Organ Coro I-The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi’s lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for fourchoirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).First publication with choirs III and IV.Can be performed with both two or four choirs.Idiomatic well-presented Piano reduction.Full score performance material (BA8958) and vocal score (BA8958-90) available for sale.

For Children's voices and Orchestra. Commissioned by the BBC for the BBC Proms. First performance in the presence of Her Majesty The Queen on 19th July 2006 in the Royal Albert Hall London by the BBC Symphony Orchestra andmassed children’s voices conducted by Jiri Belohlavek.

with Orchestral Accompaniment-Reprinted from authoritative Breitkopf and Härtel sources this collection features a variety of Brahmss most cherished choral works with orchestral accompaniment. Selections include:- Rhapsodie für eine Altstimme Männerchor und Orchester Op. 53 (Rhapsody for an Alto Mens Choir and Orchestra)- Schicksalslied von Friedrich Hölderlin für Chor und Orchester Op. 54 (Song of Destiny by Friedrich Hölderlin for Choir and Orchestra)- Nänie von Friedrich Schiller für Chor und Orchester Op. 82 (Nänie by Friedrich Schiller for Choir and Orchestra)- Gesang der Parzen von Goethe für sechsstimmigen Chor und Orchester Op. 89 (Song of the Fates by Goethe for Six-Part Chorus and Orchestra)- Ave Maria für Frauenchor mit Orchester oder Orgel-Begleitung Op. 12 (Ave Maria for Womens Chorus with Orchestral or Organ Accompaniment)- Begräbnisgesang für Chor und Blasinstrumente Op. 13 (Funeral Song for Chorus and Wind Instruments)- Gesänge für Frauenchor mit Begleitung von zwei Hörnern und Harfe Op. 17 (Songs for Womens Chorus Accompanied by Two Horns and Harp)- Ellens zweiter Gesang aus Walter Scotts 'Fräulein vom See' von Schubert für Sopran dreistimmigen Frauenchor vier Hörnern und zwei Fagotte Op. 52(Ellens Second Song from Walter Scotts 'Lady of the Lake' by Schubert for Soprano Solo Three-partWomens Chorus Four Horns and Two Bassoons)This edition features a new English translation of the original Editors Commentary as well as new translations of song lyrics.

in Full Score-Two of Haydn's finest works nominally associated with war but richly devotional in spirit and exemplary in their synthesis of vocal and instrumental music. Both masses were written in the late 1790s when Europe was at war and first performed at Eisenstadt the Austrian country estate of composer's lifelong patrons.Reprinted from authoritative German editions.