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MARCHING BAND
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1 Piano, 6 hands (12)
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Accordion - Piano, Voice, Guit… (11)
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Medium Voice (11)
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String Trio: 2 violins, cello (10)
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Lute (10)
Matériel D'Orchestre (10)
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Educatif (10)
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CD (10)
2 Trumpets (duet) (10)
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Solistes SATB, Choeur SATB, 3 … (9)
Choral, Orchestra (9)
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Flute Trio: 3 flutes (9)
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Soli (T (Evangelist), B (Jesus… (9)
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:: (8)
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Soli (ATB), Choeur Mixte (SATB… (7)
Choeur (SATB) et Brass Band (7)
Soli (ATB), Choeur Mixte (SATB… (7)
Flûte Traversière Violon et … (7)
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2 Choeurs Mixtes (SATB Et SATB… (7)
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Bass Clarinet (6)
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Hohe Stimme, Melodie-Instrume… (6)
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Cajon (6)
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Pocket, Study conductor (6)
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Big Note Piano (6)
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Baritone Saxophone (6)
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Flute Quartet: Flute, Violin, … (5)
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Score (5)
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Tenor Banjo (5)
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3 Saxophones (trio) (5)
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2 Flûtes Traversières, Instr… (5)
Cloudlifter (5)
Soli (SATB), Chor (SATB) und O… (5)
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Trombone en Clé de Fa (5)
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Solistes SATB, Choeur SATB, 2 … (5)
3 Clarinets (trio) (5)
Brass ensemble, Organ (5)
Mariachi (5)
Lap Steel Guitar (5)
Opéra Full Score (5)
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S, A, A, T, B, Choeur Mixte A … (4)
Guitare ou Luth (4)
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Saxophone ensemble (4)
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2 Violons, Alto, Hautbois, Cor… (4)
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Flûte Traversière, Clarinett… (4)
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Handbells (4)
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Flûte Traversière Cordes et … (4)
Voix Et Orchestre (4)
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Dobro (4)
Timpani (4)
Soprano voice, Organ (4)
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Bongos (4)
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Electric bass, Drums (4)
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Voix Hautes (4)
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Cello, Organ (3)
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ENS::Ensemble d'cole (3)
2 Harpes (3)
2 Flûtes Traversières, 2 Hau… (3)
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Trombone, Organ (3)
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T-shirt (3)
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Organ and Brass Quartet (3)
VLN/VLC/CONT::Violin, Cello, C… (3)
Descant (Soprano) Recorder, Ba… (3)
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Flûte traversière (3)
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Fake Book (3)
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SAB (3)
3 Parties Solo, Choeur Et Orch… (3)
Guitare (Fingerpick) (3)
Choeur SATB et Orchestre (3)
Viole de Gambe (3)
Vocal duet (3)
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2 Recorders, Basso continuo (t… (3)
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Violon I (3)
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Voice (3)
Cor en Fa (3)
Guitar and Bass Tablatures, Ch… (3)
Trombone or Euphonium (3)
Chœur Mixte [SATB] et Orchest… (3)
Recorder, Guitar (duet) (3)
Bass Flute (3)
Trompette et Concert Band ou H… (3)
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Harpsychord (2)
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Baritone Saxophone, Piano (2)
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Voix Moyenne et Orchestre (2)
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Soli, Gemischter Chor 1 & 2, … (2)
REC::Treble Recorder (2)
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2 Ukulélés (2)
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1 à 3 Voix d'Hommes (2)
Choeur SATB et Violon (2)
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Piccolo (2)
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Timbales (2)
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Jeux de Bâtons (2)
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Solo Piano (2)
Balalaika (2)
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LOW VCE/PFA::Low Voice, Piano … (2)
Madrigaux (2)
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28 à 67 Joueurs (2)
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Viola-Etüden (VOLMER BERTA)
Viola
Schott
60 studies for the development of the left hand and the technique of the bow. Pa...
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60 studies for the development of the left hand and the technique of the bow. Par VOLMER BERTA. This volume of studies is intended not only as a supplement to the 'Viola Method' but also, in the coise and varying difficulties of its contents, to be of value to every student of the Viola. These studies which have been extracted from the multitude of excellent etudes for the Violin for their varying technical problems have been chosen with special regard for their suitability to the Viola. The order in which the student works at these studies is left to his, or his teacher's discretion, and therefore as it is not proposed that the book is worked through from beginning to end but that each technical problem is overcome by the most suitable exercise. Unklike hitherto existing collections the technique of the instrument is divided under 7 main headings. As the bowing exercises are in no way exhaustive space has been left for the student or teacher to devise his own./ Etude / Alto
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M. Cohen: Superstudies 1: Viola: Study
Viola
-
Easy
Faber Music Limited
Mary Cohen’s Superstudies For Viola Book 1 is a collection of nineteen ori...
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Mary Cohen’s Superstudies For Viola Book 1 is a collection of nineteen original imaginative studies for solo viola which have been specially designed for young players. Each piece concentrates on one or two aspects of technique and the whole set covers a wide range of left and right hand skills including spicatto bowing string-crossing moto perpetuo cantabile and easy double-stopping. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating.
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Paul Harris: Improve your sight-reading! Viola 1-5: Viola: Instrumental Tutor
Viola
[Sheet music]
Faber Music Limited
Does the thought of sight-reading make you groan? The ability to sight-read flue...
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Does the thought of sight-reading make you groan? The ability to sight-read fluently is a vital skill enabling you to learn new pieces more quickly and play with other musicians. The best-selling Improve Your Sight-reading! for Viola by renowned educationalist Paul Harris is designed to help you overcome all your sight-reading problems especially in the context of graded exams. Step by step you build up a complete picture of each piece firstly through rhythmic and melodic exercises related to specific technical issues then by studying prepared pieces with associated questions and finally ‘going solo’ with a series of meticulously gradedsight-reading pieces.New edition devised to support the revised sight-reading criteria from the ABRSM from 2012.
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Duckett Bull: Team Strings 2. Viola: Viola: Instrumental Tutor
Viola
Faber Music Limited
Team Strings 2 is ideal for individual group and class tuition allowing the vi...
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Team Strings 2 is ideal for individual group and class tuition allowing the violin viola or cello and double bass to be taught in the same lesson. This method contains carefully-graded music in a wide variety of styles developing instrument-related aural skills improvisation and composition. Book only edition.
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Duckett Bull: Team Strings 2. Viola: Viola: Instrumental Tutor
Viola
Faber Music Limited
Team Strings 2 is ideal for individual group and class tuition allowing the vi...
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Team Strings 2 is ideal for individual group and class tuition allowing the violin viola or cello and double bass to be taught in the same lesson. This method contains carefully-graded music in a wide variety of styles developing instrument-related aural skills improvisation and composition.
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M. Cohen: Superstudies 2: Viola: Instrumental Work
Viola, Piano
[Sheet music]
-
Easy
Faber Music Limited
This collection of twelve original imaginative studies for solo viola continues...
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This collection of twelve original imaginative studies for solo viola continues the technical progression of Superstudies Book 1. Aimed at young players of Grades 2-4 level these studies introduce a wide range of musical styles while consolidating all the finger patterns used in 1st position and introducing easy 3rd position. New bowing techniques found in this volume include spicatto and hooked bows. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating.
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Carol Ann Wheeler: Warm-Ups For The Violists Made Easy: Viola: Study
Viola
[Sheet music + Audio access]
-
Beginner
Mel Bay
Big Note/Large Print-Warm-ups for the Violist is an adaptation of Warm-ups for...
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Big Note/Large Print-Warm-ups for the Violist is an adaptation of Warm-ups for the Violinist. It is targeted to help build strengthen and develop the muscles and techniques needed for viola playing. It is especially suited and created for the morecasual violist who is sincerely interested in getting maximum benefit from a minimum of effort. I first tested these scales and exercises on myself for six months faithfully using them for about 20 minutes as warm-ups to my dailypractice. I was rewarded with a definite improvement in my technique. I was actually surprised to see my dexterity grow as I charted my metronomic progress on a calendar. I remember thinking 'I will never be able to play fasterthan this.' But then a couple of weeks later I would indeed climb a notch higher!Through the years I have used these exercises in countless workshops and with private students. The letters of thanks and positive feedback fromstudents who were thrilled with improved violin and fiddle technique have brought me great satisfaction. Progress with these exercises is like the progress of a body builder. Body builders do not get up in the morning and think 'I am going to develop and build my muscles today ' and instantly look like Mr. Atlas. It takes weeks months and for some years to attain results. It must be done over a period of time. Like all diets and exercise programs determination and dedication are most important to success! I sincerely believe that these exercises when faithfully practiced will help violists improve their skills. The exercises will help develop and strengthen muscles usedfor finger dexterity clarity of notes tone bowing-arm control intonation double stops and a flexible bowing-arm wrist. A companion audio play-along recording is available online.
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David Matthews: To what God shall we chant: Mixed Choir: Vocal Score
String Quartet: 2 violins, viola, cello
Faber Music Limited
To what God shall we chant our songs of battle? was commissioned by James Oâ...
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To what God shall we chant our songs of battle? was commissioned by James O’Donnell and Westminster Abbey for a service of solemn commemoration on 4 August 2014 marking the centenary of the outbreak of the First World War.Stark and gritty yet always rooted in tonality Matthews’s expressive harmonies bring a potent immediacy to the bitter disillusioned words of war poet Harold Monro and the two lyrical solos for soprano and tenor which set passages from the Book of Lamentations and St Luke’s Gospel. Beginning with a violent and impassioned energy this anthem ultimately offers little consolation. In the words of James O’Donnell it ‘leaves you standing on theedge of an abyss’ its impetus petering out in a series of hushed troubled questions.
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Ludwig van Beethoven: Andante Con Variazioni (Isserlis): Viola
Viola, Piano
Faber Music Limited
This charming and humorous set of variations originally for mandolin and keyboa...
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This charming and humorous set of variations originally for mandolin and keyboard is arranged here for violin and piano by the distinguished performer Steven Isserlis. Originally composed in 1796 when Beethoven was twenty-six it shows the young genius at his most elegant.The work is ideally suited to the violin which has the same tuning as the mandolin. It will make a valuable addition to the repertoire of the more advanced player.
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Sassmannshaus H. / Close J. Peter - Early Start On The Double Bass Vol.3
String Trio: violin, viola, cello
Barenreiter
The long awaited Sassmannshaus method “Early Start on the Double Bass” is no...
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The long awaited Sassmannshaus method “Early Start on the Double Bass” is now here. At last students of the largest instrument in the string family can make use of this tried and tested method for beginners, developed by Egon Sassmannshaus for the other string instruments and applied here to the double bass by Holger Sassmannshaus and J. Peter Close. This method will meet the needs of the growing number of young bass students. “Early Start on the Double Bass” encompasses everything that one would expect from a Sassmannshaus method: an easy start, progression at a suitable rate, many cross-references to the other string instruments, songs and scales in different positions from early on, as well as many duets. Lively and colourful illustrations by Charlotte Panowsky complete the edition. For more than three decades “The Sassmannshaus Tradition” has been the household name for excellence in beginner string methods in German-speaking countries. The English editions for violin, viola and violoncello, which were introduced to the international market in 2008, have proven to be very successful, particularly in the United States. Kids to the Bass! While children learning other string instruments can start as early as the age of four, the appropriate age to begin the double bass is approximately eight (possibly even six); this allows for a faster progression than on the other string instruments, and the method consists of only three volumes. The first volume will be published separately in an English and a German edition; the following two volumes will have German and English text in each book. Original compositions by Boguslaw Furtok enrich the volumes. - Based on the tried-and-tested Sassmannshaus methods for violin, viola and cello - Volume 1: Separate editions in German and English - Volumes 2 and 3: Bilingual, German/English editions - Moderate increase in difficulty - Position playing, duets - Includes new original compositions to B. Furtok - Volume 3 with piano accompaniments to 7 pieces The authors Holger Sassmannshaus is a double bass player with the Niederrheinische Sinfoniker in Mönchengladbach/Krefeld. He also teaches the double bass and performs with several other ensembles. J. Peter Close is a teacher for violoncello and double bass in Munich.
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John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
29.99 GBP - Sold by Musicroom UK
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Trio D'Archi Per Violino, Viola E Violoncello (CASTELNUOVO-TEDESCO MARIO)
String Trio: violin, viola, cello
Curci
Op. 147. Par CASTELNUOVO-TEDESCO MARIO. / Répertoire / Violon, Alto et Violonce...
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Op. 147. Par CASTELNUOVO-TEDESCO MARIO. / Répertoire / Violon, Alto et Violoncelle
30.23 EUR - Sold by LMI-partitions
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Horner James - Titanic, Music From - Viola Solo
Viola
Faber Music Limited
This album, for viola and piano, features easy arrangements of the instrumental ...
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This album, for viola and piano, features easy arrangements of the instrumental selections from the soundtrack to James Cameron's 1997 blockbuster about the sinking of the RMS Titanic, that had Leonardo DiCaprio and Kate Winslet as fictional characters Jack Dawson and Rose DeWitt Bukater - two members of different social classes who fall in love aboard the ill-fated 1912 maiden voyage of the ship. The selection includes My Heart Will Go On, the love theme from the movie.
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Billie Eilish: Billie Eilish: Viola Solo: Instrumental Collection
Viola
[Sheet music + Audio access]
Hal Leonard
Instrumental Play-Along. Solo instrumental arrangements with audio accompaniment...
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Instrumental Play-Along. Solo instrumental arrangements with audio accompaniment for 9 of Billie's biggest hits so far: Bad Guy ? Everything I Wanted ? I Love You ? idontwannabeyouanymore ? Lovely ? No Time to Die ? Ocean Eyes ? When the Party's Over ? You Should See Me in a Crown. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
14.50 GBP - Sold by Musicroom UK
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Ein Quartett-Satz (CASTELNUOVO-TEDESCO MARIO)
String Quartet: 2 violins, viola, cello
[Sheet music]
Ricordi
Par CASTELNUOVO-TEDESCO MARIO. / Date parution : 2022-07-20/ Répertoire / Quat...
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Par CASTELNUOVO-TEDESCO MARIO. / Date parution : 2022-07-20/ Répertoire / Quatuor à Cordes
33.03 EUR - Sold by LMI-partitions
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