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Violin
DIDGERIDOO
Orchestra
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:: (109)
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Flute, Violin (23)
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Trompette, Cordes Et Basse Con… (21)
Partition de Poche (21)
Alto Saxophone and Piano (21)
C Instruments (20)
String Quartet : 4 violas (20)
Guitar, Violin, Viola, Violonc… (20)
Clarinette, Violon, Alto et Co… (20)
Quintette (20)
Trio à Cordes (20)
School Ensemble (19)
ENS::Ensemble (18)
Oboe, Piano (duet) (18)
Flexible Instrumentation (18)
Flute, Violin, Violoncello and… (17)
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Clarinet, Cello, Piano (trio) (17)
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Recorder, Violin, Basso contin… (17)
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Violon, Alto, Violoncelle et C… (16)
String Quintet : 2 Violins, Vi… (16)
2 Violons et 2 Violoncelles (16)
4 Violons, Violoncelle, Cordes… (16)
CD (16)
Saxophone (16)
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Piano, Violon Et Violoncelle (16)
Harp, Violin (duet) (16)
Ensemble à Cordes (16)
Voice solo (15)
Petit Ensemble Contemporain (15)
Clarinet Quintet: Clarinet, St… (15)
Guitar notes and tablatures (15)
2 Violas (duet) (15)
Mandolin (15)
3 Violons, Instruments à Cord… (14)
Violon, Viole de Gambe et Orgu… (14)
Flûte Traversière, Violon, I… (14)
3 Violons, Basse Viol et Basse… (14)
Violin, Cello, Clarinet (14)
2 Flûtes à Bec Alto ou Flût… (14)
Oboe (14)
Partition D'Orchestre (14)
Violine und Orchester (14)
Harpsichord and Strings (13)
Choral (13)
2 Pianos, 4 hands (13)
Treble (Alto) Recorder, Basso … (13)
Easy Piano (13)
Pocket, Study conductor (13)
Ensemble (13)
Keyboard (13)
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Violon, 2 Altos et Violoncelle… (12)
Flûte Traversière, Violon, A… (12)
Double bass, Piano (duet) (12)
Bb Instruments (12)
2 Saxophones (duet) (12)
2 Trompettes, Cordes Et Basse … (12)
Trompette Et Orchestre (12)
Guitare Electrique (12)
Scores (12)
Recorder (12)
ENS::Ensemble d'cole (12)
Clarinette, Violon et Piano (11)
Violin, Cello, Organ (11)
Tenor Saxophone (11)
SATBasse (2 Grands Choeurs Mix… (11)
Orchestre (11)
Violin ensemble (11)
Flûte Traversière ou Flûte … (10)
Trombone (10)
2 Violons, 2 Altos et 2 Violon… (10)
Choeur SATB, 2 Violons et Bass… (10)
Clarinette, Viola and Piano (t… (10)
Treble (Alto) Recorder (10)
Choeur SSAATTBB, 2 Cornetti, 3… (10)
Violin (band part) (10)
French horn (10)
Violoncelle solo, Basse Flûte… (9)
2 Violons Solo, 2 Violons, Alt… (9)
Solo instrument and Organ (9)
Flute, Clarinet, Violin, Cello… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Violon, Ensembles de Cordes et… (9)
Violon, Saxophone, Percussions… (9)
Accordion, String(s) (9)
Marching band (9)
Bassoon (8)
Clarinette, Violon, Violoncell… (8)
Alto, Cordes et Orgue ou Clave… (8)
Choeur SATB, 2 Cors, Violon So… (8)
Violin and Marimba (8)
Solistes SS, 2 Altos, 2 Violon… (8)
Guitare (8)
Hautbois, Violon, Instruments … (8)
Hautbois, Violon et Basse Cont… (8)
Flûte Traversière, 2 Violons… (8)
Horn, Violin, 2 Violas and Cel… (8)
Quintette avec Piano (8)
Violon, Alto, Violoncelle et C… (8)
Harpe ou Piano et Violon (8)
4 Parties Mixtes, 2 Violons, 2… (8)
1 Piano, 4 hands (8)
Violon, Alto et Piano (8)
2 Violons Ou Plus (8)
2 Violons, Violoncelle et Pian… (8)
Harpsichord (8)
Flute Trio: 3 flutes (8)
Bass guitar (8)
Flûte Traversière, Hautbois,… (7)
2 Violons et 2 Cornets (et Bas… (7)
Violon, Orchestre à Cordes et… (7)
Clarinette, Basson, Cor, 2 Vio… (7)
2 Flûtes à Bec ou Traversiè… (7)
Violon, Alto et Basse Continue… (7)
Flûte Traversière Violon et … (7)
Violon, Violoncelle Et Alto (7)
Flûte Traversière Violon, Al… (7)
Clarinette, 2 Violons, Viole e… (7)
Flûte Traversière, Violon, G… (7)
Choral TTBB (7)
Flûte à Bec, Hautbois et Bas… (7)
Quintette à Cordes (2 Violons… (7)
Flûte à Bec, 2 Flûtes Trave… (7)
Piano, Violon et Cor ou Alto o… (7)
Voice, Guitar (7)
Choral SSAA (7)
Clarinet, Violin (duet) (7)
Flûte Traversière Violon et … (7)
Piano, Violoncelle et Violon (7)
Violoncelle, Harpe et Timbales… (7)
Choral Unison (7)
Flûte, Clarinette, Cor, Violo… (7)
Clarinette, Violon, Violoncell… (7)
Accordéon, Violoncelle et Vio… (7)
2 Cors, 2 Flûtes Traversière… (7)
Violon, Piano et Contrebasse (7)
Clavecin, Flûte Traversière,… (7)
Hautbois ou Flûte Traversièr… (7)
2 Violons, Cordes et Basse Con… (7)
Violin and Percussion (7)
Solistes SATB, Choeur SATB, Fl… (7)
Violon ou Flûte Traversière/… (7)
Flûte Traversière, Violon, V… (7)
Violon, Guitare et Contrebasse… (7)
Saxophone Quartet: 4 saxophone… (7)
2 Violins, Guitar (trio) (7)
Guitar, Violin, Piano (7)
Hautbois, Violon ou 2 Violons … (7)
Violon 1, Violon 2, Alto, Viol… (7)
Violon, Flûte à Bec Alto et … (7)
Violon 1 (7)
Descant (Soprano) Recorder (7)
Hohe Stimme, Melodie-Instrume… (7)
Cello, Orchestra (7)
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Flûte Traversière, 2 Clarine… (6)
Flûte Traversière, Violon, A… (6)
Solo S (T), Viola da braccio (… (6)
Violon, Clarinette et Piano (6)
Violon Solo, 2 Violons, Alto, … (6)
Clarinette, Violoncelle Et Pia… (6)
Soli (STB), Choeur Mixte (SATB… (6)
Children choir, Instruments (6)
Clarinette, Cor Et Piano (6)
Hautbois ou Flûte à Bec ou V… (6)
Choral, Orchestra (6)
Oboe, Clarinet, Bassoon (trio)… (6)
Medium Voice (6)
Ensemble A Vent (6)
Mug (6)
2 Sopranos, Choeur Mixte (SATB… (6)
Musical course - Solfege (6)
Violin, Double bass (duet) (6)
VLC/GTR/VLN::Cello, Guitar, Vi… (6)
SCORE::Score (6)
Trombone and Piano (6)
Choeur SATB, 2 Violons, Violon… (6)
VLC/FLT/VLN::Cello, Flute, Vio… (6)
Edition Critique des oeuvres d… (6)
Solistes (SATB), Choeur Mixte … (6)
Instruments à Vent (6)
Flûte A Bec Soprano (Flûte T… (6)
Ensemble D'Altos (6)
Violon 2 (6)
2 Clarinettes Et Basson (6)
Jazz Ensemble (6)
Music Theory Et Resources (6)
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FLT/GTR/VLN::Flute, Guitar, Vi… (6)
Quintet : 2 Violins, Violoncel… (6)
Flûte à Bec ou Alto et Clavi… (5)
Saxophone and Piano (5)
2 Violons ou Flûte Traversiè… (5)
2 Instruments Solo (Flûte Tra… (5)
Viola and orchestra (5)
Solistes, Div. Instruments à … (5)
2 Violons, 2 Altos, 2 Violonce… (5)
3 Clarinets (trio) (5)
Flute and Strings Trio (5)
Clavecin, 2 Flûtes A Bec Et I… (5)
Violon, Viole Et Orchestre (5)
Flute, Oboe, Violin, Violoncel… (5)
Ensemble De Violon (5)
Orgue et Musique de Chambre (5)
Recorder, Violin (5)
2 Violons, Violoncelle, Cordes… (5)
FLT/VLN::Flute, Violin (5)
Ukulele (5)
Soli (T (Evangelist), B (Jesus… (5)
VLN/VLC/CONT::Violin, Cello, C… (5)
Opera (5)
Accordion (5)
Voix, Violon et Piano (5)
Descent (Soprano) Recorder, Pi… (5)
2 Clarinets (duet) (5)
2 Violons et Alto (5)
Flute, Orchestra (5)
2 Violons, Alto, Violoncelle e… (5)
Voix et Orchestre (5)
Violon II (5)
Medium voice, Piano (5)
Violon, Contrebasse et Piano (5)
Oboe, Basso continuo (4)
Violon, Orgue et Harpe (4)
2 Flûtes à Bec, 2 Cors, 2 Vi… (4)
Violon, Cor Anglais et Piano (4)
Clarinette et Trio à Cordes (4)
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Violon, Clarinette, Basson et … (4)
Guitare, Violon, Mandoline, ba… (4)
Cor Anglais, 2 Violons et Viol… (4)
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Clarinette, Violon, Alto, Viol… (4)
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Educatif (4)
Flûte Traversière, Violoncel… (4)
3 Violons et Basse (4)
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Violon, Viole et Violoncelle (4)
2 Violons, Instruments A Corde… (4)
2 Violons et Clavecin (4)
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2 Violons, Orchestre à Cordes… (4)
English horn, Piano (4)
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Violon et Clarinette (4)
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4-6 Instruments à Cordes (4)
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Flûte Traversière ou Violon … (4)
SSSAA et Violon (4)
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Clatinette, Violon et Piano (4)
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Violon I (4)
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Voice and Flute (4)
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Education musicale (4)
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Violon, saxophone Alto et Pian… (4)
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Flûte à Bec Alto ou Flûte T… (4)
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All Instruments (4)
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High voice, Piano (4)
Violes de Gambe et Orgue (4)
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Violon Solo (4)
Tenor voice, Piano (4)
Flûte Traversière, Clarinett… (3)
Choral SSATB (3)
Cello, Organ (3)
Flûte Traversière Violon et … (3)
Flûte A Bec Alto (Ou Flûte T… (3)
Flute, Clarinet and Bassoon. (3)
French Horn and Piano (3)
3 Saxophones (trio) (3)
Violon 3 (3)
Viola da Gamba (3)
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Solo à (B), Violon et Basse C… (3)
Violon, Violoncelle et Harpe (3)
Soprano, Clarinette Et Piano (3)
Flute, Oboe, and Cello (3)
Flûte Traversière Ou Hautboi… (3)
Woodwind Quintet (3)
Flûte Traversière Violon et … (3)
Flûte, Hautbois, Clarinette, … (3)
Musique de chambre (3)
3 Violes De Gambe (3)
Piano (Accompagnement) (3)
Clavecin et Instruments à Cor… (3)
Music Theory (3)
Tuba and Piano (3)
Livre Edition Complète (3)
5 Voix (SSATB), 2 Violons et B… (3)
2 Oboen (oder Violine und Obo… (3)
Flûte Et Violon (3)
Violon et Cordes (3)
2 Trumpets, Keyboard (piano or… (3)
Flöte, Klarinette, Violine, … (3)
Soprano voice, Orchestra (3)
2 Recorders (duet) (3)
Klavier (Cembalo), 2 Violinen… (3)
3 Trompettes Et Timbale(s) (3)
2 Flûtes à Bec Alto ou Flût… (3)
2 Mandolins (duet) (3)
Flute Quartet: 4 flutes (3)
Flûte Traversière ou Hautboi… (3)
Marimba (3)
Choeur De Femmes A 3 Voix (Cho… (3)
Flûte Traversière, Clarinett… (3)
Harp (3)
Xylophone or Marimba or Vibrap… (3)
Melody line, (Lyrics) and Chor… (3)
Strings - Violin / Viola / Vi… (3)
Gemischter Chor (SSATB/SSATB/S… (3)
String Quintet : Violin, 2 vio… (3)
DVD concert (3)
VLN/CHAM::Violon, Musique De C… (3)
Ensemble de Violons (3)
Eb Instruments (3)
Guitar, Violin, Cello (trio) (3)
Cello Ensemble (3)
Alto et Orgue (3)
InstrSolo, Streicher, Basso c… (3)
Voix et Instruments Divers (3)
Trompette Ou Cornet (3)
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Clarinet, Bass Clarinet, Violi… (2)
Voice and Violin (2)
Oboe and Orchestra (2)
Saxophone ensemble (2)
Flöte, Violine und Cembalo (… (2)
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Orchestre à Cordes et Claveci… (2)
Flûte à Bec Soprano ou Violo… (2)
Klavier und Flöte (Violine) (2)
Orgue Sans Pédale (2)
Cello, String Bass (duet) (2)
Violoncello, Basso continuo (2)
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SOP/BAR/ENS::Soprano, Baritone… (2)
Hohe/Mittlere/Tiefe Singstimm… (2)
2 Violes (Violon Et Viole) Et … (2)
Chanson (2)
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Clarinette et Violon (2)
Violin/Continuo (2)
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2 Ou 4 Voix Mixtes Et Piano (O… (2)
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Horn (oder Violine, Viola, Vi… (2)
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English Horn (2)
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Felix Mendelssohn Bartholdy: Konzert Für Violine und Orchestre: Orchestra: Score
Orchestra
Barenreiter
E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 1...
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E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to Léonard.The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard.The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
57.50 GBP - Sold by Musicroom UK
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A minor E major D minor-Violin Concertos in A minor E major and Double Concer...
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A minor E major D minor-Violin Concertos in A minor E major and Double Concerto in D minor.To this day Bach's violin concertos are among the most popular repertoire pieces of many violinists who have to meet great technical demands in these works. Created during Bach's time in Köthen in which the composer presented works of revolutionary novelty and originality the violin concertos testify to Bach's rich instrumental imagination. Whereas his examples still followed a rather rigid structure in the outer movements Bach managed to achieve a closer connection and integration of the formal sections by treating the roles of the soloist and the orchestra in a differentiated and varying way.
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Johann Sebastian Bach: Double Concerto For Two Violins In D Minor: Orchestra:
Orchestra
Barenreiter
for two Violins Strings and Basso continuo-In 2001 Bärenreiter issued a newly ...
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for two Violins Strings and Basso continuo-In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition.The present expanded new publication goes a step further in that it offers not only the two solo Violin parts as presented in the New Bach Edition but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze.Manze also offers players enlightened comments (English/German) on historical performance practices dealing with how the instrument was held fingerings bowing shifting the use of open strings and much much more.Full score & parts (BA5188) 2 Violins and Pianoreduction (BA5188-90) and study score (TP284) available for sale.
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Franz Berwald: Concerto: Violin: Score
Orchestra
[Sheet music]
Barenreiter
FRANZ BERWALD (1796-1868) is regarded today not only as one of Sweden's most imp...
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FRANZ BERWALD (1796-1868) is regarded today not only as one of Sweden's most important composers but also due to his symphonies and his chamber music as a leading figure in the history of Northern European music of the 19th century. His compositions include in addition to four symphonies and the chamber music tone poems for orchestra concertos operas ('Estrella di Soria' and 'The Queen of Golconda') cantatas solo songs with piano accompaniment piano music and much more.Berwald's violin concerto in C sharp minor is the work of a young composer. The autograph score bears the date 1820; Berwald was 24 years old at the time.After the firstperformance the violin concerto fell into oblivion and was as far as we know never again performed in Berwald's lifetime. It was not brought to light again until 1903 when on May 19 the first movement was performed at the Annual Celebration of the Academy of Music of Stockholm.Urtext of the Berwald Complete EditionFull score (BA4905) and Violin & Piano reduction (BA4905-90) available for salePerformance material (BA4905-72) available for hire
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Rued Langgaard: Søndagssonate: Violin: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Lille Storsymfoni- Søndagssonate (Lille Storsymfoni) by Rued Langgaard (1950...
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Lille Storsymfoni- Søndagssonate (Lille Storsymfoni) by Rued Langgaard (1950). BVN 393. For Piano Organ and Violin soli and Orchestra. Solo Violin part: WH32485C Orch. parts are available on hire: hire@ewh.dk
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Aram Il'yich Khachaturian: Concerto for Violin and Orchestra: Orchestra
Français
Orchestra
Chant du Monde
Concerto for Violin and Orchestra
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Anders Koppel: Concerto For Violin Saxophone And Orchestra: Orchestra: Score
Orchestra
Wilhelm Hansen
Concerto For Violin Saxophone And Orchestra by Anders Koppel. Composed in 2014...
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Concerto For Violin Saxophone And Orchestra by Anders Koppel. Composed in 2014.
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Anders Koppel: Concerto For Violin Saxophone And Orchestra: Orchestra: Part
Orchestra
Wilhelm Hansen
This is the Alto Saxophone Solo part for Concerto For Violin Saxophone And Orch...
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This is the Alto Saxophone Solo part for Concerto For Violin Saxophone And Orchestra by Anders Koppel. Composed in 2014.
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Emma Diemer: Concerto for Violin: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Lauren Keiser Music Publishing
The Concerto for Violin was written in early 2012 for Philip Ficsor. The four mo...
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The Concerto for Violin was written in early 2012 for Philip Ficsor. The four movements conceived separately are intended to have the feeling of a suite rather than a verbose heavy interpretation of the concerto form. The first movement A Little Parlour Music carries the subtitle after Poulenc in a reflection of the lightness and charm of that composer's work. The second movment Remembrance of Things Past is the most expressive of the movements. The third movement Santa Barbara Rag is full of syncopated rhythm and humor with even a slight reference to another well-known rag. And the fourth movement John Adams Light looks back at the early minimalism of Adams with itsrepitition and constant motion. The concerto is available with piano reduction and for rental with the full orchestra accompaniment.
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Emma Diemer: Concerto for Violin: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
The Concerto for Violin was written in early 2012 for Philip Ficsor. The four mo...
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The Concerto for Violin was written in early 2012 for Philip Ficsor. The four movements conceived separately are intended to have the feeling of a suite rather than a verbose heavy interpretation of the concerto form. The first movement A Little Parlour Music carries the subtitle after Poulenc in a reflection of the lightness and charm of that composer's work. The second movment Remembrance of Things Past is the most expressive of the movements. The third movement Santa Barbara Rag is full of syncopated rhythm and humor with even a slight reference to another well-known rag. And the fourth movement John Adams Light looks back at the early minimalism of Adams with itsrepitition and constant motion. The concerto is available with piano reduction and for rental with the full orchestra accompaniment.
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Kaija Saariaho: Graal Theatre Violin Concerto - Chamber Version: Orchestra:
Orchestra
Chester
First performed on 14th September 1997 at the Sibelius Academy Helsinki by John...
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First performed on 14th September 1997 at the Sibelius Academy Helsinki by John Storgårds violin the Avanti! Chamber Orchestra and Hannu Lintu conductor.
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Felix Mendelssohn Bartholdy: Violin Concerto In E Minor Op.64: Orchestra:
Orchestra
Eulenburg
Often referred to as the 'Mendelssohn' concerto this searching and expansive wo...
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Often referred to as the 'Mendelssohn' concerto this searching and expansive work for Violin and Orchestra was first performed on March 13 1845.Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.
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Antonín Dvo?ák: Sonata For Violin And Piano In F Op.57: Orchestra: Instrumental
Orchestra
Simrock
A Sonata for Violin and Piano by the great Czech composer. This is Dvorák's onl...
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A Sonata for Violin and Piano by the great Czech composer. This is Dvorák's only Violin Sonata and is a relaxed almost tranquil affair with the two instruments interlaced and complementing each other.
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Yevhen Stankovych: Violin Concerto No. 2: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Violin cadenza is written by Dima Tkachenko. Duration ca. 24'
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Wolfgang Amadeus Mozart: Violin Concerto In D Major K 218: Orchestra: Miniature
Orchestra
Eulenburg
Violin Concerto In D Major K 218
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Peter Maxwell Davies: Violin Concerto No.2: Orchestra: Score
Orchestra
[Sheet music]
Chester
This work was commissioned by the Gewandhaus zu Leipzig. First performance on 22...
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This work was commissioned by the Gewandhaus zu Leipzig. First performance on 22nd August 2009 at the Leipzig Gewandhaus given by Daniel Hope (violin) and the Gewandhausorchester Leipzig conducted by Sir Peter Maxwell Davies.
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Wolfgang Amadeus Mozart: Violin Concerto In A Major K219: Orchestra: Miniature
Orchestra
Eulenburg
Violin Concerto In A Major K219
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Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Violin I): Orchestra:
Orchestra
[Part]
Barenreiter
Violin 1-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed i...
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Violin 1-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
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Wolfgang Amadeus Mozart: Violin Concerto In G Major K 216: Orchestra: Miniature
Orchestra
Eulenburg
Violin Concerto In G Major K 216
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Pyotr Ilyich Tchaikovsky: Violin Concerto In D Major Op. 35: Orchestra:
Orchestra
Eulenburg
Violin Concerto In D Major Op. 35
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Dufourt Hugues - Le Mani Del Violinista D'apres Giacomo Balla - Conducteur
Orchestra
[Score]
Lemoine, Henry
Création 26/08/2015 - Sion (Suisse) - Finale du Concours International de violo...
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Création 26/08/2015 - Sion (Suisse) - Finale du Concours International de violon Tibor Varga - Orchestre de Chambre de Lausanne Commanditaire Concours International de violon Tibor Varga Notice Le futurisme italien fut, au début du XXe siècle, le premier véritable mouvement d'avant-garde qui, en Europe, refusa l'art dans sa totalité, décréta l'abolition du passé et prétendit rénover tous les aspects de la vie humaine en cherchant à exprimer la nature et les problèmes du monde moderne. Le mouvement fut inauguré par Marinetti en 1909, suivi un an plus tard du manifeste de la peinture futuriste signé par Giacomo Balla, Carlo Carrà, Umberto Boccioni et Luigi Russolo. La bataille futuriste, qui mobilisa le vif de l'art italien de 1910 à 1916, naquit d'une violente polémique contre la tradition figurative et la conception de l'image-spectacle. La philosophie futuriste, nourrie d'élan vital, d'utopie machiniste et d'ardeur dionysiaque entendait dynamiter la culture antiquaire de l'Italie officielle. Marinetti exalte la vitesse, le mouvement, le bruit, la guerre. Mais aussi la pulsion, la déraison, la transgression, le débridement des ambitions et des désirs humains. Le caractère novateur et visionnaire du futurisme italien fut toutefois passablement terni par ses imprécations et ses fourvoiements politiques. Laissant de côté l'orientation réactionnaire du mouvement et son esprit de clocher extrémiste, on retiendra, parmi les traits les plus originaux du futurisme pictural, la recherche de la représentation du mouvement, avant l'invention du cinéma et avant l'art cinétique. S'inspirant des séquences photographiques d'Eadward Muybridge et de la chronophotographie d'Etienne-Jules Marey, les futuristes italiens sont parvenus à un incontestable degré de réussite dans le domaine proprement plastique. Le processus du devenir est représenté comme tel, et se déploie selon des lignes de force et des formes en croissance. La couleur est également saisie dans son dynamisme, avec ses foyers et ses aires de diffusion. Dans Le mani del violinista, une huile sur toile de 1912 aujourd'hui à Londres, Giacomo Balla s'est également livré à un exercice de synesthésie, cherchant à transposer en images un processus qui fait appel à d'autres modalités sensorielles. Le geste du violoniste, le placement de l'instrument à hauteur d'épaule, les mouvements combinés de la main et du bras, l'écartement et l'échelle d'appui des doigts de la main gauche, la mise en vibration des cordes, l'élan et le rebondissement de l'archet, sa vivacité et son exactitude, tous ces facteurs qui d'ordinaire demeurent imperceptibles et indissociables sont ainsi décomposés, puis réunis et rendus en une impression unique. Les mouvements successifs de la main et les morsures d'archet se séparent selon des procédés pointillistes, puis s'assemblent en une séquence accélérée et se lient dans le même fondu qui restitue l'unité et les inflexions de la tension musculaire. Ce qui est donné à voir n'est pas une illustration réaliste ni une nomenclature des possibilités instrumentales mais un condensé des allures de l'exécution transcendante, montrant les réflexes d'une main rompue au mécanisme de son instrument. Ma propre version musicale de la toile de Giacomo Balla s'inspire des caractères de cette vision futuriste de l'art. La virtuosité même de l'instrumentiste, son habileté d'exécutant, est ici expressément représentée comme un art de l'art. La partition porte une attention aigüe à la technique spécifique de l'effet sonore, à la justesse du geste instrumental dans la dépense de l'archet et la souplesse des déplacements. La grande école des violonistes consistait à faire disparaître le manteau rugueux des aspérités naturelles de l'instrument sous une surface lisse et parfaite de sonorités épurées. Ce grand art évolue aujourd'hui sous la pression d'une esthétique contemporaine plus sensible au grain, aux effets de texture voire aux effets raboteux de l'archet. Un autre type de virtuosité se fait jour, qui intègre les coups d'archets, les accents, les sons dénaturés, dans une sorte de formalisme instrumental pris au second degré. Les interférences entre les différents modes de jeu importent plus désormais que leur intégration dans une sonorité optimale. Cet art insatiable ne recherche plus la magnificence mais l'épreuve. La partition se divise en trois grandes parties. La première est une cadence confiée au soliste, centrée sur les accords, la rythmique et les enjambements d'une articulation qui ne se plie pas aux divisions métriques de la mesure. La seconde partie est l'enfer des violonistes et met aux prises, parmi toutes les cordes de l'orchestre, des figures contrapuntiques hachées, heurtées et contrastées. La troisième partie est davantage tournée vers des études d'équilibre de sonorités, dont la cohérence est délicate à obtenir car les notes se situent dans des registres extrêmes ou paradoxaux. Le soliste est confronté à un type nouveau de virtuosité, celui des sons harmoniques - groupes d'harmoniques naturels ou artificiels. Commande du Concours International de Violon Tibor Varga Sion Valais, la partition est écrite pour l'Edition 2015 de ce Concours. L'oeuvre est dédiée à Enzo Restagno. Hugues Dufourt
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Girolamo Frescobaldi: Ricercar Et Canzon Violin 1: Violin: Part
Orchestra
Novello & Co Ltd.
Ricercar Et Canzon Violin 1
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Edward Elgar: Violin Concerto: Violin: Study Score
Orchestra
[Sheet music]
Novello & Co Ltd.
Study Score of Elgar's Violin Concerto written for Fritz Kreisler.
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Girolamo Frescobaldi: Ricercar Et Canzon Violin 2: Violin: Part
Orchestra
Novello & Co Ltd.
Ricercar Et Canzon Violin 2
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Violin Concerto #1 In G Minor Op. 26 Orchestre (BRUCH MAX)
Orchestra
[Sheet music]
Breitkopf & Härtel
Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the r...
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Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?' The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ Répertoire / Orchestre
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Kleine Sinfonieschule
Orchestra
[Sheet music]
Lienau
Violinkonzertsätze von Cramer, Pichl, Sirmen, Stamitz. 6 : Violinkonzertsätze ...
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Violinkonzertsätze von Cramer, Pichl, Sirmen, Stamitz. 6 : Violinkonzertsätze Von Cramer, Pichl, Sirmen, Stamitz Partitur/ Répertoire / Orchestre
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Johann Sebastian Bach: Brandenburg Concerto No.1 In F major BWV 1046: Orchestra:
Orchestra
Barenreiter
Violino piccolo pitch notation - notated the way it sounds-Violin solo part soun...
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Violino piccolo pitch notation - notated the way it sounds-Violin solo part sounds at pitch (F major).Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach’s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a) which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six there is no violino piccolo part to be found and the violin concerto-like 3rd movement as well as the Polonaise movement are also absent.In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.
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Edward Elgar: Six Very Easy Pieces Op.22: Orchestra: Parts
Orchestra
Bosworth
String Parts Only-Score and parts available: ASO001009. String parts as follows:...
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String Parts Only-Score and parts available: ASO001009. String parts as follows:Violin I x 5Violin II x 5Violin III x 5Violin IV x 5Viola x 3Cello x 3Bass x 2
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William Schuman: Prayer in Time of War: Orchestra: Study Score
Orchestra
[Sheet music]
Schirmer
Score-William Schuman's Prayer In Time Of War for Orchestra. Study score.This wo...
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Score-William Schuman's Prayer In Time Of War for Orchestra. Study score.This work was first performed under the title 'Prayer-1943' by the Pittsburg Symphony Orchestra under the direction of Fritz Reiner on February 26 1943.Duration: approx 15 minutes.Instrumentation:3 Flutes (3rd Flute interchangeable with Piccolo)2 OboesEnglish Horn2 Clarinets in B-flat2 Bassoons4 Horns in F3 Trumpets in C3 TrombonesTubaTimpaniPercussion (Bass Drum Cymbals Gong Snare Drum)Violin IViolin IIViolaVioloncelloBass
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Timbres Espaces Mouvements Ou 'La Nuit Etoilee' Partition Orchestre In 8 Ph307 (DUTILLEUX HENRI)
Orchestra
[Sheet music]
Heugel
Par DUTILLEUX HENRI. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouve...
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Par DUTILLEUX HENRI. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoileé is a work for Orchestra, also named “The Starry Night” after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestraof Washington and is dedicated to Charles Münch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while thelack of Violins and Violas epitomises for the quiet and motionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nébuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoilee is a work for Orchestra, also named ; The Starry Night after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestra of Washington and is dedicated to Charles Munch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while the lack of Violins and Violas epitomises for the quiet andmotionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nebuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a Piano sonata, two symphonies, the Violin concerto 'L'Arbre Des Songes' (The Tree Of Dreams) and the Cello concerto 'Tout Un Monde Lointain' (A Whole Distant Word)./ Répertoire / Orchestre
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