Low Voice Compiled by Joan Frey Boytim-Joan Boytim compiler of The First Book of Solos series is the most respected name in widely-used publications for the developing singer. She brings her expertise and vast knowledge of literature into the sacred genre with thiscollection which presents traditional sacred solos for classical voice and piano. The songs span from the easy to the more challenging but all are within the realm of a reasonable ?classical? solo for a churchservice. Some of the songs included have long been out of print. The 43 selections range from classics by Bach and Mozart to early 20th century favorites and rarities.

For Low Voice & Piano-An extraordinary collection of songs by the undisputed master of the English Baroque Henry Purcell. All forty of the songs within this volume are for Low Voice and Piano and demonstrate his unique ability to marry dramatictexts and verses with delightful examples of English counterpoint. This volume has been edited and with realisations of the figured bass by Sergius Kagen.

Roger Quilter is one of England's finest art song composers and his songs have remained firmly in the vocal repertoire since their appearance early in the 20th century. In these songs he demonstrates an extraordinary skill in setting English poetry and shows what can be achieved in the miniature form. Specially compiled to mark the 50th anniversary of the composer's death this new collection includes well-known favourites alongside works which have been unavailable for many years and three previously unpublished songs. This is the low Voice edition containing arrangements for Low and Mens? voices.

Par . Edited by Ilaria Narici, Ricordi's Ausgewählte italienische Lieder (Essential Italian Art Songs) present songs from the 19th and 20th centuries. Available for high and low voice, Ausgewählte italienische Lieder is perfect for students, teachers and art song overs as the collection comes with biographical information, text translation in Italian, German and English, and recorded diction lessons and accompaniments which are available to stream online. / Date parution : 2023-06-01/ Recueil / Voix Basse et Piano

This is a collection of 45 of Handel's Arias across 3 volumes. This is the first volume and is arranged for Low Voice and Piano as selected and edited by Sergius Kagen.

This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for the original voice range) are here provided for both voices. The Notes (pp.165-170) show for which voice these were originally conceived and whether this has to do with a purely vocal facilitation or a musical variant. Unlike the Kindertotenlieder , the fifteen Wunderhorn Lieder do not form a cycle and do not even suggest a unified collection of songs such as the Rückert Lieder. They can only be organized according to their sequence of composition, which should, however, have no influence on the choice or order of a performance. As Mahler himself urged upon his singers: I ask at the very least that you determine the sequence of the Lieder yourself. (Letter to the baritone Johannes Messchaert, 1906)Langue : German / Ténor - piano / Universal Edition

A superb collection of 30 songs by Gabriel Faure arranged here for Low Voice with Piano accompaniment as edited and fingered by Sergius Kagen.

This volume brings together a collection of Donizetti's songs, some of which were published in several editions during his lifetime and in the years just following, while others have never been in print. Professor Paton has once again produced a collection that will be a valuable tool both for students of singing, and for professionals looking for fresh recital material.

With diction lessons recorded by Irene Spiegelman German diction coach at the Metropolitan Opera and piano accompaniments recorded by Laura Ward this collection of the most often taught Brahms songs is an excellent introduction to lieder.

Latin texts with Italian and English translations and CD with instrumental and vocal versions. Cantolopera is made up of various series: the Favourite Opera Collection, dedicated to operatic works, organized by voice category- the Composers Collection, devoted to individual composers- and the Songs Collection, consisting of lyric songs, romanzas and traditional songs. / Voix Et Piano

Every vocalist will want to have a copy of this once-in-a-lifetime collection of Jay Althouse arrangements. Every song is a hit! Fresh, accomplishable arrangements to cherish forever. Includes: Anything Goes * At Last * Blues in the Night * Don't Get Around Much Anymore * Ev'ry Time We Say Goodbye * I Only Have Eyes for You / The More I See You * Lullaby of Broadway * More Than You Know * Send in the Clowns * Skylark * Someone to Watch Over Me * Together Wherever We Go.

This exquisite collection of vocal solos features folk songs from China, Japan, Korea, Malaysia, Taiwan, and Thailand. Appropriate for both developing singers and mature vocalists, each of the ten beautiful arrangements is sung largely in English and a phonetic pronunciation guide is included for the phrases in Asian languages. / Chant

The American composer and pianist Edward MacDowell (1860 1908) is rather unknown in Europe although he had his artistic roots there for he was trained as a pianist in Paris Stuttgart Wiesbaden and Frankfurt. After returning to his home country he worked as a teacher while also being the director of the Boston Symphony Orchestra for eight years. During his studies in Germany the musician already began to compose songs (with German texts) still in the European tradition. From 1886 he used English lyricism as a basis and preferred a sparing yet expressive accompaniment of the piano. In his last songs he placed special emphasis on the declamatory aspect of the text and expandedthe harmonic range of his tonal language. Of his 42 solo songs the present volume contains six titles from three of his song collections: Composed or printed for the first time between 1890 and 1898 these songs are a representative selection from MacDowell's important middle creative period and without doubt a valuable addition to the song repertoire.

With diction lessons recorded by Irene Spiegelman German diction coach at the Metropolitan Opera and piano accompaniments recorded by Laura Ward this collection of the most often taught Brahms songs is an excellent introduction to lieder. The diction for each song is recorded twice: first recited as an actor would speak it showing flow of the language and mood followed by a slow deliberate lesson allowing time for the student to repeat each line. This experienced language coach adapts the ?R? in German in the slow versions as recommended for classical singers. She is also very sensitive to liaisons between word sounds in the musical settings.