Beyond Dark consists of one movement which is in three sections fast-slow-fast. Influences from the modern jazz harmony of Herbie Hancock and Chick Corea and also traditional Japanese instruments such as the koto and shakahachi.The piece lends itself to alternative fingerings which helps to give the piece an exotic flavour - some of which are included in the score included some of these optional fingerings in the score.

Par DAMASE JEAN-MICHEL. / Niveau : Intermédiaire / classique / Date parution : 1964-06-01/ Répertoire / Flûte Traversière et Harpe

Par DAMASE JEAN-MICHEL. / Niveau : Intermédiaire / classique / Date parution : 1982-06-10/ Répertoire / Flûte Traversière et Harpe

En 1900, soit trois années après la publication des trois mélodies, La Flûte de Pan, La Chevelure et Le Tombeau des Naïades , Claude Debussy écrivit une musique de scène, peu connue de nos jours, pour accompagner les poèmes de Pierre Louys, Chansons de Bilitis . L'ensemble instrumental choisi pour cette occasion se composait de deux flûtes, deux harpes et un célesta. En 1913 il en reprit les principaux thèmes pour en faire Six épigraphes antiques pour piano à quatre mains. Il nous a semblé intéressant, et même naturel de proposer cette version des Six épigraphes antiques afin d'en restituer la couleur originale.Transcription de Georges Lambert et Yung Wha Lee. Contenu : Compositeur/Auteur : DEBUSSY Claude Discipline/Instrument : flûte et harpe ou piano Support : Partition Style/Genre : classique Date de parution : avr.-07 Nombre de pages : 26 + 10

of the concerto for flute, harp and orchestra KV 299. Par MOZART WOLFGANG AMADEUS. In the unparalleled series ‚Cadenza‘, Schott Musik International presents cadences of well-known instrumental concertos of classical and Romantic music, composed by major composers and soloists of our time. The cadences of Mozart‘s Concerto for flute, harp and orchestra in C major KV 299 were created by Nino Rota. It is not known when and for which occasion Rota wrote these cadences. But the two soloists, on the other hand, to whom he dedicated the cadences are quite well-known: the harpist, Clelia Gatti Aldronandi and the famous flutist Severino Gazzelloni. Rota‘s brilliant neoclassicism is perfect for the virtuoso dialogue between the two solo instruments on the themes of the concerto./ Répertoire / Flûte Traversière et Harpe

As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habanera transcribed for Flute and Harp by Christian Lardé and Marie-Claire Jamet contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies  Pièce En Forme De Habanera clearly exemplifies these qualities through flourishing Flute lines and evocative chordal and rhythmic Harp accompaniments. Moreover Habanera rhythms heard throughout the piece create further excitement. All of these musical elementscombine to create a highly enjoyable piece for the Flute and Harp repertoire. In addition the clear print of separate solo and accompaniment parts in this edition ofPièce En Forme De Habanera add to an irresistible purchase for aspiring Flute players.

Par FRANCK CESAR / MAGALIF EUGENE (Arr.). Prelude, Fugue and Variation for Flute and Harp (or Piano), by Cesar Franck, here adapted for concert performance by Eugene Magalif, including further 'improvisatory' passages following the Prelude, the addition of another melody in the Fugue, and more solo material for the flute in the Variation. / Date parution : 2022-11-29/ Répertoire / Flûte Traversière et Harpe