Jean Baptiste Bréval guerre violoncelliste und sein großes Deuxièmement Lehrwerk er ' Traité de Violoncelle op. 42 '. Es erschien 1804 und enthält über 200 leichte, mittelschwere und schwere Stücke für Violoncello mit einer zweiten begleitenden Stimme. Diese kann auf / 1 Ou 2 Violoncelle(s)

Par CHOSTAKOVITCH DIMITRI. Available in France and Belgium only! Dimitri Shostakovich Adagio et Valse printanière pour violoncello. Available in France and Belgium only! Dimitri Shostakovich Adagio et Valse printanière pour violoncello./ Répertoire / Violoncelle

Par VIVALDI ANTONIO. Format: New Edition portrait/ Répertoire / Violoncelle, Orchestre à Cordes et Clavecin

Par SMITH MELANIE. Book 2 in the Melanie Smith cello theory series introduces students to new music and theory concepts which are fundamental in developing a deeper understanding of the cello. Book 2 will begin by covering the theory involving the ranges of notes for the cello and then moves into specific theory concepts such as note and rest values and time signatures. The final section of Book 2 focuses on musical terms and includes a comprehensive review of all instructional concepts covered in the book. / Niveau : Débutant à Intermédiaire / All Styles - Theory and Harmony / Méthode / Violoncelle

Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle

Cet ouvrage d'introduction est fourni complète un placement de doigt majeur C 3/4 taille violoncelle faisant cette unique paquet remarquablement bonne valeur pour l'argent. Le livre et le Placement de doigt accélère l'apprentissage et contient des informations sur des échelles et des exercices. Ces échelles et les exercices d'aide à l'apprentissage du violoncelle. Le livre se déplace alors sur les chansons utilisant ces échelles et les exercices pour aider à mettre en pratique ce que vous avez appris. / Violoncelle

Cet ouvrage d'introduction est fourni complète un placement de doigt majeur de Bb en 3/4 taille violoncelle faisant cette unique paquet remarquablement bonne valeur pour l'argent. Le livre et le Placement de doigt accélère l'apprentissage et contient des informations sur des échelles et des exercices. Ces échelles et les exercices d'aide à l'apprentissage du violoncelle. Le livre se déplace alors sur les chansons utilisant ces échelles et les exercices pour aider à mettre en pratique ce que vous avez appris. / Violoncelle

Par COHEN MARY. Bags of Classics for Cello is filled with favourite melodies from famous works of classical music, arranged for the grade 3-4 player who is developing position work and perhaps trying vibrato. Selected and arranged by leading string pedagogue Mary Cohen to lie well under the hand, it introduces a wide variety of styles and sound worlds, from Vivaldi and Purcell to Saint-Saens and Holst. A great selection for consolidation work, sight-reading practice, or just for sheer musical enjoyment Contents: Allegro from Brandenburg Concerto #3 (Bach) Dance Of The Comedians (Smetana) Dance Macabre (Saint-Saens) Dido's Lament (Purcell) Dragons (Bizet) Farandole (Bizet) In The Hall Of The Mountain King (Grieg) Jupiter from The Planets (Holst) Minuet (Gluck) Musette from Anna Magdalene's Notebook (Anon) Papageno's Song (Mozart) Pavane (Fauré) Ritornello from Brandenburg Concerto #5 (Bach) Rondo from Eine Kleine Nachtmusik (Mozart) Sleigh Ride (L. Mozart) Winter from The Four Seasons (Vivaldi) The Elephant from Carnival Of The Animals (Saint-Saens) Theme from String Quartet in A minor (Schubert) Theme from 'The Bird' String Quartet (Haydn) Theme from Caprice #24 (Paganini) Fur Elise (Beethoven) Theme from The Italian Symphony (Mendelssohn) Theme from Serenade (Mozart) Theme from Symphopny #40 (Mozart) Theme from Trumpet Concerto (Haydn) Theme from William Tell Overture (Rossini)/ Recueil / Violoncelle

Ce livre présente de valeur 'How-To 'idée que les violoncellistes de tous les niveaux peuvent bénéficier, comme l'élimination de la tonalité de Wolf, en utilisant des effets tels que la distorsion et l'enregistrement en studio. Spanning musique classique au rock et tout le reste, il y aura quelque chose ici vous ne saviez pas!Avec le texte, photos, musique, des diagrammes et des CD d'accompagnement associant à fournir un excellent et facile à utiliser des ressources pour une variété de sujets, y compris:Saluant les techniques,non-classique jeu,Violoncelles électriques,Accessoires,Conseils Gig,pratiquer,d'enregistrement et bien plus encore! / Violoncelle

'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violoncelle

Book 1. Par SEVCIK OTAKAR. Otakar ?evcík's op. 2 is a fundamental tutor for teaching the violin. It focuses on the elementary problems of right-hand technique which ?evcík practises in 4,000 variants of systematically organized exercises for all bowings. This famous tutor has remained in use to the present day and is equally valued by players of other string instruments. The distinguished cellist Tomá? Jamník has arranged the 'School of Bowing Technique? for the violoncello, taking into account its differences from the violin. He has transcribed individual exercises for the violoncello without neglecting ?evcík's original pedagogical aims. As a result, this edition differs fundamentally from the only known cello arrangement of this opus by Louis R. Feuillard./ Etude / Violoncelle