Roger Quilter is one of England's finest art song composers and his songs have remained firmly in the vocal repertoire since their appearance early in the 20th century. In these songs he demonstrates an extraordinary skill in setting English poetry and shows what can be achieved in the miniature form. Specially compiled to mark the 50th anniversary of the composer's death this new collection includes well-known favourites alongside works which have been unavailable for many years and three previously unpublished songs. This is the low Voice edition containing arrangements for Low and Mens? voices.

Britten's luminous setting of the anonymous sixteenth-century hymn. This edition is arranged for low voice with piano accompaniment in C. Duration: 2½ minutes. Difficulty Level: 3

Thou Art My Joy-Gottfried Heinrich Stolzel's Bist Du Bei Mir previously attributed to J.S. Bach. This version for Low Voice in the key of B Flat with Piano accompaniment by Carl Deis.

Schumann's Frauenliebe Und Leben (A Woman's Love And Life) Op.42 is a beautiful cycle of eight songs for Voice and Piano. This version is for Low Voice with Piano Accompaniment.

At long last singers with a lower vocal range can also rely on Henleâ??s Urtext editions of Schumann: the wonderful Song Cycle op. 24 on poems by Heine now appears in a transposed version edited by Schumann expert Kazuko Ozawa. With the support of celebrated Lieder accompanist Gerold Huber Henle now offers baritones carefully arranged transpositions for low voice. This Urtext edition includes an extensive preface on the origin of the work and a detailed Critical Report on the edition. The original edition for high voice is available in HN 548.

from More Songs of the Countryside-Michael Head's Foxgloves in the key of A Flat for Low Voice with Piano accompaniment.

An anthology of 45 songs for low voice from Franz Schuberts's celebrated compositions many of which are widely regarded as the finest ever written. Essential repertoire for the accomplished singer.

A terrific collection that brings together nine of Britten's previously unpublished songs written over a period of 25 years from 1935 onwards. Many were originally intended to be part of song-cyles but were cut during the final revisions. This edition includes a helpful introduction and information regarding each song. This edition for Low Voice and Piano.

This is a collection of 45 of Handel's Arias across 3 volumes. This is the first volume and is arranged for Low Voice and Piano as selected and edited by Sergius Kagen.

Selected art songs by prominent American composers in the G. Schirmer and AMP catalog including songs by Samuel Barber John Duke Lee Hoiby Charles Ives John Jacob Niles William Schuman and others. Includes worksfrom Ernst Bacon: It's all I have to bring • Samuel Barber: The Crucifixion; The Daisies; Hey nonny no!; The Monk and His Cat; Mother I cannot mind my wheel; A Slumber Song of the Madonna; Sure on this shiningnight • Paul Bowles: Cabin; Heavenly Grass; Sugar in the Cane • Theodore Chanler: The Lamb • Ernest Charles: When I Have Sung My Songs • John Duke: Loveliest of Trees; Richard Hageman: Do not go mylove • Lee Hoiby: Where the Music Comes From • Carles Ives: In the mornin'; Serenity • Herbert Kingsley: The Green Dog • Charles Naginski: The Pasture • John Jacob Niles: Black is thecolor of my true love's hair; Go 'way from my window; The Lass from the Low Countree • Gladys Rich: American Lullaby • William Roy: This Little Rose • John Sacco: Brother Will Brother John •William Schuman: Holiday Song; Orpheus with his lute.

Some of the most delightful devout and dramatic arias from the sacred and secular stage works of G.F. Handel all selected for low voice soloist. Volume 3 features 15 songs selected from such established favourites asSamson Julius Caesar and Alexander's Feast. Each piece includes a full Piano accompaniment derived and reduced from the original orchestral material. Edited by Sergius Kagen.

This is the first substantial collection ever published of songs by Virgil Thomson (1896-1989) composer of the operas The Mother of Us All and Four Saints in Three Acts. Thomson's musical style was based inAmericana but he was attracted to abstract poetry. The unique result is traditionalism turned on its ear. The songs date from 1926 until 1974.