1.Berceuse Op.56 No.1 (transc. E.Hamelle); 2.Berceuse Op.16; 3.Pièce (transc. T.Doney); 4.Fantaisie Op.79

La référence GB2230 de l'éditeur Billaudot dont l'auteur célèbre est Hummel Johann Nepomuk, qui a pour titre GRAND RONDEAU BRILLANT OP.126, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Flûte Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte Et Piano / Partition

Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered in Helsinki on September 16, 1985, having been completed at Ljugarn on the Swedish island of Gotland at the end of June. The Finnish Radio Symphony Orchestra was conducted by Leif Segerstam, and the soloist was the concerto?s dedicatee, Mikael Helasvuo. The Flute Concerto opens with a Ritornello in which the flute's playful, dance-like passages make sharp contrast with the orchestra's heroic stance. In the mellow Canzona which follows, the flute plays rhapsodically over repetitive orchestral figures. The work's 'action-packed' finale hints at parody in its military march-like opening, but also gives rein to the lyricism already familiar from the second movement. This product includes the solo flute part and the piano reduction. The orchestral study score (composer?s manuscript) is available for sale (product number 9790550117471). The performance material is available for hire from the publisher. Duration: c. 23? Instrumentation of the orchestra: 3(III=picc)222?4330?14?harpsichord( celesta)?hp?str / Date parution : 2022-05-31/ Répertoire / Flûte Traversière et Piano

Adagio for flute (or violin) and piano. Péter Wolf's collection Wolf-temperiertes Klavier, published in 2018, referring to the series The Well-Tempered Clavier by Bach, contains 24 piano pieces, a major and a minor key composition based on each pitch of the chromatic scale. The ninth piece, an Adagio in E major, is one of the gems in the volume, building on the tradition of the Baroque pastorale. This soaring melody has been arranged by the composer to a duet: above the piano accompaniment, it can be performed by a violin or a flute (either by an oboe or other melodic instrument).

Cecile Chaminade's Concertino For Flute And Piano provides quite a workout for the flutist with its wide-ranging highly decorative solo part. A broad and graceful melody opens the work. After a more active central section marked Più animato agitato in the score a short oboe phrase leads into a cadenza for the soloist. A reprise of the opening melody and a rousing coda conclude this melodic and attractive work.

Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways.The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. © TS

Description Selected Flute Solos With Piano Accompaniment A collection of the finest flute solos, selected for their diversity in style and suitability for concert and contest use. Songlist Andalouse Op.20 (Pessard) Bolero Op.28 No.2 (Pessard) Concertino Op.107 (Chaminade) Concerto No.2 K314 (Mozart) Fantasie Op.79 (Faure) Fantasie Pastorale Hongroise Op.26 (Doppler) Gavotte [Turk, Daniel Gottlob] Legende Pastorale Op.138 From Scotch Scenes (Godard) Melodie – Dance Of The Blessed Spirits (Orfeo) [Gluck, Christoph Willibald] Scherzo (A Midsummer Night's Dream) [Mendelssohn, Felix] Serenade (Hue) Sonata No.2 [Handel, George Frideric] Two Cadenzas For Mozart's Piano Concerto In G K.453

Par HAHN / LARRIEU. Having been considered as a 'fashionable' and 'cliche' composer of his day, Hahn was best known for his contributions to the French Melodie. Nocturne for Flute and Piano, however, represents the engaging diversity of the composer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes, Lavignac, Dubois and Massenet before becoming a prolific and versatile composer himself, writing works for all genres. For Hahn, music was a magical art and his instrumental compositions often containexpressions of his otherwise hidden emotions and moods. Suitable for intermediate standard flautists, Hahn 's Nocturne provides a pleasant and evocative piece, incorporating a range of expressions, rhythms and other musical features./ Répertoire / Flûte Traversière et Piano

for Flute and Organ or Piano-Les douze noëls rassemblés dans ce recueil ont été arrangés par Jan et Jacob de Haan. La version papier des accompagnements d´orgue est jointe au recueil. Sommaire : Ye My People ? Ich steh an deiner Krippen hier ? Vom Himmel hoch da komm ich her? Drei Könige (2 Variationen) ? Es ist ein Ros entsprungen ? See Amid the Winter´s Snow ? Tochter Zion ? He Shall Feed His Flock ? While Shepherds Watched Their Flocks ? The Spirit of Christmas (Medley) ? Infant Holy Infant Lowly ? Eine kleineWeihnachtsmusik (Medley).

Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010.The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James?s Church Piccadilly on Thursday 19 May 2011.1. Ritual/Pastorale2. Fertility Dance3. Ghost Dance/Song4. Sacrificial Dance Composer's Note The idea for the genesis of thiswork and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma ?Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Hermán Cortés ? an event that was to eventually lead to the demise of the Aztec civilisation.Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life.I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work.        Edward Gregson

A three-part Sonata for Flute and Piano rich in melodic invention and Classical elegance. Suitable for the confident Flute soloist.