Feature your drummer on brushes with this classy chart on a well-known standard. The ensemble plays mostly tutti rhythms with solo fills provided by the drums. A great concept on a wonderful tune. Also included is a trumpet solo.

Book 1-Pack (Score and one of each part (excluding Supplementary parts))Edited by Scott StromanCurtain-Call Blues (Churchill); Dishwasher (Churchill); Handmaiden (Myhill); Recipe (Churchill)

Includes: Sugar Sheik Of Araby I Can't Give You Anything But Love Everybody Loves My Baby.

Originally recorded by Lynyrd Skynyrd this is one of the most powerful arena rock tunes of all time. Opening in a rock ballad style the chart then finishes with a driving rock vamp that can be used as a flexible solo section.Skillfully arranged for beginning bands this is sure to be a favorite. (Includes CD)

Professional Editions-Jazz Ens-This Beatles classic is treated to a creative and varied setting in this production number from Richard Tuttobene. The lush chorale-like opening leads to a jazz waltz setting of the main theme featuring a flugelhorn soloist. Thefull ensemble isfeatured in a straight ahead swing section and the slow chorale style from the opening makes a brief yet effective return near the end. A unique tour de force for mature ensembles.

Recorded by Stevie Wonder in 1976 on his acclaimed album Songs in the Key of Life this beautiful song is a good example of combining elements of jazz with pop. Keeping the same easy-flowing shuffle groove of the original Mike Tomaro adapts this very nicely for the contemporary full jazz ensemble.

Recorded by The Police and written in a distinctive reggae/rock vein this is definitely not just your run-of-the-mill pop tune! Paul uses inventive colors and skilled ensemble writing to take advantage of the inherentfresh-sounding harmonies and energetic rhythmic grooves. A great-sounding chart!

John Clayton penned this gorgeous ballad treatment for the great Joe Williams. With exquisite reharmonizations and carefully crafted accompaniment figures the mood starts out mellow then arcs beautifully to a full ensemble climaxbefore tapering to a quiet ending. (Altos double Flute Tenors double Clarinet Bari. doubles Bass Clar.)Recorded on “Smack Dab in the Middle” – The Hal Leonard Jazz Orchestra conducted by JohnClayton (07011581)

From Disney's The Jungle Book and more recently recorded by artists such as Big Bad Voodoo Daddy Los Lobos and Smash Mouth this lively song remains popular with all age groups. Here is an easy chart written in a light Latin style. The melody is passed around to various sections of the band and there are short solos for trumpet and alto sax.

Trombones and saxes lead the way on this Billy Preston favorite from 1973 while the trumpets add the sassy answering figures. With the familiar melodies and funky groove this is sure to be a hit.

Solo Alto Sax Feature-This wonderful tune from the early 60s has become a standard recorded by countless artists over the years most notably Nat King Cole. Marks setting as a solo feature for alto sax is in a smooth and lush ballad style with abrief interlude indouble time. Includes nice scoring and effective lines for the entire ensemble.

Arranged in a medium up-tempo swing style and featuring an alto sax soloist at the top here is a fabulous setting of this jazz standard for mature bands. Also featured is an extended sax soli with flugelhorn doubling the lead as well as answers from the brass and shout sections for the entire band. Destined to become a staple in the repertoire.