Score and five parts (Flute Oboe Clarinet Bassoon Horn).Moderate level of difficulty.Night on Bald Mountain depicts a witches’ sabbath on St. John’s Day the night between 23 and 24 June. Its sections present the infernal noise of ghostly voices the chattering and quarrelling of witches the appearance of ghosts the dance of witches and demons the appearance of Satan the adoration and Black Mass and finally the pealing bells of the village church announcing the break of day and thus the end of the witches’ sabbath.Whether intentionally or not Mussorgsky actually finished the work on the eve of St. John’s Day (23 June1867) after spending twelve days on its composition. Technically speaking Joachim Linckelmann’s exciting version for Wind Quintet is the arrangement of an arrangement as Mussorgsky’s symphonic poem is almost invariably heard in the familiar version by Rimsky-Korsakov.

Full set of parts for Carl Nielsen's Wind Quintet Op.43 (1922) for Flute Oboe Clarinet French Horn and BassoonScore available: WH30739

Wind Quintet with Narrator. Written for the Oxford based wind quintet 'The Five Winds' for a Children's Christmas concert. First performed at the Holywell Music Rooms Oxford 1985. A sleepy bear (bassoon) a romantic lady (cor anglais) a mad cobbler (clarinet) and a fisherman's son (piccolo) are all visited by the 'Mountain Wind' (horn) of Stephen Pegg's imaginative story.

Référence unique par son ISBN 9788774552321 cette partition musique de Nielsen n'est autre que Nielsen Quintet Op.43 Fl/Oboe/Cla/Horn/Bassoon Score And Parts. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Wilhelm Hansen. La référence catalogue de cette oeuvre est WH48204. / Scores / niveau : Intermédiaire / Avancé / Partition

for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV 608 were both composed to fulfill a commission for a memorial exhibit in Vienna to be played in a “mechanical clock organ.” The term “fantasy” or“fantasia” came to be affixed to these works later and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue “Ein Stüke für ein Orgelwerk in ein Uhr.” They are also variouslytitled “Adagio und Allegro in f für ein Orgelwerk” and “Allegro und Andante (Fantasie in f) für eine Orgelwaltze.”The first of these composed between the monumental String Quintet in D and the Piano Concertoin Bb KV 595 is an A-B-A form comprised of an f minor Adagio opening and closing with a contrapuntal Allegro at its heart. KV 608 is more complicated opening with an f minor section reminiscent of a French Overture followed by a fugue in fminor then an Andante aria followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices KV 594and 608 are remarkable works which stand at an intersection incorporating what he learned about counterpoint studying at the foot of Bach while looking ahead to the emotional and harmonic poignancy of Schubert.