'Romance for violin and piano is a short reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'???????????? - Helen GrimeBorn in 1981 Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07 Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison Michael Gandolfi Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO London Symphony Orchestra BCMG Britten Sinfonia BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding Oliver Knussen Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Hall? from the

Extraites De L'Organiste, Transcription Pour Piano & Violoncelle Ou Violon. Par FRANCK CESAR. Arrangeur: LEVY André/ Répertoire / Violon et Piano

Populaire série de Edward Huws Jones du répertoire de violon traditionnel, désormais disponible avec CD audio experte-enregistré. Contenant des pistes d'accompagnement instrumental colorés et des démonstrations complètes, la nouvelle ressource audio aidera et inspirera votre pratique privée et l'exécution publique de même. Ces collections généreuses de musique authentique, certains familiers, d'autres plus exotiques, mais tout cela organisé fidèlement, vous permettent de créer votre propre Ceilidh, bluegrass club ou groupe charanga.L'édition du violon inclut une partie de violon facile en option et accords de guitare, tandis que l'édition complète comprend également le clavier et accompagnements de violon. Format est très flexible, ce qui signifie que la musique peut être jouée comme solos, duos ou trios ainsi qu'avec les grands ensembles. Edwards Huws Jones a voyagé intensivement recherché traditions violoneux. Dans chaque livre, il explique le contexte du style musical particulier, donnant à ses propres suggestions pour une performance vivante. / Violon

Contrairement à de nombreuses collections qui comportent des titres obscurs, Classiques populaires de performance pour violon organisé par Jonathon Robbins and adapté pour violon de Denise Gendron, dispose d'un large assortiment de classiques bien connus. Ce titre de meilleur vente contient des oeuvres de divers compositeurs différents donnant des exemples de musique écrites de plusieurs époques différentes. Cette fabuleuse collection élimine le besoin de plusieurs matériels didactiques et est une grande ressource pour l'enseignement des jeunes instrumentistes à cordes impératives premiers classiques originaux.Classiques populaires de performance pour violon est un texte requis pour de nombreuses listes d'écoute de l'Etat et suggérées par les professeurs de musique associés à l'organisation NYSSMA très apprécié. Cet accompagnement de piano acoustique est très utile pour l'apprentissage de ces thèmes chef d'oeuvre classique importants étant disposés de manière appropriée pour les auditions en direct ou de récitals de performance / Violon Et Piano

Par TRACHIER FRANCINE / BERA-TAGRINE NATHALIE. / Date parution : 2022-01-14/ Recueil / Violon et Piano

Pour Violon (ou Flûte) et Piano-Composer and conductor Eugène Bozza (1905-1991) was a pupil of Henri Büsser and Henri Rabaud at the Conservatoire de Paris and received the first Prix de Rome in 1934. It was during his stay the Villa Medici that he wrote his Aria Pour Saxophone Alto Et Piano – an adaptation of the third movement of Johan Sebastian Bach’s Organ Pastorale in F Major BWV 590 which was to tour the world. This nostalgia-imbued melody which expands over a regular meter has in turn been the subject of numerous transcriptions first for clarinet then for Violin (or Flute) and Piano. Éditions Leduc have chosen torepublish this last version with the added bonus of an audio version that should be of valuable assistance to all musicians!

For Violin and Piano.First performed by Sophie Appleton (Violin) and James Weeks (Piano) London 1st November 2006.Revised edition was first performed by Darragh Morgan (Violin) and Mary Dullea (Piano) London 5th February 2009.

for Violin Viola and Orchestra-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score

Violin with piano accompaniment-This book contains the best-known and most beautiful wedding classics. Filled with music from the great composers from different eras from Johann Sebastian Bach to Richard Wagner. With stately as well as cheerfully informal melodies Classics for Weddings offers ample choice. On the CD you will find demo as well as play-along versions of all the pieces - a fine aid for studying! Also includes a piano part which is also suitable for organ (manuals only).