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DJ GEAR
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Easy Piano (2552)
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Trombone (2062)
Viola, Piano (2005)
Viola (1970)
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French Horn and Piano (1931)
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Harp (1886)
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Stationery (336)
Snare drums (335)
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Partition D'Orchestre In 16 Po… (232)
Band Scores (232)
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Pocket, Study conductor (222)
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Nursery rhyme (216)
Quintette à Cordes (215)
Percussions (213)
Horn Ensemble (213)
Oboe and Orchestra (212)
Children choir, Piano (211)
Flute, Cello, Piano (trio) (211)
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Saxophone Ténor et Piano (208)
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Dulcimer (206)
Saxophone ensemble (206)
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Book (190)
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Carte Postale (187)
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2 Euphoniums et Piano ou Orgue… (186)
Trumpet, Orchestra (184)
Ensemble A 4 Parties (180)
Piccolo, Piano (180)
Treble (Alto) Recorder, Piano (180)
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Quintette de Cuivres (168)
Violin, Organ (164)
Guitar, Orchestra (163)
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2 Clarinets, Piano (157)
Clarinet Quartet: Clarinet, Vi… (156)
2 Euphoniums et Piano (154)
3 Saxophones (trio) (153)
2 Cellos, Piano (152)
2 Violins and Basso (150)
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3 Euphoniums et Piano ou Clavi… (150)
String quintet (150)
Chorale (149)
Guitare ou Luth (149)
Partition D'Orchestre (148)
Hautbois, Clarinette et Basson… (147)
4 Parties Mixtes (147)
Viola and orchestra (145)
Livre Musical (145)
String Quartet : 4 violas (143)
2 French horns, Piano (142)
Vocal duet, Piano (140)
ENS::Ensemble (139)
Pennywhistle (139)
Flûte Traversière, Violon, A… (138)
Baritone voice (137)
Guitar, String Quartet (137)
Concert Band/Harmonie (137)
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Flute, Oboe, Clarinet, Bassoon… (135)
Tenor voice (134)
Bassoon, Orchestra (131)
Cello, String Bass (duet) (130)
Saxophone Quintet: 5 Saxophone… (130)
Bass Saxhorn or Euphonium or T… (130)
Chant et Guitare (130)
Etudes (129)
Bass Clarinet (129)
2 Tubas et Piano (129)
Flute, Clarinet, Piano (trio) (128)
Viola, Cello (duet) (128)
Choeur Mixte, Soprano et Orche… (127)
String Trio: 3 violins (127)
2 Euphoniums (125)
Musique originale (124)
Cornet (124)
4 Cellos (123)
2 Bassoons (duet) (123)
5 Part Ensemble (Clavier, Guit… (123)
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2 Violons, Alto, Violoncelle e… (122)
1 Piano, 6 hands (122)
Saxhorn Alto en Mib et Piano (121)
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3 Trombones (trio) (118)
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Trio A Cordes (115)
Scores (115)
Flûte Traversière, Violon et… (114)
Mélodie, Chant Et Piano (114)
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Guitare Electrique (111)
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Choral SSATTB (111)
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Clarinette et Orchestre (110)
2 French horns (duet) (110)
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Ensemble Instrumental (108)
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Choeur Mixte et Orchestre (105)
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Clarinet, Violin, Cello, Piano… (103)
Choeur SAM (103)
Diverses Formations (102)
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4 Tubas (99)
Tambour (98)
2 Cornets, Cor en Mib et Tuba (98)
Voice, Organ (97)
Quintette à vent et Percussio… (96)
High voice (96)
Saxhorn Basse en Sib, Euphoniu… (96)
Trompette ou Cornet, Euphonium… (96)
Flute, Violin and Violoncello (95)
2 Violons, Violoncelle, Cordes… (95)
Lute (94)
Orgue, 2 Hautbois, Basson Et C… (94)
Libretto (94)
Trompette, Cordes Et Basse Con… (93)
Bass Clef Instruments (93)
Fanfare Band (91)
Solistes SATB, Choeur SATB, 2 … (90)
Voix Mixtes (89)
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5 Recorders (89)
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Alto et Orchestre (87)
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2 Violons, Alto et Basse (82)
Solistes SAT, Choeur SATB, 2 F… (82)
Trompette Et Orchestre (82)
Solistes SATB, Choeur SATB, 2 … (82)
Percussions et Piano (82)
Musique Légère (81)
Xylophone or Marimba or Vibrap… (81)
Flûte Traversière, Hautbois,… (81)
Soli and Orchestra (80)
Trombone ou Tuba (80)
Sextuor (79)
Snare drums, Piano (78)
Oboe, Bassoon (duet) (78)
Flûte Traversière, Hautbois,… (78)
Voice and Orchestra (78)
Chanson (77)
3 Cornets (77)
Mandolin, Piano (duet) (77)
Xylophone, Piano (77)
2 Cornets et 2 Tubas (77)
Brass Quartet: 2 trumpets, hor… (77)
4 Voix Mixtes (76)
Recorder, Guitar (duet) (76)
Accordéon Et Orchestre (76)
Bass Clarinet, Piano (75)
String quartet: 4 violins (75)
Cordes et Basse Continue (75)
Solistes (SATB), Choeur Mixte … (75)
Clarinette, 2 Violons, Alto et… (74)
Voix Seule (74)
Piccolo (73)
English horn, Piano (72)
Soprano ou Ténor et Piano (72)
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Violon 1 (6 parts) Violon 2 (6… (72)
Flûte Traversière Violoncell… (72)
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Clavecin ou Harpe), 2 Violons … (72)
2 Violons, 2 Altos et 2 Violon… (72)
Piano Trio: Violin, Viola, Pia… (71)
Descant (Soprano) Recorder, Ba… (71)
Madrigaux (71)
Ensemble Moyen Contemporain (71)
Djembe (70)
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Cor en Mib et Piano ou Orgue (69)
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Ensemble Divers (69)
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2 Oboes, Piano (68)
Défilé et parade (68)
Trompette, Trombone et Piano (68)
Percussions Diverses (68)
Clarinette, Violoncelle et Pia… (68)
Soprano Saxophone and Piano (68)
Choeur A Cappella (66)
Clarinette, Alto et Piano (66)
Euphonium en Do et Piano (66)
Harp, Orchestra (66)
Cornet and Orchestra (65)
Cajon (65)
Trombone or Euphonium (65)
Choeurs (65)
Orchestres à Vent (65)
Choral, Orchestra (65)
Trio de Cuivres (65)
Duos (64)
Batterie-Fanfare (64)
2 Trombones et Piano ou Orgue (64)
Soprano Saxophone (64)
Saxhorn or Euphonium (64)
Mandoline, Cordes et Basse Con… (64)
Mandolin, Guitar (duet) (64)
Saxophone Baryton (64)
Edition Critique des oeuvres d… (63)
Clarinette Et Cordes (63)
Euphonium en Clé de Fa Do ou … (63)
Flûte Et Instruments Divers (63)
Tuba en Mib et Piano ou Orgue (63)
2 Flûtes Traversières et Vio… (63)
String Trio: 3 cellos (63)
2 Violons, Violoncelle et Bass… (62)
Brass Trio (62)
Musique de film et télévisio… (62)
Lap Steel Guitar (62)
Conga (61)
Ensemble A 4 Parties (Clavier,… (61)
Opéra (60)
Quatuor à Cordes ou Orchestre… (60)
Trompette Sib 1 Cor en Fa 1 Tr… (60)
Basse En Eb Et Piano (60)
Ligne Mélodique/Instruments D… (59)
2 Percussions (59)
Choeur De Femmes (SMezA) (59)
Clavecin Et Cordes (59)
Flûte Traversière ou Hautboi… (59)
Handbells (58)
Clavier ou Orgue Electronique (58)
Quatuor Avec Piano (58)
Flûte Traversière Hautbois, … (58)
Solistes SBar, Choeur SATB, 2 … (58)
Clarinette (2 Clarinettes) Et … (58)
Saxhorn Basse, Tuba et Piano (57)
Vibraphone, Piano (57)
Baryton Et Orchestre (57)
Harp, Violin, Violoncello (57)
Trompette ou Cornet à Pistons… (57)
2 Bassons et Piano ou Orgue (57)
Musique de chambre (57)
Accordion and Orchestra (57)
Flûte Traversière, Hautbois,… (56)
Electric bass, Drums (56)
Flûte Traversière, Violon, V… (56)
Choeur d'Enfants (56)
Trumpet ensemble (56)
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Flûte à Bec Alto ou Flûte T… (55)
Réduction Piano (55)
Medium Voice (55)
Oboe, Organ (55)
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String Trio: 2 violins, viola (55)
Choeur Mixte (SSATBB) (55)
Flûte Traversière et Cordes (55)
Trio de Pianos, Salon Ensemble… (55)
Choeur SATB, (4 Instruments, C… (55)
Solistes SATB, Choeur SATB, 2 … (54)
Bugle (54)
Trompette ou Bugle ou Cornet o… (54)
Saxhorn Basse et Piano (54)
Lyrics only (54)
Flute and Strings Trio (54)
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2 Bassons et Piano (54)
Choeur Mixte a Cappella (54)
Flûte à Bec Alto ou Flûte T… (54)
Choeur d'Enfants, Solistes, In… (54)
Mezzo-Soprano ou Baryton et Pi… (53)
2 Tubas (53)
2 Pianos, 8 hands (53)
Chant Et Piano (Baryton Ou Mez… (53)
Cor d'Harmonie et Piano (53)
Voix et Piano Réduction (53)
Accordion, String(s) (53)
2 Trompettes et 3 Trombones (53)
Brass Quartet: 4 horns (52)
Clarinet, Guitar (duet) (52)
Flûte Traversière, Clarinett… (52)
3 Trombones Ténor et 1 Trombo… (52)
2 Trompettes ou Cornets et Cor… (52)
Violon Principal, 2 Violons, 2… (52)
Solistes SATB, Choeur SATB, 2 … (52)
Tenor (52)
Flûte Traversière ou Hautboi… (52)
Flûte Traversière Alto et Gu… (51)
2 Trompettes, Cordes Et Basse … (51)
2 Cors en Mib et Piano (51)
Orchestre Scolaire (51)
Clarinette, Violon Et Piano (51)
Double Choeur Mixte (51)
Voix et Orchestre à vent (51)
Baryton (51)
Flûte Traversière, Cordes et… (51)
Ténor ou Soprano (51)
Clarinette et Orchestre à Ven… (51)
2 Violons, Alto et Basse Conti… (50)
Trompette ou Cornet ou Bugle e… (50)
3 Percussions (50)
Flute, Violin, Keyboard (basso… (50)
Trombone ensemble (50)
Balalaika (50)
Solistes SATB, Choeur SSATTB, … (50)
Quatuor De Cuivres Et Orgue (50)
2 Trompettes Et 2 Trombones (50)
Choeur et Orchestre (50)
Tous instruments (50)
2 Saxophones Ténor et Piano (50)
Soprano, Piano (50)
Clarinette, Viola and Piano (t… (50)
2 Saxophones Alto et Piano ou … (49)
Parties (49)
Flûte Traversière Violon, Vi… (49)
Clavecin Et Instruments A Cord… (49)
Saxhorn Basse ou Euphonium et … (48)
Flûte Traversière, Hautbois,… (48)
Cor, 4 Trompettes, 4 Trombones… (48)
Flute and String Quartet (48)
2 Violons, Alto, Violoncelle e… (48)
Alto (Partie séparée) (48)
Choeur De Femmes (SSA) Et Pian… (48)
Variétés françaises (48)
2 Hautbois, 3 Trompettes, Timb… (48)
Quatuor à Cordes et Guitare (48)
Trombone et Piano ou Orgue (48)
2 Clarinettes en Sib et Clarin… (48)
Flûte à Bec, Guitare et Musi… (48)
Quatuor à vent (48)
Drum Fanfare (48)
Trompette ou Cornet, Cor en Mi… (48)
3 Bassons (48)
Cor en Mib (48)
Flûte à Bec et Piano (48)
Trombone Et Orgue (48)
Solistes STBB, Choeur SATTBB, … (47)
2 Cornets et Piano ou Orgue (47)
Violon, Alto et Piano (47)
Violon, Violoncelle et Alto (47)
2 Clarinettes et Piano ou Orgu… (46)
Oeuvres Théâtrales/Oratorios… (46)
Matériel d'Apprentissage (46)
3 Euphoniums (46)
Solistes SATB, Choeur SATB, Fl… (46)
Fac-similé (46)
2 Violons Et Orchestre (46)
Voix et Orff-Instruments (45)
Choeur De Femmes Ou D'Enfants … (45)
Clarinette, Violon, Violoncell… (45)
Violin, Horn and Piano (45)
4 Clarinettes et Piano ou Orgu… (45)
Saxhorn Basse, Euphonium, Tuba… (45)
Sextuor à Cordes (45)
Trombone Alto et Piano (44)
Flûte Traversière, 2 Violons… (44)
Orchestre de Chambre (Flûte … (44)
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2 Trompettes Sib 1 Cor en Fa 1… (44)
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Timbales (44)
Hautbois Et Cordes (44)
Flûte Traversière, Instrumen… (44)
Marches militaires (44)
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Hautbois 1 Clarinette en Sib 1… (44)
2 Violons, Alto et Violoncelle… (44)
4 Parties Solo Et Orchestre (43)
Flûte Traversière, Clarinett… (43)
Trombone et Cordes (43)
Solistes SATB, Choeur SATB, 2 … (43)
2 Saxophones Ténor et Piano o… (43)
Flûte à Bec Soprano, Cordes … (43)
Violoncelle (Partie Séparée)… (43)
Oboe, Bassoon and Piano (43)
Violon 2 (43)
Solistes SSATTB, Choeur SATB, … (43)
2 Violons et Alto (43)
Solistes SATB, Choeur SATB, 4 … (43)
Vocal duet (43)
Violon 3 (Partie Séparée) (43)
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2 Cornets, Cor En Eb Et Tuba (42)
Clarinet, Bassoon (duet) (42)
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Violon 1 (39)
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Bagpipe (38)
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Fanfare (4-1-4-1) (37)
3 Clarinettes en Sib et Clarin… (37)
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Lecture Chantée/Formation de … (37)
Choeur SATTB (37)
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Clavier Electronique et Ligne … (36)
Mandoline, Mandole et Guitare (36)
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Flûte Traversière et Quatuor… (36)
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2 Hautbois, 2 Cors, 2 Clarinet… (36)
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2 Hautbois, Cor Anglais et Bas… (35)
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Choeur De Femmes (SA) Et Piano… (35)
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2 Violons, Violoncelle Et Pian… (35)
Basse (35)
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ENS::Ensemble d'cole (34)
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Voix et Instruments (34)
Flûte Traversière, Alto et V… (34)
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Orff-Instruments (33)
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Baritone Saxophone (33)
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2 Hautbois, 2 Clarinettes, Tim… (32)
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CD only (32)
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Flûte Traversièreou Piccolo,… (32)
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5 Saxophones (Soprano, Alto, 2… (32)
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Pop music (32)
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Partition D'Orchestre In 8 (31)
Tout Instrument (31)
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Flûte à Bec Alto ou Flûte T… (31)
Orgue et Brass Band (31)
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Flûte à Bec Alto, 2 Flûtes … (30)
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Organ and Brass Band (30)
Flûte Traversière Clarinette… (30)
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Trio (2 Soli Avec Réduction D… (30)
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Choeur SATB/SATB, (Basse Conti… (29)
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3 French horns (trio) (28)
Flûte Traversière, Violon, 2… (28)
Trompette Solo (28)
Trompette ou Flûte à Bec ou … (28)
Flûte 1 Hautbois 1 Clarinette… (28)
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Trio De Pianos (28)
C Trumpetor et Trompette Sib/C… (28)
6 Instruments (28)
Cor et Orgue (28)
Violon, Alto, Guitare et Violo… (28)
2 Saxophones Alto (28)
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Violoncelle ou Contrebasse (Pa… (28)
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Instruments Acoustiques (28)
2 Hautbois (28)
2 Violons, 2 Altos ou 3 Violon… (28)
Violon Solo (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Trompette, Cor et Piano (27)
Solistes SATB, Choeur SATB, 2 … (27)
2 Flûtes Traversières et Bas… (27)
Grande Formation (27)
Flute, Oboe, Piano (trio) (27)
Harmonie (27)
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SATB, (4 InstrumentS Basse et … (27)
Saxophone Alto et Concert Band… (27)
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Voix (Ou Récitant) Et Instrum… (27)
Solistes SATB, Choeur SATB, 2 … (27)
Clarinettes et Autres Instrume… (27)
Solo et Accompagnement de Cord… (27)
Concert Band ou Harmonie et Cl… (27)
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Cornet ou Trompette et Brass B… (27)
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Saxophone en Sib et Piano (27)
4 Bassoons (27)
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TTBB (27)
Partition D'etude (27)
Ukulélé Soprano (27)
4 Percussions (27)
Solistes STTBB, Choeur SATB, 2… (27)
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Oboe, Basso continuo (26)
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Trompette en Do ou et Trompett… (26)
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2 Flûtes Traversières, Corde… (26)
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Carillon (26)
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 91 Gelobet Seist Du Jesu Christ: SATB: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christ...
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
(+)
Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 91 Gelobet Seist Du Jesu Christ: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christ...
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
(+)
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
(+)
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 91 Gelobet Seist Du Jesu Christ: SATB: Part
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christ...
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 91 Gelobet Seist Du Jesu Christ: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christ...
(+)
Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Vocal Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Part
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of...
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Nicolai Mass-The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Creation Mass in B-flat Major Hob.XXII: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was com...
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Johann Sebastian Bach: St Mark Passion BWV247: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247):...
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247): A reconstruction.Recitatives and turbae by Reinhard Keiser (1674-1739). Although all that survives of Bach's “St. Mark Passion” is Picander's libretto virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae however are probably lost forever. Rather than rewriting these numbers “in Bachs's style” the editor Austin Harvey Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach who performed it several times) thereby allowing this lost work to be performed in its entirety. A detailed prefacesheds further light on this unique reconstruction based on the New Bach Edition. Full score (BA5209) and vocal score (BA5209-90) available for sale Performance material (BA5209-72) available for hire.
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Franz Joseph Haydn: Missa Cellensis: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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in honorem Beatissimae Virginis Mariae-Missa Cellensis in honorem Beatissimae Vi...
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in honorem Beatissimae Virginis Mariae-Missa Cellensis in honorem Beatissimae Virginis Mariae Hob.XXII:5 'Cecilia Mass'The 'Cecilia Mass' is a milestone in Haydn's compositional work. It marks the beginning of a series of great church music works and is the most important completely preserved composition from the years 1750-66.- Urtext from Joseph Haydn Werke.- Full score parts and vocal score available for sale.
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Wolfgang Amadeus Mozart: Missa brevis in G major K.140: Continuo: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...
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The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Franz Joseph Haydn: Missa Sancti Nicolai: Mixed Choir: Vocal Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for...
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The name of the ?Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt. Some years later trumpet and timpani parts were added to the work.As with the ?Great Organ Mass? these additional parts were not actually written by Haydn himself but simply authorized by him. They are included in the score and performance material so that both versions can be performed.Urtextfrom the Haydn Complete EditionPerformable in both versionsFull score performance material (BA4645) vocal score (BA4645-90) available for sale
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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