The ultimate transition book, designed to help you make a fast and easy switch from bass to guitar! This is a complete and concise guide to modifying and adapting bass technique for the guitar. Includes special sections on chords, strumming, fingerpicking, scales, modes, and much more. / Guitare Basse Et Guitare

Vol. 3 de la nouvelle version réussie de guitare méthode de Dieter Kreidler continue le contenu du cours des précédentes deux volumes (bases de jouer de la mélodie, introduction à ensemble jouant, deux parties jouant avec des basses vides et introduction à changer de position) de manière humoristique et variée. Hormis les exercices variés sur deux volets jouant avec notices basses et jouant de la corde prolongée, l'élève est maintenant présenté solo facile de jouer aussi bien. Les exercices et les morceaux de la performance de divers styles est disposées dans un ordre progressif et complétée par des illustrations drôles, des énigmes, des tâches et des informations sur tous les aspects de la guitare. Le contenu est délibérément enseigné en très petites étapes et est donc parfaitement adapté pour des leçons privées et de groupes. / Guitare

Walking Bass Lines for Jazz Guitar by Stephan Badreau is a step-by-step guide to harmonizing bass lines on the guitar. The book will show you how to connect familiar chord shapes with the appropriate bass notes. It is full of ideas examples chord voicings and substitutions as well as short chord progressions for you to try your new skills. All examples are played on the accompanying CD at both slow and normal speed as well as a drums-only version for play-along purposes.

Logiciel pour guitaristes et bassistes comprenant Editeur professionnel de partitions et de tablatures, Studio multipistes MIDI dédià à la création, un module d'apprentissage des gammes et des accords entièrement paramétrables avec des fonctions de stockage, de création et de rechercher (2000 positions d'accords) et un accordeur DIGITAL. Niveau amateur et professionnel / Méthode en français / Méthode / Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.

Boxed Set with Four Publications and One DVD in One Great Package-Get started playing guitar with real songs and solid lessons covering everything you need: notes chords scales techniques and much more! The method's well-paced and logical teaching sequence will get beginning guitarists playing more easily than ever before and music from famous composers like Beethoven Bach and Mozart will keep them playing and having fun. This boxed set includes four books (Classical Guitar Method Guitar Chord Chart Guitar Scale Chart and Guitar Theory Chart) and a Classical Guitar DVD with lessons demonstrating playing position rest and free strokes thumb and finger combinations chordal harmonics bass lines slurred notes sustained bassnotes barre technique arpeggios vibrato and more. Works for those who want to teach themselves or with a teacher!

for the Fingerstyle Guitarist-We all grew up with the sounds of Motown. In this double DVD lesson Alberto Lombardi puts his fingerstyle talents to arrange four all time Motown great hits.You Can?t Hurry Love: What a happy uplifting song! The key is to get a good groove! An alternating bass reminiscent of Chet Atkins was perfect for most of the song. Alberto uses a tiny bit of percussion on the guitar to capture the original bass groove. Being an up-tempo tune a few blues licks are added to give an electric guitar feel. Harmonics are introduced in the chorus to replicate the background vocals of the Supremes.How Sweet it is (To Be Loved By You): This arrangement is based primarily on James Taylor?s cover of Marvin Gaye?s original version. Alberto replicates Taylor?s tenderness and subtleties of his voice with embellishments slides and legatos.My Girl: This song has a killer guitar riff! You can?t loose it in the arrangement. Alberto starts only with the riff and bass and then blends the riff with the bass part leaving room for the melodic vocals. As for all Motown vocal parts it?s full of subtleties and the arrangement preserves these.I Heard it Through the Grapevine: Marvin Gaye sang like an angel! Alberto captures this expressiveness both using the same refined lines and also the rough sweetness of his attitude. Very close attention was focused on building a bass line that works very close to the original but appropriate for the ?fingerstyle transformation? of the song. You got to keep it snappy and grooving. Harmonics impersonate the breathy vocals of the female background singers while the bass keeps the groove riff going.

Blues mention partout au Canada et de Tim William nom trouveront inévitablement. Il s'avère au-dessus de ce que dit magazine ' Living Blues ' et '...Tim Williams a la saveur, le panache et le style de s'en débarrasser. ' Tim est devenu un enseignant favori dans les camps de la musique partout au Canada et aux Etats-Unis, et il brille vraiment dans ses capacités d'enseignement claire de son style de guitare blues et de ragtime. Tout en apprenant ces grandes chansons originales et traditionnelles, vous découvrirez:--Open G et D Tuning--la ' basse constante ' thumb technique--Trilled 7ths astuces--Cool revirements--Funky main droite techniques--Slide Guitar Techniques--bass techniques--parler du choix de la guitare--Ragtime - Jugband guitare Styles--a diminué en alternance Runs--Major Dixieland mineures se déplace--Blue tierces--Country Blues Techniques--doigt pics--beaucoup de comparaisons et de conseils pour les styles des joueurs grand blues acoustique--Intro aux Notes de Drone--Double Stops / Guitare (Fingerpick) / 80 pages / niveau : Débutant/Intermédiaire / Dvd - Format: 7,5 X 5,25

How to Use Riffs Bass Lines and Rhythm Patterns for Self-Accompaniment While Soloing-One-Man Guitar Jam: How To Use Riffs Bass Lines And Rhythm Patterns For Self-Accompaniment While Soloing covers the art of self-accompaniment while soloing.Incorporating the styles of blues rock jazz country and funk the jams will help your ability to play chords and bass lines simultaneously. You'll increase your scale and chord-voicing vocabulary and you'll improve your rhythm groove and phrasing. Audio demos of all 150 Guitar jams are available for download or streaming.

An icon of the folk revival has recorded a unique and highly effective lesson that will get anyone playing in alternate thumb style. Jim Kweskin's DVD covers a wide range of Guitar techniques and a raft of fabulous folk country ragtime and early jazz/pop tunes. Unique on-screen charts and step-by-step instruction help novices learn exactly how the thumb and fingers coordinate to create bass patterns against syncopated melody notes. You'll use these to play traditional fingerpicking repertoire including Creole Bell Richland Woman Freight Train 99 Year Blues and other favourites. For those who've progressed beyond the basics Jim's licks chordshapes bass lines and ways of getting around the fingerboard will bring your Guitar technique into new spheres. Before long you'll have an amazing set list from the Kweskin repertoire: Guabi Guabi Papa's on the Housetop Rag Mama Eight More Miles to Louisville Buddy Bolden's Blues Lazy Bones You Took Advantage Of Me Dinah Alexander's Ragtime Band and more. With his irresistible high spirits great voice and signature Guitar sound Jim Kweskin will delight pickers at all levels.