Wellen Rollen. Par TORMIS VELJO. Tonalité : c-Moll - Scandrett, Robert / Kirmße, Heidi (Trad.) - / Musique contemporaine / Répertoire / Choeur SSAATTBB

'for the National Youth Choirs of Great Britain'for junior-upper voice SSSA Choir and Double SATB Choir a cappella (Score)Commissioned by the National Youth Choirs of Great BritainText is by Arthur W. E. O'Shaughnessy, adapted by Jessica Duchen.Composer's NoteWhen the National Youth Choirs of Great Britain requested a short piece for their gala concert at Birmingham's Symphony Hall, I was particularly excited about the prospect of writing for 300 singers. A recent research trip to Estonia resulted in somewhat of a revelation: having heard and seen their world-renowned choirs in action (literally!) has resulted in We are the Music-Makers having the less mainstream 'surround-sound' of upper voices/junior choir at the back and sides of the audience and a further stereophonic double-choir on stage.This poem was sent to me by Tim Williams (my ex Head of English at school), and immediately seemed to fit this occasion. This text has already been set magnificently by Elgar, so partly to avoid any kind of comparison and also to bring its timeless message up to date, I asked my poet friend Jessica Duchen to give it a sligtly more contemporary feel.A poem about global music-making (which ties in with the NYCGB's recent World-Music CD), it speaks about humankind, nation to nation, and the mention of Babel inspiring a 'speakng of tongues' effect by using as many different international words for 'music' as possible as an accompaniment (not an easy task, as many of them are similar to our own word!). These are: French (Musique), Romanian (Muzica), Swahili (Mahewa), Polish (Muzka), Estonian (Muusika), German (Muzik), Japanese (Ongaku), and Spanish (Música). / Choeur Mixte (SSAATTBB) A Cappella

Psalm No.2 Why rage fiercely the Heathen Op.78 (1st & 2nd versions)Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.We also offer a separate edition of Psalm 91 “For He shall give His angels charge” in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Eachedition contains the original German text and the English translation authorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes

Le motet est adapté pour le concert pendant le carême ou sur All Saints / All Souls 'Day.Le compositeur associé à ce travail de Martin Luther traduisit l'antienne 'Media vita' avec des passages des Psaumes ('Enseigne-nous à bien compter nos jours doit ...') 90Le travail a été consacrée à la Hessenberg connus chef de choeur Helmuth Rilling et son Frankfurter Kantorei. / Choeur Mixte (SSAATTBB)

Die Töchter Der Elfenkönigin. Par TORMIS VELJO. Tonalité : A-Dur - Scandrett, Robert / Kirmße, Heidi (Trad.) - / Musique contemporaine / Répertoire / Choeur SSAATTBB

Par MOCNIK DAMIJAN. Em Pianoehlungen: Neue Chormusik - Literaturem Pianoehlung - Reihen bei Carus: Zeitgenössische Chormusik - Langue : Latin / Musique contemporaine / Répertoire / Choeur SSAATTBB

Par TORMIS VELJO. Em Pianoehlungen: Neue Chormusik - Literaturem Pianoehlung - Gattungen: Weltliche Chorsätze - Reihen bei Carus: Zeitgenössische Chormusik - Langue : Anglaisstn / Musique contemporaine / Répertoire / Choeur SSAATTBB

Par SCHANDERL HANS. Gattungen: Weltliche Chorsätze - Reihen bei Carus: carus novus, Zeitgenössische Chormusik - Langue : Anglais / Musique contemporaine / Répertoire / Choeur SSAATTBB

Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.Each edition contains the original German text and the English translation authorised by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefrontof musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes

POD-Upheld By Stillness is a work for Unaccompanied SSSAATTBB Choir by composer Owain Park. A setting of the poem 'The World' by Kathleen Raine the piece lasts around 6 and a half minutes. Park describes the work as 'A reflection on the Sanctus and Benedictus from the Mass for five voices by William Byrd ' ...Some echoes of Byrd's music are incorporated in the piece including two sections marked 'quasi Hosanna' but the composer focuses mainly on creating various effective bi-tonal chord clashes to generate an appropriate atmosphere for the cosmic theme of the poem complete with star-like 'flickering'. - Geoffrey Webber Choir& Organ Magazine   

aus: Stimmen von Innen. Par SCHANDERL HANS. Aus: Stimmen Von Innen / Musique contemporaine / Répertoire / Choeur SSAATTBB

aus: Stimmen von Innen. Par SCHANDERL HANS. Aus: Stimmen Von Innen / Musique contemporaine / Répertoire / Choeur SSAATTBB

Par SCHOENBERG ARNOLD. ?Friede auf Erden? op. 13 is regarded as Arnold Schoenberg?s last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated ?Friede auf Erden?, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a ?reine Harmonie unter Menschen? (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth ? a real showpiece for ambitious choirs! / Date parution : 2022-07-20/ Répertoire / SSAATTBB A Cappella

Androcosme is the tenth movement of the wider work Miroir Des Poèmes a work which sets 22 poems by the French poet and philosopher Jean Biès. This piece is arranged for unaccompanied double SATBChoir and lasts around 3 minutes. Miroir Des Poèmes was commissioned by the Vancouver Chamber Choir to mark their 40th anniversary in 2011 with major funding coming from the Arts Partners inCreative Development. The lyrics of Androcosme include a refrain which depicts the progression of man's life through various emotions comparing them to the natural world in a beautifully poetic metaphor.Tavener himself describes this piece as part of the central section which is 'the metaphysical and mystical centre of the piece'. Please note the words are in French but an Englishtranslation is provided.