Dorisch, Mixolydisch und Pentatonik Bluestonleitern. Par DICKBAUER KLAUS. In the previous edition, Klaus Dickbauer covered major scales, triads, and interval exercises - combined with groovy beats - in a fresh and contemporary way. He now continues his well-thought-out approach to scales with a concentration on Dorian, Mixolydian, pentatonic, and blues scales - the perfect tools for building first improvisation skills on the violin. Methodically sound exercises train patterns and motifs to equip the student with a sense of confidence and an appetite for learning the art of improvisation. ? The perfect warm-up for groups and ensembles ? Elementary studies for developing confidence and an interest in learning to improvise ? Groovy tunes and motifs are combined with proven and tested playing pieces to guarantee fun and a positive attitude ? Includes a Play-Along CD to help students become well-acquainted with the concept The musical material is divided into three voices. This layout serves pedagogic purposes while facilitating ensemble playing. Voices can easily be doubled or switched in order to accommodate different ability levels and unite heterogeneous groups. The included CD provides the necessary drive while maintaining stability and authenticity - making this innovative volume even more effective. The sheet music editions for other instruments (Flute, Violin, Recorder, Clarinet, Trumpet, Tenor Saxophone, Alto Saxophone) can be freely combined and make various ensemble combinations possible. Click here for example videos and an overview of all available editions: www.universaledition.com/groove-connection/ Recueil / Violon

Famous classics for violin-Essential Melodies is a delightful collection of repertoire pieces by famous composers. These pieces have been skilfully adapted for the violin by a number of excellent arrangers with the emphasis on variety musical quality and melodic interest. Various dance forms are presented in this book including the rondeau waltz and tango. With a selection of styles to choose from you can be confident that concerts and school performances will be a success. Some of the pieces can be played entirely in the first position; others involve some position changing but none of them requires virtuoso technique.

An Introduction to Jazz Harmony Technique and Improvisation-Jazz is one of the biggest challenges a violinist can face with the idea of improvisation likely to strike fear into even the best classical players. This book de-mystifies the whole process taking you step by step through everything you need to know about playing jazz violin. Chris Haigh?s style has been described as humorous entertaining and addictive. This book is anything but dull! Key areas covered include analyzing a chord sequence; bowing; chord symbols; how to construct your own solo and how the various different branches of jazz including gypsy jazz bebop modal and fusion are explored. This book is packed with ?bite-sized? musical portions all explained and placed in context. As well as a treasure chest full of licks and riffs to use in your improvisations there are sample tunes with examples of solos. The accompanying CD has 65 tracks to listen to and play along with.

For Solo Violin-Gallery (Room 1) is a fantastic set of miniatures beautifully composed by Sadie Harrison. Sadie was inspired by Peter Sheppard Skaerved’s exceptional artwork. The pieces have been written so they can be performed in any order just as a viewer could choose their various paths through a gallery. Gallery (Room 1) has been written conveying expressions of imagined narratives personal responses to the art's kaleidoscopic references their vivacity drama and quiet beauty. Gallery has been dedicated to Peter Sheppard Skaerved’s in admiration and with thanks for so many wonderfulyears of collaboration.

Barrage is a hot young touring group of seven violinists one percussionist one kit player guitarist bass and keyboard players performing a mix of original world beat music by Dean Marshall with infectious andirresistible energy. Barrage combines jazz swing Celtic roots rock klezmer country calypso and every musical style in between to create an eclectic and electrifying assault on the senses. After hundreds ofrequests for the music of Barrage this volume of sheet music has finally been produced.The texture of the music has been simplified from the group's seven parts down to 1 to 3 Violin parts with various markingsincluded (bar numbers fingerings and bowings) which can be useful in group situations. In terms of difficulty these arrangements are definitely written for the more intermediate to advanced player.The companion EnhancedCD has two exciting applications: You can print the Piano/Guitar accompaniment sheet music from your computer and you can insert the same CD in your stereo for play along with the pre-recorded Piano accompaniment tracks.

Violin Edition. Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Violon

Par FINE ELAINE. The etudes in this book offer students a musically and intellectually satisfying means of practicing scales in all major and minor keys, even while remaining in first position. Although presented in the traditional order of the circle of fifths, this is where similarities to other violin scale-oriented books end.Of course, the etudes can be played using a mixture of positions by more advanced students. The studies also resonate very well on the viola if played at pitch. These are instructive etudes and can be played as appealing solo pieces. The stepwise motion in the etudes makes intervals between pitches easy to hear, even in keys with many flats or sharps.Both the book and etude titles refer to names of animals that have scales, so you will see natural and harmonic minor scales named after various moths, and major scales named for unusual reptiles, birds, and mammals throughout. The author hopes that in addition to experiencing more enjoyable scale practice, students will be inspired to learn more about these amazing animals or even write scale studies of their own. / Date parution : 2022-07-20/ Etude / Violon

Herausgegeben von | Edited by Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini's works for solo violin are one of the most significant components of his musical production, and consist of compositions written throughout his entire lifetime. This collection highlights various elements of interest, including the exploration of different sounds and instrumental techniques. / Niveau : Avancé / Recueil / Violon

Exercises for promoting dexterity in Various Positions: Exercises on One String Exercises on Two Strings Exercises to be practised with wrist-movement only keeping the right arm perfectly quiet Exercise on Three Strings Exericses on Four Strings Exercises in the Second Position Exercises in the First and Second Positions Exercises in the Third Positions Exercises in the First Second and Third Positions Exercises in the Fourth Position Exercises in the First-Fourth Positions Exercises in the Fifth Position Exercises passing through Five Positions Exercises in the Sixth Position Exercises passing through Six Positions Exercises in the Seventh Position

A delightful album of pieces in contrasting styles for young violinists. All of the pieces may be played in first position and provide useful practice of various aspects of technique such as reading bowing symbols mixed phrasing legato and staccato playing all of which will help build the young player???s confidence. All the pieces can be played in the first position and the music is clear and well-edited. These are excellent pieces for developing a sense of style and the writing for both instruments [including A Sketchbook for Cello] is imaginative. David Rothwell ISM Magazine

Here are 19 easy-intermediate arrangements of familiar melodies in classical folk and jazz styles. Each tune is presented as a trio but these ingenious arrangements work equally well as solos or duets - with or without accompaniment. You can even invite other instrumentalists to play along using the Flute Saxophone Brass and Brass editions in Book 2 of this series. This highly flexible series of coordinated instrumental books has been designed to give young people the chance to play together in various combinations of numbers and instruments. Perfect for one two or three violins - with or without accompaniment May also be used withmatching arrangements in Book 2 editions of this series for Flute Clarinet Saxophone and BrassOptional Piano Accompaniment book with guitar chord symbols available Ideal for individual or classroom use

3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 3/4 part Particularly designed for performance in groups and ensembles, the demands grow with the addition of voices and the growing diversity of timbres. As withthe two-voiced canons, also the three and four-voiced canons can with the help of the universal versions be played in all thinkable combinations of instruments up to the various chamber music ensembles. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Violon

Whatever your skill level if you are devoted to the noble art of playing the violin this course is sure to enhance your technique! Mikhail Lobko's Method will increase your understanding of playing throughout the fingerboard inthe most rational and comfortable way facilitating the discovery of technical solutions even while sight reading. The method???s progressive approach succicnt yet comprehensive enables you to examine and revise the very wayyou handle a violin and bow. The roots of great success or unexplainable failure often lie in simple technical errors that have become habits. To help you correct these habits brilliant technical concepts gleaned fromvarious books by the best violin teachers of the past are brought together here in simple easy to follow formulas.

This book explains and shows in detail the various techniques used by fiddle players in creating a traditional style of playing. All the information is presented in the context of the music itself with numerous transcribed and recorded examples. It is aimed not only at the beginner but also the fiddle-player (and indeed violinist) with some knowledge and experience who wishes to learn more. For those unable to read music a chapter on notation is included. Particular emphasis is given to bowing and ornamentation with individual chapters devoted to Jigs Slides Plokas Hornpipes Airs and Reels. The book also attemptes to convey something of the excitement felt inplaying music which has a large degree of improvisation albeit within certain bounds. The demonstration CD which features a large selection of the transcribed tunes and ornaments performed by Cranitch is an invaluable aid to learning as it allows the listener to hear how the music and ornamentation should sound.