The present Concerto for B Flat Trumpet and Orchestra was written in 1796 and dedicated to A. Weidinger a trumpet player of the Court Opera Orchestra in Vienna. Weidinger improved the Trumpet by applying the keys to it covering side holes and thus making possible the playing of chromatic notes between the natural notes. Haydn employs chromatic passages extensively in his Concerto.Arranged here with Piano accompaniment by Harold Perry and edited by Ernest Hall.

La référence GB1567 1 de l'éditeur Billaudot dont l'auteur célèbre est Haydn Franz Josef, qui a pour titre CONCERTO EN MI B PARTITION, a été écrite et composée pour Trompette et Cornet et plus particulièrement pour Trompette Et Piano. Cette partition musicale appartient à la catégorie Classique. / Trompette Et Piano / Partition

A magnificent Sonata for Trumpet and Piano by perhaps the greatest English Composer of the Baroque period. Originally for Trumpet and Strings this is an accurate and faithful Piano transcription by Karl Heinz Fessel. This volume contains two versions of Purcell's glorious Sonata; one in the key of D for C Trumpet and Piano and the other in B flat for B flat Trumpet with Piano.

French composer Charles Chaynes (b. 1925) studied at the Paris Conservatoire and won the Prix de Rome in 1951. In addition to several operas and chamber works Chaynes also composed several successful concertos such as his Trumpet Concerto. Suitable to the repertoire of advanced trumpeters Chaynes' Trumpet Concerto is adaptable to both the B flat and C Trumpet. The Concerto contains many challenging yet appealing features such as use of varying time signatures articulation extended techniques complex rhythms tempo changes and a wide range among other aspects. Charles Chaynes'Trumpet Concerto is a valuable addition to the modern repertoire of the Trumpet.

Bohuslav Martinu (1890-1959) was a prolific Czech composer writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. Sonatine for Trumpet and Piano was composed in 1957 and is adaptable to both the B flat and C Trumpet. Martinu himself was a violinist but he liked to experiment and the mid-1950s saw him move to Nice in France where he began writing Sonatas for wind and brass. Sonatine for Trumpet exemplifies the composer's influence of Stravinsky Debussy and jazz music. The piece is excitingly virtuosic in its use of flutter tonguing complex rhythms chromaticism and ensemble between the Trumpet and Piano. As a varied substantial work for the Trumpet repertoire Martinu's Sonatine is essential to the advanced trumpeter.

Trumpet parts in both B flat and E flat simplified piano part and a free CD including piano backing tracks and orchestral performance extracts.Johann Nepomuk Hummel (1778-1837) composed this concerto in 1803 for the keyed trumpet which had been developed by Anton Weidinger (1767-1852). Weidinger gave its first performance on New Year's Day 1804. Originally composed in the key of E it is more commonly played in Eb. The keyed trumpet was the first type of trumpet which could play chromatically but the invention was not a huge success: it suffered from a poor quality of sound. In the early 19th century the invention of the valve rendered the keyed trumpetobsolete.This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say more stylistic) piano accompaniment - any doubling of the solo part has been removed voicing simplified and my premise has been to imagine what it might have been before it was orchestrated rather than trying to cram in every last piece of orchestral detail.Suggested cuts in the piano part have been indicated giving a short introduction to each movement perfect for auditions recitals or exams. However the bar numbers still tally with the longer original versions which are included should they be required. The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings offering more guidance than 'scholarly' editions without being overprescriptive.There is an appendix with suggested interpretation of trills and ornaments. Listening to as many different recordings as possible is the best way to assimilate good trills.The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 38 for full track listing. There is free software available online (eg. speedshifter on the ABRSM website) which enables you to change the speed of a CD should you wish to practise slower or indeed faster.The Hummel

Piano reduction in E major and E flat major with parts in E/E flat C and B flatHummel's Trumpet Concerto is still one of the most popular concertos for this instrument. He composed it in 1803 for the Viennese courttrumpeter Anton Waidinger whose newly developed key-trumpet enabled him to play in a much more virtuoso manner than on the traditional natural trumpet. Henle's Urtext edition reproduces the work in the original key of E majorwith solo parts in E and for the more common trumpet in C. Due to the fact that the concerto is nowadays often performed in E flat major this edition also contains a piano reduction in E flat major for trumpets in E flat and Bflat. The different transpositions are now available in one single edition for the first time.

After hearing Castérède's Sonatina for Trumpet and Piano the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen then Castérède's Sonatina is one for you. Having won prizes in Piano chamber music harmony composition analysis and aesthetics in music whilst studying at Paris Conservatoire it is not surprising that the composer's Sonatina for B flat or C Trumpet and Piano is full of musically appealing features. Elements include exquisite use of ornamentation exploiting Trumpettechnique to its full potential and clever uses of shared melody between the Trumpet and Piano. From the lively harmonically rich first movement to the luscious melodies of the second this Sonatina provides an enjoyable listen and fun piece to learn for all trumpeters.

Orlando Gibbon's Keyboard Suite arranged for Trumpet and Piano by Adrian Cruft. Intermediate difficulty.Four Keyboard pieces by Gibbons (Italian Ground; Coranto; Maske; The King's Juell) are arranged for Trumpet and Piano by Adrian Cruft. The arrangement is also suitable for B flat Cornet or Flugelhorn. A version for Solo Trumpet and String Orchestra is available on rental.For supply to USA please contact ECS Publishing.

This edition is more user-friendly than the others currently available. The accompanying CD provides piano accompaniments as well as samples from recordings of the Neruda Haydn and Hummell concerti with kind permission of Hyperion Records and Crispian Steele-Perkins.J.G.B. Neruda (1711-1780) was typical of 18th century musicians travelling and studying in various parts of Eastern Europe and finally settling in Dresden (1750-1780) in the Electoral (chapel) orchestra where he was salaried as a violinist and occasional composer. This concerto was originally composed for a Corno da Caccia (hunting horn) presumed to be something of a hybrid between the natural hornand natural trumpet but has been borrowed by modern trumpet players and is now firmly fixed in the Classical trumpet repertoire.This edition is intended to be more user-friendly than the others currently available: there is a much easier (and dare I say more stylistic) piano accompaniment - any doubling of the solo part has been removed voicing simplified and my premise has been to imagine what it might have been before it was orchestrated rather than trying to cram in every last piece of orchestral detail. Suggested cuts have been indicated which give a short introduction to each movement perfect for auditions recitals or exams. However the bar numbers still tally with the longer original versions which are included should they be required.The dynamics and articulation which I have added incorporate the weight of opinion in current editions and recordings offering more guidance than 'scholarly' editions without being over-prescriptive. There is an appendix with suggested interpretation of trills. Listening to as many different recordings as possible is the best way to assimilate good trills. The accompanying CD provides piano accompaniments and observes the suggested cuts. See page 23 for full track listing. There is free software available online (eg. speedshifter on the ABRSM

Parisian born composer Roger Boutry (b. 1932) proves with his Trumpeldor for Trumpet and Piano his ability as a virtuoso musician. Boutry won many prizes during his time at the Paris Conservatoire as well as for his professional work. He has over 100 published works in which he successfully unites diverse modern and traditional trends. He was named Personality of the Year in 1989 for all of his artistic activities. Trumpeldor is highly rhythmic and syncopated exploiting tonality and Trumpet technique to their full potential. The entire work is riveting for performers and audiences alike. Boutry'sTrumpeldor for Trumpet and Piano accompaniment is an essential varied addition to the advanced saxophonist's repertoire.

To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Rhapsodie for Trumpet with Piano accompaniment is no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Composed in 1957 Bozza's Rhapsodie is adaptableto both B flat and C Trumpet and addresses advanced features including complex rhythms quick tempos and articulation. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistently sensitive concern of instrumental capabilities.'

Brilliant trumpeter Randy Brecker, a Grammy® Award-winning composer, arranger, and leader of his own jazz groups, has shaped the sound of jazz for more than three decades. His trumpet and flugelhorn have graced hundreds of albums by a wide range of artists such as George Benson, David Sanborn, James Taylor, Bruce Springsteen, and Chaka Khan. For this book, Randy has selected 12 of his jazz works to teach his techniques for improvisation and composition. Included in the Performing Artist Master Class CD are instrumental demonstrations performed by Randy, excerpts of his trancribed solo recordings, and an in-depth discussion on the following topics: rhythmic improvisation, soloistic tension, time and technique, live vs. studio recordings, composition techniques, the flugelhorn, interacting with the drummer, double time ballad style, Brazilian influences, and chromatic techniques. The Music of Randy Brecker features: 12 condensed score lead sheets in concert key, 13 transcribed solos in B-flat, Performing Artist Master Class CD, and a discography/biography.