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DJ GEAR
Viola, Piano
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Santa's Helper
Viola, Piano
[Sheet music + CD]
Santorella Publications
Remember fighting off the Sandman, desperately struggling to stay awake at the c...
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Remember fighting off the Sandman, desperately struggling to stay awake at the chance that you might catch a glimpse of Saint Nick. Every rustle or bump made you jolt from your quilted pod and race to the living room where the lit tree posed, draped in soft light. Still no Santa! It took all your energy to climb back into bed with your eyelids drawn and your body heavy. Tucked back in as best as you could with the sheets and pillows slightly disheveled, you dozed off while musical thoughts fill your groggy head. A wide, animated grin filled your face as you dreamt of chilly nights of caroling and warm, fire-lit sing-a-longs. Music has always been an integral part of the holiday season. As everyone knows, there is no better way to celebrate than with a song. Re-live your childhood memories and share your love of music this holiday season with Santa's Little Helper published by Santorella Publications. Santa's Little Helper for Viola is also written as solos or duets in accommodating keys for Violin, Cello and Bass. This best selling Santorella Publication includes a piano accompaniment CD with lyrics, so the whole family can sing along. The Piano Accompaniment book for this Stringed Instrument Edition is sold separately. Santorella's Horn Edition is also available for trumpet, clarinet, flute, alto sax and trombone../ Recueil / Alto et Piano
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César Franck: Sonata: Viola: Instrumental Work
Viola, Piano
Barenreiter
arranged for Piano and Viola-Cesar Franck’s Sonata for Piano and Violin i...
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arranged for Piano and Viola-Cesar Franck’s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.After Franck’s death in 1890 the original publisher of the Sonata the Parisian house Julien Hamelle announced an arrangement of the work for Viola but it has not been possible to locate any copy of this publication. The present arrangement for Viola is largely based on Jules Delsart’s arrangement for Piano and Cello the onlyversion of the Sonata which the composer authorized. However the Viola part here also adopts extensive passages in their original register or remains in the middle octave especially in those passages where the Cello lies two octaves beneath the Violin.Being set in the alto register the part thus lies between the other two string versions lending the Sonata a delightful hybrid hue beyond the brilliance of the Violin and the sonorousness of the Cello. The Piano part has been left intact and is thus identical to that of the original version.The edition is rounded off by an informative text on the genesis and reception history of the Sonata (Ger/Fr/Eng).
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Johannes Brahms: Sonatas In F Minor And E-Flat For Viola: Viola: Instrumental
Viola, Piano
Barenreiter
for Viola and Piano-Brahms had already announced his 'retirement' from compositi...
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for Viola and Piano-Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted Viola parts to his two sonatas. In any case the Viola and Clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms? authorship of the Viola parts. They include important differences fromthe Clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.A pioneering Urtext editionWith an unmarked Urtext partWith a second part including fingering and bowing based on the practices of contemporaries of BrahmsWith an extensive Performance Practice
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Hugh Wood: Variations Op. 1: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Chester
For Viola and Piano this is the composer's first opused work. Premiered at the ...
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For Viola and Piano this is the composer's first opused work. Premiered at the Wigmore Hall in July 1959 by Cecil Aronowitz and Margaret Kitchen.Wood: In 1957 I knew I had newly discovered the music of Schoenberg and hispupils and I knew at once that they were to show me the way forward for my music; as indeed they have ever since. The revelation was primarily an emotional experience for me and however imperfectly their influence wasreceived it was obviously reflected in the all-out chromaticism (new for me then) in the many chains of twelve notes or lesser chromatic formations (which do not here amount to serial working and have only rarely done sosince) in the characteristic harmonic and rhythmic formations the wide and sometimes angular intervals of the melodies and in general the introverted romanticism. Anyway I knew then that this was the sort of music that Ihenceforth would want to write and so I called these Variations my Opus One.The declamatory Introduction leads into the Theme heard on the viola. Six Variations follow of which No.3 is the most violent and No.4 the mostsustainedly lyrical. The recitative-like sixth variation leads into the Finale a more extended movement. The Theme returning on the piano leads to a climax at which there is a citation from Beethoven’s C minor Variations forpiano. Then their characteristics sequence of chords is heard on the piano as an accompaniment to the final statement of my own theme on the viola in the closing bars of the work.
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Max Reger: Klarinettensonate Opus 107: Viola: Instrumental Work
Viola, Piano
G. Henle
Clarinet Sonata op. 107-Just as Johannes Brahms had done with his Opus 120 Rege...
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Clarinet Sonata op. 107-Just as Johannes Brahms had done with his Opus 120 Reger also provided parts for two alternative solo instruments for his Sonata op. 107: 'I will also arrange the clarinet part for viola so that the work can also be played thus'(letter to his publisher). He by no means wanted to leave the arrangement of the viola part to the publisher as slurs had to be changed here and there as well as octave transpositions had to be made - 'only I can do this work!'The viola’s sonorous mid range comes close to that of the clarinet but lends the work its own timbre. Viola players will also value this Urtext edition on account of the practical fingerings and bowing marks.
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Wilkinson-Hart: First Repertoire For Viola 1: Viola: Instrumental Album
Viola, Piano
[Sheet music]
-
Beginner
Faber Music Limited
From Haydn to Humperdinck show tunes to spirituals - variety is the spice of mu...
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From Haydn to Humperdinck show tunes to spirituals - variety is the spice of musical life and the essence of this book. Here there are 20 carefully graded pieces which skilfully explore the Viola's unique sonorities and provides superb introductory literature for the young player.
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Carl Bohm: Sarabande For Viola And Piano: Viola: Instrumental Work
Viola, Piano
[Sheet music]
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Intermediate
Viola World
Carl Bohm's Sarabande has been effectively arranged here for Viola with Piano ac...
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Carl Bohm's Sarabande has been effectively arranged here for Viola with Piano accompaniment by Alan Arnold. The warm energy of this dance sits well with the Viola which accentuates the passion and character of Bohm’s work.The solo Viola part is also included on a separate insert.
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Ouvertüre Zuruslan Und Ludmila- As 3Rd Movement To The Unfinished Sonata In D Minor
Viola, Piano
Hofmeister Musikverlag
The music of Glinka's Ouverture to his opera 'Ruslan and Ludmila? is presented a...
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The music of Glinka's Ouverture to his opera 'Ruslan and Ludmila? is presented as arrangement for viola and piano by Diemut Poppen here. It is a sparkling virtuos little piece for viola and piano in D major that should be played as a last movement to Glinka's Sonata for Viola in d minor but can also be performed separately. / Alto Et Piano
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Franz Anton Hoffmeister: Concert D-Dur: Viola: Instrumental Work
Viola, Piano
G. Henle
Along with the Stamitz concerto Hoffmeister‘s Viola Concerto is the most ...
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Along with the Stamitz concerto Hoffmeister‘s Viola Concerto is the most important audition piece for Viola players. Yet it has been handed down in a complicated source tradition surviving ina single contemporary manuscript covered with many layers of markings. Our Piano reduction reconstructs for the first time the earliest textual layer in this source thereby coming as close as possible toHoffmeister‘s actual intentions. The reconstructed original is accompanied by a detailed critical commentary. Fingering and bowing marks have been added by no less a musician than Kim Kashkashian!
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Play it Again: Viola: Instrumental Album
Viola, Piano
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Easy
Faber Music Limited
Tired of the same old exam pieces? Need a little light relief? Then here's the a...
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Tired of the same old exam pieces? Need a little light relief? Then here's the answer to your problems. Play it Again is a lively collection of favourite tunes both new and old expertly arranged for easy viola with upbeat but playable piano accompaniments. All viola parts are written in first position so they are perfect for the absolute beginner helping young players to gain confidence and learn basic technique in a fun and lively way. Both you and your teacher can really relax and have fun!The solo viola part is also included on a separate insert.
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Bridge Frank - Four Pieces - Viola And Piano
Viola, Piano
Faber Music Limited
These four pieces were written separately between 1901 and 1910 for cello and pi...
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These four pieces were written separately between 1901 and 1910 for cello and piano. They subsequently appeared in print in different versions, ranging from piano solo to full orchestra. The composer was himself a fine viola player, and, it is hoped, would have welcomed these transcriptions for viola and piano, published here for the first time.
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Frank Bridge: Four Pieces: Viola: Instrumental Album
Viola, Piano
Faber Music Limited
These four pieces were written separately between 1901 and 1910 for cello and pi...
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These four pieces were written separately between 1901 and 1910 for cello and piano. They subsequently appeared in print in different versions ranging from piano solo to full orchestra. The composer was himself a fine viola player and it is hoped would have welcomed these transcriptions for viola and piano published here for the first time.
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Benjamin Britten: Portrait No.2 E.B.B: Viola: Instrumental Work
Viola, Piano
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Intermediate/advanced
Chester
Portrait No.2 ‘E.B.B’ is taken from Two Portraits for Strings compo...
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Portrait No.2 ‘E.B.B’ is taken from Two Portraits for Strings composed by Benjamin Britten. This fantastic flowing Viola solo over soft staccato Piano chords really expresses a range ofgripping emotions.Here it is present in a version arranged for Viola and Piano by Martin Outram violist of the Maggini Quartet.
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Three Romances Op.94: Viola: Instrumental Work
Viola, Piano
Stainer and Bell
Schumann's Three Romances Op.94 is a collection of 3 delightful miniatures and i...
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Schumann's Three Romances Op.94 is a collection of 3 delightful miniatures and is available here for Viola with Piano Accompaniment. The solo viola part is also included on a separate insert.
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Edmund Severn: Polish Dance: Viola: Score
Viola, Piano
Viola World
Born in Nottingham England in 1862 Edmund Severn moved to the United States a...
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Born in Nottingham England in 1862 Edmund Severn moved to the United States at the age of four along with his family who settled in Hartford Connecticut. Severn began to study the Violin with guidance from his father who taught the instrument professionally. He later studied with Franz Milcke and Bernard Listemann concertmaster of the Boston Symphony Orchestra before moving to Berlin to study bowing technique under Emanuel Wirth the first assistant of Joseph Joachim at the Berlin Hochschule. As a composer Edmund Severn wrote mainly orchestral music as well as many pieces for the Violin including a concerto; he also wrote three stringquartets.To this day the Polish Dance for Violin and Piano has remained Severnâ??s most famous work. The piece is arranged here by Alan Arnold for Viola and Piano.
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Andrew Lloyd Webber: The Phantom of the Opera: Viola Solo: Instrumental Album
Viola, Piano
[Sheet music]
Hal Leonard
Solos for Viola-Nine songs from the Andrew Lloyd Webber musical masterpiece The...
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Solos for Viola-Nine songs from the Andrew Lloyd Webber musical masterpiece The Phantom of the Opera arranged for solo Viola: All I Ask of You · Angel of Music · Masquerade · The Music of the Night · The Phantom of the Opera · The Point of No Return · Prima Donna · Think of Me · Wishing You Were Somehow Here Again
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Georg Philipp Telemann: Sonata In D: Viola Duet: Instrumental Work
Viola, Piano
IMC (International Music Co.)
Georg Philipp Telemann's Sonata In D for Viola presented here with a realised P...
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Georg Philipp Telemann's Sonata In D for Viola presented here with a realised Piano accompaniment.
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Carl Stamitz: Concert 1 D-Dur: Viola: Instrumental Work
Viola, Piano
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Advanced
G. Henle
An Urtext edition of Carl Stamitz's Viola Concerto No.1 In D arranged here with ...
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An Urtext edition of Carl Stamitz's Viola Concerto No.1 In D arranged here with Piano reduction by Johannes Umbreit with cadenzas and lead-ins by Robert D. Levin and edited by Norbert Gertsch and Annemarie Weibezahn.Fingering and bowing by Jurgen Weber.
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Gordon Jacob: Sonatina for Viola and Piano: Viola: Score and Parts
Viola, Piano
[Sheet music]
Novello & Co Ltd.
While Gordon Jacobs composed a vast amount of music more than four hundred pie...
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While Gordon Jacobs composed a vast amount of music more than four hundred pieces -- he was particularly celebrated for his work for Viola and for woodwinds as well as for his books on music pedagogy. Jacob had an early success with his Viola Concerto of 1926 which was premiered at a Promenade concert and which was the beginning of a series of strong contributions to Viola repertoire. This Sonatina for Viola and Piano demonstrates his sensitive writing for the instrument. It works very well when performed on clarinet as well.While many composers of the 20th century rejected serialism atonality and other avant garde effects in favour of Romanticism Jacob was much morean adherent to the musical models of the classic and baroque eras while still encompassing modern harmonies. His work Music for a Festival for symphonic wind band and brass ensemble was used for the post-war Festival of Britain and he arranged the British national anthem for the coronation of Queen Elizabeth II.
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Giacomo Puccini: Play Puccini: Viola & Piano: Instrumental Album
Viola, Piano
[Sheet music + CD]
Ricordi
Instrumental Play-Along-Who needs a singer? With Play Puccini instrumentalists ...
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Instrumental Play-Along-Who needs a singer? With Play Puccini instrumentalists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed forintermediate level solo instrument and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as wellas piano accompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca andTurandot.
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Miriam's Song (Band 2)
Viola, Piano
Furore Verlag
Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-...
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Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-nach 1835: Andante con Variation (7:06'). 3. Satz der Sonate op. 11 Die zweibändige Ausgabe unter dem Titel ?Miriam's Song' (Das Lied der Mirjam) ist jüdischen Komponistinnen des 19. und 20. Jahrhunderts gewidmet. Sie beinhaltet Viola-Bearbeitungen der Werke von Fanny Hensel geb. Mendelssohn, Vally Weigl, Lena Stein-Schneider und Ruth Schonthal (Band 1). Das von Schonthal aufgenommene Allegro moderato ist eine Originalkomposition für Viola und Klavier. Im 2. Band begegnen wir den Komponistinnen Helene Liebmann und Sarah Feigin. Der Titel der Ausgabe bezieht sich auf die Rolle der Prophetin Mirjam, der älteren Schwester von Mose und Aaron. Beim Auszug des israelischen Volkes aus Ägypten führte sie nach der Durchquerung des Schilfmeeres den Freudentanz und Gesang der Frauen an (2. Buch Mose 15,20-21). Bezeichnenderweise hat der Berliner Maler Wilhelm Hensel im 19. Jahrhundert seine Frau, die Komponistin Fanny Hensel geb. Mendelssohn, als Mirjam porträtiert.Das Repertoire romantischer Konzertliteratur für Viola ist recht begrenzt. Den Herausgebern ist es ein Anliegen, den im Original für Violine, Violoncello oder Klarinette geschriebenen Werken durch die Bearbeitung zu größerer Verbreitung zu verhelfen.'Revue Musicale Suisse / Schweizer MusikzeitungApril 2012 Seite 39, Walter Amadeus Ammann: Kompositionen jüdischer Frauen :Die Prophetin Mirjam, Schwester von Moses und Aaron, führte die Frauen beim Auszug aus Ägypten bei Tanz und Gesang an. Das Motto der zwei Hefte Miriam's Song deckt sich mit dem Schicksal der sechs Komponistinnen, die hier mit Stücken von drei bis sieben Minuten Dauer vertreten sind. Fanny Hensel traute sich nicht, ihre Werke zu publizieren, Vally Weigl und Ruth Schonthal mussten wegen der Nazis emigrieren, Lena Stein wurde durch eine Schweizer Delegation aus Theresienstadt befreit, Helene Liebmann änderte 1820 in Berlin wegen antisemitischer Repressalien ihren Namen auf Liebelt und Sarah Feigin wanderte 1972 von Lettland nach Israel aus.Die für Violine, Violoncello oder Klarinette mit Klavier geschriebenen Stücke in mäßiger Schwierigkeit eignen sich vorzüglich für die Bratsche. Gefühlvoll: Adagio von Hensel und Nocturno von Stein. Kurzweilig: Old Time Burlesque von Weigl und Reflection on a Niggun von Feigin. Oder Sätze aus Sonaten: Das fließende Allegro moderato von Schonthal und die anspruchsvollen Variationen über la ci darem la mano von Liebmann. Die zwei Sonaten sind in der Furore Edition auch vollständig sowohl für Violoncello als auch für Bratsche und Klavier erhältlich.Miriam's Song, Werke von jüdischen Komponistinnen für Viola und Klavier, Band 1 und 2, hg. von Bella und Semjon Kalinowsky, fue10050/10064, ? 18.00/16.00, Furore Edition, Kassel 2011' / Alto Et Piano
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Erik Satie: Gymnopédie No. 1: Viola: Score
Viola, Piano
Schott
The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world...
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The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet Parade on 18 May 1917 caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes' Pablo Picasso (scenery and costumes) Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris yet made the composer widely known. Satie who hardly had had any solid musical training and lived in Paris for almost all his life developed a new musical style in deliberate rejection of the 'Wagnérisme' of his time. Classical form models new harmonies stylistic ease meditative and clownish elements amalgamated in an original way the perfect example being his 3 Gymnopédies of 1888 the first of which was here arranged for a solo instrument with Piano accompaniment: Thus it is now possible even for non-pianists to play this famous miniature by Satie. Thanks to its easy playability it can also be used for educational purposes.
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Ludwig van Beethoven: Andante Con Variazioni (Isserlis): Viola
Viola, Piano
Faber Music Limited
This charming and humorous set of variations originally for mandolin and keyboa...
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This charming and humorous set of variations originally for mandolin and keyboard is arranged here for violin and piano by the distinguished performer Steven Isserlis. Originally composed in 1796 when Beethoven was twenty-six it shows the young genius at his most elegant.The work is ideally suited to the violin which has the same tuning as the mandolin. It will make a valuable addition to the repertoire of the more advanced player.
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Henryk Wieniawski: Reverie: Instrumental Work
Viola, Piano
PWM (Polskie Wydawnictwo Muzyczne)
In addition to the numerous violin pieces in H. Wieniawski's compositional outpu...
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In addition to the numerous violin pieces in H. Wieniawski's compositional output there is only one piee for viola and piano ''Reverie'' which is without opus number. The ''Dream'' ost probably comes from that period when Wieniawski stayed in London (1858-1859) and apart from his regular concert activities took part in chamber concerts which were very popular at that time. During one of the Beethoven-Quartett-Society concerts a quartet of four outstanding virtuosos (Ernst Joachim Wieniawski and Piatti the cellist) performed together. Wieniawski who played the viola on that occasion presumably concluded that there were too few original compositions for thisbeautiful instrument and decided to write a short viola piece himself. He endowed it with a lyrical character and the stamp of fervour characteristic of his other compositions. (S. Kamasa)
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Pyotr Ilyich Tchaikovsky: Melodie: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Viola World
Melodie was originally written for Violin and Piano in 1878 as the third of the...
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Melodie was originally written for Violin and Piano in 1878 as the third of the three Memories that made up the composer’s opus 47. It was dedicated to Brailovo the Ukrainian Country estate where it was finished. Since then it has been re-arranged many times most famously for Violin with Orchestra. This arrangement for Viola and Piano by Alan Arnold is part of the popular Viola World series. Pyotr Ilyich Tchaikovsky (1840 - 1893) is one of the best-known Russian composers in the west. He was the first Russian composer to write in the European style generating criticism from his peers for abandoning the Russian culturalheritage but enjoying acclaim across both Europe and America.
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Solos For The Viola Player Vla - Viola
Viola, Piano
[Score and Parts]
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Intermediate
Schirmer
Description Solos For The Viola Player The purpose of this anthology is to ma...
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Description Solos For The Viola Player The purpose of this anthology is to make available to the viola player a substantial body of work, and introducing a valuable and enticing literature. Songlist Adagio (Arpeggione Sonata) [Schubert, Franz] Allegretto Grazioso [Bach, Carl Phillipp Emanuel] Andante (Violin-viola Duo No.2) [Mozart, Wolfgang Amadeus] Boston Fancy (Hornpipe) Choralprelude (O Mensch Bewein Dein Sunde Gross) [Bach, Johann Sebastian] German Dance (Landler) [Dittersdorf, Karl Ditters Von] I'm Just A-going Over Jordan March (Notturno) [Beethoven, Ludwig Van] Menuetto [Handel, George Frideric] Romance [Mehul, Etienne-nicolas] Shenandoah Tambourin [D'hervelois, Louis De Caix] Tema Con Variazioni (Couplets Des Folies D'espagne) [Marais, Marin] Verborgenheit (Renunciation) [Wolf, Hugo] Von Ewige Liebe (Love Is Forever) [Brahms, Johannes] Were You There?
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Shrek And Shrek 2 Best Of
Viola, Piano
[Sheet music + CD]
Hal Leonard
12 solos arrangés pour alto. Ce songbook rassemble les partitions des bandes or...
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12 solos arrangés pour alto. Ce songbook rassemble les partitions des bandes originales de Shrek et Shrek 2 un CD audio pour vous accompagnez. / Here's a very special chance to add the wonderful / Recueil / Alto et Piano
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George Gershwin: Fantasy On Themes From Gershwin'sPorgy And Bess: Viola:
Viola, Piano
[Sheet music]
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Advanced
Viola World
The famous opera by George and Ira Gershwin from the novel 'Porgy' by DuBose Hey...
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The famous opera by George and Ira Gershwin from the novel 'Porgy' by DuBose Heyward. George and Ira Gershwin joined DuBose Heyward in Charleston to write the opera which had been germinating in George's imagination for several years. Porgy and Bess was George Gershwin's longest and most ambitious creation but it was not truly successful during his lifetime. Some of the songs had achieved popularity before Gershwin's death in 1937 but the work earned real approval and favor only after the 1940 Theater Guild presentation of a slightly revised version. For years it was performed more frequently in Europe where it was considered a true American opera. Arranged for viola andpiano by Alan Arnold.
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