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MARCHING BAND
Concert band
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Piano solo (24254)
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Piano, Voice (8535)
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Organ (3164)
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Easy Piano (1414)
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Saxophone (1145)
Keyboard (1111)
Lyrics and Chords (1105)
Trombone (1090)
Clarinet and Piano (1060)
Cello, Piano (1059)
Melody line, (Lyrics) and Chor… (985)
Accordion (932)
Viola (918)
Guitare (806)
Trumpet, Piano (790)
High voice, Piano (762)
Recorder (753)
Piano Trio: piano, violin, cel… (733)
Tenor Saxophone (726)
French horn (720)
Choral SSAA (712)
All Instruments (703)
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Banjo (597)
Wind ensemble (551)
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Mandolin (511)
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Descant (Soprano) Recorder (337)
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Chant (330)
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French Horn and Piano (303)
CD (299)
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Woodwind Quintet: flute, oboe,… (284)
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Bassoon (239)
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Musical Awakening (228)
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Piano Quintet: piano, 2 violin… (221)
Choral SSAATTBB (220)
Piano Accompaniment (218)
Choral SSATB (216)
Flûte Traversière, Clarinett… (212)
Saxophone and Piano (200)
String Quintet: 2 violins, vio… (191)
2 Clarinets (duet) (191)
Hautbois, Basson et Piano ou O… (184)
B Flat, E Flat and C Instrumen… (184)
Treble (Alto) Recorder (183)
Parties Orchestrales (182)
Dulcimer (181)
Mezzo-Soprano voice, Piano (180)
Harpsichord (174)
2 Saxophones (duet) (174)
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2 Cellos (duet) (174)
Trompette ou Cornet, Trombone … (168)
Eb Instruments (165)
5 Part Ensemble (162)
Violin, Cello (duet) (152)
School Ensemble (152)
Double bass, Piano (duet) (150)
Recorder Ensemble (150)
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String Quartet : 4 violas (143)
Guitare et Musique de Chambre (142)
4 Guitars (Quartet) (141)
Band Scores (139)
Quintette à Cordes (139)
Guitar, String Quartet (138)
:: (138)
2 Recorders (duet) (137)
DVD concert (130)
Cello, String Bass (duet) (128)
String Trio: 3 violins (126)
Cello, Orchestra (125)
Big band (125)
Percussion Ensemble (125)
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Educatif (123)
Flute Trio: 3 flutes (118)
Recorder Quartet (116)
Flute Quartet: 4 flutes (116)
Soprano voice (115)
ENS::Ensemble (113)
Ensemble Mixte (113)
Children choir, Piano (112)
Flexible Instrumentation (112)
Violin, Viola (duet) (110)
Ensemble A 4 Parties (110)
Pocket, Study conductor (109)
Snare drums (109)
Partie Séparée (108)
Choral CD (107)
Accessoire (106)
Exemplaire Complet (104)
Partition de Poche (104)
Tenor Saxophone and Piano (103)
2 Flutes, Piano (100)
Parties Supplémentaires (99)
Saxophone Ténor et Piano (98)
Concert band, Choral (97)
Nursery rhyme (97)
Ensemble (97)
Pennywhistle (96)
Choeur SAM (96)
Clarinet Ensemble (93)
Solistes SATB, Choeur SATB, 2 … (90)
Flute ensemble (90)
Big Note Piano (90)
Euphonium (89)
3 Guitars (trio) (89)
Mezzo-Soprano voice (87)
Trio avec Piano (86)
String Quintet: 2 violins, vio… (86)
2 Trumpets (duet) (85)
Concert Band/Harmonie (84)
Guitar Ensemble (84)
Descent (Soprano) Recorder, Pi… (83)
Flute, Clarinet (duet) (81)
Recorder, Piano (81)
Brass Quartet: 4 trombones (81)
Bass Clef Instruments (80)
Trio à Cordes (80)
Saxhorn and Piano (77)
Flûte Traversière, Hautbois,… (76)
Cornet and Piano (76)
Livret (75)
String quartet: 4 violins (75)
Soprano voice, Orchestra (75)
Low voice (74)
English horn, Piano (72)
Violin, Guitar (duet) (72)
Dobro (70)
Harp, Flute (duet) (70)
Piano, Guitar (Chords) (70)
Vocal duet, Piano (69)
3 Recorders (trio) (69)
Choral SSATTB (68)
Partition D'Orchestre (68)
Oboe, Violin, Viola and Violon… (68)
Vibraphone (67)
Marimba (67)
Euphonium, Piano (duet) (67)
Guitare Electrique (66)
High voice (65)
Tenor voice (64)
Quatuor (64)
String Trio: 3 cellos (63)
Baritone voice (63)
Musical dictation (62)
2 Trombones (duet) (62)
Voix Mixtes (62)
Flute, Orchestra (62)
Violon 1 (6 parts) Violon 2 (6… (60)
Quintette de Cuivres (60)
Trompette Sib 1 Cor en Fa 1 Tr… (60)
Choeur SATB, 2 Flûtes Travers… (60)
Cor en Fa (60)
Trompette, Trombone et Piano (60)
2 Tubas et Piano (60)
2 Euphoniums et Piano (60)
4 Parties Mixtes (60)
Conga (60)
Soli (SATB), Choeur Mixte (SAT… (59)
2 Violons, Alto, Violoncelle E… (59)
Treble (Alto) Recorder, Piano (58)
Choeur de Femmes (58)
Piano, Guitar (duet) (57)
Stationery (57)
Trombone or Euphonium (56)
2 Violins, Piano (56)
Brass Quartet: 2 trumpets, hor… (55)
String Trio: 2 violins, viola (55)
3 Saxophones (trio) (55)
Voix Et Instruments Divers (55)
5 Part Ensemble (Clavier, Guit… (54)
Percussions (54)
Choeur d'Enfants, Solistes, In… (54)
Piano Quintet: piano, violin, … (54)
Voice and Orchestra (53)
3 Cornets (53)
2 Violas (duet) (53)
Accordion, String(s) (53)
Flûte Traversière, Clarinett… (52)
Choeur SATB, (4 Instruments, C… (52)
Oboe, Bassoon (duet) (52)
Trompette ou Cornet, Euphonium… (52)
Scores (52)
A Cappella (52)
Flute, Oboe, Clarinet, Bassoon… (51)
Solistes SATB, Choeur SSATTB, … (50)
Soli and Orchestra (50)
2 Trompettes ou Cornets et Cor… (50)
Clavecin (50)
Fanfare Band (50)
Solistes SATB, Choeur SATB, 2 … (50)
Saxophone Baryton (49)
Clarinet, Orchestra (49)
1 Piano, 6 hands (49)
3 Clarinets (trio) (49)
Chorale (49)
Cor, 4 Trompettes, 4 Trombones… (48)
Flute and String Quartet (48)
Choral, Orchestra (48)
Lap Steel Guitar (48)
Chant et Guitare (48)
Bass Clarinet (47)
Timpani (47)
Petit Ensemble Contemporain (47)
Solistes SATB, Choeur SATB, 2 … (46)
Flute, Basso continuo (46)
Cajon (46)
Voix et Orchestre (46)
2 Cornets, Cor en Mib et Tuba (45)
Solistes SATB, Choeur SATB, 2 … (45)
2 Violons, Alto, Violoncelle e… (44)
Orchestre de Chambre (Flûte … (44)
2 Trompettes Sib 1 Cor en Fa 1… (44)
Hautbois 1 Clarinette en Sib 1… (44)
Symphonic Band (44)
2 Trumpets, Keyboard (piano or… (44)
Organ, Trumpet (duet) (44)
Treble (Alto) Recorder, Basso … (44)
Saxophone ensemble (44)
Soprano (44)
Violin, Basso continuo (44)
Solistes SSATTB, Choeur SATB, … (43)
Batterie et Percussions (43)
Trio (42)
Trumpet, Trombone (duet) (42)
Clarinet, Cello, Piano (trio) (42)
Voice, String Quartet (41)
Flute and Strings Trio (41)
2 Cellos, Piano (41)
3 Flûtes Traversières et Pia… (41)
4 Instruments à Cordes (4 Boi… (40)
Ensemble Instrumental et Petit… (40)
Orgue, 2 Flûtes Traversières… (40)
Clarinette et Quatuor à Corde… (40)
Solistes SATB, Choeur SATB, Fl… (39)
Trio A Cordes (39)
Harpsichord and Strings (39)
Handbells (39)
Xylophone or Marimba or Vibrap… (39)
Cornet (39)
2 Cornets et Piano ou Orgue (38)
Choeur SSATB, 2 Flûtes Traver… (37)
Ensemble A 4 Parties (Clavier,… (37)
Flute, Cello, Piano (trio) (37)
Trompette ou Bugle ou Cornet o… (37)
Matériel D'Orchestre (37)
Bass Trombone and Piano (37)
Livres (36)
Trompette, Hautbois D'Amour, V… (36)
3 Euphoniums et Piano ou Clavi… (36)
Saxhorn en Sib Basse Continue (36)
4 Cellos (36)
Djembe (36)
Clarinette, Violoncelle et Pia… (36)
Saxophone Quintet: 5 Saxophone… (36)
Autoharp (36)
4 Euphoniums (35)
2 Hautbois, Cor Anglais et Bas… (35)
Violon, Violoncelle et Alto (35)
Violin, Clarinet, Piano (trio)… (35)
Solistes SATB, Choeur SATB, Fl… (35)
Quintette à vent (35)
Chamber Music (35)
Quintette avec Piano (35)
Concert Band ou Harmonie et Ba… (35)
3 Trombones (trio) (35)
Brass Quartet: 2 trumpets, 2 t… (34)
Choeur SATTB et Basse Continue… (34)
2 Hautbois, 2 Violons, Alto, V… (33)
String trio (33)
Choeur SATTB (33)
Soprano Saxophone (33)
Solistes ST, Choeur SATB, Flû… (32)
2 Hautbois, 2 Clarinettes, Tim… (32)
2 Flûtes Traversières ou 2 F… (32)
Flûte Traversièreou Piccolo,… (32)
Clarinet, Violin, Cello, Piano… (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Trompette et Quatuor à Cordes… (32)
2 Clarinets, Piano (32)
Horn Ensemble (32)
Choeur d'Enfants (32)
Choeur SS (B) ou SA (B), 2 Vio… (31)
DVD Opera and Ballets (31)
Guitare Tablatures Flatpick et… (31)
Tuba Solo (30)
Woodwind Quintet (30)
Saxophone Soprano, Saxophone A… (30)
2 Violons, 2 Altos et 2 Violon… (30)
2 Euphoniums et Piano ou Orgue… (30)
Lute (30)
2 Saxophones, Piano (30)
Voice, Organ (30)
Orchestre Scolaire (29)
Solistes SST, Choeur SSAATB, 2… (29)
Quintette (29)
Solistes SBar, Choeur SATB, 2 … (29)
Horn and Orchestra (29)
Medium Voice (29)
Soprano Saxophone and Piano (29)
Clavier Electronique et Ligne … (29)
Choeur Mixte et Orchestre (29)
Saxhorn or Euphonium (29)
3 Clarinettes en Sib et Clarin… (29)
Guitare Flatpick et Plectre (28)
Flûte à Bec F1, C1, 2 Violon… (28)
Solo Flûte à Bec F1, 2 Violo… (28)
Flûte 1 Hautbois 1 Clarinette… (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Lyrics only (28)
2 Choeurs Mixtes (SATB Et SATB… (27)
Clarinet and Strings (27)
Choeur SATB et Basse Continue (27)
Solistes STTBB, Choeur SATB, 2… (27)
Solistes SATB, Choeur SATB, 2 … (27)
Ocarina (27)
Electric bass, Drums (27)
Violon, Cordes Et Basse Contin… (27)
Trumpet, Orchestra (27)
Percussions Diverses (27)
Accordion - Piano, Voice, Guit… (27)
Chanson (27)
Solistes SST, Choeur SATB, 2 F… (26)
Solistes STBar, Choeur SATB, 2… (26)
Piccolo, Piano (26)
Cor en Mib (26)
Ensemble à Cordes (26)
Trombone en Sib (26)
Baritone Saxophone (26)
Solistes SATB, Choeur SATB/SAT… (25)
Baritone Ukulele (25)
Percussion, Piano (duet) (25)
Voix Seule (25)
Trombone en Sib Basse Continue… (25)
2 Trombones, Piano (25)
Cello, Guitar (duet) (25)
Soprano, Piano (25)
Hautbois et Quatuor à Cordes (24)
2 Clarinettes, 2 Violons, Orgu… (24)
Hautbois, Flûte à Bec F1 ou … (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
2 Hautbois, 3 Trompettes, Timb… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinet… (24)
Quartette Pour Flûtes à Bec … (24)
Flûte Traversière, Hautbois,… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Violon, Alto, Violoncelle et C… (24)
Flûte à Bec F2, 2 Violons et… (24)
2 Violons, 2 Altos, Violon ou … (24)
Clarinette ou Trompette ou Vio… (24)
2 Violons, Alto, Violoncelle e… (24)
3 Tubas (24)
Solistes SATBB, Choeur SATB, 2… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Guitare (Fingerpick) (24)
Flûte à Bec F1, Violon et Ba… (24)
Flûte à Bec, Guitare et Musi… (24)
Quatuor à vent (24)
Guitar Tab, Voice, Bass, Drum (24)
Flute, Piano Trio (bass, drum,… (24)
Brass Quartet: 4 trumpets (24)
2 Oboes, Piano (24)
Oboe and Orchestra (24)
Choeur SAT (23)
2 Cornets et 2 Tubas (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Hautbois, 2 Flûtes Traversiè… (23)
Oeuvres Théâtrales/Oratorios… (23)
Choeur SATB/SATB, (8 Instrumen… (23)
Solistes SAB, Choeur SATB, 3 F… (23)
Viola, Cello (duet) (23)
Ensemble Moyen Contemporain (23)
Bongos (23)
Choeur SSATTB et Basse Continu… (23)
Solistes SATB, Choeur SATB, Ha… (22)
Orchestre: Choeur TTBB, 2 Flû… (22)
Solistes SAT, Choeur SATB, 2 F… (22)
Cello Ensemble (22)
Choeur SATB, 2 Hautbois, 2 Cla… (22)
Livre Musical (22)
Quatuor De Cuivres Et Orgue (22)
Bagpipe (22)
Clavecin Et Instruments A Cord… (21)
Saxhorn en Sib (21)
Violon, Ensembles de Cordes et… (21)
Solistes SATB, Choeur SATB/SAT… (21)
2 Violins and Basso (21)
Libretto (21)
2 Bassoons (duet) (21)
Ukulélé Soprano (21)
Carte Postale (21)
Organ, Piano (duet) (21)
Voix et CD Playback (21)
Violoncello, Basso continuo (21)
Flûte Traversière ou Violon)… (20)
Solistes STB (SB/TB/SATB), Cho… (20)
Choeur d'Enfants à 1 à 3 Par… (20)
2 Violons, Alto et Basse Conti… (20)
Clarinette, Violon, Alto et Co… (20)
2 English horns and Pianoforte… (20)
2 Violons, Alto et Violoncelle… (20)
2 Violons ou 2 Hautbois, Alto,… (20)
Violin, Organ (20)
Pop music (20)
Ensembles de Cordes et Piano (20)
Variétés françaises (20)
Choeur De Femmes (SS) Et Piano… (20)
Choeur SSATB et Basse Continue… (20)
Clavier ou Orgue Electronique (20)
Piano Trio: Violin, Viola, Pia… (20)
Choeur d'Enfants SSA, Récitan… (20)
Descant (Soprano) Recorder, Ba… (20)
2 Oboes and English horn (20)
Choeur Mixte a Cappella (20)
Viola and orchestra (20)
Trio ou Quatuor à Cordes (20)
Xylophone (20)
2 French horns, Piano (20)
Accordéon et Orchestre (20)
Choeur de Femmes (SSA) et Pian… (20)
Drum set and Piano (20)
Choral, Organ (20)
Instruments Acoustiques (20)
Guitar and Bass Tablatures, Ch… (20)
Choeur SATB, 2 Violons, Alto e… (20)
Petit Choeur SATB, 2 Violons, … (19)
Solistes s TB, Choeur SATB, Pi… (19)
Violoncelle Solo, 2 Flûtes Tr… (19)
Solistes TB, Choeur SATB, 2 Fl… (19)
Concert Band ou Harmonie et Cl… (19)
2 Trompettes, Cordes Et Basse … (19)
Solistes SATB, Choeur SATB, 2 … (19)
2 Bassons et Piano (19)
Soli (ATB), Choeur Mixte (SATB… (19)
Trombone Alto et Piano (19)
Choral Soprano solo, SATB, Key… (19)
2 Trompettes ou Cornets et Tub… (19)
Choeur Mixte, Soprano et Orche… (19)
Choeur SATB, 2 Violons, 2 Alto… (18)
Cello, Organ (18)
Gemischter Chor (SATB) und Orc… (18)
4 Bassoons (18)
Orchestre: Choeur SSAA, 2 Flû… (18)
Flute, Clarinet, Piano (trio) (18)
Oboe and String quartet (18)
3 Trompettes, 3 Trombones et T… (18)
Choeur SATB/SATB, (Basse Conti… (18)
Solo S, 2 Violons et Basse Con… (18)
Soli (SAB), Choeur Mixte (SATB… (18)
Orchestre: Choeur SATB, 2 Haut… (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
Saxophone and Orchestra (18)
Vocal duet (18)
2 Trombones Basse et Piano (18)
Brass ensemble, Organ (18)
Cornet en Mib et Piano (18)
Bass Clarinet, Piano (18)
Guitar, Orchestra (18)
Choeur d'Enfants à 2 Parties … (18)
Bassoon, Orchestra (18)
2 Saxophones Ténor et Piano (18)
Solo instrument and Organ (18)
Cornet en Mib (18)
2 Cornets et Piano (18)
Piccolo (18)
Trumpet ensemble (18)
Tenor Banjo (18)
2 Cors en Mib et Piano (18)
Solo S, 2 Flûtes Traversière… (17)
2 Flûtes Traversières, 2 Cla… (17)
Solistes STB, Choeur SATB, 2 H… (17)
Solo S, Choeur SATB, 2 Flûtes… (17)
Choeur SATB/SATB et Basse Cont… (17)
Solistes SSAATB (SATB), Choeur… (17)
Solistes ATB, Choeur SATB, 3 T… (17)
Solistes ST, Choeur SSAATB, 2 … (17)
Solistes SATB, Choeur SATB/SAT… (17)
Solistes SATB, Choeur SATB, Ba… (17)
Solistes STB, Choeur SATB, 2 H… (17)
Piano, Bass, Drums (trio) (17)
Choeur Mixte (SSATBB) (17)
Recorder, Bass Continuo (17)
Choeur (SATB) et Brass Band (17)
Set de Cordes (17)
Flûte Traversière Violoncell… (17)
Flûte Traversière, Alto et G… (17)
Balalaika (17)
Harmonie (17)
2 Hautbois Et Cor Anglais (17)
Solistes SATB, Choeur SATB, 2 … (17)
Cor Anglais (17)
2 French horns (duet) (17)
Voix Mixtes SAB et Piano (17)
Violin, Horn and Piano (17)
Guitare ou Luth (17)
Guitare Country (17)
Voix et Orff-Instruments (17)
Children choir, Instruments (17)
2 Cornets (16)
Solistes SATB, Choeur SATB, 2 … (16)
Solistes SATB, Choeur SATB, (C… (16)
Solistes STB, Choeur SATB, (2 … (16)
Flûte Traversière Violon, Vi… (16)
Choeur SATBB/SATBB, 4 Trompett… (16)
2 Flûtes Traversières et Vio… (16)
Flûte à Bec F1, Hautbois et … (16)
Piano Quartet: piano, 2 violin… (16)
Solistes SATB, Choeur SATB, 2 … (16)
Solistes SATB, Choeur SATB, 2 … (16)
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Philip Sparke: An English Christmas: Concert Band: Score & Parts
Concert band
[Score and Parts]
Anglo Music
« La plupart des traditions de Noël en Angleterre sont relativement récentes....
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« La plupart des traditions de Noël en Angleterre sont relativement récentes. Montée sur le trône en 1837 la reine Victoria (née de Hanovre) régnera jusqu?à sa mort en 1901. En 1840 elle épousa son cousin le prince Albert de Saxe-Cobourg-Gotha. Leprince consort originaire d?Allemagne importa bon nombre de traditions de Noël allemandes au Royaume-Uni. Ainsi il fit découvrir aux Anglais la coutume du sapin et les cartes de Noël entre autres contribuant largement au Noël typiquement anglaistel que nous le connaissons aujourd?hui.Bien que les chants de Noël font l?objet d?une longue tradition en Angleterre de nombreuses mélodies que nous chantons proviennent ducontinent européen ou des États-Unis. Je savais bien que le célébrissimeSilent Night (Douce nuit) était d?origine autrichienne et que Hark the Herald Angels Sing (Écoutez le chant des Anges) était d?origine allemande. Pourtant quelle ne fut pas ma surprise d?apprendre qu?Away in a Manger (Sur la paillefraîche) ou encore We Three Kings nous venaient des États-Unis et que Ding Dong Merrily on High était un noël d?origine française. Quoiqu?il en soit j?ai réussi à constituer un canevas de mélodies anglaises pour réaliser cefestival de chants de Noël. »Philip SparkeRemarques sur l?interprétation : Cet arrangement est adapté pour une interprétation avec ou sans Ch?ur. S?il est joué par un Orchestre d?Harmonie seul les parties vocales seront doublées par des partiesinstrumentales.Les tempi indiqués correspondent à une interprétation par un Orchestre d?Harmonie seul. Si l??uvre est donnée avec un Ch?ur il est sans doute nécessaire de baisser le tempo en fonction du nombre de choristes et del?acoustique du lieu de concert.Les parties de Ch?ur (en anglais) sont disponibles séparément (Réf. : AMP 227-050).
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Philip Sparke: An English Christmas: Concert Band: Score
Concert band
Anglo Music
« La plupart des traditions de Noël en Angleterre sont relativement récentes....
(+)
« La plupart des traditions de Noël en Angleterre sont relativement récentes. Montée sur le trône en 1837 la reine Victoria (née de Hanovre) régnera jusqu?à sa mort en 1901. En 1840 elle épousa son cousin le prince Albert de Saxe-Cobourg-Gotha. Leprince consort originaire d?Allemagne importa bon nombre de traditions de Noël allemandes au Royaume-Uni. Ainsi il fit découvrir aux Anglais la coutume du sapin et les cartes de Noël entre autres contribuant largement au Noël typiquement anglaistel que nous le connaissons aujourd?hui.Bien que les chants de Noël font l?objet d?une longue tradition en Angleterre de nombreuses mélodies que nous chantons proviennent ducontinent européen ou des États-Unis. Je savais bien que le célébrissimeSilent Night (Douce nuit) était d?origine autrichienne et que Hark the Herald Angels Sing (Écoutez le chant des Anges) était d?origine allemande. Pourtant quelle ne fut pas ma surprise d?apprendre qu?Away in a Manger (Sur la paillefraîche) ou encore We Three Kings nous venaient des États-Unis et que Ding Dong Merrily on High était un noël d?origine française. Quoiqu?il en soit j?ai réussi à constituer un canevas de mélodies anglaises pour réaliser cefestival de chants de Noël. »Philip SparkeRemarques sur l?interprétation : Cet arrangement est adapté pour une interprétation avec ou sans Chœur. S?il est joué par un Orchestre d?Harmonie seul les parties vocales seront doublées par des partiesinstrumentales.Les tempi indiqués correspondent à une interprétation par un Orchestre d?Harmonie seul. Si l?œuvre est donnée avec un Chœur il est sans doute nécessaire de baisser le tempo en fonction du nombre de choristes et del?acoustique du lieu de concert.Les parties de Chœur (en anglais) sont disponibles séparément (Réf. : AMP 227-050).
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William Vean: Animal Kingdom: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
In this composition William Vean takes you on a journey through the fascinating ...
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In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern
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William Vean: Animal Kingdom: Concert Band: Score
Concert band
Gobelin Music Publications
In this composition William Vean takes you on a journey through the fascinating ...
(+)
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern
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Wilco Moerman: Theme Park Fun!: Concert Band: Score
Concert band
Gobelin Music Publications
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your...
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In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition.Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors willbe confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by.Letthe fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challenged to visit a house full of ghosts creepy figures and otherominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy place quickly.Part 3: The Swinging Galleon [withillustrations]What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park but you can not enjoy itfor long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride.Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for the big rides in the park!Part 5: The Bumper Cars[with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourselfas a real driver or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train theover-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [with animation]Unfortunately everything comes to an end. Thisday in the theme park is over but we have a lot new ex
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Wilco Moerman: Theme Park Fun!: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your...
(+)
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition.Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors willbe confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by.Letthe fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challenged to visit a house full of ghosts creepy figures and otherominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy place quickly.Part 3: The Swinging Galleon [withillustrations]What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park but you can not enjoy itfor long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride.Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for the big rides in the park!Part 5: The Bumper Cars[with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourselfas a real driver or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train theover-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [with animation]Unfortunately everything comes to an end. Thisday in the theme park is over but we have a lot new ex
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King Henry VIII: Pastime with Good Company: Concert Band: Score & Parts
Concert band
[Score and Parts]
Anglo Music
The English king Henry VIII (1491-1547) is mainly remembered for disposing of ...
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The English king Henry VIII (1491-1547) is mainly remembered for disposing of his wives on a regular basis and breaking with the Catholic Church when the Pope Clement VII refused to grant him a divorce so he could marry Anne Boleyn. As a young man he was a gifted athlete dancer and composer writing many songs poems and consort pieces (though not Greensleeves as is often believed). Pastime with Good Company is undoubtedly the best-known of these written in the first years of the 16th century while he was still a handsome prince newly married to Catherine of Aragon and the envy of Europe. The lyrics tell of the joys of hunting dancing and singing and would havebeen sung as part of the court entertainment.This arrangement features a quartet of soloists and two solo drummers.
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King Henry VIII: Pastime with Good Company: Concert Band: Score
Concert band
Anglo Music
The English king Henry VIII (1491-1547) is mainly remembered for disposing of ...
(+)
The English king Henry VIII (1491-1547) is mainly remembered for disposing of his wives on a regular basis and breaking with the Catholic Church when the Pope Clement VII refused to grant him a divorce so he could marry Anne Boleyn.As a young man he was a gifted athlete dancer and composer writing many songs poems and consort pieces (though not Greensleeves as is often believed). Pastime with Good Company is undoubtedly the best-known of these written in the first years of the 16th century while he was still a handsome prince newly married to Catherine of Aragon and the envy of Europe. The lyrics tell of the joys of hunting dancing and singing and would have been sungas part of the court entertainment.This arrangement features a quartet of soloists and two solo drummers.
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Bruce Fraser: Durkle Bandrydge Suite: Concert Band: Score
Concert band
Gobelin Music Publications
Durkle Bandrydge is the name of the composers imaginary world but it could very...
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Durkle Bandrydge is the name of the composers imaginary world but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser 8 characters are featured each with its ownpeculiarities making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part all characters come together in a special way.Durkle Bandrydge exists at the end ofyour street. It is invisible to humans but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss who is a giant trollguarding the entrance to Durkle Bandryde. At least he is supposed to but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall mysterious and somehow sophisticated character who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand. Perfydlia is a meddling old woman who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight. Maryann Lovely is a beautiful young lady graceful gorgeous absolutely devine and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het ‘happy go lucky’ approach to life. Marsyn Edginton is the Lord of the manor the richest man in town the‘big cheese’ the man with all the power and of course the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread oatcakes scotch eggs porridge and drinks an enormous amount of Scotch Wisky which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them what is a wonderful sight. If you listen carefully you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle!
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Bruce Fraser: Durkle Bandrydge Suite: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
Durkle Bandrydge is the name of the composers imaginary world but it could very...
(+)
Durkle Bandrydge is the name of the composers imaginary world but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser 8 characters are featured each with its ownpeculiarities making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part all characters come together in a special way.Durkle Bandrydge exists at the end ofyour street. It is invisible to humans but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss who is a giant trollguarding the entrance to Durkle Bandryde. At least he is supposed to but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall mysterious and somehow sophisticated character who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand. Perfydlia is a meddling old woman who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight. Maryann Lovely is a beautiful young lady graceful gorgeous absolutely devine and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het ‘happy go lucky’ approach to life. Marsyn Edginton is the Lord of the manor the richest man in town the‘big cheese’ the man with all the power and of course the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread oatcakes scotch eggs porridge and drinks an enormous amount of Scotch Wisky which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them what is a wonderful sight. If you listen carefully you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle!
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Si Young C/B Ensemble Development Cond
Concert band
Alfred Publishing
Sound Innovations: Ensemble Development for Young Concert Band is a complete cur...
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Sound Innovations: Ensemble Development for Young Concert Band is a complete curriculum for beginning band students to help them grow as ensemble musicians. The series complements any band method and supplements any performance music. It contains 167 exercises, including more than 100 chorales by some of today's most renowned young band composers. Various exercises at the grade 1/2, 1, and 1 1/2 levels are grouped by key, including: * Long Tones* Passing the Tonic* Pitch Matching* Scale Builders* Interval Builders* Expanding Intervals* Chord Builders* Moving Chord Tones* Diatonic Harmony* Rhythmic Subdivision* 5-Note Scales* Scale Canons (5-, 6-, or 8-Note Scales)* Scale Chorales (5-, 6-, and 8-Note Scales) * ChoralesThe compositions were written by Roland Barrett, Chris Bernotas, Jodie Blackshaw, Matt Conaway, Ralph Ford, Tyler S. Grant, Rob Grice, John O'Reilly, Robert Sheldon, Todd Stalter, Randall Standridge, Michael Story, and Scott Watson. Whether your students are progressing through exercises to better their technical facility, or improving their musicianship with beautiful chorales, we are confident your performers will be excited, motivated, and inspired by using Sound Innovations: Ensemble Development for Young Concert Band. / Concert Band
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I Wonder As I Wander - Full Score: String Orchestra: Score
Concert band
[Sheet music]
Schirmer
Score-John Jacob Niles' I Wonder As I Wander arranged for Concert Band.This Chr...
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Score-John Jacob Niles' I Wonder As I Wander arranged for Concert Band.This Christian folk hymn was inspired by a song heard by Niles at a fundraising meeting for evangelicals which heattended in Murphy North Carolina. Niles wrote of the moment he first heard the tune:'A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes wereunbelievable dirty and ragged and she too was unwashed. Her ash-blond hair hung down in long skeins.... But best of all she was beautiful and in her untutored way she could sing. She smiled as she sang smiled rather sadly and sang only a single line of a song'.Niles requested that the girl repeat the fragment seven times paying her a quarter per performance and left with 'three lines of verse a garbled fragment ofmelodic material—and a magnificent idea'. He completed his composition on October 4 1933 and I Wonder As I Wander was first performed on December 19 1933 at the John C. Campbell Folk School in Brasstown North Carolina.This beautifully flowing arrangement by Bob Krogstad conjures up an atmosphere of wistful contemplation.
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Angels from the Realms of Glory: Concert Band: Score & Parts
Concert band
[Score and Parts]
De Haske Publications
Les Anges dans nos campagnes-The title of this clever arrangement reveals the Ch...
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Les Anges dans nos campagnes-The title of this clever arrangement reveals the Christmas song it is based on. The melody can be traced back to a French folksong from the 18th century which is now known around the world. In France it is called Les anges dans nos campagnes in Germany it is most widely known as Engel auf den Feldern singen and in England it was originally called Angels From the Realms of Glory but it often known as Angels We Have Heard on High. Everyone will rejoice upon hearing the ‘Gloria in excelsis Deo’ refrain!
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Angels from the Realms of Glory: Concert Band: Score
Concert band
De Haske Publications
Les Anges dans nos campagnes-The title of this clever arrangement reveals the Ch...
(+)
Les Anges dans nos campagnes-The title of this clever arrangement reveals the Christmas song it is based on. The melody can be traced back to a French folksong from the 18th century which is now known around the world. In France it is called Les anges dans nos campagnes in Germany it is most widely known as Engel auf den Feldern singen and in England it was originally called Angels From the Realms of Glory but it often known as Angels We Have Heard on High. Everyone will rejoice upon hearing the ‘Gloria in excelsis Deo’ refrain!
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Auld Lang Syne: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
Whereas ‘Auld Lang Syne’ may be considered the best-known Scottish ...
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Whereas ‘Auld Lang Syne’ may be considered the best-known Scottish song ever yet at the same time it is an obscure one for there are but few people who know the complete text by heart. After the familiar ‘Should auld acquaintance be forgot .....‘ many people take their refuge to lyrics like ‘rum tee dum ta dee ..... lah lah lah ........... for auld lang syne’. Even in Scotland only a handful of persons know the entire text and are able to give a correct rendering of it. The current lyrics have been attributed to the Scottish poet Robert Burns. Burns however he did not write the whole poem : after he had heard an old man sing the centuries-old Scotchballad he wrote it down and added a number of stanzas (1788). Historical research teaches us that the ballad served many purposes both political and religious. Nowadays ‘Auld Lang Syne’ is sung as a Christmas Carol and it is also sung on New Year’s Eve at the turning of the year. Apart from that though the song is also sung on many other occasions – sometimes with different lyrics which usually have Love Friendship and/or Parting as their themes as these go well with the fascinating melody. In this arrangement a low-sounding solo instrument is central. The harmonization in the accompaniment fits in perfectly with the sentiments this song will evoke. Should auld acquaintance be forgot And never brought to mind? Should auld acquintance be forgot. And days of auld lang syne? For auld lang syne my dear For auld lang syne We’ll take a cup of kindness yet For auld lang syne.
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Auld Lang Syne: Concert Band: Score
Concert band
Gobelin Music Publications
Whereas ‘Auld Lang Syne’ may be considered the best-known Scottish ...
(+)
Whereas ‘Auld Lang Syne’ may be considered the best-known Scottish song ever yet at the same time it is an obscure one for there are but few people who know the complete text by heart. After the familiar ‘Should auld acquaintance be forgot .....‘ many people take their refuge to lyrics like ‘rum tee dum ta dee ..... lah lah lah ........... for auld lang syne’. Even in Scotland only a handful of persons know the entire text and are able to give a correct rendering of it. The current lyrics have been attributed to the Scottish poet Robert Burns. Burns however he did not write the whole poem : after he had heard an old man sing the centuries-old Scotchballad he wrote it down and added a number of stanzas (1788). Historical research teaches us that the ballad served many purposes both political and religious. Nowadays ‘Auld Lang Syne’ is sung as a Christmas Carol and it is also sung on New Year’s Eve at the turning of the year. Apart from that though the song is also sung on many other occasions – sometimes with different lyrics which usually have Love Friendship and/or Parting as their themes as these go well with the fascinating melody. In this arrangement a low-sounding solo instrument is central. The harmonization in the accompaniment fits in perfectly with the sentiments this song will evoke. Should auld acquaintance be forgot And never brought to mind? Should auld acquintance be forgot. And days of auld lang syne? For auld lang syne my dear For auld lang syne We’ll take a cup of kindness yet For auld lang syne.
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Auld Lang Syne: Concert Band: Score
Concert band
Gobelin Music Publications
Whereas ‘Auld Lang Syne’ may be considered the best-known Scottish ...
(+)
Whereas ‘Auld Lang Syne’ may be considered the best-known Scottish song ever yet at the same time it is an obscure one for there are but few people who know the complete text by heart. After the familiar ‘Should auld acquaintance be forgot .....‘ many people take their refuge to lyrics like ‘rum tee dum ta dee ..... lah lah lah ........... for auld lang syne’. Even in Scotland only a handful of persons know the entire text and are able to give a correct rendering of it. The current lyrics have been attributed to the Scottish poet Robert Burns. Burns however he did not write the whole poem : after he had heard an old man sing the centuries-old Scotchballad he wrote it down and added a number of stanzas (1788). Historical research teaches us that the ballad served many purposes both political and religious. Nowadays ‘Auld Lang Syne’ is sung as a Christmas Carol and it is also sung on New Year’s Eve at the turning of the year. Apart from that though the song is also sung on many other occasions – sometimes with different lyrics which usually have Love Friendship and/or Parting as their themes as these go well with the fascinating melody. In this arrangement a low-sounding solo instrument is central. The harmonization in the accompaniment fits in perfectly with the sentiments this song will evoke. Should auld acquaintance be forgot And never brought to mind? Should auld acquintance be forgot. And days of auld lang syne? For auld lang syne my dear For auld lang syne We’ll take a cup of kindness yet For auld lang syne.
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Let Us Rejoice!: Concert Band: Score & Parts
Concert band
[Score and Parts]
Anglo Music
Lasst uns erfreuen-La mélodie du cantique Lasst uns erfreuen est connue par tou...
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Lasst uns erfreuen-La mélodie du cantique Lasst uns erfreuen est connue par toutes les communautés chrétiennes. Elle fut publiée pour la première fois dans le recueil Geistliche Kirchengesäng imprimé à Cologne en 1623. La mélodie est attribuée à un compositeur anonyme.Dans les pays anglophones cette mélodie est chantée sur le texte All creatures of our God and King (Vous créatures du Seigneur) inspiré du chant de louange Cantico di fratre sole (Cantique du frère Soleil ou Cantique des créatures) de Saint François d?Assise. Rédigé en 1226 au terme de sa vie il faudra attendre quatre cents ans pour que le cantique de Saint François d?Assise soit publié. Latraduction anglaise a été réalisée par William Henry Draper (1855-1933) à l?occasion d?un grand rassemblement de jeunes pour la Pentecôte à Leeds. L?hymne fut ensuite intégrée dans la seconde édition du recueil Public School Hymn Book (1919).Cet arrangement de Philip Sparke développe trois strophes contrastantes. Let Us Rejoice! est une œuvre de concert à part entière mais peut également servir d?interlude dans le cadre d?une célébration de Pâques ou de Pentecôte.
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Let Us Rejoice!: Concert Band: Score
Concert band
Anglo Music
Lasst uns erfreuen-La mélodie du cantique Lasst uns erfreuen est connue par tou...
(+)
Lasst uns erfreuen-La mélodie du cantique Lasst uns erfreuen est connue par toutes les communautés chrétiennes. Elle fut publiée pour la première fois dans le recueil Geistliche Kirchengesäng imprimé à Cologne en 1623. La mélodie est attribuée à un compositeur anonyme.Dans les pays anglophones cette mélodie est chantée sur le texte All creatures of our God and King (Vous créatures du Seigneur) inspiré du chant de louange Cantico di fratre sole (Cantique du frère Soleil ou Cantique des créatures) de Saint François d?Assise. Rédigé en 1226 au terme de sa vie il faudra attendre quatre cents ans pour que le cantique de Saint François d?Assise soit publié. Latraduction anglaise a été réalisée par William Henry Draper (1855-1933) à l?occasion d?un grand rassemblement de jeunes pour la Pentecôte à Leeds. L?hymne fut ensuite intégrée dans la seconde édition du recueil Public School Hymn Book (1919).Cet arrangement de Philip Sparke développe trois strophes contrastantes. Let Us Rejoice! est une œuvre de concert à part entière mais peut également servir d?interlude dans le cadre d?une célébration de Pâques ou de Pentecôte.
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Away in a Manger: Concert Band: Score
Concert band
Gobelin Music Publications
In English-speaking countries ‘Away in a Manger’ is one of the firs...
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In English-speaking countries ‘Away in a Manger’ is one of the first Christmas songs to be taught to little children. It is a moving song with simple words which makes it easy to understand. The song is also known as ‘Luther’s Cradle Hymn’. This suggests that Martin Luther was the author of the lyrics. According to researchers however this is a misconception – the author is unknown. In England ‘Away in a Manger’ is sung to a different melody than in the USA for example. The ‘English’ melody was composed by W.J. Kirkpatrick. Andrew Mackereth made a touching arrangement of the ‘English’ melody which suits the tender lyrics perfectly.
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Away in a Manger: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
In English-speaking countries ‘Away in a Manger’ is one of the firs...
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In English-speaking countries ‘Away in a Manger’ is one of the first Christmas songs to be taught to little children. It is a moving song with simple words which makes it easy to understand. The song is also known as ‘Luther’s Cradle Hymn’. This suggests that Martin Luther was the author of the lyrics. According to researchers however this is a misconception – the author is unknown. In England ‘Away in a Manger’ is sung to a different melody than in the USA for example. The ‘English’ melody was composed by W.J. Kirkpatrick. Andrew Mackereth made a touching arrangement of the ‘English’ melody which suits the tender lyrics perfectly.
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Away in a Manger: Concert Band: Score & Parts
Concert band
Gobelin Music Publications
In English-speaking countries ‘Away in a Manger’ is one of the firs...
(+)
In English-speaking countries ‘Away in a Manger’ is one of the first Christmas songs to be taught to little children. It is a moving song with simple words which makes it easy to understand. The song is also known as ‘Luther’s Cradle Hymn’. This suggests that Martin Luther was the author of the lyrics. According to researchers however this is a misconception – the author is unknown. In England ‘Away in a Manger’ is sung to a different melody than in the USA for example. The ‘English’ melody was composed by W.J. Kirkpatrick. Andrew Mackereth made a touching arrangement of the ‘English’ melody which suits the tender lyrics perfectly.
47.50 GBP - Sold by Musicroom UK
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Samuel R. Hazo: Voices of the Sky: Concert Band: Score and Parts
Concert band
[Score and Parts]
Hal Leonard
Our sky is never the same from day to day or even hour to hour. It holds the b...
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Our sky is never the same from day to day or even hour to hour. It holds the brightest and darkest things we will ever see and in addition is capable of displaying every imaginable color and mood. Through this expressive work Samuel Hazo has translated the many qualities of the sky into musical moods. The opening section features flowing melodies beautifully developed between soloistic and full ensemble playing. The ???sinister??? fast section features driving rhythms mixed meters and a crescendo that evolves into a powerful setting of the original melody. Sam's sense of timing and emotional pacing is strongly evident in this effective work. Dur: 5:45 (Includes FullPerformance CD)
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Philip Sparke: Looking Up Moving On: Concert Band: Score
Concert band
Anglo Music
Looking Up Moving On est une commande du Tokyo Kosei Wind Orchestra. Cette piè...
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Looking Up Moving On est une commande du Tokyo Kosei Wind Orchestra. Cette pièce faisait partie du programme de la tournée effectuée par l?orchestre en mai 2012 qui s?est produit dans de nombreuses régions dévastées par le tremblement de terre et le tsunami de 2011.La composition a pour thème l?immense capacité humaine à surmonter de telles catastrophes et envisager l?avenir de façon positive. Elle débute justement dans un climat optimiste comportant de vives couleurs orchestrales et des passages syncopés. Les cors et les euphonium introduisent bientôt une fanfare en forme de choral à laquelle répondent des bois pétillants. L?ambiance s?apaise jusqu?à ce qu?unsaxophone alto introduise un court extrait de The Sun Will Rise Again du même compositeur une pièce écrite pour collecter des fonds en faveur des victimes du désastre de 2011. Le climat change hâtivement lorsque les cors introduisent un thème noble par-dessus des fioritures exécutées par les bois. Vient ensuite la principale section vivo de la pièce qui se caractérise encore une fois par des syncopes très marquées dans le cadre d?un thème fleuri assuré dans le registre grave des bois. Cette mélodie fait l?objet de divers développements par tous les pupitres de l?orchestre jusqu?au retour triomphant de la fanfare soutenue par les cuivres. Celle-ci se prolonge pour mener à une coda plus rapide qui rassemble les éléments précédents en contrepoint pour clore la pièce dans un climat optimiste.
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Philip Sparke: The Harbour: Sunday Morning: Concert Band: Score & Parts
Concert band
[Score and Parts]
Anglo Music
The Harbour:Sunday Morningwas commissioned by the Jersey Instrumental Service fo...
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The Harbour:Sunday Morningwas commissioned by the Jersey Instrumental Service for the Jersey Youth Wind Band.The history of the Channel Islands is inextricably linked to the sea and this determined the theme for this composition. The composer is intrigued by man?s fascination with elements of nature (such as the sea mountains deserts and deep space) which are both beautiful and dangerous. Bring the power of the sea to your concert with this truly descriptive piece.
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Philip Sparke: The Harbour: Sunday Morning: Concert Band: Score
Concert band
Anglo Music
The Harbour:Sunday Morningwas commissioned by the Jersey Instrumental Service fo...
(+)
The Harbour:Sunday Morningwas commissioned by the Jersey Instrumental Service for the Jersey Youth Wind Band.The history of the Channel Islands is inextricably linked to the sea and this determined the theme for this composition. The composer is intrigued by man?s fascination with elements of nature (such as the sea mountains deserts and deep space) which are both beautiful and dangerous. Bring the power of the sea to your concert with this truly descriptive piece.
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R. R. Bennett: Autobiography For Pt2 Sc Band: Concert Band: Score
Concert band
[Sheet music]
Schirmer
Score-The suggestion that I write my autobiography was made at a time when anyon...
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Score-The suggestion that I write my autobiography was made at a time when anyone who did not write one risked being called eccentric. It became and still is a major sport among the oldsters. Some of the contemporary books are goodreading indeed. One of the best of them is the result of an enormous research job as is brought out in the introduction to the work. Imagine spending long hours and traveling many miles to find out about oneself: I am sure Iwould be one of the first to be utterly bored by the subject. It was not so easy however to dismiss the whole idea as my friends presented it.The only answer I could think of with any degree of enthusiasm was this one written purely for whatever pleasure it could give. My own part of the pleasure is mostly in utilizing the musical language of the concert band with its apparently inexhaustible colors and its fabulous vitality.The form(if the term has any right being here) is seven short pictures each about two minutes long of my own personal seven ages. The two-minute idea may be the result of the loudspeakers spread all over the hotel in Arizona where thepiece was composed. There was no getting out of ear-shot of those two-minute gems - in the dining rooms around the swimming pools by the putting green everywhere-but I honestly do not believe any of them crept into what I waswriting. I do not believe I paid much more than passing attention to them.Part Two:IV. 1916: Mo. to N.Y.V. 1919: The Merrill MiracleVI. 1926: A Parisian in ParisVII. 1935: What Was theQuestion?The three of my seven ages in Part One took us to the legal end of my youth. Gathering up my unspectacular belongings including my entire fortune of less than two hundred dollars I swooped down on New Yorkfor no more reason than that it was New York and had a street in it called Broadway. The music borrows two or three rhythms from the era but the only note-for-note quote is what the bugler at Camp Funston played every morning
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Philip Sparke: Three English Folk Song Miniatures: Concert Band: Score
Concert band
Anglo Music
Comme beaucoup d?autres pays l?Angleterre jouit d?une longue tradition de chans...
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Comme beaucoup d?autres pays l?Angleterre jouit d?une longue tradition de chansons traditionnelles transmises oralement au _x001C_fil des siècles. Three English Folk Song Miniatures rassemble trois airs populaires (Dance to you Daddy O Waly Waly et Bobby Shafto) prodigieusement arrangés pour orchestre junior ou formation incomplète. Comme dans toutes les publications de degré de diffi_x001F_culté 1 à 1 ½ des éditions Anglo Music les parties des registres ténor et basse peuvent être jouées par diff_x001B_érents instruments ce qui permettra aux orchestres incomplets de toujours produire un son ample et généreux.
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Philip Sparke: Three English Folk Song Miniatures: Concert Band: Score & Parts
Concert band
[Score and Parts]
Anglo Music
Comme beaucoup d?autres pays l?Angleterre jouit d?une longue tradition de chans...
(+)
Comme beaucoup d?autres pays l?Angleterre jouit d?une longue tradition de chansons traditionnelles transmises oralement au _x001C_fil des siècles. Three English Folk Song Miniatures rassemble trois airs populaires (Dance to you Daddy O Waly Waly et Bobby Shafto) prodigieusement arrangés pour orchestre junior ou formation incomplète. Comme dans toutes les publications de degré de diffi_x001F_culté 1 à 1 ½ des éditions Anglo Music les parties des registres ténor et basse peuvent être jouées par diff_x001B_érents instruments ce qui permettra aux orchestres incomplets de toujours produire un son ample et généreux.
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Robert Russell Bennett: Autobiography Part 1: Concert Band: Score
Concert band
[Sheet music]
Schirmer
Score-The suggestion that I write my autobiography was made at a time when anyon...
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Score-The suggestion that I write my autobiography was made at a time when anyone who did not write one risked being called eccentric. It became and still is a major sport among the oldsters. Some of the contemporary books are goodreading indeed. One of the best of them is the result of an enormous research job as is brought out in the introduction to the work. Imagine spending long hours and traveling many miles to find out about oneself: I am sure Iwould be one of the first to be utterly bored by the subject. It was not so easy however to dismiss the whole idea as my friends presented it.The only answer I could think of with any degree of enthusiasm was this one written purely for whatever pleasure it could give. My own part of the pleasure is mostly in utilizing the musical language of the concert band with its apparently inexhaustible colors and its fabulous vitality.The form(if the term has any right being here) is seven short pictures each about two minutes long of my own personal seven ages. The two-minute idea may be the result of the loudspeakers spread all over the hotel in Arizona where thepiece was composed. There was no getting out of ear-shot of those two-minute gems - in the dining rooms around the swimming pools by the putting green everywhere-but I honestly do not believe any of them crept into what I waswriting. I do not believe I paid much more than passing attention to them.Part One:I. 1894: Cherry StreetII. 1899: South OmahaIII. 1900: Corn Cows and MusicThe three of my seven ages inPart One took us to the legal end of my youth. Gathering up my unspectacular belongings including my entire fortune of less than two hundred dollars I swooped down on New York for no more reason than that it was New York and hada street in it called Broadway. The music borrows two or three rhythms from the era but the only note-for-note quote is what the bugler at Camp Funston played every morning while we put on our shoes. Later when we get to Paris
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