SKU: SP.TS175
ISBN 9781585604579. UPC: 649571101756.
Music has always been an integral part of the holiday season. As everyone knows, there is no better way to celebrate than with a song. Re-live your childhood memories and share your love of music this holiday season with Santa's Little Helper published by Santorella Publications. Santa's Little Helper for Clarinet is written as solos or duets in accommodating keys for Trumpet, Flute, Alto Sax or Trombone. The Piano Accompaniment book for Brass & Reed instruments is sold separately. Santorella's String Edition is also available for violin, viola, cello and bass.
SKU: HL.49008027
ISBN 9790001112680. UPC: 073999273021. 9.0x12.0x0.11 inches.
Each Book contains 15 pieces that are varied not only in degree of difficulty, but also in regard to melody, harmony and rhythm. Costa del Sol * Good to be Here * Charlie Chaplin * In Season * All my Life * Jazz Waltz and Variations * Chicago Tango * Eight in a Bar * Listen to the Melody * Brasilia * Take It Away * I Hear the Rain Fall * Lost on an Island * Jazz on a Camel * You can Talk About Me * Performance Directions.
SKU: HL.50601139
9.0x12.0 inches.
15 easy pieces for clarinet and piano. Swing and thereabouts answers the needs of the young instrumentalist by providing: -newly written music that is a delight to play and listen to -a wide range of genres: swing, habanera, mambo, cha-cha-cha, bossa nova, hully gully, dixieland and blues -audio tracks giving two different versions of the music: one with sax/clarinet, piano, bass and drums; the other with just the accompanying instruments -a complete piano score for live performance -the possibility of working with or without a teacher.
SKU: HL.14011933
ISBN 9788759859902.
Work for Clarinet solo. The composer writes 'The title refers to several levels in the piece. Partly a method I have used, where three lines are weaved, so they become one line, here the clarinet which can (nearly) only play one tone at the time. Either the three parts disappear and become one waving melodic line as in the beginning of the piece. Or they are put in different registers of the clarinet, so they are heard as separate lines weaving into one another. On a different level there is three different sequences, which are also weaved into one another; one which rises (for instance in the beginning), and one which falls, and one which falls in parallels in several registers. These three sequences become faster and faster every time they reappear. The idea of weaving melodic lines was inspired by Bach's pieces for solo strings, where he in a marvellous way established several simultaneous melodic lines, without simultaneous sounding notes. This happened by weaving parts, which in other works would sound simultaneously, into one another, so that only one note was heard at the time. This meant that in that long line, which was heard as the instrument's development of the piece, other melodies were weaving around each other with different focuses. Woven Lines was commissioned by DUT with support from the Danish Arts' Council.'.
SKU: BR.EB-9233
World premiere: Witten, April 25, 2015
ISBN 9790004185155. 0 x 0 inches.
The piece is about observing the most diverse anxiety states in extreme degrees of emotional intensity, from slight distress up to acute panic attacks. What interests me here is not merely the musical realization of these phenomena, but grasping the energetic nature of those psycho-physical processes, emotions, reflexes, and proceedings. To this end, I'm seeking, at the clarinet myself, for an intimate sound world where expanded styles of playing in a flexible and permanently moving context appear. A very intensive music of the nerves, with a broad palette of psycho-physical emotions that, found in myself and my surroundings, are made audible. The title Psychogramm II has (as always) a subtitle: rettegos (fearful). In the order of increasingly emotional anxiety words, this stands for the highest level and means very great, profound anxiety, though in a grammatical form not in fact devitalizing the serious idea, but mitigating it a bit, not entirely without humor and somewhat childishly. (Marton Illes, 2015)World premiere: Witten, April 25, 2015.
SKU: FL.FX071164
The artistic skills and sensitivity of the musician are highlighted here, in order to recreate, thanks to varied metronomic movements, rhythms and nuances, ten atmospheres described throughout the Piece.
SKU: GI.G-MCL
English.
For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader†approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical†experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.
SKU: BT.EMBZ15100
''I wrote my solo clarinet piece Persistent Dreams in 1991 before my 'Opus 1' Lightshadow-trembling, inspired by Salvador Dal 's painting La persisténcia de la memória. The musical equivalent of the infamous melting clocks is like a convolvulus made of notes moving between various overtone systems, interrupted here and there by short chromatic outbreaks. Although it recurs in various forms, in its variations it portrays the immutability and persistence of time and memory.'' (Gergely Vajda).
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