with Suggested Chordal Accompaniment-This collection contains 100 favorite gospel songs and hymns for flute and guitar. Inside you will find rousing camp meeting songs sentimental expressions of a deep-rooted faith and gospel oriented hymns with an old-timemusic flavor. In preparing this collection I felt the sincere and solid faith of America’s “revivalist era” staunchly embedded in the rural and southern regions of America but also in the dedicated inner citymissions founded in sprawling urban centers. These solos will bring joy exuberance nostalgia and a renewed sense of commitment to any worship celebration. They serve as a vehicle for and witness to the Christian faith.

For Guitar and Flute Plus Percussion-Here is a collection of Latin masterpieces arranged for flute guitar and percussion. From the fabled Granada and Franþois Borne's rousing Fantasy on Themes from Bizet's Carmen to Brasilian superstar Celso Machado's magnificent Suite Popular Brasileira and Astor Piazzolla's Libertango there is a wealth of thrilling music for every flutist. Listen to virtuosi Katarzyna Bury and Christian Reichert perform these classic pieces in a complete reference recording. Then you take Mr. Richert's place alongside Mr. Reichert and the percussionist for a Latin music-fest that you will never forget! Bravo! Includes a newly engraved authoritative printed solo part and a compact disccontaining a complete version with soloist in digitally recorded stereo then a digital stereo version of the accompaniment minus the soloist. Performed by Christian Reichert guitar Accompaniment: Katarzyna Bury flute Jochen Hank percussion

100 Hymns for Flute and Guitar is a collection of all-time favorite hymns arranged for flute solo with suggested written chordal accompaniment.Fingerstyle guitar and strum styles are indicatedon each solo and capo chords are shown where appropriate. Other chordal instrumentalists can also use the written material. The repertoire spans centuries and represents a wonderful assortment of solos which may be used aspreludes or offertories throughout the various seasons in the church year.

Flute And Guitar Duets For Any Occasion. A unique collection of duets, which will provide a wide ranging selection of high-quality music to flautists and guitarists. Pieces include well-known classics, lesser-known yet captivating pieces and some original compositions. The accompanying recording allows the listeners to hear both parts simultaneously, to facilitate learning the pieces. It also allows for either of the instruments to be turned off completely so that an individual instrumentalist can use the recording as their playing partner. The guitar part for each piece is written in several ways to accommodate players of all abilities. Standard notation is provided for classically trained guitarists, tablature is also provided, and each piece includes simplified chord names along with a suggested strum.

An exciting collection of songs and dances from England's rich musical heritage. All are arranged for voice and recorder penny whistle flute and other suitable C instruments. Each is complete with full lyrics chordsymbols and guitar chord diagrams.

Patykula John (Trans.). Par PATYKULA JOHN. Cette collection de petite mais colorée comprend cinq pièces par trois compositeurs arrangés pour flûte et guitare. Le XVIIIe siècle est représenté par une Gavotte de l'un des compositeurs les plus connus de la période, Padre Giovanni Battista Martini (1706-1784). Deux mouvements sont prises par le célèbre cycle piano de Tchaïkovski, un Album pour les jeunes: ' Old French Song ' et ' Chanson napolitaine. ' Enfin, deux pièces par Enrique Granados prêtent une saveur espagnole à la collection: ' Oriental ' et ' Jota (Rondalla Aragonesa). ' Manifestement, la flûte prend les devants dans ces arrangements duo, avec le guitariste jouant un rôle de soutien actif. La combinaison de la guitare et les flûte fonctionne bien, et ces pièces pourraient servir à fournir un contraste bienvenu à des morceaux de piano accompagnés dans un récital ou un programme de concert. / Niveau : Intermédiaire / Classic - Ensemble-Mixed / Recueil / Guitare et Flûte Traversière

Brief tuneful melodies arranged for intermediate flutists and guitarists from early American (1817) popular music. Written in standard notation these delightful arrangements feature collections of popular melodies from that eraas well as airs and dances. In keeping with performance practice of the traditional music played during this time these arrangements are organized into sets of pieces as they may have been performed during this era. The setsinclude jigs slow airs and marches as well as melodies that were popular from the continent. These arrangements are appropriate both for background music as well as public concert performance. The arrangements are derived froma book of flute melodies entitled ?Riley?s Flute Melodies.? Published in 1816 and 1817 this book was possibly used as jazz musicians use lead sheets to develop spontaneous arrangements of pieces depending upon the occasion andthe musicians at hand. The guitar arrangements were modeled upon existing guitar practice during that time and use idiomatic guitar devices such as pizzicato and harmonics to provide an imaginative underpinning for the melodies.Many of the arrangements give equal treatment to both the guitar as a harmonic and melodic instrument.