A classic choral work from the oratorio 'Saul' by Handel, carefully edited and arranged exclusively for treble voices by Patrick Liebergen. New secular text by the arranger makes it ideal for the school use. Optional easy flute part is simple to add. An excellent introduction to the Baroque style for any treble choir. / 2 Parties Mixtes

Opt. Flute-This haunting melody has been recorded by everyone from Charlotte Church to Andrea Bocelli and no wonder: it's gorgeous. And the harmonies are lush and unexpected for a 16th century piece. The voice writing is straightforward with no surprises; Patrick Liebergen let's the beautiful melody and harmonies speak for themselves. The piano accompaniment is supportive and an optional flute part is included. The Ave Maria text makes it appropriate for school or church use year round.

Based on Symphony No.7 Second Movement by Ludwig van Beethoven-Uses: Holy Week Good FridayScripture: Matthew 27:59; John 19:38-42; Mark 15:46; Luke 27:55-56Though only scored for 2-part choir this Holy Week lament has a power and conviction essential for theshadows of Holy Week. Utilizing the immortal theme of Beethoven's seventh symphony the dramatic dirge-like pattern beats a steady reminder of the price of grace.