I Can't Get No Satisfaction' - the release of this international hit of the Rolling Stones was the official birth of rock music which started its loud and hard triumph in the clubs and stadiums of the world. The fact that the Stones and their wild heirs can also write beautiful ballads is proven by our successful author Dirko Juchem with this new volume in the popular 'Saxophone Lounge' series in which he has arranged a selection of the best known rock melodies in a new and surprisingly lounge-like manner. All fresh and easily playable arrangements on the accompanying CD have been performed by the author himself. / Saxophone Alto Et Piano

for solo saxophone. Par RAE JAMES. James Rae has composed these 18 études for the higher-grade/ college-level saxophonist. Technique and musicianship are the key issues and they are also ideal as workouts, even for the professional player. Equally, these characterful pieces can be effectively included in concert programmes. They are suitable for soprano, alto, tenor or baritone saxophone. Find videos, recorded by Mark Walton, with short explanations from James Rae himself on the Universal Edition website: www.universaledition.com/ue21705 • Etudes for higher-grade and college-level saxophonists - also helpful as workouts for Professionals • Musical styles vary from Baroque to Funk and cover many aspects of technique and musicianship • Ideal for both the concert platform and the conservatorium • Suitable for soprano, alto, tenor or baritone saxophone/ Etude / Saxophone

World Famous Folksongs contient 22 airs traditionnels en provenance du monde entier (Oh! Susannah - Donna, Donna - Mexican Hat Dance - Sur le pont d'Avignon - Cielito Lindo - Sakura, etc.). / [CD inclus - version intégrale + play-along]. / La version papier des accompagnements de piano est vendue séparément. / Saxophone / 24 pages / niveau : Facile / Partition + Cd

Du répertoire tous styles pour saxophone, permettant de passer du jazz à la variété, de la variété au classique, en passant par les airs traditionnels du monde entier ou la musique de film. Chaque pièce est accompagnée de commentaires techniques, biographiques et historiques. A partir de la quatrième année. Livre + CD Autres volumes disponibles dans la collection : 1A et Saxorama la méthode. Existe aussi pour le piano, la clarinette, la guitare, la flûte traversière, le violon et l'accordéon. Les feuilles mortes, S’il suffisait d’aimer, Down by the riverside, Ave Maria, Rue de la Huchette, Le chant du blues, Desafinado, Nabucco, Dissoblues, Can you feel the love tonight, Satin Doll, Là-bas, La mer, Chasax, Hit the road Jack, Hymne à la joie, Le père Noël et la petite fille, La force du destin, Tine

La référence AL17363 de l'éditeur Leduc dont l'auteur célèbre est Klose, qui a pour titre Etudes De Genre Et De Mecanisme Saxophone Mib, a été écrite et composée pour Saxophone et plus particulièrement pour Saxophone En Mib. Cette partition musicale appartient à la catégorie Pédagogie. / Saxophone En Mib / Partition

Cette édition propose jazz, salsa, tango, le boléro, le blues et la musique Candombe par le compositeur et instrumentiste Jorge Polanuer, l'un des musicien argentin meilleur contemporaine. Son ensemble, composé de musiciens de la plus haute classe, offre un CD pour le fond nécessaires. Ecoutez l'enregistrement complet d'abord, puis jouer le 'play-along' avec le CD. La musique vous emmènera dans la nuit 'Paris de l'Amérique du Sud', Buenos Aires, à côté de la scène du club de jazz merveilleux. / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Par CURTIS MACDONALD. By studying extended techniques, we open ourselves to a very subtle and delicate process of fine-tuning our instrumental abilities, resulting in the discovery of new resonances and sonic prowess. The exercises presented in this book and accompanying audio disc are designed to help cultivate the exquisite skills of refining saxophone sound through a practice of focus, balance andpatience that can be applied to any performance style or aesthetic. By studying extended techniques, we open ourselves to a very subtle and delicate process of fine-tuning our instrumental abilities, resulting in the discovery of new resonances and sonic prowess. The exercises presentedin Introducing Extended Saxophone Techniques and the accompanying audio disc are designed to help cultivate the exquisite skills of refining Saxophone sound through a practice of focus, balance and patience thatcan be applied to any performance style or aesthetic. / Niveau : Très Avancé / Etude / Saxophone

Hip Licks for Saxophone is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Need something that will help you sound like a total pro while playing over the most challenging keys, like: C#, F# or B? Hip Licks for Saxophone is an indispensable resource that can immediately show you how a professional player would approach those tough keys and chord progressions. Special Features of Hip Licks for Saxophone by Greg Fishman: ? 168 Hip Licks ? Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. The C7 lick is different than the B7 lick, which is different than the Bb7 lick, etc. ? Idiomatic Construction ? Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones. ? Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor ? 4 CDs included: 2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks. ? Hip Licks Nail the Most Popular Chord Progressions: - Major 7th, Dominant 7th, Dominant 7b9, Minor 7th, Minor 7b5, and Diminished 7th and Augmented 7th Chords - ii-7 / V7 / I Major (two and four-measure phrases) - ii-7b5 / V7b9 / i Minor (two and four-measure phrases) - Parallel Major to Minor Progressions - ii- ii-Maj7 / ii-7 V7 / I Maj7 (ii-7 / V7 / I Maj7 with moving 7ths) ? Modular Design ? The licks are self-contained, easily taken out of the book to be used in a wide variety of songs. ? Interactive Call and Response Format, perfect for ear-training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along. ? Twelve Key Approach ? Every CD track takes you through all twelve keys. ? Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales. ? Technique Builder ? Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone.

La collection Omnibook propose aux musiciens de jazz une collection ultime pour apprendre les classiques des maîtres avec des transcriptions exactes note à note. Cette dernière publication de l'Omnibook permet aux instrumentistes en Sib et en Mib de jouer la musique de certaines des plus grandes icônes du jazz au saxophone de tous les temps et propose 53 chansons transcrites exactement à partir de solos enregistrés par des artistes tels que Cannonball Adderley, John Coltrane, Stan Getz, Joe Henderson, Jackie McLean, Gerry Mulligan, Charlie Parker, Sonny Rollins, et bien d'autres encore ! Titres inclus : All the Things You Are - Anthropology - Body and Soul - Cherokee (Indian Love Song) - Donna Lee - A Foggy Day (In London Town) - Frenesí - Georgia on My Mind - I Can't Give You Anything but Love - I Remember You - Just One of Those Things - Lester Leaps In - Lover Man (Oh, Where Can You Be ?) - Luck Be a Lady - Mood Indigo - Seven Come Eleven - Take Five - Walk on By - What a Little Moonlight Can Do - et bien d'autres encore. La reliure spirale permet une ouverture à plat pour les répétitions ou les concerts ! All The Things You Are Alone Together Angel Eyes Anthropology Bags' Groove Bernie's Tune Body And Soul Cherokee (Indian Love Song) Cotton Tail Donna Lee Emily Everything Happens To Me Flying Home A Foggy Day (In London Town) Footprints Frenesí Georgia On My Mind Giant Steps Ginger Bread Boy Groovin' High Hot House I Can't Give You Anything But Love I Hadn't Anyone Till You I Love Paris I Remember Clifford I Remember You I'm Old Fashioned Idaho Inner Urge Jam For Bobbie Just One Of Those Things Lester Leaps In Line For Lyons Lover Man (Oh, Where Can You Be?) Luck Be A Lady Lulu's Back In Town Mood Indigo My Melancholy Baby My One And Only Love Oh, Lady Be Good! Oleo On A Slow Boat To China Quiet Nights Of Quiet Stars (Corcovado) Ramblin' Recorda Me St. Thomas Seven Come Eleven Take Five Turnaround Undecided Walk On By What A Little Moonlight Can Do Work Song / Instrument en mib / Hal Leonard

What can you do with hydrogen peroxide, baby powder, modeling clay, and dental cushions? What are the four variables of good intonation? What is a mouthpiece scale? What does playing it backwards mean? The answers to these questions and other tips of the trade can be found in Saxophone Secrets. Has your saxophone playing hit a plateau? Are you practicing, but not progressing? If you're nodding your head, Saxophone Secrets is for you. Dan Joffe has assembled the guidance you need if you want to: ? Practice More Efficiently ? Improve Your Technique ? Improve Your Tone ? Improve Your Intonation ? Buy a new or used saxophone ? Find other great information about playing the saxophone Learn the secrets of the masters and the way they approach the sax. Transfer the information directly to your horn. Those of you who aren't yet masters, suspend your disbelief and try the techniques of Saxophone Secrets. 92 pages. Convenient, pocket-sized book! 3 1/2 x 5 1/2 - perfect for your gig bag!