These fifteen well-known pieces have been imaginatively arranged by the ever-popular Chris Tambling for cellists of grade 1 to 2 standard with Piano accompaniment.Christopher Tambling (b.1964) studiedthe Organ with Malcolm McKelvey at Christ's Hospital Horsham Sussex. He went on to gain Organ scholarships to Cantebury Cathedral and St Peter's College Oxford where he studied with Geoffrey Webber and David Sanger and wasOrganist of Pusey House. He started his teaching career at Sedbergh School in Cumbria where he was Organist from 1986 to 1989: he then became Director of Music at Glenalmond College near Perth in Scotland also taking on rolesof Perth City Organist and Conductor of Perth City Orchestra.Tunes You Know Book 1 (Cello) includes Amazing grace Ave Maria Can Can from 'Orpheus in Underworld' Cocklesand Mussels Early One Morning Hallelu! Hornpipe form 'Water Music' Jupiter from 'The Planets' Largo from 'New World' Symphony Marche Militaire Waly Waly Prelude form 'Te Deum' Spring from 'The Four Seasons' The Entertainer and When the Saints Go Marching In.

Big Beats is a brand new concept from the legendary Chris Norton composer of the hugely successful Microjazz series. Big Beats features elementary pieces that develop musicianship and technique in contemporary styles. The free CD contains brilliant playalong tracks.

Techno Treat-Big Beats is a brand new concept from Chris Norton composer of the hugely successful Microjazz series. This fantastic series features elementary pieces that develop musicianship and technique in contemporary styles. The accompanying CD contains brilliant playalong tracks.

Easy Instrumental Play-Along Book with Online Audio Tracks-This volume in the Easy Instrumental Play-Along series contains 10 Christmas Carols carefully selected and arranged for first-year Cello players.Audio demonstration tracks featuring real instruments are available to download helping you to hear how the song should sound. Once you've mastered the notes download the backing tracks to play along with the band.This songbook includes the favourites Angels We Have Heard on High Christ Was Born on Christmas Day Jingle Bells Jolly Old St. Nicholas On Christmas Night Up on the Housetop and more.

Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak condition (or working to get to peak condition) is fundamentally important, yet many cellists do not have routine exercises to follow. This book, the first of a two volume set, which complements book 2, provides the exercises that every cellist needs, for both the left and right hands: daily bowing practice; left hand work-out; velocity exercise; bowing patterns; spiccato work-out; cortot; Zwolle; Shifting; a study. Christopher Bunting (1924-2005), the cellist and composer, gave concerts, broadcasts and masterclasses throughout Europe, Australasia and the United States. The Daily Telegraph described him as ?a master?. Die Welt remarked on his ?highly developed musical comprehension, prodigious technique and outstanding artistry?, and the Swedish press called him ?one of the greatest instrumentalists of today?. He thought deeply about the psychological and physical influences that lie behind technique./ Etude / Violoncelle

All 5 sonatas for cello and piano, and 3 sets of variations on themes by Mozart and Handel. Basic works of the cello repertoire carefully reproduced from the authoritative complete-works edition published by Breitkopf & Härtel. Inexpensive source for studying 8 major works of the chamber music repertoire. Cello Sonata No. 1 in F Major, Op. 5, No. 1 (dedicated to King Friedrich Wilhelm II) I: Adagio sostenuto-Allegro II: Allegro vivace Cello Sonata No. 2 in G Minor, Op. 5, No. 2 (dedicated to King Friedrich Wilhelm II) I: Adagio sostenuto ed espressivo-Allegro molto più tosto presto II: Rondo Cello Sonata No. 3 in A Major, Op. 69 (dedicated to Baron Ignaz von Gleichenstein) I: Allegro, ma non tanto II: Scherzo III: Adagio cantabile-Allegro vivace Cello Sonata No. 4 in C Major, Op. 102, No. 1 (dedicated to Countess Marie von Erdödy) I: Andante-Allegro vivace II: Adagio-Tempo d'Andante-Allegro vivace Cello Sonata No. 5 in D Major, Op. 102, No. 2 (dedicated to Countess Marie von Erdödy) I: Allegro con brio II: Adagio con molto sentimento d'affetto-Allegro-Allegro fugato Twelve Variations on See, the Conqu'ring Hero Comes, from Handel's Judas Maccabaeus, WoO 45 (dedicated to Princess Christiane von Lichnowsky) Twelve Variations on Ein Mädchen oder Weibchen, from Mozart's Die Zauberflöte, Op. 66 Seven Variations on Bei Männern, welche Liebe fühlen, from Mozart's Die Zauberflöte, WoO 46 (dedicated to Count Johann Georg von Browne)

10 Songs from 6 Musicals-Intermediate-level arrangements for solo instruments and Piano accompaniment in a range flattering to each instrument. The music has been edited with added dynamics articulations and phrasing making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic Grand Piano and are available online for download or streaming.Includes: 'Memory from Cats 'Don't Cry for Me Argentina' from Evita 'Hosanna' from Jesus Christ Superstar 'I Don't Know How to Love Him' from Jesus Christ Superstar 'The Last Supper' from Jesus Christ Superstar 'Close Every Door' from Joseph and the Amazing Technicolor Dreamcoat 'All I Ask of You' fromThe Phantom of the Opera 'Angel of Music' from The Phantom of the Opera 'The Music of the Night' from The Phantom of the Opera 'Unexpected Song' from Song

Mendelssohn fait sa première visite en Ecosse en 1829, il a écrit quelques Suite Lequel de ses oeuvres les plus réussies, inspiré par le paysage écossais. Le 'Scottish' Symphonie ne fut achevée qu'en 1842 Toutefois, après un processus compliqué de gestation plus de 12 ans.Le travail a été accueillie avec enthousiasme lors de sa première à Leipzig cette année Mars, et une performance deuxième a eu lieu il ya deux semaines plus tard. Dans la courte période entre les deux concerts, le Mendelssohn symphonie entièrement révisée, et cette nouvelle version a été la base de la performance qui a réalisé en Juin 1842 h, à Londres. En 1843, Mendelssohn, puis la publication autorisée de l'oeuvre.Le 'Scottish', qui est souvent considérée comme la plus grande contribution de Mendelssohn à la forme symphonique, survit dans plusieurs sources et de Christopher Hogwood est nouvelle édition critique fait usage de tous ces facteurs. La préface contient des informations précieuses et décrit processus de composition de Mendelssohn à partir du 12 Impressions de première année dans sa jeunesse jusqu'à maturité à grande échelle symphonie.L'édition critique offre non seulement la version bien connue publié Autorisé par le compositeur en 1843, mais également la version de Londres de 1842. Les deux versions sont présentées dans le score et la performance dans le matériau. Mouvements 1 et 4 sont présentés à deux reprises, en 1842 et la version 1843, considérant le petit nombre de représenter ce que les changements sont rendus dans la version 1842 de Londres 2 et 3 qui est, de mouvements dans les deux bâtons partition et les parties.- Inclut la version officiel publié par le compositeur et les versions de Londres du 1er et 4ème mouvements- Avec des pages de télécopie et préface instructive et en Italiano allemande / Violoncelle

Instrumental Play-Along-Here is a fantastic opportunity for you to become the soloist in these specially selected favourite Christmas Carols! Each song is presented in clear notation and the accompanying CD features a full demonstration and backing track for each song so that you can experience the sound of a professional ensemble as your band! Fifteen evocative and heart-warming seasonal songs have been selected including Deck the Hall O Little Town of Bethlehem Good King Wenceslas and The First Noel all specially arranged for Cello.

Ces trois pièces pour violoncelle seul, courtes et poétiques, s'adressent à des élèves de Second Cycle. L'instrument est exploré à travers quelques modes de jeu simples, tandis que le discours, écrit dans un style atonal, oblige le violoncelliste à soigner le phrasé et l'expression. Il est judicieux de jouer les trois pièces, formant triptyque, comme une petite suite pour violoncelle seul. / Violoncelle Solo