Par VERSINI JEAN-MARC. 10 morceaux enregistrés avec Charly Mc Coy, Andy Reiss, Wanda Vick, Russ Hicks, Jean-Yves Lozac'h, Bob Patin, Larry Paxton et Bob Mater Cet ouvrage propose dix blues instrumentaux écrits dans diverses tonalités et sur des rythmes très variés. Il est composé d'un livre et d'un disque compact contenant tous les enregistrements. Ces dix blues ont été enregistrés en avril 2012 avec les plus grands musiciens de Nashville, sous la direction du célèbre harmoniciste Charlie McCoy qui a supervisé avec brio toutes les sessions d'enregistrement. Pour chacun des titres, nous entendons d'abord la guitare lead de Jean-Marc Versini qui expose les différents thèmes. Viennent ensuite les chorus des autres instrumentistes avec harmonica, dobro, pedal steel guitar, electric guitar, piano, fiddle, le tout étant accompagné par une solide rythmique basse et batterie. Dans le recueil, les thèmes de la guitare lead sont retranscrits note pour note en partitions et en tablatures, ceci permettant de jouer ces blues à l'identique avec une seule guitare, sans avoir recours à un accompagnement. De plus des conseils techniques et les nombreux diagrammes d'accords faciliteront la tâche des plus novices pour étudier ces morceaux dans les moindres détails et les reproduire tels qu'ils ont été composés et joués par son auteur. / variété - jazz / Recueil / Guitare

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Absolutely blues - Bee blues in C - Waiting for the train - Wild West junction blues - One way ticket blues - A blueggy rasy blues - The good, the bad and the blues - Traveler guitar blues - Pulling-off story blues - Some like it bluesy

Par DAVIS BRAD. This double CD course is designed for any level, from beginner to advanced. The first CD covers acoustic style blues and the second CD covers electric style blues. It walks you through simple tried and true steps that will make training your ear a breeze! You will learn to correctly hum acoustic and electric blues licks, memorize a variety of blues licks in several different key signatures, and transpose what you memorize into alternate key signatures. / Niveau : Débutant / Méthode / Guitare Country

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

The late Lenny Breau was admired throughout the world for his complex fingerstyle jazz stylings. The first part contains Breau's Guitar workshop dealing with Building the Blues; Three Against Two and Harmonicsat Work. Section 2 presents three great Lenny Breau solos (Five O'Clock Bells; Little Blues and Freight Train). Written in notation and tablature. Contains Breau's 'master class' on fingerstylejazz Guitar. 3 songs from book are not included on the audio files. Includes access to online audio.

Par SOLOMON BARRY. Learn to play bluegrass jazz Guitar with this instructional book and 3 x CD set. When first listening to flatpicking Guitar legends Doc Watson and Clarence White, Barry Solomon was particularly attracted to their use of swing and jazz licks and phrasing, and their choices of songs straight from Tin Pan Alley and the Great American Songbook. Tunes like Limehouse Blues, All of Me, and Honeysuckle Rose were exciting challenges to explore after becoming comfortable with bluegrass and fiddle tunes. Barry Solomon always thought that bluegrass and jazz were a wonderful combination, and the most gratifying challenge has been to create arrangements that meld both styles in a tasteful and exciting manner. This volume includes the songs Lady Be Good, Take the A Train, Solly's Blues, Back Home In Indiana, There'll Never Be Another You and Georgia On My Mind. Accompanying audio is included./ Recueil / Guitare

Now once again available the revised edition of this matching folio features a stunning 24-page color section with lots of photos and introductions to the songs. Includes note-for-note transcriptions of 11 Hendrix hits: Bleeding Heart - Born Under a Bad Sign - Catfish Blues - Electric Church Red House - Hear My Train a Comin' (Acoustic & Electric Versions) - Jam 292 - Mannish Boy - Once I Had a Woman - Red House - Voodoo Chile Blues.

Training Session est une collection de DVD pédagogiques destinés à faire travailler les musiciens dans des conditions de groupe. Le présent DVD est pour sa part exclusivement dédié aux guitaristes qui veulent jouer le Blues, sous toutes ses formes : classic blues, boogie, texas shuffle, blues lent, rhythm 'n' blues, power blues... Ces derniers pourront alors s'entraîner à jouer des solos, des riffs et autres rythmiques de Blues, sur des playbacks de qualité optimale, réalisés à cet effet, en studio, par des musiciens professionnels. Le DVD vous présente également des partitions (avec tablatures) vous permettant d'interpréter les différents morceaux (riffs, rythmiques et solos) mais vous invite avant tout à développer vos propres idées, tant en improvisation qu'en accompagnement. Pour cela, vous utiliserez les nombreux playbacks (de durée illimitée, ils tournent en boucle) et suivrez à l'écran (TV ou ordinateur) l'évolution précise des différentes grilles... pour ne pas vous perdre en chemin. / Guitare

By offering you the possibility to practice rock improvisations this coursebook teaches you how to solo in this particular style letting you perform in a musical environment which simulates actual group situations. The enclosed CD contains 12 complete backing tracks (Drums Bass and Guitar) to which as a beginning and intermediate guitarist you can learn to play the numerous solos proposed in this coursebook contextually appropriately and as an advanced intermediate or advanced guitarist you will be able to play personal versions freely in many different styles. Thus while some of you will simply discover the pleasure of playing superb rock solos others will use theideas presented in this coursebook to further their personal style and improvisational skills. The songs in this coursebook feature varying difficulties and cover diverse rock directions such as classic rock pop-rock southern rock slow rock blues rock...armed with this level of knowledge you are fully prepared to meet all foreseeable future challenges. By offering you the possibility to practice rock improvisations this coursebook teaches you how to solo in this particular style letting you perform in a musical environment which simulates actual group situations.The enclosed CD contains 12 complete backing tracks (Drums Bass and Guitar) to which as a beginning and intermediate guitarist you can learn to play the numerous solos proposed in this coursebook contextually appropriately and as an advanced intermediate or advanced guitarist you will be able to play personal versions freely in many different styles.Thus while some of you will simply discover the pleasure of playing superb rock solos others willuse the ideas presented in this coursebook to further their personal style and improvisational skills.The songs in this coursebook feature varying difficulties and cover diverse rock directions such as classic rock pop-rock southern rock slow rock blues rock...armed with this level of knowledge you are fully prepared to meet all foreseeable future challenges.