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Bach
DJ GEAR
String Orchestra
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Trio à Cordes (8)
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Sinfonia No. 15 (BACH JOHANN SEBASTIAN)
String Orchestra
[Score and Parts]
Hal Leonard
for Strings Score and Parts. Par BACH JOHANN SEBASTIAN. Sinfonia No. 15 by Johan...
(+)
for Strings Score and Parts. Par BACH JOHANN SEBASTIAN. Sinfonia No. 15 by Johann Sebastian Bach, originally for piano solo, is now available for string orchestras because of Shirl Jae Atwell\'s musical arrangement. Sinfonia No. 15 arranged in the original key of B minor, with an altered time signature from 9/16 to 9/8, is much more friendly for student musicians. Bach\'s Sinfonia No. 15, arranged by Atwell, is a great addition to string orchestra programs through dance-like eighth notes and flashy sixteenth-note arpeggiated sections creating an exciting Baroque experience. Teachers will love exploring the key of B minor, arpeggios galore for all instruments, bow distribution with 1/16ths as well as sustained notes, and the overall Baroque style found in this string orchestra arrangement by Atwell. Sinfonia No. 15 treats orchestras and audiences to the allure of the Baroque Era. / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes
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String Orchestra
Hal Leonard
(from Concerto for Two Violins and Piano)-One of the all-time favorites in strin...
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(from Concerto for Two Violins and Piano)-One of the all-time favorites in string pedogogy literature here is the Bach Double superbly arranged for string ensemble retaining the original violin parts and now supported by well-scored ensemble parts (with optionalkeyboard). Larry Moore's arrangement is a welcome edition for today's string ensembles.
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Johann Sebastian Bach: Prelude and Fugue in D Minor: String Orchestra: Score &
String Orchestra
Hal Leonard
Taken from one of Bach's keyboard collections this adaptation for strings by Jo...
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Taken from one of Bach's keyboard collections this adaptation for strings by John Leavitt becomes an exquisite movement for performance. Independence of line rhythmic connection between sections and strong melodic structurewill also give students meaningful insight into the genius of J.S. Bach. Dur: 3:30
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Johann Sebastian Bach: Brandenburg Concerto No.3 In G BWV 1048: String
String Orchestra
[Sheet music]
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.3 In G BWV 1048.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today.
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The Bachaneer
String Orchestra
Alfred Publishing
Prouvant une fois de plus combien la musique de Bach intemporel et polyvalent, l...
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Prouvant une fois de plus combien la musique de Bach intemporel et polyvalent, l'arrangeur a pris thèmes et des motifs de 'Minuet in G Major' et a créé un arrangement de pirate fanfaron. Préparez-vous à mettre à la voile avec le capitaine Johann Sebastian Barbe Noire dans une aventure qui est tout simplement amusant! / Orchestre A Cordes
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Johann Sebastian Bach: Brandenburg Concerto No.4 In G BWV 1049: Orchestra:
String Orchestra
[Sheet music]
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Intermediate
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G BWV 1049.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today.
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Johann Sebastian Bach: Brandenburg Concerto No.6 In B-Flat BWV 1051: String
String Orchestra
[Score]
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Intermediate
Barenreiter
The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musica...
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The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside the version known today.Full scores study scores and performance material available for salefor all 6 concertos.
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Johann Sebastian Bach: Anna's Minuet: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
Bach's exquisite melodies give teachers a great opportunity for teaching importa...
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Bach's exquisite melodies give teachers a great opportunity for teaching important musical concepts and to provide delightful concert material for developing groups. Here's one of his most famous tunes skillfully placed into asetting that gives students confidence and learning success. Dur: 2:25
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Johann Sebastian Bach: Violin Concerto In D Minor BWV 1043: String Ensemble:
String Orchestra
Barenreiter
In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts t...
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In 2001 Bärenreiter issued a newly engraved keyboard reduction and solo parts to this concerto based on the acclaimed New Bach Edition.The present expanded publication goes a step further in that it offers not only the two solo violin parts as presented in the New Bach Edition but also two additional parts with fingerings and bowings by the baroque specialist Andrew Manze.Manze also offers players enlightened comments (English/German) on historical performance practices dealing with how the instrument was held fingerings bowing shifting the use of open strings and much much more.
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Johann Sebastian Bach: Fugue No. 5 in D Major: String Ensemble: Score and Parts
String Orchestra
[Sheet music]
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Easy
FJH
From Bach's The Well-Tempered Clavier Book II comes this fine adaptation for st...
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From Bach's The Well-Tempered Clavier Book II comes this fine adaptation for strings arranged by Robert Longfield. The piece stays true to the original version throughout. An excellent way to teach your ensemble one of the baroque classics.
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Sinfonie G Major Wq 182/1
String Orchestra
Schott
Parmi ses oeuvres pour orchestre, les symphonies (Wq 182) sont certainement ceux...
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Parmi ses oeuvres pour orchestre, les symphonies (Wq 182) sont certainement ceux avec qui C.Ph.E. Bach avances plus éloignée dans le nouveau motif en musique. Contraste et surprise ainsi que le changement permanent d'affection est les principes essentiels de cette musique. / Orchestre A Cordes
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Ricercare A 6 C Minor Bwv 1079
String Orchestra
Schott
Le présent arrangement est d'une utilité pratique pour les ensembles de petite...
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Le présent arrangement est d'une utilité pratique pour les ensembles de petite chaîne en particulier à l'étude de la polyphonie de Bach. / Orchestre A Cordes
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Sinfonie G Major Wq 182/1
String Orchestra
Schott
Parmi ses oeuvres pour orchestre, les symphonies (Wq 182) sont certainement ceux...
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Parmi ses oeuvres pour orchestre, les symphonies (Wq 182) sont certainement ceux avec qui C.Ph.E. Bach avances plus éloignée dans le nouveau motif en musique. Contraste et surprise ainsi que le changement permanent d'affection est les principes essentiels de cette musique. / Orchestre A Cordes
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Brandenburg Concerto #1 In F Major
String Orchestra
Alfred Publishing
Finie la grande musique du vent-Bach reste. Mais, ce n'est pas seulement de donn...
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Finie la grande musique du vent-Bach reste. Mais, ce n'est pas seulement de donner les parties de cor des altos. Il s'agit d'un remaniement qui maintient l'intégrité de la musique adaptée à une nouvelle instrumentation. Marqué avec quatre parties de violon alto et deux parties, cette pièce peut être réalisée efficacement en utilisant un ou plusieurs joueurs de chaque partie. L'écriture antiphonaire met en évidence le génie contrapuntique de ce chef-d'oeuvre. Parfait pour le festival, à des étudiants de fonctionnalités, ou comme un ouvreur ou plus! / Orchestre A Cordes
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Ricercare A 3 C Minor Bwv 1079
String Orchestra
Schott
Le présent arrangement est d'une utilité pratique pour les ensembles de petite...
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Le présent arrangement est d'une utilité pratique pour les ensembles de petite chaîne en particulier à l'étude de la polyphonie de Bach. / Orchestre A Cordes
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Die 'Veroneser Elegie' (AESCHBACHER WALTHER)
String Orchestra
[Sheet music]
Amadeus Verlag
Par AESCHBACHER WALTHER. / Répertoire / Orchestre à Cordes
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Grazyna Bacewicz: Concerto For String Orchestra: String Orchestra: Score
String Orchestra
PWM (Polskie Wydawnictwo Muzyczne)
Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) ...
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Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) the outstanding composer and violinist - was composed in 1948 and at once became one of the most frequently performed works of this Polish artist. This masterpieceof neoclassicism fascinates as much by its invention and virtuosic briliance as its harmonious combination of formal elements of a traditional nature with new tonal ideas. The form of the three-movement Concerto oscillates between that of the baroqueconcerto grosso and the early classical sonata cycle. The neoclassical tendency is evident above all in the articulation of the musical structure in keeping with the rigours of periodicity and the manner of developing thematic threads derived fromthem while the concertato character of particular movements and the generally linear texture indicate baroque connections. The first movement (Allegro) - in the form of an early classical sonata allegro - begins with a subject with energeticfigurations emblematic for the whole piece and based on a constant pendulum-like semiquaver movement anchored securely on D. It is precisely because of the nature of this subject that Bacewiczs work has been compared to the Brandenburg Concertosby Jan Sebastian Bach The second movement (Andante) while retaining its concertato charakter is at the same time an example of the composers ability to create emotionally serene lyrical moods and her sense of cantilena derived from the spiritof romantic song (a motto-subject presented at the beginning by cello solo). In this movement it is both the process of evolution and the instrumental colouring which constitute the constructional agents forming here a self-containedvalue. In thethird movement (Vivo) the composer returns to her favourite type of music understood as an expression of pure motion in the form of figural motives with infinite transformational possibilities. The spontaneity of the music the constant mutabilityof the tonal situations and the sophisticated acerbic harmonies - as Witold Lutosawski described them - form a colourful mosaic built in the structural skeleton of a sonata rondo. Concerto for String Orchestra is not only proof of thestylizing tendency of the composer but also of an unerring intuition concerning the technical and expressive possibilities inherent in a string instruments ensemble. [Magorzata Gsiorowska translated by Ewa Cholewka]
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Barrage! Mountain Spring
String Orchestra
Swath Publishing
After performing at many educational conferences like the TMEA and NYSSMA confer...
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After performing at many educational conferences like the TMEA and NYSSMA conferences, the creators of BARRAGE had many requests for printed, published versions of their music. Many young string players sent letters and e-mails asking that BARRAGE do something to help bring the 'cool element' to their school string program. In response, SWATH Publishing is pleased to be able to offer an exciting string orchestra arrangement of the BARRAGE favorite 'Mountain Spring'. Composed by Dean Marshall (Artistic Director of BARRAGE) and arranged by Arthur Bachmann (violist - The Calgary Philharmonic Orchestra), this piece is a guaranteed crowd pleaser for any school orchestra concert! Appropriate for the intermediate to advanced string orchestra, the piece comes with a full set of string parts (885555), conductor's score, and piano score. *BARRAGE is an internationally acclaimed violin ensemble that presents the violin in a unique and innovative way. BARRAGE combines diverse musical styles with dazzling choreography to produce a show that is truly spellbinding! / Orchestre A Cordes / 82 pages / niveau : Intermédiaire/Avancé / Partition - Format: 12 X 9
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Aus Holbergs Zeit Op. 40 (GRIEG EDVARD)
String Orchestra
[Score]
Barenreiter
Par GRIEG EDVARD. Grieg Holberg Suite (From Holberg\'s Time) Op.40 (Full Score) ...
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Par GRIEG EDVARD. Grieg Holberg Suite (From Holberg\'s Time) Op.40 (Full Score) Suite in the Olden Style for String Orchestra To celebrate the 200th birthday of the playwright Ludvig Holberg (1684-1754), a statue was erected in his honour in 1884. Edvard Grieg, who, like Holberg, was born in Bergen, was commissioned to write an open-air cantata for the ceremony. But he also refers to Holberg in his instrumental music. The result was a ?powdered wig piece? (as Grieg wrote to his publisher) that hearkens back to Holberg?s era ? a historicising suite of baroque dances for piano, ranging from an exhilarating prelude and several dance numbers to a Bachian ?air? and an impetuous ?rigaudon?. Later Grieg arranged his ?Suite in the Olden Style? for string orchestra. This version became one of his most popular compositions. For our new scholarly-critical edition Christoph Rinne-Schroeder has meticulously examined the original print and compared it with previously neglected performance material annotated by Grieg himself. - New Urtext edition of this popular work for string orchestra - Based on previously neglected sources by Grieg himself - String parts in a practical large format (25.5 cm x 32.5 cm) / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes
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Wedding Music: String Ensemble: Score
String Orchestra
Southern Music Ltd
Condensed Score-This extraordinary collection of wedding favorites is the perfec...
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Condensed Score-This extraordinary collection of wedding favorites is the perfect solution for wedding planners looking for just the right music for that upcoming wedding ceremony. The arrangements are appropriate for the string quartet of forstrong orchestra. The optional contrabass part provides additional flexibility. Selections include: Aria (Handel); Bridal Chorus (Wagner); Wedding March (Mendelssohn); Trumpet Voluntary (Clarke);Largo from “Winter” (Vivaldi); Rigaudon (Campra); Theme from 1st Symphony (Brahms); March (Mozart); Trumpet Tune (Purcell); Canon (Pachelbel); Jesu Joy of Man's Desiring(Bach); Allegro from “Winter” (Vivaldi).
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Thea Musgrave: Largo In Homage To B.A.C.H.: String Orchestra: Study Score
String Orchestra
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Intermediate/advanced
Novello & Co Ltd.
Largo In Homage to B.A.C.H. was commissioned by the Carmel Bach Festival 2013 ...
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Largo In Homage to B.A.C.H. was commissioned by the Carmel Bach Festival 2013 and Music Director Paul Goodwin to whom the work is dedicated.COMPOSER NOTE:My very first idea was to use the BACH initials as a basis for the work - not as the melodic motif often used by composers but rather as a harmonic structure. This is possible because in the German musical tradition B stands for B flat and H for B natural. This led to the thought that there would be four short sections each led by a different soloist forming an emotional journey: Lamentoso (mournful) Ardente (fervent) Inquieto (restless) and Sereno (peaceful).TheDouble Bass leads the first section B. Lamentoso (B flat major). The Cello leads the next A. Ardente (A major) faster and higher in pitch to reflect the change of mood and when the Viola soloist urgently interrupts in C. Inquieto (C major) the scene is set for a big climax. In the final section H. Sereno (B minor) the mood persuaded by the Violin soloist quietens and eventually leads to a brief quote from the famous chorale from the St. Matthew Passion O Haupt voll Blut und Wunden which ends the work in calm and peace with a 'tierce de Picardie'.In turn each soloist carries the linear activity as protagonist on this emotional journey and the accompaniment to each section is dominated by the ?tonality? indicated. But there is also a mysterious ?misty? overlay only dissipating after the Viola?s tempestuous climax. The cluster of notes that makes up this ?mist? is formed from the octatonic scale in each case incorporating notes of the triad of the relative section to determine its tonality (B flat major C major etc).Each section therefore uses only the notes of the octatonic scale1 associated with it - until the Viola begins to incorporate a chromatic scale2 - and it is only in the final section that the familiar diatonic scale 3 appears and the mist is dissipated. Therefore although the overall feeling of
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