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Choral SATB
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30 Sacred Masterworks (SATB) (HALSEY S)
Choral SATB
[Sheet music]
Faber Music Limited
Par HALSEY S. / SUMMERLEY J.. Ce volume présente une richesse du répertoire in...
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Par HALSEY S. / SUMMERLEY J.. Ce volume présente une richesse du répertoire inestimable, original pour les chorales de voix supérieure. Bon nombre des pièces recueillies dans le présent volume sont publiées ici pour la première fois ou ne jouissent pas de la même exposition comme une grande partie du répertoire des voix mixtes. Le volume s'appuie sur le succès de 'Chorale Programme Series' la musique de Faber, dont certaines pièces ont été tirées. 30 'Masterworks sacré englobe de nombreuses époques et offre les deux accompagné et morceaux non accompagnés, il forme une collection dynamique et polyvalente convenant à une variété de services et de concerts à travers l'année. Ce volume est une ressource inestimable, tant pour les chorales de voix supérieure afin d'obtenir source d'inspiration et nouveau répertoire ainsi que pour mixtes chorales de voix qui veulent mettre en valeur le talent de leurs les chanteuses. 10-packs sont disponibles et offrent une économie de coûts importantes. / Date parution : 1999-12-25/ Recueil / SATB
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We Will Remember Them: Music for Remembrance: SATB: Vocal Score
Choral SATB
[Vocal Score]
-
Intermediate
Novello & Co Ltd.
We Will Remember Them: Music For Remembrance is a collection of some of the fine...
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We Will Remember Them: Music For Remembrance is a collection of some of the finest pieces of choral music on the theme of remembrance.We Will Remember Them: Music For Remembrance is suitable for church cathedral school youth and community choirs. It contains music appropriate for Remembrance Sunday services and beautiful pieces suitable for concerts memorial and funeral services and other acts of remembrance and reflection.We Will Remember Them: Music For Remembrance includes classic choral works such as Samuel Barber’s Agnus Dei Edgar Bainton’s And I saw a new heaven and WilliamHarris’s Bring us O Lord God alongside other works by well-loved composers including John Tavener Richard Rodney Paul Mealor and Eric Whitacre.New arrangements such as David Hill’s choral reworking of Edward Elgar’s Nimrod are included with other new works by some of the best contemporary composers.In a glowing review in the January/February 2015 edition of Choir & Organ Jeremy Summerly writes of the appropriateness of many of these works for Remembrance concert programmes and the effectiveness of a great number of these choral pieces.
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Sergei Rachmaninov: All-Night Vigil Opus 37: SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
Rachmaninoff?s music for the All-Night Vigil service ? long known inaccurately a...
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Rachmaninoff?s music for the All-Night Vigil service ? long known inaccurately as his ?Vespers? ? is a masterpiece in its own right. It draws on centuries-old Orthodox chant and the performance tradition of Russian folk music and embodies the ideal of Russian church music championed by a group of Moscow musicians of the time. In this All-Night Vigil the great composer-pianist-conductor has allied his own imagination skill and experience with the expertise built up at the Synodal School of Church Music ? not least by its choir which gave the first performances at several Moscowconcerts. This edition has been carefully prepared to present Rachmaninoff?s music in a clear and easily readable format and also offers a new transliteration of the Church Slavonic text. For the first time an audio pronunciation guide is provided online which will prove indispensable for choirs wishing to perform this most beautiful of masterpieces. In the November/December issue of Choir
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John Tavener: We Shall See Him As He Is: SATB: Score
Choral SATB
[Sheet music]
-
Intermediate/advanced
Chester
This work was commissioned by the Cheshire County Council for the 900th annivers...
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This work was commissioned by the Cheshire County Council for the 900th anniversary of Chester Cathedral for performance at the Chester Summer Music festival 1992.The opening melody on the solo cello representsiconographyically the parable of the guest who had no fitting wedding garment and was not admitted to the feast. In the Orthodox Church The Heavenly Bridal Chamber is an especially important theme from Monday to Thursday ofHoly Week as we prepare for the Passion and Resurrection of Christ. This theme of the Bridegroom and bridal Chamber recurs in different guises throughout the work.Duration c. 65mins. This is a special item which is made toorder. Please e-mail our Mail Order Department for further information.
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Pastorale: Mixed Choir: Vocal Score
Choral SATB
SATB, Piano
[Score]
Boosey and Hawkes
Choral masterpieces celebrating nature in all its diversity-Pastorale brings tog...
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Choral masterpieces celebrating nature in all its diversity-Pastorale brings together some of the finest choral music based on rural themes. This volume will provide material for any concert based on the broad theme of nature and would be an ideal compilation for any summer's serenade or open-air concert. The collection includes works by Britten Finzi Vaughan Williams and Canteloube. The anthology has been put together by Nigel Perrin former King's Singer choral expert and conductor of the Bath Camerata.The Boosey & Hawkes Concerts for Choirs series is an innovative approach to concert planning for choirs. Each volume contains a wealth of material to help the choral director assemble a concert programme- all from one volume. The anthology draws on the vast Boosey and Hawkes archive and also includes many specially-composed or newly-arranged pieces.
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Jonathan Adams: Sandburg Trilogy: Mixed Choir a Cappella: Vocal Score
Choral SATB
[Vocal Score]
Pavane Publishing
Three wonderful poems about stars by Carl Sandburg set this trilogy in motion. S...
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Three wonderful poems about stars by Carl Sandburg set this trilogy in motion. Summer Stars - Star Songs and Faces - and Stars offer fantastic descriptions as only Sandburg could do. Commissioned for the Southwest ACDA Jr. High Honor Choir in 2014 Jonathan Adams displays his excellent understanding of youthful voices. The melodies are strong the lines inventive and the spirit is magical. Perfect for middle school and high school choirs community choirs and festival events. Easy to Medium.
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Frozen (Choral Highlights): Mixed Choir a Cappella: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Hal Leonard
Choral Highlights-This 9-minute medley features all the musical highlights from ...
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Choral Highlights-This 9-minute medley features all the musical highlights from the hit Disney film Frozen in an arrangement for SATB Choir by Mark Brymer.The music from Frozen is a charming return to the classic songs of the Disney genre but with an updated pop and Broadway feel that today's audiences will instantly connect with.Frozen: Choral Highlights includes the favourites Fixer Upper For The First Time In Forever Frozen Heart In Summer Let It Go and Love Is An Open Door.This score is compatible with the Frozen (Choral Highlights) Showtrax CD .
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Robert Kapilow: Translate: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
(from Summer Sun Winter Moon)-From the larger work Summer Sun Winter Moon thi...
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(from Summer Sun Winter Moon)-From the larger work Summer Sun Winter Moon this movement seeks to give voice to the series of words that the early American explorers had to translate: numbers seasons days. Full of musical imagery recurringmotifs and a fresh textural treatment. Recorded by the Young People's Chorus of New York Francisco Nuñez Conductor. Available for SATB SAB or SSA.
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James Whitbourn: James Whibourn: The Wounds (Vocal Score): SATB: Vocal Score
Choral SATB
[Vocal Score]
-
Intermediate
Chester
The Wounds was expertly composed by British composer James Whitbourn for SATB c...
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The Wounds was expertly composed by British composer James Whitbourn for SATB chorus Speaker Violin Cello and Organ. This selection includes the full Vocal score. Whitbourn's international reputation as a composer began very early on as a programme maker at the BBC.?The Wounds is intended as a devotional work and is best heard in the context of a liturgical event in - or close to - Passiontide.Each section continues from the previous one without pause to create a seamless whole.? James WhitbournIn the January/February 2015 edition of Choir & Organ Jeremy Summerly writes that 'the honesty anddirectness of the presentation of music and words...will be seriously appealing.'
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Tarik O'Regan: Ipsa Vivere: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
-
Intermediate/advanced
Novello & Co Ltd.
Ipsa vivere was commissioned in celebration of Jameson Marvin’s 30th anni...
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Ipsa vivere was commissioned in celebration of Jameson Marvin’s 30th anniversary (2007-2008) as Director of Choral Activities at Harvard University by the Harvard-Radcliffe Collegium Musicum Foundation on the occasion of the Collegium’s Australian Summer Tour 2007. It received its première in a performance on 3rd June 2007 by the Harvard-Radcliffe Collegium Musicum under the direction of Kevin Leong in Sanders Theatre HarvardUniversity.
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Ipsa Vivere
Choral SATB
Novello & Co Ltd.
Ipsa vivere was commissioned in celebration of Jameson Marvin's 30th anniversary...
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Ipsa vivere was commissioned in celebration of Jameson Marvin's 30th anniversary (2007-2008) as Director of Choral Activities at Harvard University by the Harvard-Radcliffe Collegium Musicum Foundation on the occasion of the Collegium's Australian Summer Tour, 2007. It received its première in a performance on 3rd June 2007 by the Harvard-Radcliffe Collegium Musicum, under the direction of Kevin Leong, in Sanders Theatre, HarvardUniversity. / Choeur SATB
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Duncan Sheik: Spring Awakening: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
(Choral Medley)-Winning eight Tony Awards Spring Awakening explores the confusi...
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(Choral Medley)-Winning eight Tony Awards Spring Awakening explores the confusion the frustration the joy and excitement of the teenage years through vivid and emotional songs and a powerful and dramatic score. This 12-minute medley includes: All That's Known Don't Do Sadness/Blue Wind I Believe Mama Who Bore Me My Junk The Song of Purple Summer. Available separately: SATB SAB SSA ShowTrax CD. Instrument Parts available as a digital download (syn 1-2 gtr 1-2 b dm perc glock vln vla vcn sb). Duration: ca. 11:05.
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Eric Whitacre: Three Flower Songs: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate/advanced
Chester
I hide myself With a lily Go lovely Rose-Written early in Whitacre's career wh...
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I hide myself With a lily Go lovely Rose-Written early in Whitacre's career whilst at the University of Nevada in Las Vegas. Arranged for SATB choir includes a Piano line for rehearsal purposes.I Hide MyselfJust a simple song really. All of the musical suggestions come from a careful study of the poem a quiet passionate soul occasionally speaking a little bolder than the age will allow. She loves almost to the point of distraction and this mood mustprevail in the performance: shy and sullen her passion surging to the surface only to sink back into the silence that is herself.Go Lovely RoseThe piece is structured around the cyclical lifeof a rose and is connection throughout by the opening 'rose motif' a seed that begins on the tonic and grows in all directions before it blossoms dies and grows again. Each season is represented: spring begins the piece summerappears at bar 13 autumn at bar 26 winter at bar 39 with spring returning at bar 49. The form is based on the Fibonacci sequence (the pattern found in plant and animal cell divisions) - its fifty five bars are a perfectFibonacci number. The Golden Mean appears at bar 34 as all parts are reunited to complete the flower before its final blossom and inevitable cycle of death and rebirth.Each performance should be approachedwith a child-like innocence and naivety that allows us to marvel at the return of the rose each spring. The szforzandos throughout must be light and gentle.With A Lily In Your HandWater and Fire. If the performance of this piece connects these contrasting elemental ideas its success is guaranteed. Water: At bar 30 this ostinato should be fluid and gentle only interrupted at bar 32 asthe butterflies momentarily spring out of the texture; bars 35-38 the water should slowly transform back to fire. Bar 44 should be tiny bell-tones motivating the next nine bars another patient sensuous transformation back to
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Ruth Byrchmore: The Dark Night: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
For SATB chorus and Organ.Commissioned by the Genesis Foundation for Harry Chri...
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For SATB chorus and Organ.Commissioned by the Genesis Foundation for Harry Christophers and The Sixteen.First performed in June 2011 by The Sixteen conducted by Harry Christophers.'This is a very classy score indeed whose music provides a convincing and idiosyncratic response to an ardently spiritual text by St John of the Cross.' - Jeremy Summerly Choir & Organ
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Hubert Parry: Magnificat And Nunc Dimittis In D: SATB: Vocal Work
Choral SATB
SATB, Organ
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
Scored for Chorus SATB and Organ Parry’s Magnificat and Nunc Dimittis al...
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Scored for Chorus SATB and Organ Parry’s Magnificat and Nunc Dimittis alternates unison lines with Chorally complex phrases in both movements. It includes examples of Parry’s characteristic forward-looking harmonies.Composer and Organist Hubert Parry creator of the great hymn Jerusalem among many other works was not intended by his family for a career in music. When he finished at Eton in 1966 he spent the summer studying composition in Germany before matriculating at Exeter College Oxford where he read law and modern history. During his time there he did very little composition but did create this Magnificat and Nunc Dimittis in D.
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Libby Larsen: A Lover's Journey: SATB: Vocal Album
Choral SATB
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Intermediate
Schirmer
Dale Warland Choral Series-A Lover's Journey is a set of four pieces which chron...
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Dale Warland Choral Series-A Lover's Journey is a set of four pieces which chronicle the extraordinarily commonplace yet supremely elegant story of love.Written as a Valentine to The King's Singers the composer uses three textsby William Shakespeare and one by James Joyce. Movements include: 1) In the Still Garden; 2) St. Valentine's Day; 3) Will you Nill you; 4) Shall I Compare Thee to a Summer's Day?
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Per Nørgård: To H.C. Andersen Poesier: SATB: Vocal Score
Choral SATB
[Vocal Score]
Wilhelm Hansen
To H.C. Andersen Poesier - Two Poems by Hans Christian Andersen arranged to mus...
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To H.C. Andersen Poesier - Two Poems by Hans Christian Andersen arranged to music by Per Nørgård for SATB choir and SSA choir. 1. Lysets færdreland / The Native Land of Light (for mixed chorus SATB)2. Løft mig kun bort / Come lift me up (for mixed chorus SSA*) *) the second movement may be performed by a children’s chorus or by the female voices (SSA) from a mixed chorus Programme note From my very first aquaintance with these Andersen poems I was deeply moved by the simple almost naive yet evocative imagery with which Andersenrealized his visions images like: “The Melody of the Heart” “The Poem of Beauty” “A Spiritual Hindustan” “Fly Death over the Sea of Time fly to Eternal Summer”. Along with this “childishness” Hans Christian Andersen’s poetry encompasses enormous – almost Willim Blake-ish – cosmic visions in the interpolations between e.g. “reaching the Heaven” as opposed to “you’ll find it in a Rosebud” or the juxtaposition of “Everyday Life” and “Eternal Poetry” - which become one. Thus the music came to life in my immediate encounter with these words which almost sang themselves into my Musical Furnace – if you will. Per Nørgård
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Paul Mealor: Behold A Tender Babe: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Novello & Co Ltd.
Paul Mealor's Behold A Tender Babe is a work for Unaccompanied SATB Choir commi...
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Paul Mealor's Behold A Tender Babe is a work for Unaccompanied SATB Choir commissioned by the Hauser-Oberschneider family to celebrate the 150th anniversary of Summer Fields School. The work sets extracts from Robert Southwell's 'In Freezing Winter Night' and lasts around 4 minutes. A review in the September 2016 issue of Organist's Review states that the 'music responds sensitively and dramatically to the lines of the lyric it chooses to set rising triumphantly at the words 'with joy approach' before gently falling away as it repeatedly insists 'behold a tender babe'.' No less difficult but also no less rewarding is PaulMealor’s Behold a tender babe written a year earlier. But it is carefully written so that the difficulties are manageable. The two places where sopranos have a top C are the only points where sopranos divide so only the first sopranos ascend there. The music follows the details of the words with drama at ‘do homage to thy King’ and then falling away most beautifully to ‘behold a babe’. - Julian Elloway
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Carl Nygard: Love Divine: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
This is a work easily accessible for small choirs. On one of Charles Wesley's mo...
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This is a work easily accessible for small choirs. On one of Charles Wesley's most familiar texts the piece is scored for mixed voices with piano. It would make an easy put together for a summer Sunday with limited rehearsal time. For other summer Sunday suggestions go to our website.
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Richard Bullen: The Seven Arches: SATB: Vocal Score
Choral SATB
[Vocal Score]
Stainer and Bell
As well as traditional genres Richard Bullen's music embraces several contempor...
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As well as traditional genres Richard Bullen's music embraces several contemporary ones including video and electronics and shows a keen interest in location both in its formal possibilities and in its genius loci - its spirit of place.A five-minute stand-alone piece for SATB chorus The Seven Arches was written for a site-specific project at the Dartington International Summer School: an invocation of the rich cultural and mythic past of the celebrated gardens.In poet Steve Willey's multi-layered text the remaining seven arches of the medieval courtyard become metaphors for this continuing presence. Bold arched melodiesspringing from resilient purposeful chords likewise animate the music a sonic tableau of the sites/sights and sounds of history. The premiere performance was conducted by David Lardi with the Finchley Chamber Choir.
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Four German Folk Songs: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
German Folk Songs-From our Choral Tradition Series four of Brahms' folk songs i...
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German Folk Songs-From our Choral Tradition Series four of Brahms' folk songs in German and English: Summer Farewell The Messenger and The Carpenter
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Matthew Gerrard Robbie Nevil: What Time Is It: SATB: Vocal Score
Choral SATB
SATB
[Sheet music]
Hal Leonard
What time is it? Why the time of your life of course! The High School Musical ...
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What time is it? Why the time of your life of course! The High School Musical 2 gang is all here for a super salute to summer and a non-stop party! Arranged for SATB choir by Ed Lojeski.
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He Still Loves Me: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Hal Leonard
The Fighting Temptations was the movie hit of the summer in 2003. He Still Loves...
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The Fighting Temptations was the movie hit of the summer in 2003. He Still Loves Me epitomizes the message of the film. Upbeat positive and brimming with life this combination of modern R&B and gospel results in a spiritual song for today.
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Gabriel Jackson: Nightingale Fragments: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
Gabriel Jackson's Nightingale Fragments for SATB (with divisions) unaccompanied....
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Gabriel Jackson's Nightingale Fragments for SATB (with divisions) unaccompanied. The text for this vibrant part-song is a deftly chosen selection of lines from Keats' Ode to a Nightingale. Premiered by the Vigala Singers in 2017 Jackson's setting features many of the composer's stylistic hallmarks: glissandi decorative melismas aleatoric patterns and solo lines that float above the texture. Highly attractive and suitable for summer concerts.
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John Tavener: Let Not The Prince Be Silent: SATB: Vocal Score
Choral SATB
[Vocal Score]
Chester
This work for unaccompanied double choir (SATBSATB) was commissioned by the Summ...
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This work for unaccompanied double choir (SATBSATB) was commissioned by the Summer Music Society of Dorset. It was first performed in May 1989 at Sherborne Abbey Dorset by the Tallis Scholars conducted by PeterPhillips.Tavener:The remarkable text by Clement of Alexandria inspired this piece for double choir. From the stand point of today when I take a perennialist and therefore universalist stance concerning all the main greatreligious traditions this text is very close to my heart as is also the music. The opening theme sung by the two choirs forms the basis of the whole work. Bold simple massive and ecstatic in character I hope that this workrestores something of a Gnostic dimension to Christianity the loss of which could be said to be one of the greatest tragedies of Christianity in the West.
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Grease (Choral Highlights): SATB: Backing Tracks
Choral SATB
Hal Leonard
ShowTrax CD-This super Discovery Series medley combines the most-requested songs...
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ShowTrax CD-This super Discovery Series medley combines the most-requested songs from the John Travolta/Olivia Newton John movie and the hot Broadway and touring production. Great for choirs of all levels! Includes: Grease You're the One That I Want Summer Nights We Go Together Rock 'n' Roll Party Queen.
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Judith Bingham: Unpredicatable But Providential: SATB: Vocal Score
Choral SATB
SATB divisi
[Vocal Score]
Peters
The arrival of a few summer migrants.For SATB choir with divisions.
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Brian Wilson Tony Asher: God Only Knows: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
With it's intriguing melodic structure and harmonies God Only Knows by the Beac...
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With it's intriguing melodic structure and harmonies God Only Knows by the Beach Boys is one of their most widely recognizable tunes to date.These harmonies may be challenging at first for the amateur choir but the reward is in the end product — a fun and catchy tune for your summer concert.Arranged for SATB choir with Piano accompaniment by Jonathan Wikeley.
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