Par TALBOT JODY. Ink Dark Moon was commissioned by BBC Radio 3 and Borusan Istanbul and first performed by Miloš Karadagli with the BBC Symphony Orchestra conducted by Alexander Vedernikov on 2 August 2018 in the Royal Albert Hall, London as part of the 2018 BBC Proms. This is the guitar and piano reduction. / Musique contemporaine / Répertoire / Guitare et Piano

Par SNIDERO JIM. The Essence of Bebopis the new series by critically acclaimed New York saxophonist Jim Snidero. The Essence of Bebop reveals the heart and soul of this groundbreaking jazz style and is the first real \'manual\' for mastering bebop. The 10 enjoyable-to-play studies are inspired by Miles Davis, Charlie Parker, John Coltrane, Sonny Rollins and many more, offering a unique basis for study and analysis. Historical insights as well as recommended listening and reading make this edition an indispensable part of jazz education. The soloist Anders Bostrom is known, among other things, as a versatile flutist in numerous Broadway productions. ?But what if you aren?t a student or a professional? The Essence of Bebop still has immense value to those interested in bebop and hard bop. By encouraging readers to understand the music?s intent, slow down their listening, and focus on the swinging, the series can help a jazz newcomer dig this cerebral, often pulse-pounding music.? - Morgan Enos, Discogs / Date parution : 2021-12-09/ Etude / Piano et Guitare

A joyous celebration of the most illustrious and duistinguished themes and pieces by George Gershwin! The Joy Of Gershwin contains 27 fantastic melodies and tunes all selected and arranged for Piano Solo by Gerald Martin.

A superb collection of twenty two Ballads expertly arranged for piano by Kenneth Baker complete with lyrics fingering and chords symbols. A welcome addition to the Complete Piano Player series providing the beginner anopportunity of playing some of the finest songs.

Transcriptions to the Concerto featuring the jazz piano of Claude Bolling and the classical guitar of Alexandre Lagoya. Also includes parts for bass and drums.

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played onguitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played onguitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto).

Par ESCAICH THIERRY. Ce sont des déambulations nocturnes dans des usines désaffectées de pays de l'Est d'où émanaient des réminiscences de musiques techno dans un décor de street art qui ont donné naissance à l'univers de cette pièce. On y retrouve, stylisées, des pulsations obstinées et synthétiques, des nappes de textures plus linéaires, des sons à l'envers qui s'entrechoquent dans l'espace sonore, des motifs répétitifs aux métriques différentes superposées. Dans une seconde partie de l'?uvre, ce climat se dissipe pour laisser place à une sorte de ballade désenchantée dont la guitare égraine les notes avec simplicité et nonchalance sur un cantus de basse lent et profond ... À plusieurs reprises la guitare semble vouloir s'échapper de cette ambiance et impose des parties rythmiquement plus contrastées jusqu'à un dernier retour, cette fois plus lyrique, de mélodie initiale. Après une brève cadence plus évanescente, un moteur rythmique se remet en marche très progressivement et emmène la pièce vers un final où se mêlent les univers des deux parties précédentes. Thierry ESCAICH / Date parution : 2022-11-29/ Répertoire / Guitare et Piano