Orchestral Version-John McCabe's Psalm-Cantata (Orchestral Version). Full score for Soprano Baritone SATB choir and small Orchestra.This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London.'I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalentto the Bach cantatas with two soloists (soprano and baritone). The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe

'Yankee Doodle' with variations is the most concise way to describe the piece commissioned by the New Haven Symphony Orchestra to commemorate Conneticut's participation in The United States Bicentennial. 'Yankee Doodle' a tune dating back to the Middle Ages in Holland and England (and used by the British as early as 1755 to poke fun at untrained American troops in the French and Indian war) is interwoven with other folk and national melodies to stitch a patchwork or a musical collage. It is a personal view of American history.'To explain my approach to They All Sang Yankee Doodle I must explain my own background because the piece is made up ofmusical memories imprinted from early childhood.My earliest musical memories are a juxtaposition of sounds - hymns and Bach chorales from the church next door where my mother was choir director; early twenties jazz from my oldest brother's dance band; classical piano from my middle brother and my mother's piano studio; and cowboy songs and turn-of-the-century ballads that I have always identified with my father. Concord California where I was born was once part of a land grant from the Mexican government and the Spanish-Mexican influence remained strong even as the town expanded from a sleepy settlement into an American microcosmos with a wide variety of ethnic groups. Over fifty years ago most of us who sang 'Yankee Doodle' in Concord could not trace our ancestry to the founding fathers. Those of us with Anglo-Saxon names were at the end of the Westward push our forefathers having left behind the Eastern cities a few generations before settling for a time mid-continent then restlessly pushing further West. Little is known of my paternal grandfather for instance except that he had come to California from Indiana walking across Nevada desert to become one of the first settlers in Mordoc Indian territory.Of course the native American the Indian was there to greet each new migration and it is his

Fifty Carols for Christmas and Advent-Carols For Choirs 2 includes 50 varied carols for every occasion including newly-arranged classics as well as original compositions written specially for this compilation.

When I Grow Up comes from Matilda he Musical , the award-winning stage version of Roald Dahl's classic children's novel from the Royal Shakespeare Company. The song is a wish list of the kind of pleasures adulthood is imagined to bring. Of course it is a poignant list because in this case all it contains is freedom from the trials of childhood. This choral version for SATB and piano accompaniment is arranged by Simon Foxley. Watch this brilliant performance from Matilda: The Musical (West End) - When I Grow Up : / Choeur Mixte (SATB) Et Piano

Reduction For Satb/Organ-John McCabe's Psalm-Cantata arranged for Soprano Baritone SATB choir and Organ by Iain Farrington.This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London.'I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalent to the Bachcantatas with two soloists (soprano and baritone). The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe

This anthem will feel immediately familiar to many listeners! Wilberg has adapted the words of a traditional hymn and set them to the melody of O little town of Bethlehem. With a lively accompaniment and spirited counter-melody the result is a sparkling and jubilant work that will suit both concerts and services of thanksgiving throughout the year.Mack WilbergMack Wilberg is the Music Director of the Mormon Tabernacle Choir. He was appointed Music Director in March 2008 having served as Associate Music Director since May 1999. He is a former professor of music at Brigham Young University where he received his bachelor's degree; his master'sand doctoral degrees are from the University of Southern California. In addition to his conducting responsibilities he is active as a pianist choral clinician composer arranger and guest conductor throughout the United States and abroad. In addition to the many compositions he has written for the Mormon Tabernacle Choir his works have been performed by artists such as Renée Fleming Frederica von Stade Bryn Terfel The King's Singers and narrators Walter Cronkite and Claire Bloom. Wilberg's arrangements and compositions are performed and recorded all over the world. With their grandeur energy and craftsmanship they inspire performers and audiences everywhere.

I Believe In Springtime is a lively and spirited anthem composed by John Rutter for Children's Choir with Piano Accompaniment and an optional SATB Choir.

A new engraving of Thomas Attwood's delightful miniature Come Holy Ghost this piece is suitable for Whitsundtide or for general use. Thomas Attwood (1765-1838) is perhaps best known as the composer of such charming miniatures as Come Holy Ghost which is in essence a simple threeverse hymn. Its elegant melody first sung by soprano then by a chorus (or quartet and chorus) is reminiscent of Mozart’s delicate masterpiece Ave verum corpus.This is perhaps unsurprising Attwood took composition lessons from Mozart in Vienna and one of his contemporaries quotes Mozart as saying: ‘He partakes more of my style than anyscholar I ever had; and I predict that he will prove a sound musician.’ Attwood worked closely with the royal family throughout his life. He taught music to the Prince of Wales was appointed composer and eventually organist to the Chapel Royal and organist at St Paul’s Cathedral (he is buried under the organ there). He wrote the anthem I was glad for the coronation of King George IV.

Music played an enormous role in the works of William Shakespeare while his own sonnets poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection inspired by the 400th anniversary of the Bard's death in 2016 is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear. The collection features some beautiful settings that have well and truly stood the test of time such as Thomas Arne'sBlow Blow Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More Ladies Gary Carpenter's Lo Here The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass. Not only this the Shakespeare Choral Collection boasts several works that were specially commissioned including John Joubert's Be Not Afeard Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil I Haste Me To My Bed. Some pieces have never appeared before in print such as those by Kevin Olson Bernard Hughes and John Gardner. These songs truly are a joy to perform with some relatively simple arrangements that are purely fun to sing while some more complex settings that will be thoroughly rewarding for choirs and audiences alike. A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection which would work as a wonderful concert programme on its own or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating

Amoureux de Variété Internationale Et Divers, vous trouverez la partition de vos rêves, que ce soit en format séparé ou en recueil.Cette partition As Long As I Have Music Don Besig Satb est idéale pour les amateurs ou professionnels de musique qui souhaitent acquérir une partition pour Chant Et Piano. / Chant Et Piano / Chanson En Séparée

The Oxford Book of Flexible Carols is perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range accessible quality material this is a must-have collection for all choirs at Christmas.

Inspired by Sarah Williams' poem The Old Astronomer this new concert work tells of the irony of life's moments of a life long lived through joy sadness longing endurance love and so many other lessons rolled into a vessel of musical inspiration. The shadows give perspective on things already known and the light although familiar was only mine on loan. I have loved the stars too fondly to be fearful of the night. Optional cello included this work is outstanding in text and music.

The Novello Choral Pops Series presents the smash hit ballad by R. Kelly. The former No.1 single has been arranged by David Nield for mixed voices with Piano accompaniment and guitar chords. An ideal piece to bring any choral repertoire right up to date with this contemporary R'n'B favourite.