor omnitonique' entwickelt und wollte mit Saint-Saëns' Komposition die Vorzüge seines Instruments demonstrieren. Chaussiers Erfindung konnte sich bei den Hornisten nicht durchsetzen - wohl aber das 'Morceau de Concert'! Das beliebte einsätzige Werk ist aus heutiger Sicht technisch nicht übermäßig anspruchsvoll - zudem hat schon Saint-Saëns selbst zwei erleichternde Kürzungsmöglichkeiten vorgesehen, so dass sich auch schon fortgeschrittene Schüler an das Stück wagen können./ Répertoire / Cor et Piano
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Shrek And Shrek 2 Best Of
French Horn and Piano
[Sheet music + CD]
Hal Leonard
Here's a very special chance to add the wonderful themes from Shrek and Shrek 2 ...
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Here's a very special chance to add the wonderful themes from Shrek and Shrek 2 to your solo repertoire, complete with a CD of accompaniments produced to make your performances sparkle! / Date parution : 2006-06-21/ Recueil / Cor Français et Piano
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Look Listen & Learn - Meet the Masters: French Horn: Instrumental Collection
French Horn and Piano
De Haske Publications
F Horn-Look Listen & Learn sets the bar for brass and woodwind teaching nowaday...
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F Horn-Look Listen & Learn sets the bar for brass and woodwind teaching nowadays. These exciting method book/CD packs for beginners contain songs music puzzles and games to increase the pupils? understanding of music information about their instrument and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method. In Meet the Masters the melodies are arranged in increasing order of difficulty and can be used in conjunction with all three volumes of the Look Listen & Learn method series. Pupils takea journey through music history and meet the most important composers of classical music from Tielman Susato to Antonín Dvo ák together with pertinent historical commentary. The present edition includes printed music for piano accompaniments expertly arranged at a moderate level of difficulty which are also available in recorded versions online to stream or download.
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