For Pianoforte et Orchestra. Par BEETHOVEN LUDWIG VAN. With numerous corrections. Piano reduction with a separate solo Piano part. The autograph to Beethoven ’s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist’s manuscript of the score with Beethoven ’s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript. Though no new sources have been available for this new edition, numerous editorial emendations which have prevailed in all previous editions (evenUrtext editions) have now been corrected. Thus, this new Bärenreiter Urtext edition presents Beethoven ’s famous work in the clarity which it deserves./ Répertoire / Piano et Orchestre

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Score

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Violon 2

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Ensemble A Vent

Par TCHEREPNINE ALEXANDER. Détails de la formation instrumentale: 3 (3. auch Picc.).2. Engl. Hr.2.Bassklar.2.Kfg. - 4.3.3.1 - P. S. (4 Spieler: Mil. · Tr. · Xyl. · Kast. · Trgl. · Rührtr. ·Woodbl.· Gl. · gr. Tr. · Tamt. · Beck.) - Hfe. - Str. - Durée: 21' -/ Répertoire / Piano et Orchestre

Par RACHMANINOV SERGEI. Détails de la formation instrumentale: 2.2.2.2-4.2.3.0-timp.perc:cyms/tgl-strings - Durée: 26' -/ Répertoire / Piano et Orchestre

Par ROREM NED. Détails de la formation instrumentale: 2.picc.3(III=corA).3(III=Eb,asax).2.dbn-4.3.3.1-timp. perc(6 or 7):glsp/t.bells/vib/xyl/2bongos/2conga dr/anvil/cyms/ susp.cym/tam-t/tgl/5tpl.bl/whip/BD/SD/TD-harp-cel-strings - Durée: 26' - Format: New Edition portrait/ Répertoire / Piano et Orchestre

Hawkes Pocket Scores HPS 610. Par STRAVINSKY IGOR. Détails de la formation instrumentale: 3(III=picc).2.corA.3(II=Eb Clarinette,III=bcl).2-4.2.3.1-timp-string quartet-strings - Durée: 17' -/ Répertoire / Piano et Orchestre

Par TCHEREPNINE ALEXANDER. Détails de la formation instrumentale: Picc.2.2.2 - 4.2.3.1 - P. S. (Kast. · Woodbl. · Trgl. · Crot. · kl. Tr. · Tamb. · Mil. Tr. · Beck. · gr. Tr. · Glsp. · Xyl. · Gl.) - Hfe. - Str. - Durée: 24' -/ Répertoire / Piano et Orchestre