from Oliver-Here is the tender love ballad from 'Oliver' in a shimmering a cappella setting for women's voices. A gem! Duration: ca. 3:00.

A setting of a nativity poem from 'Her Maker?s Maker' by Michael Symmons Roberts 'New-made for a king' was commissioned by Andreas Klatt for Farnham Youth Choir. Scored mainly in four parts the choral texture is homophonic the harmony rich yet approachable by young performers with a decorative piano accompaniment. In the mould of a lullaby the piece?s over-riding calm is troubled towards the close by indistinct pp lontano interjections from the piano in response to the poem?s portentous closing words.

This a cappella setting of a traditional South African praise song just bursts with joyful energy. Dynamic contrast percussion and a wide range of layered vocal textures make this an appealing concert choice. Available: SATB a cappella. Performance Time: Approx. 2:15.

Smooth a cappella harmonies and unique choral textures make this Rodgers & Hart standard an exceptional choice for SSAA ensembles. Available for SSAA only. Performance time: Approx. 3:00.

A fun swingin' chart for your holiday show Adam Scott delivers a crowd-pleasing arrangement based on the original Andy Williams recording that paired these two holiday favorites together. Accessible for almost any level ensemble this chart works great as a show opener or closer.

Heinrich Poos is not the first composer inspired by Friedrich Gottlieb Klopstock's poem 'Die Auferstehung', as even Gustav Mahler had already used these verses in the fifth movement of his Second Symphony 'Auferstehung'. Mahler was inspired to use a choral movement at the end of his symphony at the funeral of the conductor Hans von Bülow where a choir sang a chorale based on said text by Klopstock. Heinrich Poos wrote his deeply moving choral piece in remembrance of the organist Hubert Schoonbrodt. / Choeur De Femmes (SSAA) A Cappella

Masters in This Hall. A truly dynamic interpretation of a wonderful French carol! Masters in This Hall, in its original form, is festive and full of life. This arrangement from Mark Hayes adds even more excitement! Unexpected harmonies and a fabulous accompaniment make this lively Christmas carol a must for the stage or sanctuary. Score and Parts (fl 1, fl 2/pic, ob, cl, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, perc 1-2, hp, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download.

A delightful adaptation of Mascagni's Chorus from Cavalleria Rusticana for Treble Voices with Piano accompaniment adapted and with words by Sigmund Spaeth. In its original operatic setting it is a triumphant song sung by the people of a small Sicilian Town. Spaeth has captured this spiritual exuberence in a wonderful hymn to the awakening and re-birth that are the essence of the Spring season.

The traditional Ukrainian Carol Of The Bells with new a cappella lyrics by Kirby Shaw in a jazz waltz setting for SSAA that is truly unique. Performance time: approx. 1:45.

Vocal Score-A bright festive arrangement of the catchy Dutch carol with intricate Organ. Suitable for more advanced choirs. Perfect for Advent and Christmas.

from Pitch Perfect 3-In Pitch Perfect 3 the Bellas are all grown up but not having much luck finding work as musicians. This upbeat song reminds them and all of us that you don't need money to have a good time. Making music and dancing are the best remedies for fun. That message will resonate with your singers and your audiences.

Smokey Robinson and Berry Gordy joined forces to pen this pop hit which was a chart topper for The Miracles in the '60s and Captain and Tennille in the '70s. Paul Langford gives his arrangement a fresh update with non-stop energy and jazz-infused chords that fill this hot chart. Shop Around will knock your audience out! Available separately: SATB SSA Digital Instrument Pack (trumpet 1 2: a.sax: t.sax: b.sax: trombone 1 2: bass: drums guitar/rhythm). Duration: ca. 3:05.

Bells are associated with the holiday season as well as celebratory and inspirational tributes and events. This song will be your favorite choral imitating the ring and sound of bells. Polyphonic and homophonic sections play offeach other and add to the diverse sound. An optional section allows two choirs to sing together in both musical styles. Simplistic singing builds to majestic singing then fades away like bells in a steeple chiming in fallingsnow. Now two-part ensembles can enjoy this memorable choral with an optional piano accompaniment. What cannot be sung by the two voices is now provided by the piano accompaniment. However if used as an a cappella piece theflavor and excitement are still there for the singers and audience. A wonderful addition for your treble library! Available separately: SATB unaccompanied; SSAA unaccompanied SSAB unaccompanied; 2-part accompanied.

Originally part of Brahms's Requiem Op.45 this undulating and expressive setting has been arranged by H.A. Chambers for a chorus of high voices with a full Piano accompaniment derived from the orchestral score.