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You've Selected:
George
DJ GEAR
Orchestra
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Music history book (2)
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Never Never Never/Sea Of Love (Conductor
Orchestra
[Sheet music]
-
Intermediate
Peer Musik Verlag
Sea Of Love-Never Never Never by Tonyrenis and Sea Of Love by Philip Baptiste ...
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Sea Of Love-Never Never Never by Tonyrenis and Sea Of Love by Philip Baptiste and George Khoury. Arranged by Rene Mense for the following instruments:Cast - Standard: C-part (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text).
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Georg Friedrich Händel: Concerto grosso: Violin
Orchestra
[Sheet music]
Barenreiter
In der Continuo-Gruppe sind 2 Cembali besetzt-(First Set Of 1720 - The Eight Gre...
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In der Continuo-Gruppe sind 2 Cembali besetzt-(First Set Of 1720 - The Eight Great Suites) By George Frideric Handel (1685-1759) edited by Rudolf Steglich Terence Best. Collection for solo piano. Urtext of the Halle Handel Edition. 114 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA4224) ISBN M006446247. With introductory text performance notes and manuscript facsimiles (does not include words to the songs). Baroque.
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Georg Friedrich Händel: Messiah HWV 56: Score
Orchestra
Barenreiter
Facsimile of the autograph score in the British Library London-The first perfor...
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Facsimile of the autograph score in the British Library London-The first performance of George Frideric Handel???s oratorio ???Messiah??? on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined ???the Sublime the Grand and the Tender???. Its success has remained undiminished ever since and the ???Messiah??? has taken its place in musical life.In 2009 to mark the 250th anniversary of Handel???s death the British Library and B?renreiter joined forces and made the autograph score of the ???Messiah??? available to the public in a meticulously reproduced lavishly published facsimile.The renowned Handel scholar Donald Burrows introduces the characteristics of Handel???smanuscript describes the history of the work???s composition and explains the differences between later versions of the ???Messiah??? as reflected in the conducting scores. A two-page sketch from the Fitzwilliam Museum Cambridge completes the publication.Facsimile of the autograph in the British Library. 282 2 pages of facsimile and 55 pages of introduction (English/German/Japanese) half-linen hardback
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Dance Of The Reed Flûtes (TCHAIKOVSKI PIOTR ILITCH)
Orchestra
[Sheet music]
Warner Bros.Publications
Arrangeur: Michael Story. Par TCHAIKOVSKI PIOTR ILITCH. Edité par George Megaw....
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Arrangeur: Michael Story. Par TCHAIKOVSKI PIOTR ILITCH. Edité par George Megaw. Arrangé par l'histoire de Michael. Chef d'orchestre partie - de ballet classique de Tchaïkovski, casse-noisette, cet air de fête intemporelle est inscrit pour compter les chaînes. Une danse de proportions monumentales qui sera une joie de répétition ainsi que des performances. (01:45)/ Répertoire / Orchestre
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Gaetano Donizetti: La fille du régiment: Orchestra: Score
Orchestra
[Score]
Ricordi
Edizione critica a cura di Claudio Toscani (testi in italiano e inglese). La fil...
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Edizione critica a cura di Claudio Toscani (testi in italiano e inglese). La fille du régiment, always one of Donizetti?s most popular stage works, was first performed at the Théâtre de l?Opéra-Comique in Paris on 11 February 1840. It was composed by Donizetti, to a libretto by Saint-Georges and Bayard, in 1839, for the French debut of soprano Juliette Bourgeois. Later on, Donizetti prepared an Italian version as well, using a libretto adaptation by Calisto Bassi, and making several alterations to the French version of the score (the premiere of the new version, entitled La figlia del reggimento, took place at La Scala Theatre in Milano on 3 October 1840). The opera enjoyed tremendous success ? at the Opéra-Comique alone, more than one thousand performances were given between 1840 and 1917 ?, and was widely staged in the major European and American opera houses. Owing to the lack of available autograph music sources ? only a few score sketches and fragments survive, kept at the Bibliothèque Nationale de France ?, the principal source for this edition is the printed score prepared by the Parisian publisher Georges Schonenberger during the spring of 1840. Together with the full score, Schonenberger also engraved and printed the orchestral parts. Previously, the publishing house had printed the piano vocal score of several selected numbers from La fille du régiment, as well as the complete score reduction of the work. The Schonenberger edition constitutes, however, a problematical source. The engravers had to work under great pressure - the score was assembled in less than a month -, and the final product turned out to be of mediocre quality, abounding in imperfections, errors, and inconsistencies affecting both the literary and the musical texts. This critical edition has therefore been realized, first of all, through a careful reconstruction process: the text handed down by tradition was compared with a number of sources (including the manuscript scores of the Italian version) that have enabled the editor to address the multiple problems posed by the principal source. The spoken dialogues, missing in the printed music sources, are derived from the libretto used for the première. The critical edition of La fille du régiment reinstates Tonio?s romance «Pour me rapprocher de Marie» from Act Two, included in the original libretto and actually sung at the première, but expunged from the Schonenberger edition of the score. Donizetti himself cut the romance soon after the première, possibly because of the tenor?s poor performance - as a result, the omission became customary. The appendices to this critical edition present, additionally, two unpublished variants, handed down in form of complete and autograph score: these pieces, crossed out or modified through the compositional process, add fresh new possibilities to current performance practices. The first one is a duet for Marie and Tonio that Donizetti had originally devised for Act Two, but later deleted from the score. The second one is a preliminary draft of the Act Two Finale, later expunged and replaced, in both music and literary text, by the final version.
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Ed Hughes: Le Voyage Dans La Lune: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 min...
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'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902) written and directed by the pioneering French film-maker Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries as well as the science fiction of Jules Verne. At the same time his work seems fantastic surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide tolaunch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon?s face) and then encounter a strange race of aliens whom they battle and destroy. The return to earth involves a dramatic descent a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score which is by turns abrupt smooth lyrical and violent and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted reflecting the violent encounters with the moon?s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers? return from their adventuring. The music could be considered to be a surreal mini-opera
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Joseph Haydn: Symphony in E-flat major Hob. I:76: Orchestra: Score
Orchestra
[Score]
Barenreiter
Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 an...
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Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 and 78 for a planned trip to England that never took place. Nonetheless, H. C. Robbins Landon calls these works the ?English symphonies? as they arestylistically closely linked to the ?London Bach?, Johann Christian Bach. Haydn himself, in a letter of 1783 to his Parisian publisher Charles-Georges Boyer, described the symphonies as ?Leicht und nicht vil Concertirend?, meaningthat they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form. Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn?s large-scalechoral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the ?Works of Joseph Haydn?. The Bärenreiter catalogue now includes the complete performance material for several ?Sturm und Drang?symphonies as well as all the London and Paris symphonies.
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Ed Hughes: Le Voyage Dans La Lune: Orchestra: Study Score
Orchestra
[Sheet music]
University Of York Music Press
'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 min...
(+)
'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902) written and directed by the pioneering French film-maker Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries as well as the science fiction of Jules Verne. At the same time his work seems fantastic surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide tolaunch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon?s face) and then encounter a strange race of aliens whom they battle and destroy. The return to earth involves a dramatic descent a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score which is by turns abrupt smooth lyrical and violent and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted reflecting the violent encounters with the moon?s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers? return from their adventuring. The music could be considered to be a surreal mini-opera
19.95 GBP - Sold by Musicroom UK
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Suite D'Orchestre (Première Suite) Op. 9
Orchestra
Enoch et Cie
Première Suite Op.9. Par ENESCO GEORGES. / Répertoire / Orchestre
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George Walker: Variations for Orchestra: Orchestra: Part
Orchestra
Lauren Keiser Music Publishing
Variations for Orchestra
76.99 GBP - Sold by Musicroom UK
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George Walker: Address for Orchestra: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Address for Orchestra
114.99 GBP - Sold by Musicroom UK
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George Walker: Folksongs for Orchestra: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Formerly titled Folksongs for Orchestra.
39.99 GBP - Sold by Musicroom UK
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George Walker: Concerto for Violin and Orchestra: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Dedicated to Violinist and Composer Gregory T.S. Walker.
137.99 GBP - Sold by Musicroom UK
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George Walker: Foils for Orchestra: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Commissioned by the Hanson Institute for American Music of the Eastman School of...
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Commissioned by the Hanson Institute for American Music of the Eastman School of Music at the University of Rochester.
87.99 GBP - Sold by Musicroom UK
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George Walker: Icarus in Orbit: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
Icarus in Orbit
22.99 GBP - Sold by Musicroom UK
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George Odam: Tutankhamun: Orchestra: Score
Orchestra
[Sheet music]
Chester
Tutankhamun
6.50 GBP - Sold by Musicroom UK
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George Walker: An Eastman Overture: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
An Eastman Overture
49.99 GBP - Sold by Musicroom UK
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George Benjamin: Antara: Orchestra: Score
Orchestra
[Score]
Faber Music Limited
'Benjamin augurs well to become the most important British composer of his gener...
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'Benjamin augurs well to become the most important British composer of his generation. An Antara is a Peruvian panpipe. Benjamin's 1987 work synthesizes its sound via computer and adds trombones flutes percussion and strings for a 20-minute essay that dazzles as much for its textures (from lush strings to the wham of an orchestral anvil) as it does for its alert rhythmic scheme.'San Francisco Examiner 29 September 1989
30.00 GBP - Sold by Musicroom UK
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George Walker: Sinfonia No. 2: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
Sinfonia No. 2
106.99 GBP - Sold by Musicroom UK
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George Gershwin: An American In Paris: Orchestra: Miniature Score
Orchestra
Eulenburg
Eulenburg's celebrated and highly authoritative miniature score is the definitiv...
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Eulenburg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.
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George Benjamin: Sudden Time: Orchestra: Score
Orchestra
Faber Music Limited
Michael White writing in the Independent On Sunday newspaper says '. . .perhaps...
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Michael White writing in the Independent On Sunday newspaper says '. . .perhaps the most impressive motivated handling of orchestral forces in an output which has always demonstrated an extraordinary control of large forms. And the most telling of its time-tricks is that it compacts such a fecundity of ideas into a duration that you are astonished to discover barely exceeds 15 minutes. It feels twice as long; and I don't say that as criticism. Merely as a tribute to the substance depth and technical accomplishment of an outstanding score'.The Independent on Sunday 25th July 1993
35.00 GBP - Sold by Musicroom UK
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George Hay: Silhouettes: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Alfred Lengnick
Silhouettes
20.99 GBP - Sold by Musicroom UK
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Eddie Pola George Wyle: It's the Most Wonderful Time of the Year: Orchestra:
Orchestra
Shawnee Press
From the dynamic opening measures this holiday classic calls its listeners to j...
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From the dynamic opening measures this holiday classic calls its listeners to join in the magic of the yuletide. Mark Hayes has breathed new life into this old standard with an engaging jazz waltz feel lush choral harmonies creative countermelodies and a sparkling orchestration. Melodies are traded back and forth between men and women and there is a “vocal jazz” section that will make any ensemble show choir or chorus shine. Althoughthere are some divisi sections much of the arrangement features accessible unison and two-or three-part writing. The piano part is especially fun to play.
49.99 GBP - Sold by Musicroom UK
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George Butterworth: A Shropshire Lad: Orchestra: Miniature Score
Orchestra
Eulenburg
Rhapsody
10.50 GBP - Sold by Musicroom UK
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George Walker: Hoopla: A Touch of Glee: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
Commissioned by the Las Vegas Philhamonic for the Centenial of the City of Las V...
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Commissioned by the Las Vegas Philhamonic for the Centenial of the City of Las Vegas.
69.99 GBP - Sold by Musicroom UK
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George Walker: Pageant and Proclamation: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
Pageant and Proclamation
59.99 GBP - Sold by Musicroom UK
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George Benjamin: At First Light: Orchestra: Score
Orchestra
-
Advanced
Faber Music Limited
. . .Benjamin revealed an incredible sense of timbre and a precise technique of ...
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. . .Benjamin revealed an incredible sense of timbre and a precise technique of instrumentation which is unrivalled among his fellow composers. His precedence in both spheres was highlighted most vividly in At First Light. . .a masterpiece which literally throws the whole concept of new music into complete confusion. . .Salzberger Nachrichten (Reinhurst Kannonier) 30 March 1991
17.99 GBP - Sold by Musicroom UK
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George Walker: Sinfonia No. 1: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
Sinfonia No. 1
87.99 GBP - Sold by Musicroom UK
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George Nicholson: Blisworth Tunnel Blues: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
For Soprano and Large Ensemble.Published 1986-7.2(both+picc).2(1st+ob d'amr).3(a...
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For Soprano and Large Ensemble.Published 1986-7.2(both+picc).2(1st+ob d'amr).3(all+bcl 2nd+asax 3rd+tsax).1(+cbn) / 2.0.1.0 / 2perc.pf(+cel).hp / 1.1.1.1.1Commissioned by Paul Webster for the OrpheusEnsemble with funds made available by the Arts Council of Great Britain.First performance: Jane Ginsborg and the Orpheus Ensemble conducted by Paul Webster Almeida Festival 27th June 1987.Score.
60.00 GBP - Sold by Musicroom UK
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