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MARCHING BAND
Choral SATB
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Der Erste Ton, Musik Zur Declamation (Wev B.2) - Hymne In Seiner Ordnung Schafft Der Herr (Wev B.8) Wev B.2 U. Wev B.8
Choral SATB
SATB, Orchestra
Schott
La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz...
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La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra éclipsé tous ses autres travaux et a contribué à leur chute de plus en plus dans l'oubli . Certains travaux tels que , Preciosa ', , Oberon , et , Euryanthe ' , les ouvertures, concertos en solo et sonates pour piano , des lieder et chambre oeuvres jouissent d'une grande popularité et ont été largement connus en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19ème siècle . Cependant , toute chance d'une renaissance de Weber et influentoeuvre considérable a été perdu dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, y compris Wilhelm Kempff , Hans Pfitzner , Max von Schillings , Fritz Stein et Richard Strauss - a échoué après le troisième volume .Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais que ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter- allemande , la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières mesures concrètes dans les années 1980 . L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et ne pas se séparer de sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux et d'autres la production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratiques .Depuis la réunification des deux - groupes de travail allemands concernés - à la Staatsbibliothek zu Berlin , et au Séminaire Musikwissenschaftliches , Detmold / Paderborn - ont coopéré sur l'édition complète des oeuvres musicales ( c. 45 volumes de la série 10 : sacré musique - cantates , des odes et des autres travaux occasionnels- oeuvres scéniques , lieder et des oeuvres vocales - oeuvres orchestrales , musique de chambre , musique pour piano - réductions pour piano - Miscellanea , arrangements et orchestrations , des oeuvres d' attribution douteuse ) . Les journaux (6-8 vol.) Sont édités à Berlin et les lettres (8-10 vol.) Et d'autres écrits ( 2 vol. ) À Detmold .Cette édition complète vise à constituer une base fiable de débat scientifique , ainsi que pour la pratique de la performance authentique de la musique de Carl Maria von Weber . Conforme aux normes d'éditions historico-critiques récentes , le matériau textuel sera basé sur les sources authentiques disponibles , accompagnés par une documentation détaillée de la genèse et une liste de variantes pour chaque travail . L'importance musicologique des travaux sera évaluée en les plaçant dans leur contexte historique , la présentation de leur genèse , l'histoire et les commentaires critiques . Les lettres , les écrits et les journaux seront considérés comme interdépendants et pertinente à l'autre dans les commentaires , donc les lecteurs devraient bénéficier d'une foule de renseignements concis et renvois . / Choeur Mixte (SATB) Et Instruments Divers
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Godspell And Children Of Eden. SATB Acc.
Choral SATB
Classical guitar
Faber Music Limited
Accessible and practical arrangements from two popular shows, with bags of style...
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Accessible and practical arrangements from two popular shows, with bags of style. These choral arrangments provide around twenty minutes of fun and interesting repertoire for the mixed voice choir. The pieces can be used to add variety to a concert programme and are sure to be a hit with both choirs and audiences alike.
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Ch?ur de sylphes
Choral SATB
SATB, Piano
[Sheet music]
Symétrie
sur un poème d?Étienne de Jouy. Par SAINT-SAENS CAMILLE. Bien loin de constitu...
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sur un poème d?Étienne de Jouy. Par SAINT-SAENS CAMILLE. Bien loin de constituer un ouvrage isolé dans l??uvre de Camille Saint-Saëns, le Ch?ur de sylphes appartient à un petit ensemble réalisé au début de sa carrière dans le contexte particulier du concours pour le prix de Rome. Institué en 1803, supprimé dans la foulée des événements de mai 1968, ce dernier fut pendant plus d?un siècle et demi le plus convoité des prix français de composition musicale. Organisé par l?Institut, il garantissait à ses lauréats, à défaut de l?assurance d?une future carrière sans embûches, du moins l?entrée par la grande porte dans le monde artistique et quelques années de pension en Italie, à la villa Médicis. De fait, bien peu résistèrent à l?attrait de cette récompense susceptible de marquer avec éclat l?aboutissement de longues années d?études. Qu?une personnalité comme Saint-Saëns s?y soit présenté n?a finalement rien d?étonnant. Mais bien qu?appelé à devenir au tournant du siècle l?un des plus illustres représentants de l?art académique, il n?obtint jamais, malgré deux participations, le fameux premier grand prix. Le concours était alors organisé en deux épreuves distinctes : la première, éliminatoire, consistait en la réalisation d?une fugue et d?un ch?ur avec accompagnement d?orchestre sur un poème donné, la seconde en la composition d?une grande cantate pour trois voix solistes. Saint-Saëns lui-même en écrira deux, Le Retour de Virginie (1852) puis Ivanhoé (1864). C?est entre le 5 et le 11 juin 1852, pour sa première participation au concours, que Saint-Saëns composa le Ch?ur de sylphes. Favorablement accueilli, il permit au musicien d?être placé en tête des six candidats admis pour l?épreuve finale. Mais il est vrai qu?objectivement le poème proposé avait tout pour lui permettre de briller. Tiré d?un livret d?Étienne de Jouy et de Nicolas Lefebvre, Zirphile et Fleur de myrte, déjà mis en musique par Charles-Simon Catel (1818), l?extrait choisi (acte I, scène 4) était particulièrement adapté à l?exercice. En quelques pages fermement tracées, Saint-Saëns parvient à transcrire l?atmosphère merveilleuse, toute en légèreté, du monde des esprits de l?air. Sous bien des aspects, le résultat obtenu n?est pas sans rappeler le « Scherzo » du Songe d?une nuit d?été de Mendelssohn (1843), compositeur auquel il vouait un véritable culte. Certes, comme toute ?uvre de jeunesse, le Ch?ur de sylphes fut écrit sous influence. Dans la perspective du prix de Rome, le morceau avait en outre été pensé pour répondre à diverses exigences que d?aucuns dénoncèrent par principe comme passéistes. Au-delà de ces réserves un peu simplistes, l?ouvrage n?en reste pas moins un exemple abouti de la grande tradition académique française et de son idéal d?élégance et de clarté. Derrière son indéniable maîtrise de la forme et de l?écriture, l?auteur nous dévoile un travail qui, sans être révolutionnaire, recèle d?indéniables beautés. / Date parution : 2024-01-10/ Répertoire / Choeur SATB et Piano
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Velvet Dreams (HINDSON MATTHEW)
Choral SATB
[Sheet music]
Faber Music Limited
Par HINDSON MATTHEW. Matthew Hindson writes 'During a period of correspondence ...
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Par HINDSON MATTHEW. Matthew Hindson writes 'During a period of correspondence with the reclusive Australian violist-turned-truck-driver Jock Reby, my attention was directed towards a notepad of graffiti that Reby had transcribed from the toilet walls of an English Language School in Bangkok. It seems that the students of the school had used the practice of writing on toilet walls as a means of experimenting with their English. Consequently it contained some quite bizarre interpretations of the English Language. One piece of writing referred incessantly to 'velvet dreams”, and their relationship to the writer's missing (romantic) partner. Despite the often-unclear nature much of the text (what exactly is a 'velvet dream”?), it was evident that the author felt very strongly about the subject. This work for choir and orchestra has therefore utilised fragments of the so-called 'Velvet Dreams” text, together with some extra texts written in a similar style by myself and the contemporary poet Sarah Hindson.'/ Répertoire / SATB
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5 Continents Choral Edition
Choral SATB
SATB, Piano
Helbling Verlagsgesellschaft m.b.h
5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-...
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5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-être petit, mais cinq continents sont représentés au sein de ces 76 pages, et chaque continent.Du Mexique (Amérique du Sud) vient de La Cucaracha (le cafard), une chanson populaire en langue espagnole avec une mélodie mémorable et Cielito Lindo qui est tré par les Mexicains comme une sorte d'hymne national alternative. Le continent africain est représenté par une chanson à partir de la Tanzanie, Malaika, et une autre Afrique de l'Ouest se réjouir dans le titre Jikela Emaweni hamba sia. Les deux chansons ont été associés à la célèbre chanteuse sud-africaine et militant des droits civiques Miriam Makeba, et de nouvelles paroles (en anglais) ont été fournis par Stuart Smith. En Russie (Europe) musique folklorique est étroitement liée à la vie du village et ses traditions. Kalinka est la rêverie d'un jeune homme sous un pin, tandis que le bouleau Little était un symbole de la beauté en Russie soviétique. Le quatrième continent est l'Asie. S'il ya une chanson juive connue par les Juifs et non-Juifs, il doit être Hava Nagilah. Tum Balalaika est également un traditionnel yiddish, mais il est d'origine juive russe. Le Folkmusic des Maoris de Nouvelle-Zélande (Océanie) est principalement associée à la guerre chants appelé Haka, mais Hine e Hine et Pokarekare Ana révèlent l'influence des colons milieu du 19e siècle britanniques. / Choeur Mixte (SATB) Et Piano
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5 Continents - Choral Edition
Choral SATB
SATB, Piano
[Sheet music + CD]
Helbling Verlagsgesellschaft m.b.h
5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-...
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5 Continents. Cette collection par Gwyn Arch de dix chansons folkloriques peut-être petit, mais cinq continents sont représentés au sein de ces 76 pages, et chaque continent.Du Mexique (Amérique du Sud) vient de La Cucaracha (le cafard), une chanson populaire en langue espagnole avec une mélodie mémorable et Cielito Lindo qui est tré par les Mexicains comme une sorte d'hymne national alternative. Le continent africain est représenté par une chanson à partir de la Tanzanie, Malaika, et une autre Afrique de l'Ouest se réjouir dans le titre Jikela Emaweni hamba sia. Les deux chansons ont été associés à la célèbre chanteuse sud-africaine et militant des droits civiques Miriam Makeba, et de nouvelles paroles (en anglais) ont été fournis par Stuart Smith. En Russie (Europe) musique folklorique est étroitement liée à la vie du village et ses traditions. Kalinka est la rêverie d'un jeune homme sous un pin, tandis que le bouleau Little était un symbole de la beauté en Russie soviétique. Le quatrième continent est l'Asie. S'il ya une chanson juive connue par les Juifs et non-Juifs, il doit être Hava Nagilah. Tum Balalaika est également un traditionnel yiddish, mais il est d'origine juive russe. Le Folkmusic des Maoris de Nouvelle-Zélande (Océanie) est principalement associée à la guerre chants appelé Haka, mais Hine e Hine et Pokarekare Ana révèlent l'influence des colons milieu du 19e siècle britanniques. / Choeur Mixte (SATB) Et Piano
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English Sacred Music. SATB Opt.Acc (Cps) (TALLIS THOMAS)
Choral SATB
[Sheet music]
Faber Music Limited
Par TALLIS THOMAS. Au XVIe siècle fut une période de bouleversements religieux...
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Par TALLIS THOMAS. Au XVIe siècle fut une période de bouleversements religieux en Angleterre. De la réforme protestante de Henry VIII par le biais ardent mais éphémère catholique renouveau du Queen Mary au retour de l'anglicanisme à l'époque élisabéthaine, il aurait fallu une diplomatie avisée pour un catholique romain comme Thomas Tallis, simplement rester en vie. En fait, il est devenu le compositeur le plus respecté de sa génération et est maintenant reconnu comme l'un des plus grands compositeurs du pays. 2005 est le cinq centième anniversaire de la naissance des Thomas Tallis et son génie est célébrée dans cette collection d'anglais-texted musique sacrée, sélectionnés et édité par Jeremy se fournir une source inestimable d'Introïts et les hymnes pour les chorales. Le volume contient si tu m'aimes - entendre la voix et la prière - un nouveau commandement - Ô Seigneur, ils donnent Saint-esprit - de la parole et de cri à toi, Ô Seigneur - de tout notre coeur - grandir leur, Ô Seigneur - pourquoi fumeth en vue (le thème sur lequel Ralph Vaughan Williams a fondé son Fantasia). Si yo... / Date parution : 2004-09-02/ Répertoire / SATB
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French Songs et Choruses
Choral SATB
SATB, Piano
[Sheet music]
Novello & Co Ltd.
This collection of French Songs and Choruses includes a wealth of original chora...
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This collection of French Songs and Choruses includes a wealth of original choral music by French composers, as well as many wonderful arrangements of some of the greatest French songs ever composed. Suitable for Mixed-Voice Choirs of all sizes and abilities, this is the perfect collection for finding new performance pieces, but would work equally well as a complete concert programme. The selections in this songbook are second-to-none, with some of the most beautiful and affecting French choral music compiled into one volume. Many original works are included here, with these choral compositions by giants of French classical music often being regarded as some of their finest work. Pieces like Madrigal by Gabriel Fauré, a new edition of Maurice Ravel's incredible Trois Chansons, Camille Saint-Saëns's Calme Des Nuits and Trinquons as well as Reynaldo Hahn's three Rondels, originally written for SATB choir. French Songs And Choruses also features a great many arrangements of works that have been enjoyed by choirs and singers for many years. The harmonies of songs like Chanson D'Amour by Gabriel Fauré convey just how stunning a song this is to hear as well as to sing, while others like Debussy's Beau Soir offer a similarly beautiful take on a different theme. With all of these songs, the joy will be in careful selection, fantastic practice and the thrill of performance for you and your audience. Such a grand selection of Songs And Choruses For Mixed-Voice Choirs is sure to enhance or invigorate your choir's repertoire, giving you an enjoyable introduction to the finest choral music that France has to offer. The delightful arrangements of the carefully-selected French Songs And Choruses included in this collection will make a perfectly French-flavoured addition to your general repertoire, or simply a complete concert in itself. The clear and accurate engravings make this book a pleasure to dip in and out of in your search for the perfect song, and with so many great compositions included, we're sure you'll find it! Please note that most of the lyrics are in French, but translations are included that also serve the purpose of enhancing your understanding of such poetic music./ Recueil / Choeur Mixte (SATB) et Piano
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B. Dowland: Ayres (Invitation To Part): SATB: Vocal Score
Choral SATB
[Vocal Score]
Stainer and Bell
Edited by Thurston Dart and Nigel Fortune13 of the finest settings taken from Jo...
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Edited by Thurston Dart and Nigel Fortune13 of the finest settings taken from John Dowland: Ayres for Four Voices originally transcribed as Volume 6 of Musica Britannica by Edmund Fellowes. The Elizabethan and Jacobean lutesongs were often written with alternative versions for voices and lute. This volume is an introductory selection of these ‘airs’ with accompaniment which may be played on guitar or keyboard as well as lute. SATB CONTENTS Burst forth my tears By a fountain where I lay Can she excuse my wrongs Come again sweet love doth now invite Come away come sweet love Come heavy sleep Fine knacks for ladies Go crystal tears If my complaints Now o now I needs must part Sleep wayward thoughts Sweet stay awhile Weep you no more sad fountains
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Sing Pop A Cappella - Book Three - Book - Audio Download
Choral SATB
SATB A Cappella
[Sheet music + Audio access]
Novello & Co Ltd.
Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop ...
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Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano
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Alan Smith: In Flanders Fields: Mixed Choir: Vocal Score
Choral SATB
SATB, Organ
Recital Music
In Flanders Fields is a series of poignant and evocative choral works with a the...
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In Flanders Fields is a series of poignant and evocative choral works with a theme of reconciliation and remembrance set to iconic texts by John McCrae and Rupert Brooke.Alan Smith was born in London in 1962 and spent his childhood in Croydon. He sang with various local choirs and attended the nearby Royal School of Church Music where he began organ lessons with Michael Fleming at the age of ten. He was appointed as Organist and Choirmaster of a local church at the age of 16 and later became Organ Scholar at Kings' College London where he studied from 1981 to 1984. As part of his music degree he specialized in composition studying with Nicola LeFanu David Lumsdaine and George Nicholson.Following postgraduate training at the London Institute of Education Alan began his teaching career. After working in various schools he became Head of Music at Hazelwick School Crawley in 1990 a post he continues to hold. In the same year he came to some prominence by winning the RSCM's annual composing competition. His successful entry Let the Peoples Praise You became his first published piece and continues to be widely performed. Since then his choral compositions have won several awards most recently the Thornesian Prize in 2003 and an honorable mention in the 2004 Vanguard Premieres Competition.Alan's output is predominantly of choral and vocal music much of it written for specific choirs or occasions and his catalogue runs to over 150 works. In the UK his music is published by Animus Curiad Cantiones Press Escorial Edition Fagus Music and RSCM while in America he is published by Abingdon Press CanticaNOVA OUP Pavane and Roger Dean.Since 1998 Alan has been Director of Music at St Andrew's church in Burgess Hill West Sussex where he lives with his wife and three children.
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Symphony #2
Choral SATB
SATB, Piano
Universal Edition
Over the years, the need for a new edition of Mahler's Symphony #2 became appare...
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Over the years, the need for a new edition of Mahler's Symphony #2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerizationalso ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony #2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors have been corrected. (Reinhold Kubik, taken from the preliminary note) Oh believe, my heart, oh believe:Nothing is lost with thee!Thine is what thou hast desired,What thou hast loved, what thou hast fought for!(Gustav Mahler in the Finale of Symphony #2) / Choeur Mixte (SATB) Et Piano
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Canons I (HINDEMITH PAUL)
Choral SATB
SATB A Cappella
Schott
Par HINDEMITH PAUL. These canons now published for the first time document Hinde...
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Par HINDEMITH PAUL. These canons now published for the first time document Hindemith's fondness of composing little parodistic works with a wink on certain occasions. More than 30 artistic postcard-sized works were written by the composer. In strict counterpoint, he used them to convey season's greetings, congratulations on birthdays and anniversaries, and thanks to friends, colleagues and cultural institutions. Some of these witty and entertaining pieces have been released on recordings several times, but they have not been available in printed editions yet. Our first edition now enables every choir and every small singing group to find a canon of the appropriate level of difficulty and perform it on many occasions with great success with the audience./ Répertoire / Choeur a Cappella
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Blandet Kor Antologi: Innlit - Choral Anthology: SATB: Vocal Score
Choral SATB
[Vocal Score]
Wilhelm Hansen
Faroese poems set to music by Peter Bruun Martin Ødegaard Hugi Gudmundsson ...
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Faroese poems set to music by Peter Bruun Martin Ødegaard Hugi Gudmundsson Svend Hvidtfelt Nielsen Britta Byström Gavin Bryars and Alwynne Pritchard. Preface: The Faroese word 'Innlit' has many meanings such as insight enlightenment perspective and understanding. It symbolises what this project is about. Since it's creation in 1998 commissioning of new vocal music has been one of the main objectives for the vocal ensemble MPIRI. We wanted to actively contribute to the Faroese repertoire of vocal sheet music and until now MPIRI has commissioned more than 50 musical pieces. Before this project however only from Faroesecomposers. With 'Innlit' we wanted an external perspective and put together a collection of poems by Faroese writers all written in the new millennium. In 2011 together with Edition Wilhelm Hansen we invited selected composers from the Nordic region and Britain to compose music using these texts and the result is a CD together with this corresponding book of sheet music published by Edition Wilhelm Hansen. A more poetic translation of the word 'innlit' is 'the colour of what is inside'. We hope that this music can help reflect the colour of Faroese culture.
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Witness: SATB: Vocal Score
Choral SATB
[Vocal Score]
Gentry Publications
Witness was first released in an a cappella setting for 8-part mixed voices and...
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Witness was first released in an a cappella setting for 8-part mixed voices and within months had sold over 30 000 copies. The following year it topped 50 000 and continued to climb. Today it remains a top seller and an industry standard. Veteran arranger Dick Bolks has masterfully revoiced and edited Mr. Halloran's setting into a solid SATB edition with optional accompaniment. Suddenly one of the best chorals from the 20th century is available to smaller sized choirs...and Mr. Halloran's integrity remains thoroughly intact. Thanks Dick. Available: SATB accompanied SATB divisi a cappella.
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Pacific Dreams (DE HAAN JACOB)
Choral SATB
[Score and Parts]
-
Intermediate
De Haske Publications
Par DE HAAN JACOB. Pacific Dreams describes the experience of Miguel, a travelin...
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Par DE HAAN JACOB. Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting 'Pacific Dreams' Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir. With these ideas and his newly purchased print of 'Pacific Dreams', he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific. Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti. Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his 'Pacific Dreams'. Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney. / Niveau : 3 / Répertoire / SATB
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Novello Choral Pops : Sixties Hits
Choral SATB
SATB, Piano
Novello & Co Ltd.
The Mamas and The Papas' hymn to the West Coast state California Dreamin ' was a...
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The Mamas and The Papas' hymn to the West Coast state California Dreamin ' was actually written in chilly New York City by John and Michelle Phillips before they even formed the band that made them famous. Simon and Garfunkel were New York through and through and Simon's jaunty song about the Queensboro Bridge - aka Feelin' Groovy - uses its local colloquial name. Skeeter Davis, born Mary Frances Penick, was the survivor of a car crash that killed her singing partner Betty Jack Davis. They had enjoyed some success as The Davis Sisters but The End Of The World was the biggest hit of Skeeter's subsequent solo career. In My Room saw The Beach Boys moving indoors from all that sun and sand and recording one of their most reflective and lovely songs. Meanwhile the British invasion was threatening the pop status quo in America and Can't Buy Me Love , from the film Hard Day's Night, gave The Beatles yet another number one in the US charts. Novello Choral Pops: Sixties Hits contains these five decade-defining hits, newly arranged for SATB Choir with Piano accompaniment. / Choeur Mixte (SATB) Et Piano
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Novello Choral Pops: Sixties Hits: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
The Mamas & The Papas’ hymn to the West Coast state California Dreaminâ...
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The Mamas & The Papas’ hymn to the West Coast state California Dreamin’ was actually written in chilly New York City by John and Michelle Phillips before they even formed the band that made them famous.Simon & Garfunkel were New York through and through and Simon’s jaunty song about the Queensboro Bridge — aka Feelin’ Groovy — uses its local colloquial name. Skeeter Davis born Mary Frances Penick was the survivor of a car crash that killed her singing partner Betty Jack Davis. They had enjoyed some success as The Davis Sisters but The End Of The World was the biggest hit of Skeeter’s subsequent solo career.In My Roomsaw The Beach Boys moving indoors from all that sun and sand and recording one of their most reflective and lovely songs. Meanwhile the British invasion was threatening the pop status quo in America and Can’t Buy Me Love from the film Hard Day’s Night gave The Beatles yet another number one in the US charts.Novello Choral Pops: Sixties Hits contains these five decade-defining hits newly arranged for SATB Choir with Piano accompaniment.
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Polyphonies Latino-Américaines Vol.3
Français
Choral SATB
SATB A Cappella
[Sheet music]
A Coeur Joie
11 polyphonies d'Argentine, de Bolivie, du Brésil, du Pérou et des Caraïbes C...
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11 polyphonies d'Argentine, de Bolivie, du Brésil, du Pérou et des Caraïbes Ces polyphonies appartiennent à quelques genres musicaux qui n'étaient pas représentés dans les volumes 1 et 2 : kaluyo (Bolivie), tonada, tango (avec texte), chacarera (Argentine), valse (Pérou), rumba (Caraïbes).Les deux premières oeuvres de ce recueil sont des canons de grande vitalité rythmique, à cinq et trois voix. Dulce Jesus Mío (Mon Doux Jésus) est l'un des très rares exemples d'oeuvre polyphonique a cappella des Archives de Chiquitos (XVIIe-XVIIIe s., Concepción, Bolivie) - oeuvre religieuse, elle fut certainement écrite par un indien (élève des maîtres jésuites) et elle possède un texte autant en espagnol qu'en chiquitano (dialecte commun aux diverses ethnies qui vécurent ensemble dans les Missions des Jésuites). Les autres oeuvres de cette sélection sont d'origine populaire, avec des textes en espagnol ou en portugais, mis à part Verano Porteño (Eté à Buenos Aires), tango d'Astor Piazzolla composé d'onomatopées. / Choeur Mixte / 48 pages / Partition
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The Novello Book Of British Folksongs
Choral SATB
SATB, Piano
Novello & Co Ltd.
The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable col...
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The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano
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Alexander L'Estrange: Rain: SATB: Vocal Score
Choral SATB
Faber Music Limited
Commissioned by Sospiri for their CD A Multitude of Voices this evocative setti...
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Commissioned by Sospiri for their CD A Multitude of Voices this evocative setting of Edward Thomas’s 1916 poem showcases Alexander L’Estrange’s unique choral voice at its best. Combining classic choral textures flavours of jazz harmony and moments of rhythmic suspense Alexander has crafted a beautiful bitter-sweet work that perfectly complements the wistful nature of this moving text. An ideal choice for services and concerts of remembrance.Features a baritone (or tenor) solo. Faber Music's exciting Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a richdiversity of living composers offering a thrilling array of varied styles.
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Alan Bullard: Oxford Book Of Flexible Carols: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
The Oxford Book of Flexible Carols is the perfect resource for choirs of all typ...
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The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range of accessible quality material this is a must-have collection for all choirs at Christmas. 56 flexibly scored carols Suitable for mixed choirs upper-voice choirs choirs with few men unison choirs small choirs and all other groups New flexible arrangements of traditional carols and modern favourites Brandnew carols written specially for the collection Variety of composers including Kerry Andrew Malcolm Archer Alan Bullard Bob Chilcott Stephen Cleobury Cecilia McDowall John Rutter Mack Wilberg and David Willcocks Wide range of material from Medieval to the present day and including wassails gallery carols world carols and spirituals Accessible keyboard accompaniments suitable for Organ (with or without pedals) or Piano
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Zoltán Kodály: Újesztend?t köszönt?: SATB: Vocal Score
Choral SATB
[Vocal Score]
EMB (Editio Musica Budapest)
A Christmas Carol (Hungarian folksong)-The piece was written originally for equa...
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A Christmas Carol (Hungarian folksong)-The piece was written originally for equal voice choir in 1929. A mixed-choir adaptation was made in 1961 at the request of Oxford University Press. This appeared in print in the same year with an English text under the title A Christmas Carol in a collection of Christmas songs as well as in a separate print. The musical material of the mixed-choir version largely follows the original. There is one essential difference in verse 5 beginning at bar 35 (Babe all holy) where the tenor solo appears with a delightful eight-bar countermelody not found in the original. Since this version only appeared in Kodály's lifetime with an English text this has been retained but we havealso provided the original Hungarian text upon which the equal voice version is based. Zoltán Kodály's complete choral works for mixed voices were published in a new extended edition in 2018 (Z. 6725 and Z. 6725A). This volume containing 51 compositions has been edited by the renowned conductor Péter Erdei one of the most devoted interpreters of Kodály's choral works. The new edition takes into consideration the manuscript sources for the compositions housed in the Kodály Archives in Budapest. The publication features new easily-legible music scores edited on uniform principles. For better readability the new edition is printed in a slightly larger format than previous editions.The present publication is an offprint from the renewed edition of Kodály's complete choral works for mixed voices. It has the same format as the volume and has been printed on excellent-quality pale-yellow paper.
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Morten Lauridsen: Ubi caritas et amor.: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Faber Music Limited
Ubi Caritas Et Amor by Morten Lauridson was composed in 1999 for unaccompani...
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Ubi Caritas Et Amor by Morten Lauridson was composed in 1999 for unaccompanied mixed voices and was commissioned by Loyola Marymount University to celebrate the life of choral director and scholar Father Richard Trame. A setting of an antiphon for Maundy Thursday Morten Lauridsen subtly adapts the plainchant melody adorning it with contrapuntal elaborations. This piece is from Faber's Choral Signature Series which introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. the series draws in a rich diversity of living composersand includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.
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Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
Choral SATB
SATB, Organ
Novello & Co Ltd.
Sing, Choirs! is a library in miniature. It contains many of the Christian churc...
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Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue
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Jeremy Thurlow: Of Noblest Cities (Novello New Choral Series): SATB: Vocal Score
Choral SATB
SSATBB, Organ
[Vocal Score]
Novello & Co Ltd.
Of Noblest Cities is intended for a choir of between 12 and about 40 voices alt...
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Of Noblest Cities is intended for a choir of between 12 and about 40 voices although it may also be given by just six singers one to a part (SSATBB). The piece can be performed unaccompanied if no suitable organ is available simply by leaving approximately two crotchet beats of silence between the end of the last note of one verse and the beginning of the next.Underlying the melody is a simple rhythm which is sometimes expanded or contracted. In the first verse the position of the main beats in this rhythm is made clear by the barlines. In the remaining verses however the barlines are only there to help the singers to keep together and forconvenience in rehearsal: singers should observe their own strong beats which fall in different places for each part and not regard the barlines as indicating downbeats. A few of the strong beats which underlie individual parts and appear to be contradicted by the barlines are marked by the symbol / .The words are a beautiful Victorian translation of a Latin hymn by Prudentius which meditates on the story of the three wise men. Each verse is set to the same melody in an increasingly rich counterpoint inspired by the wonderful sound of Tudor choral polyphony.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. Jeremy Thurlow is a composer writer and pianist. His music has been described as ‘seductive innovative full of freshness’ by Henri Dutilleux. It has been performed by the BBC Philharmonic the Fitzwilliam String Quartet Rolf Hind the BBC Singers Endymion Carmen Elektra Peter Sheppard Skaerved Matthew Schellhorn and Sequitur (New York) among others. In 2007 he won the George Butterworth Award for new composition. As a musicologist he writes on French music in
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Christmas Time Is Here (Choral Medley): SATB: Score
Choral SATB
Hal Leonard
Celebrate the special sentiments of the season in this 30-minute medley arranged...
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Celebrate the special sentiments of the season in this 30-minute medley arranged by Mac Huff with staging suggestions by John Jacobson. Featuring some of the best-known Christmas songs each section stands on its own allowing you to perform the entire medley or create your own unique holiday showcase. I.Christmas Time Is Here: Christmas Time Is Here Silver Bells II. Everyone's a Child at Christmas: Deck the Hall The Christmas Waltz Everyone's a Child at Christmas My Birthday Comes on Christmas I'm Getting Nuttin' for Christmas It's Beginning to Look a Lot like Christmas. III. The White World of Winter: We're Going on a Sleigh Ride Wonderful World of Winter IV. Merry ChristmasDarling: Merry Christmas Darling I'll Be Home for Christmas V. Sing a Christmas Carol: Sing a Christmas Carol Up on the Housetop O Tannenbaum We Wish You a Merry Christmas VI. North Pole Live: Little Saint Nick Frosty the Snowman Rudolph the Red-Nosed Reindeer Santa Baby VII. Christmas Children: Christmas Children Because It's Christmas VII. Christmas Time Is Here - Bows: Christmas Time Is Here. Available separately: SATB SAB 2-Part Preview CD and ShowTrax CD. Performance Time: Approx. 31:30.
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5 Motets: Eternitie - Vain Wits And Eyes - A Hymn To God The Father - The Search - A Song (RUBBRA EDMUND)
Choral SATB
[Sheet music]
Stainer and Bell
Eternitie: Vain Wits and Eyes: A Hymn To God The Father: The Search: A Song. Par...
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Eternitie: Vain Wits and Eyes: A Hymn To God The Father: The Search: A Song. Par RUBBRA EDMUND. / Répertoire / SATB
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