Orgelsolomesse. Par MOZART WOLFGANG AMADEUS. Der Beiname dieser Messe verdankt sich der eigenständig-solistischen Präsenz des Orgelinstruments während des 'Benedictus'-Abschnittes. Damit steht KV 259 in einer bis in die 1730er Jahre zurückreichende Tradition, die sich durch Komponistennamen vor allem aus dem Wiener Raum, wie Georg Reuter, Joseph Haydn, Karl Ditters von Dittersdorf oder Johann Baptist Vanhal belegen lässt. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Offertorium zum Pfingstsonntag. Par EBERLIN JOHANN ERNST. Offertorium Zum Pfingstsonntag / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Offertorium zum Pfingstsonntag. Par EBERLIN JOHANN ERNST. Offertorium Zum Pfingstsonntag / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Kv 339. Par MOZART WOLFGANG AMADEUS. Gattungen: Psalmen, lateinisch - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Psalmvertonungen, Stundengebet - Langue : Latin / Psaumes / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Missa aulica. Par BRIXI FRANTISEK XAVER. Brixi came from a widespread family of Bohemian musicians which included composers whose works were well known among rural communities. The present edition of this short mass (known as the “Missa aulica”), which is published here for the first time, is a typical example of this type of music: scored for a small ensemble, which makes only modest demands of the soloists – melodious, popular, playful. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Tonalité : C-Dur - Mh 39. Par HAYDN JOHANN MICHAEL. Gattungen: Hymnen - Verwendung / Kirchenjahr: Pianoingsten - Langue : Latin / Hymnes et chorals / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Par ADLGASSER ANTON CAJETAN. Salzburger Kirchenmusik - Langue : Latin / Musique religieuse / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling silent are Eberlin’s basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word “tremuit”. The Resurrection is depicted musically by ascending figures at the words “dum resurgere”. An Alleluia concludes the work./ Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius balance between festive and reflective sections this Mass is one of Haydn’s most successful and inspired works. This work, which in addition to the usual Salzburg “church trio” includes two trumpets and timpani, belongs to the category of “Missa solemnis. ” The popular nickname Chiemsee-Messe is bound up with the history ofthe origins of the work. Haydn wrote the Mass for the musically gifted nun, Sebastiana Oswald, who belonged to the Benedictine cloister of Frauenchiemsee. This work soon found widespread acceptance beyond the originally intended sphere of its origins, as is indicated by the numerous copies found in Austrian convents. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale