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DIDGERIDOO
Soli (AT), Choeur Mixte (SATB) Et Orchestre
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Balalaika (34)
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Djembe (34)
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Pop music (32)
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Trio (2 Soli Avec Réduction D… (30)
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Choeur de Femmes (SMezA) (29)
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Book (29)
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Xylophone (28)
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Petit Choeur SATB, Contrebasse… (26)
Baritone Ukulele (26)
String trio (26)
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Solistes STBar, Choeur SATB, 2… (26)
SATB, (4 InstrumentS Basse et … (26)
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Musique Légère (26)
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Saxophone Alto et Orchestre à… (26)
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2 Hautbois Et Orchestre (25)
Choeur SATB/SATB, (8 Instrumen… (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Tout Instrument (25)
Choeur SATB, 2 Violons, Alto e… (25)
2 Violins and Basso (25)
2 Pianos et Orchestre (25)
Soprano, Basse, Choeur Mixte e… (25)
Instruments à Vent (25)
Trompette, Cordes Et Basse Con… (25)
Choeur de Femmes (SSA) et Pian… (25)
Chorale d'Enfants et Piano (25)
Choeur Mixte (SSATBB) (25)
2 Clarinettes, 2 Violons, Orgu… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Flûte Traversière Et Orchest… (24)
2 Hautbois, 2 Cors, 2 Clarinet… (24)
Clarinette et Quatuor à Corde… (24)
Quartette Pour Flûtes à Bec … (24)
Hautbois (Flûte), Violon, Alt… (24)
Quatuor à Cordes et Guitare (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Basson, 2 Violons, 2 Altos et … (24)
Solistes SATB, Choeur SATB, 2 … (24)
Quatuor à Cordes et Basse Con… (24)
Hautbois, Basson et Piano ou O… (24)
Flûte Traversière Violoncell… (24)
Flûte Traversière, Clarinett… (24)
Solistes SATTB, Choeur SSATTBB… (24)
String Trio: 2 violins, viola (24)
Bass Clarinet, Piano (24)
Marches de concert (24)
Soli (T (Evangelist), B (Jesus… (24)
Solistes ATB, Choeur SATB, Fl… (24)
Choeur SATB et Orchestre (24)
CD only (24)
Guitar Tab, Voice, Bass, Drum (24)
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Instruments A Vent (24)
Orchestre Juniors (23)
Solistes SST, Choeur SATB/SATB… (23)
2 Violons, Basse et Basse Cont… (23)
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English horn, Piano (23)
Orgue et Orchestre à Vent (23)
Choral SATTB (23)
5 Solistes, Choeur(s) Et Orche… (23)
ENS::Ensemble d'cole (23)
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
(+)
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
(+)
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 175: SATB: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
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Johann Sebastian Bach: Cantata BWV 175: SATB: Parts
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
(+)
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
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Johann Sebastian Bach: Cantata BWV 175: SATB: Part
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
2.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 175: SATB: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
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Johann Sebastian Bach: Cantata BWV 175: SATB: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
2.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 175: SATB: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
(+)
Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit Tuesday The text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725. Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else. - Urtext of the New BachEdition - Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
2.50 GBP - Sold by Musicroom UK
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Ein Herz, Das Seinen Jesum Lebend Weiß
Soli (AT), Choeur Mixte (SATB) Et Orchestre
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6.40 EUR - Sold by LMI-partitions
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Johann Sebastian Bach: Cantata No. 134 Ein Herz Das Seinen Jesum: SATB: Vocal
Soli (AT), Choeur Mixte (SATB) Et Orchestre
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Cantata for Easter Tuesday-J.S. Bach's Ein Herz das seinen Jesum lebend weiß...
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Cantata for Easter Tuesday-J.S. Bach's Ein Herz das seinen Jesum lebend weiß BWV 134 for SATB.
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Johann Sebastian Bach: St Mark Passion BWV247: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247):...
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247): A reconstruction.Recitatives and turbae by Reinhard Keiser (1674-1739). Although all that survives of Bach's “St. Mark Passion” is Picander's libretto virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae however are probably lost forever. Rather than rewriting these numbers “in Bachs's style” the editor Austin Harvey Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach who performed it several times) thereby allowing this lost work to be performed in its entirety. A detailed prefacesheds further light on this unique reconstruction based on the New Bach Edition. Full score (BA5209) and vocal score (BA5209-90) available for sale Performance material (BA5209-72) available for hire.
58.00 GBP - Sold by Musicroom UK
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Herz Und Mund Und Tat Und Leben
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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7.01 EUR - Sold by LMI-partitions
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Herz Und Mund Und Tat Und Leben
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Herz Und Mund Und Tat Und Leben
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Herz Und Mund Und Tat Und Leben
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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22.70 EUR - Sold by LMI-partitions
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Herz Und Mund Und Tat Und Leben
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Herz Und Mund Und Tat Und Leben
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Herr Gott, Dich Loben Alle Wir
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Herr Gott, Dich Loben Alle Wir
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Parts
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
5.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
5.00 GBP - Sold by Musicroom UK
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Hugo Distler: Dreimaliges Kyrie Martin Luthers 1526 (SA): Upper Voices: Vocal
Soli (AT), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
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Hugo Distler's Dreimaliges Kyrie Luthers Neunmaliges Kyrie Cunctipotens for SSA.
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Continuo: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
11.50 GBP - Sold by Musicroom UK
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