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DJ GEAR
Cello, Piano
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Felix Mendelssohn Bartholdy: Variationen Opus 17 Und Andere Stücke: Cello:
Cello, Piano
G. Henle
Besides two genuine Cello 'hits' from the pen of Felix Mendelssohn Bartholdy t...
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Besides two genuine Cello 'hits' from the pen of Felix Mendelssohn Bartholdy the 'Variations Op. 17' and the 'Song Without Words Op. 109' this urtext edition contains a little sensation: thepremière publication of a delightful and previously unknown original piece for Cello and Piano. Mendelssohn wrote it down in the album of his friend the distinguished cellist Julius Rietz in 1835 while at the pinnacleof his creative powers. All cellists will be happy to welcome this 'Album Leaf' into their repertoire.
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
(+)
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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SAINT-SAËNS CMAILLE - LE CYGNE - VIOLONCELLE and PIANO
Français
Cello, Piano
Durand
Soon after its composition in 1886, Camille Saint-Saëns asked Auguste Durand th...
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Soon after its composition in 1886, Camille Saint-Saëns asked Auguste Durand that Le Carnaval des animaux, which he thought of as a parodic fantasia, should only appear in print posthumously. He probably believed that this entertainment would tarnish the seriousness of the rest of his oeuvre. The Carnaval was therefore published in February 1922, two months after the composer's death. Nevertheless the composer contravened the restrictions he had imposed: in 1886 Charles-Joseph Lebouc obtained the authorization to make and publish a transcription for piano and cello of the penultimate piece in this musical bestiary: no.13, Le Cygne . This arrangement, which became a bravura piece for cello, was an immense success each listener compelled to imagine a majestic swan gliding across a lake , a success which Saint-Saëns was obliged to accept. / Violoncelle / Durand
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10 Rapsodies In Concert, Cello And Piano (SCHMITZ MANFRED)
Cello, Piano
[Sheet music + CD]
-
Intermediate
AMA Verlag
Par SCHMITZ MANFRED. 10 appealing concert pieces for violin, viola, cello or flu...
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Par SCHMITZ MANFRED. 10 appealing concert pieces for violin, viola, cello or flute and piano in the style of “RAPsody“ from “Pop Music for Violin & Piano“. The accompanying CD provides the piano accompaniment in two different tempos: a comfortable one for practicing and a brighter one for performance. / Niveau : Intermédiaire / Classic - Solos / Recueil / Violoncelle et Piano
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Camille Saint-Saëns: Romances - Horn And Piano: Cello: Instrumental Work
Cello, Piano
G. Henle
Version for Violoncello-Camille Saint-Saëns composed his two Romances for Horn ...
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Version for Violoncello-Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 waswritten for Henri Garigue. Despite the illustrious recipients they are not virtuosic showpieces but as the term Romance suggests short ?Songs without words?. Alongside the orchestral version Saint-Saëns also prepareda piano accompaniment for chamber music performances. The first editions even also had an alternative part for Violoncello on which?this edition is based.
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Solos For The Cello Player - Cello
Cello, Piano
[Sheet music]
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Intermediate
Schirmer
Description Solos For The Cello Player Seventeen intermediate level pieces re...
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Description Solos For The Cello Player Seventeen intermediate level pieces representing various stylistic periods. Songlist Allegro (Violin Sonata Op.1 No.15) [Handel, George Frideric] Allegro Spiritoso [Senaille, Jean Baptiste] Andante [Beethoven, Ludwig Van] Andante (Orfeo) [Gluck, Christoph Willibald] Aria [Lotti, Antonio] Country Dance [Weber, Carl Maria Von] La Cinquantaine (Air In The Olden Style) [Marie, Gabriel] Larghetto (Violin Sonata Op.1 No.13) [Handel, George Frideric] Lento (Five Pieces In A Popular Mood) [Schumann, Robert] Lullaby [Brahms, Johannes] Menuet (Divertimento In D, K334) [Mozart, Wolfgang Amadeus] Nina (Canzonetta) [Pergolesi, Giovanni] Romance [Debussy, Claude] Sicilienne [Faure, Gabriel] The Swan (Carnival Of The Animals) [Saint-Saens, Camille] Two Bourrees (Third Cello Suite] [Bach, Johann Sebastian] Village Song [Popper, David]
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The Piano Guys: Let It Go (from Frozen): Cello and Accomp.: Score
Cello, Piano
Hal Leonard
with Vivaldi's Winter from Four Seasons-Let It Go from Disney's hit animated fea...
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with Vivaldi's Winter from Four Seasons-Let It Go from Disney's hit animated feature Frozen arranged by The Piano Guys for Cello and Piano. This sensational mash-up incorporates the Vivaldi classic 'Winter'. Two copies are needed for performance.
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Gabriel Fauré: Élégie Op.24 For Violoncello And Piano: Cello: Instrumental Work
Cello, Piano
G. Henle
?l?gie for Violoncello and Piano op. 24-Following the enthusiastic reception of ...
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?l?gie for Violoncello and Piano op. 24-Following the enthusiastic reception of his first Violin Sonata (HN980) it was clear to Faur? that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that was intended as theslow movement for a sonata. However Faur? gave up the sonata project instead publishing the piece under the title ??l?gie. It was so successful that Faur? was urged by the publisher to write further pieces. Theconductor ??douard Colonne commissioned a version of the ??l?gie for orchestra in 1895 which was premi?red two years later. As usual our Urtext edition contains both a marked and an unmarked solo part.
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Claude Debussy: Nocturne et Scherzo: Cello
Cello, Piano
Faber Music Limited
This piece dates originally from May 1882 when Debussy made his first public ap...
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This piece dates originally from May 1882 when Debussy made his first public appearance as a composer at a musical soiree in Paris accompanying the violinist Maurice Thieberg. Among the work performed on that occasion was a Nocturne and Scherzo for Violin and Piano by the 19-year-old composer which has since disappeared. In June Debussy made a new version for Cello and Piano which survives in autograph manuscript and is published here - in this new edition by the musicologist and cellist Neil Heyde - for the first time.Although the title implies two separate pieces the Nocturne et Scherzo is a hybrid piece in which the opening Scherzo material surrounds a cantabileepisode of nocturnal character.
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Richard Strauss: Sonate F-dur Opus 6 für Violoncello und Klavier: Cello and
Cello, Piano
G. Henle
Sonata in F major op. 6 for Violoncello and Piano. Aside from the Piano Quartet ...
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Sonata in F major op. 6 for Violoncello and Piano. Aside from the Piano Quartet op. 13 and the Violin Sonata op. 18, the Cello Sonata op. 6 numbers among the most mature works of chamber music from Strauss? early ?uvre. The influences of Mendelssohn, Schumann, and Brahms are noticeable, while leaving sufficient space for a very personal tonal language, often with surprising rhythmic and harmonic turns of phrase. Strauss subjected the first version completed in early 1881 to a radical revision over the winter of 1882/83; the opening movement was thoroughly reworked, the two subsequent movements rewritten completely. It was worth it, because after the premiere in Dresden, the composer wrote to his mother, ?My sonata garnered extraordinary acclaim, the applause was enormous, congratulations came to me from all sides.?
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Johannes Brahms: Sonata In E Minor Op. 38 For Cello & Piano: Cello: Instrumental
Cello, Piano
G. Henle
The E minor Cello Sonata is the first work for one solo instrument and Piano whi...
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The E minor Cello Sonata is the first work for one solo instrument and Piano which the meticulous composer also had printed. In summer 1865 Brahms offered it to the publisher Simrock as a sonata “whose twoinstruments are both absolutely easy to play” – and rightly so: contrary to the later F-major Sonata op. 99 (HN 1135) this early sonata is technically less demanding yet musically more striking at the same time sothat it is a hit with amateurs and professionals alike. This Henle edition is based on the new Brahms Complete Edition and thus boasts besides in-depth comments a musical text revised according to the latest scholarlyfindings; as always the Cello part is enhanced with additional markings.
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Kalevi Aho: Sonata for Violoncello and Piano: Cello Solo: Instrumental Album
Cello, Piano
Fennica Gehrman
A large-scale work in four movements lasting over half an hour Kalevi Aho's Son...
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A large-scale work in four movements lasting over half an hour Kalevi Aho's Sonata for violoncello and piano (2019) in four movements is furios virtuosic and poweful with a lyrical second movement. The third movement is a cello cadenza provided in two versions: with and without throat singing.
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Bridge: Sonate: Cello: Instrumental Work
Cello, Piano
Boosey and Hawkes
A captivating two movement Cello sonata with Piano accompaniment. A favourite o...
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A captivating two movement Cello sonata with Piano accompaniment. A favourite of the composer and one of the most widely performed of his duets. A rich and soaring work imbued with an empathetic warmth.
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Johann Christian Bach: Concerto C-Minor: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Salabert
This Concerto en Ut mineur for cello and piano was first published in 1947 by Ed...
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This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved that the Concerto should not have been attributed to Johann Christian Bach after all as it had actually been composed “in the style of Bach” some two centuries later. Nevertheless the Concerto has been a success and is today often performed and studied closely. This edition of the Concerto is a new version of the original score enriched with an introduction and history in French English and Italian
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Christopher Le Fleming: Air And Dance (Bass Clef): Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Intermediate
Chester
The bass-clef version of two pleasant and pastoral movements by Christopher Le F...
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The bass-clef version of two pleasant and pastoral movements by Christopher Le Fleming for the Cello with a full Piano accompaniment. A treble-clef edition is available with either the Oboe Violin or Flute as the soloist itemcode number CH56275.
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John Graves: Cathedral City: Cello: Instrumental Work
Cello, Piano
Schott
John Graves' Cathedral City for Cello and Piano. Composed in 1916 this work is ...
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John Graves' Cathedral City for Cello and Piano. Composed in 1916 this work is in three movements: In The Cathedral It Is Market Day In The Square and The Swans Glide On The Bishop's Palace Moat. These movements utilize half and first positions and the third movement is a little more rhythmically challenging than the first two.
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Frank Bridge: Scherzo & Melodie: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Faber Music Limited
Two small chamber works by Frank Bridge available together for performance by C...
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Two small chamber works by Frank Bridge available together for performance by Cello and Piano. Edited by Julian Lloyd Webber.
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Leos Janacek: Werke: Cello: Instrumental Album
Cello, Piano
[Score and Parts]
Barenreiter
Leos Janacek wrote only two works for cello and piano of which only Pohadka (Fa...
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Leos Janacek wrote only two works for cello and piano of which only Pohadka (Fairy Tale) became established in the concert repertoire. Although he completed the work the composer did not want to have it published. The history of the work’s composition is long and complicated. Janacek began writing the work before 1910 however the Pohadka (Fairy Tale) only received its final form after a series of corrections in 1923. The second composition the Presto is incomplete. Only a sketch exists which Janacek did not develop further. The original tempo marking of Allegro was changed by Janacek himself to Presto. The work has beendiscussed under this title in recent Janacek literature. In the supplement of this edition an early version of A Tale is included. The source to this version is a copy owned by Antonin Vana one of the first interpreters of the composition. The early version of A Tale offers a valuable and interesting alternative to today’s known version with its marked differences such as the considerably changed ending of the first movement and the original form of four movements. Urtext from the Janacek Complete Edition All available sources have been taken into consideration A detailed new foreword by Jiri Zahradka (Czech English German) “Again Bärenreiter sets the industry standard for scholarship clarity of type layout and paper qualitiy.”(Strings July 2009)
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Benedetto Marcello: 6 Sonates: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Peters
For one or two Cellos and Piano. Cello 2 ad lib. easy difficulty.
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Tim Wells: ABRSM More Time Pieces for Cello Volume 1: Cello: Instrumental Album
Cello, Piano
[Sheet music]
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Easy
ABRSM Publishing
Music through the Ages-These two volumes contain both original compositions and ...
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Music through the Ages-These two volumes contain both original compositions and well-crafted arrangements that are presented in chronological order from the sixteenth century right up to the present day. pieces that feature on the ABRSM Cello syllabus at Grades 1 to 7 invaluable source of repertoire to explore for further study contrasting styles from Dowland to Grainger and from Couperin to Joplin arrangements that cover the note ranges and keys of the early grades As with most of the Time Pieces series students can cover all of their grade requirements from these versatile volumes.
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Carl Vine: Concerto for Cello: Cello: Score and Parts
Cello, Piano
Faber Music Limited
Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an ex...
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Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an exhilarating 20-minute work that traverses a vast emotional palette. The Concerto begins arrestingly with soloist pitted against orchestra though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section whilst relentless motor rhythms drive the work to its close.
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Scott Joplin: Joplin Rags For Cello: Cello: Instrumental Album
Cello, Piano
[Sheet music]
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Intermediate/advanced
Spartan Press
Entertainer/Bethena-Two contrasting Joplin rags which have been sensitively arra...
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Entertainer/Bethena-Two contrasting Joplin rags which have been sensitively arranged for Cello by Pat Goddard and are suitable for Grades 6-7.
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Tim Wells: ABRSM More Time Pieces for Cello Volume 2: Cello: Instrumental Album
Cello, Piano
[Sheet music]
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Intermediate
ABRSM Publishing
Music through the Ages-These two volumes contain both original compositions and ...
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Music through the Ages-These two volumes contain both original compositions and well-crafted arrangements that are presented in chronological order from the sixteenth century right up to the present day. Pieces that feature on the ABRSM Cello syllabus at Grades 1 to 7 Invaluable source of repertoire to explore for further study Contrasting styles from Dowland to Grainger and from Couperin to Joplin Arrangements that cover the note ranges and keys of the early grades As with most of the Time Pieces series students can cover all of their grade requirements from these versatile volumes.
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Sonate Pour Violoncelle Et Piano En Fa Majeur - Op. Posth (SCHNEIDER FRIEDRICH)
Cello, Piano
[Sheet music]
Breitkopf & Härtel
Par SCHNEIDER FRIEDRICH. Friedrich Schneider is known today above all for his ex...
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Par SCHNEIDER FRIEDRICH. Friedrich Schneider is known today above all for his extensive oeuvre in the area of the oratorio. No less important, however, in addition to his symphonic work, is his group of works for piano and/or chamber music. His cello sonata in F major, with all four movements large in scale, was probably composed in 1831 for the daughter of the Cologne music patron, Dr. Erich Heinrich Verkenius. With its expressiveness, monumental structure, and post-Beethovenian sensuality, this sonata already seriously anticipates Romanticism. Our edition offers two solo parts: an unmarked original text as well as a version with fingerings and bowings by the Leipzig based cellist Jürnjakob Timm./ Répertoire / Violoncelle et Piano
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Claude Debussy: Intermezzo And Scherzo For Cello: Cello: Instrumental Work
Cello, Piano
[Score and Parts]
G. Henle
All cellists are familiar with Debussy’s sonata which he only composed in...
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All cellists are familiar with Debussy’s sonata which he only composed in 1915 three years before his death. Debussy had however already written two works for Violoncello and Piano in 1882 when hewas only 20 years old. They largely remained hidden from the public eye because the autograph of the “Intermezzo” – the sole source for this work – was inaccessible for decades. Today Henle Publishers arein the fortunate position of being able to present an Urtext edition of the “Intermezzo” also including the “Scherzo” that was posthumously published in 1995. The fingerings and bowings were provided byJeffrey Solow (Violoncello) and Eckart Sellheim (Piano).
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Sonata Op. 11
Cello, Piano
Schott
Composed in 1919, Hindemith thoroughly revised his sonata two years later. Compo...
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Composed in 1919, Hindemith thoroughly revised his sonata two years later. Composer and pianist Fazil Say has taken up the challenge to reconstruct the piano part on the basis of the cello part and the structure of the extant middle movement. / Violoncelle Et Piano
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Ernest Chausson: Pièce Op.39: Cello: Instrumental Work
English
Cello, Piano
Faber Music Limited
Chausson's 'Piece Op.39' the composer's only work for solo cello was written d...
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Chausson's 'Piece Op.39' the composer's only work for solo cello was written during his final years and belongs with the intensity lyrical Poeme for violin and orchestra (1896) and the two quartets (1897 and 1899). Like these more 'classical' late works 'Piece' derives potency from its restrained lyricism but is rhythmically unusual with 5/4 and 7/4 the predominant time signatures. Neil Heyde's new edition the first authoritative one of the work is based on the composer's autograph manuscript and will be welcomed by cellists seeking fresh first-rate repertoire by major French composers. The edition includes an informative introduction and critical commentary.
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Max Bruch: Kol Nidrei Opus 47 for Violoncello and Orchestra: Cello: Instrumental
Cello, Piano
G. Henle
Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bru...
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Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bruch?s most famous compositions. The melancholy ?Adagio after Hebrew melodies? was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor and thus to this day ?Kol Nidrei? offers every cellist a wonderful opportunity to make the instrument ?sing?. In this text based on the first edition of 1881 ?Kol Nidrei? appears for the first time in an Urtextedition substantiated by scholarly research for which not just the musical sources but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part.
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