The smooth sounds of Brazilian jazz great Antonio Carlos Jobim are set here in a sensational Discovery Jazz chart. This song topped the charts in 1963 and will be an excellent selection for young singers to develop a feel forbossa nova style! Available separately: 3-Part Mixed 2-Part VoiceTrax CD. Duration: ca. 2:30.

(Come to Our Choir)-Venga Nel Nostro Coro alternatively called Canone was originally a 4-part canon or round written by Antonio Salieri from Canons for Unaccompanied Voices. Loosely translated it means come to the choir. The lyrics invite those with difficulty to come to the choir with the promise of happiness and peace. A joyful statement indeed for the happiness that singing together can bring!

The classic Biblical text Surely He has borne our griefs was set by Antonio Lotti. In this edition Thomas Juneau provides a new English translation and other editorial helps.

The legendary Brazilian composer Antonio Jobim's most famous song in a memorable setting arranged by Ed Lojeski. Performance Time: Approx. 2:55. For SSA Choir.

Les pièces à trois voix mixtes sont proposées pour soprano, alto et basse, certaines d'entre elles peuvent être chantées par une voix de femme et deux voix d'homme. De même, la plupart des pièces à quatre voix mixtes (SATB) peuvent être exécutées par trois voix de femme et une voix d'homme. Contenu : 3 VOIX MIXTES: J'ay espéré (chanson de la Renaissance publiée par Pierre Attaingnant) - Hélas ! Que c'est ung grant remort (chanson de la Renaissance (publiée par Pierre Attaingnant) - 0 Felice nocchiero (Canzonette de Orazio Vecchi) - L'ultima volta ch'io (Canzonette de Orazio Vecchi - Lasso no é cor mio ( Villanella de Luca Marenzio) - Se il dolce sguardo (Villanella de Luca Marenzio) - Quando sperai (Canzonette de Claudio Monteverdi) - Son questi i crespi (Canzonette de Claudio Monteverdi) - Your shining eyes (Madrigal de Thomas Bateson) - 0 Felix anima (Motet de Giacomo Carissimi) - Due pupille (Nocturne de Wolfgang A. Mozart) - Psaumes 31 et 69 (Joseph Haydn) - Mich zieht es nach dem Dârfchen (Schumann) - Wesley's Challenge (Tom Johnson) - 4 VOIX MIXTES: 0 bone Jesu (Marco Antonio Ingenieri) - 0 Salutaris hostia (Giovanni Francesco Anerio) - Panis angelicus (Claudio Casciolini) - Ach, Gott, wie manches Herzelied (Choral de J.S. Bach) - Ach wie flüchtig, ach wie nichtig (Choral de J.S. Bach) - Erlaube mir, feins Mädchen (J. Brahms) - Somebody loves me (Gershwin) - Margie, Barber shop song (arrangement de Jacques Petit) - Every time I feel the Spirit (Spiritual arrangé par Marc Meyer) - Wesley 's Challenge (Tom Johnson) Compositeur/Auteur : CORNU Françoise Discipline/Instrument : choeur Support : Partition Style/Genre : méthode - études Date de parution : sept.-03

Soprano Arias Duet WoO 93 Trio op. 116-The vocal works collected in this volume were composed for very different occasions. Several of them were tailor-made for female singers of Beethoven?s acquaintance; with others he was trying his hand at Italian opera (under theguidance of none other than Antonio Salieri). In addition to core repertoire pieces such as ?Ah! perfido? op. 65 the volume also contains unknown treasures such as ?No non turbarti? ?Ma tu tremi o mio tesoro?? ascene and aria which Beethoven revised several times. In our edition based on the Beethoven Complete Edition the last version of the aria is made available for musicians for the firsttime.Contents:'Erste Liebe Himmelslust' / 'Primo amore piacer del ciel' Aria for Soprano and Orchestra WoO92'Soll ein Schuh nicht dr?cken' Aria for Soprano and Orchestra WoO 91/2'Ah!perfido' - 'Per piet? non dirmi addio' Scena and Aria for Soprano and Orchestra op. 65'No non turbarti' - 'Ma tu tremi o mio tesoro?' Scena and Aria for Soprano and Orchestra WoO 92a'Ne' giorni tuoi felici' Duet forSopran Tenor and Orchestra WoO 93'Tremate empi tremate' Trio for Soprano Tenor Bass and Orchestra op. 116

Energetic and well-loved this Baroque masterpiece by Vivaldi is easy to learn with its intuitive melodic and harmonic phrasing. Catherine DeLanoy arranges it with the changing voice in mind as either a stand alone 3-part mixedpiece or with the addition of an optional baritone for part or all of the piece. Available: 3-part mixed optional Baritone. Duration: ca. 2:48.

(from Studentenmesse)-From the final portion from the Gloria of Lotti's Studentenmesse this is a beautiful example of his use of imitation and makes an excellent choice for contest or festival. Discovery Level 2.Available separately: 3-Part Mixed acappella and VoiceTrax CD. Performance Time: Approx. 1:00.

One of the finest works of all Vivaldi's choral settings arranged for the upper voices by Desmond Ratcliffe. Uplifting and melodic the intoxicating tunes and spellbinding optimism of Gloria have helped it to become one of the most popular works in the Baroque choral repertoire.

from Gloria-From Vivaldi's ever-loved Gloria this is the joyous opening movement and a fine choice for high concert or festival. Latin and English texts. Available: SATB SAB SSA TTBB.

from Gloria-From Vivaldi's ever-loved Gloria this is the joyous opening movement and a fine choice for high concert or festival. Latin and English texts. Available: SATB SAB SSA TTBB.