SKU: UT.CH-227
ISBN 9790215324145. 9 x 12 inches.
Emilio Calandin: Piccola sfumaturaClaudia Montero: Lagrimas de Buenos AiresMarco Reghezza: Como PreludioMarco Smaili: PreludioAlessandro Spazzoli: Preludio in Do maggioreRoberto Tagliamacco: Prelude sur le nom de TarregaPaolo Ugoletti: Prelude sur le nom de TarregaHaving been invited several times onto the jury of the prestigious Certamen Tarrega in Benicasim, I thought I would involve a few composers in a gift to the father of the modern guitar. So I asked the composers to write a Prelude of the kind that Tarrega wrote and which count among his most significant compositions.These Preludes for Tarrega, all written between August and November 2015, are very different from each other. The common feature, however, between these and the Preludes by Tarrega is their brevity, an average level of performance difficulty and guaranteed easy listening, even when written in a non-tonal language (like the meditative and melancholy piece by Emilio Calandin and the one by Marco Smaili, with its Impressionistic feel reminding one of Tarrega's most famous pupil, Miguel Llobet).In some Preludes (the ones by Paolo Ugoletti, Roberto Tagliamacco, Claudia Montero) the reference to Lagrima, one of Tarrega's most famous Preludes, is evident in form, title and some citations. Ugoletti and Tagliamacco work well and expressively on harmony and counterpoint, while the Argentinian Claudia Montero links Tarrega to a heartbreaking Buenos Aires...In Alessandro Spazzoli there is rather more a connection with Tarrega's sense of melody and deep simplicity, while Marco Reghezza remembers ironically what was brewing in European music when Tarrega was alive: in fact, his Como Preludio goes across the 24 keys - and even a reference to Wagner's Tristan raises its head...I am delighted for this volume to come out at the time of the fiftieth edition of the Certamen Tarrega.(Piero Bonaguri).
SKU: HL.48024257
Piano reduction for Rautavaara's Piano Concerto No. 3 Gift of Dreams now available for the first time. The concerto is composed for Vladimir Ashkenazy. The opening of the concerto is lyrical and meditative. The second movement, Adagio, drifts into a piano monologue that picks up speed. As the orchestra enters, the dialogue becomes aggressive. The finale begings with an energetic introduction, continues with blazing fanfares and textures. Rautavaara's Piano Concerto No. 3 is a masterpiece of modern concerto literature. It is written is such manner that toe soloist can lead the orchestra from the grand piano. Rautavaaran 3. pianokonserton, Gift of Dreams, pianoreduktio on nyt julkaistu ensimmaista kertaa. Konsertto on savelletty Vladimir Ashkenazylle, ja sen voi esittaa solistin johdolla. Gift of Dreams on takuuvarmaa ja taitavaa Rautavaara; unenkaltaiset elementit, fanfaarit, pulppuileva solistiosuus, jamakka orkesteri seka rautavaara-harmoniat ovat kaikki lasna tassa vuonna 1998 savelletyssa konsertossa.
SKU: BT.DHP-1216341-140
English-German-French-Dutch.
With this work, composer Jacob de Haan depicts a procession of the inhabitants of the Basque town Zumarraga to the hermitage of Santa Mar a La Antigua in the mountains nearby. The music, that has carefully been built around therepeated rhythm of the town’s name, varies from meditative and hymn-like to emotional and powerful. Thus, it is a atmospheric piece with plenty of musical appeal.Met dit werk verklankt componist Jacob de Haan een processie van de inwoners van de Baskische stad Zumarraga naar de hermitage van Santa Mar a La Antigua in de nabije bergen. De muziek, die zorgvuldig is opgebouwd rond hetherhaalde ritme van de plaatsnaam, varieert van meditatief en hymnisch tot emotievol en krachtig. Het is dan ook een sfeervol stuk waarin muzikaal veel te beleven valt.In diesem Werk beschreibt der Komponist Jacob de Haan eine Prozession der Einwohner der baskischen Stadt Zumarraga zur Einsiedelei Santa Mar a La Antigua in den nahe gelegenen Bergen. Die Musik, die sorgfältig um den sichwiederholenden Rhythmus des Städtenamens konstruiert wurde, variiert von meditativ und hymnenhaft bis emotional und kraftvoll. Somit ist ein stimmungsvolles Stück mit viel musikalischer Anziehungskraft entstanden.Dans cette œuvre, le compositeur Jacob de Haan dépeint une procession des habitants de la ville basque de Zumarraga jusqu’ l’ermitage de Santa Mar a La Antigua, dans les montagnes environnantes. Adroitement élaborée autour durythme répété du nom de la ville, la musique alterne entre un climat méditatif, tel un hymne, et une puissance chargée d’émotion. Ainsi, cette pièce évocatrice offre un grand attrait musical.
SKU: BT.DHP-1216341-010
With this work, composer Jacob de Haan depicts a procession of the inhabitants of the Basque town Zumarraga to the hermitage of Santa Mar a La Antigua in the mountains nearby. The music, that has carefully been built around therepeated rhythm of the townâ??s name, varies from meditative and hymn-like to emotional and powerful. Thus, it is a atmospheric piece with plenty of musical appeal.Met dit werk verklankt componist Jacob de Haan een processie van de inwoners van de Baskische stad Zumarraga naar de hermitage van Santa Mar a La Antigua in de nabije bergen. De muziek, die zorgvuldig is opgebouwd rond hetherhaalde ritme van de plaatsnaam, varieert van meditatief en hymnisch tot emotievol en krachtig. Het is dan ook een sfeervol stuk waarin muzikaal veel te beleven valt.In diesem Werk beschreibt der Komponist Jacob de Haan eine Prozession der Einwohner der baskischen Stadt Zumarraga zur Einsiedelei Santa Mar a La Antigua in den nahe gelegenen Bergen. Die Musik, die sorgfältig um den sichwiederholenden Rhythmus des Städtenamens konstruiert wurde, variiert von meditativ und hymnenhaft bis emotional und kraftvoll. Somit ist ein stimmungsvolles Stück mit viel musikalischer Anziehungskraft entstanden.Dans cette Å?uvre, le compositeur Jacob de Haan dépeint une procession des habitants de la ville basque de Zumarraga jusquâ?? lâ??ermitage de Santa Mar a La Antigua, dans les montagnes environnantes. Adroitement élaborée autour durythme répété du nom de la ville, la musique alterne entre un climat méditatif, tel un hymne, et une puissance chargée dâ??émotion. Ainsi, cette pièce évocatrice offre un grand attrait musical.
SKU: HL.4007165
UPC: 840126965759.
With this work, composer Jacob de Haan depicts a procession of the inhabitants of the Basque town Zumarraga to the hermitage of Santa MarÃa La Antigua in the mountains nearby. The music, that has carefully been built around the repeated rhythm of the town's name, varies from meditative and hymn-like to emotional and powerful. Thus, it is a atmospheric piece with plenty of musical appeal.
SKU: ET.PNO81
ISBN 9790207003256.
L’enfance en éclats 2001 [Childhood Shattered] As its title suggests, Childhood Shattered is program music. A simple and graceful tune, symbolizing childhood, is abruptly interrupted by a horrific, dissonant chord. The tune returns ; but the echo of the chord, still lingering in the background, tells us that the memory of the traumatic event persists. Life has darkened. Nothing is as it was before. The initial melody wanders into keys ever stranger and more distant, ultimately arriving at a new theme, obsessive, with grating seconds and thrusting accents. This shattered childhood and its episodes of aimlessness, will it give birth to new certainties? The piece is an exercise in contrasting detached notes with tied notes. Commissioned by the Association Jeune musique. Required work at the International Piano Competition Freiburg - Jeune Musique, 2002. Toccata (2004) This piece by Caroline Charrière issues from the historical lineage of the toccata, traditionally an exercise of dexterity characterized by repeated musical motifs. The introduction is constructed of subtly displaced upper-register chords in the right hand that alternate with two lower notes in the left hand, creating an almost meditative preamble. In the rapid section of the piece, the performer playfully exploits the keyboard's full breadth in the course of spirited dialogues between notes high and low. Commissioned by the Association Jeune Musique. Required work in Category IV at the International Piano Competition Freiburg - Jeune musique, 2004. Irène Minder-Jeanneret.
SKU: BA.BA05965-01
ISBN 9790006497683. 27.5 x 20 cm inches. Preface: Schmidt, Beate Agnes.
TheKleine geistliche Konzerte(Small Sacred Concertos), published in two parts in 1636 and1639, are among the best-known and well-loved compositions of Heinrich Schutz. Both parts constitute a collection of vocal pieces in a broad range of styles written for only a few voices with basso continuo. Most of the texts are in German, but some are also in Latin. The first volume presents a broad spectrum of vocal scoring, musical forms and texts: there are solo concertos in the Italian style, traditional four-part motets, well-known Psalm texts set to music, hymns as well as mystically contemplative meditative literature. The concertos' monodic qualities and high level of virtuosity - especially in the compositions with German text - made Schutz a household name shortly after theKleine geistliche Konzertewere published in print. As the works required no large ensembles, they could be performed for different occasions and in various locations; particularly during the Thirty Years' War they could be heard at court, in cities or in villages but also in schools or at home.Unlike the 1963 edition of theKleine geistliche Konzerte(BA 3664, BA 3665, BA 3666) as part of the New Schutz Edition, this new volume presents the works for the first time in their original form and order. A historic-critical evaluation of all relevant sources yields new information regarding the composer's intentions, the printing process and the works' reception. Furthermore, the edition includes a reconstruction of an earlier version that has not been published until now. This edition is geared towards musicologists, as well as professional musicians and amateurs with a keen interest in early music.
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