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Georg Friedrich Händel: Lotario HWV 26: Opera: Vocal Score
Opera
Barenreiter
Opera in three acts-Lotario HWV 26Opera in three actsHandel???s opera Lotario wa...
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Opera in three acts-Lotario HWV 26Opera in three actsHandel???s opera Lotario was first heard at the King???s Theater in the Haymarket on 2 December 1729 and had a run of nine performances. Though never revived in the composer???s lifetime Handel reused many of its arias in his later operas sometimes altering the words.The historical background of the plot is the conflict between Otto I (912 973) and Berengar of Ivrea for the Italian crown and Otto???s marriage to the Italian queen Adelaide in 951. In the course of composition the name of the hero (???Ottone??? in Salvi???s libretto) was altered to ???Lotario??? since Handel had already written an opera entitled Ottone on thelife of Otto II (955 983) in 1722.The vocal score contains the version composed for the performances of December 1729 and January 1730. It is based on the Urtext of the Halle Handel Edition.- Urtext of the Halle Handel Edition.- Full score (BA4074) and vocal score (BA4074-90) available for sale.- Performance material (BA4074-72) available for hire
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Wolfgang Amadeus Mozart: Le nozze di Figaro (vocal score paperback) KV492: Mixed
Opera
Barenreiter
Opera buffa in vier Akten - ??bersetzung von Brieger/Layer-Premi?red at the Vien...
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Opera buffa in vier Akten - ??bersetzung von Brieger/Layer-Premi?red at the Vienna Hoftheater on 1 May 1786 Wolfang Amadeus Mozart???s and Lorenzo Da Ponte???s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart???s music: on the contrary because of the extraordinary demands it placed on the orchestra (especially the woodwinds) the music even posed an obstacle to the work???s spread outside the German-speaking countries. At least equally responsible for the opera???s success was the librettist Lorenzo Da Ponte who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing.Many of the sources for Mozart???s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ???New Mozart Edition??? volume was published. These include the autograph scores of acts 3 and 4 now held at the Biblioteka Jagiello ka in Krak?w significant portions of the original sets of parts and acts 2 to 4 of the conductor???s copy from the first performance of 1786.These original sources now available again offer compelling solutions to several previously unresolved questions.Edition based on the Urtext of the ???New Mozart Edition??? reflecting the latest musicological researchWith findings from original sources now available againDetailed foreword (Ger/Eng)Full score (BA4565-01) Vocal score (BA4565-92) study score format 22.5 x 16.5cm and Facsimile (BVK1882) available for saleV43 Performance material (BA4565-72) available to hire
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Georg Friedrich Händel: Ezio HWV 29: Mixed Choir: Vocal Score
Opera
[Sheet music]
Barenreiter
As with many other libretti by Pietro Metastasio ?Ezio? was also set to music s...
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As with many other libretti by Pietro Metastasio ?Ezio? was also set to music several times besides Handel by Nicola Porpora in 1728 and Christoph Willibald Gluck in 1750. As the historical events from late antiquity surrounding the Western Roman General Aëtius who had defeated the Huns under Attila on the Catalaunian Fields had largely fallen into oblivion by the 18th century they merely form a backdrop to the highly-dramatic ?Sex and Crime? on the operatic stage. In contrast with the original Roman story ?Ezio? remains alive at the ?happy ending? and the enthusiastic public experienced this version for the first timeon 15 January 1732 in London.However despite this the opera only received five performances during Handel?s lifetime. Handel took the overture from his incomplete opera ?Titus l?Empereur?.Performance material available for hire.Vocal score based on the Halle Handel Edition.Original Italian text with German singing translation underlaid.Figured bass realisation and editorial additions in cue-sized notes.Detailed foreword (Ger/Eng)
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Georg Friedrich Händel: Xerxes (Serse): Opera: Vocal Score
Opera
[Sheet music]
Chester
Georg Frideric Händel?s Serse (Xerxes) has everything one would expect from a B...
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Georg Frideric Händel?s Serse (Xerxes) has everything one would expect from a Baroque opera - many intertwining love stories affairs intrigues scheming misunderstanding and forgiving allpresented in the great master?s magnificent music.The opera is set in Persia in 480 BC and is very loosely based upon Xerxes I of Persia though there is little in either the Baroque libretto or music that is relevant tothat setting the main focus is on the characters (Serse Arsamene Amastre Romilda Atalanta Ariodate and Elviro some of which are based on real historical persons) and their plotting. The English version forthe opera in three acts was made for the English National Opera?s production first performed in 1985 on the 300th anniversary of Händel?s birth.In this edition of the Vocal score with the original Italian and thelater English lyrics accompaniment is provided by the instruments indicated in the orchestration (2 Recorders (or Flutes) 2 Oboes 2 Horns in F Trumpet in D Strings and Continuo [Harpsichord Cello Double Bass Bassoon]) butcan also be played by the Piano. Serse?s part originally sung by a castrato can be performed by a Soprano or a Countertenor.
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Richard Wagner: Lohengrin Wwv75: Opera
Opera
Eulenburg
Lohengrin is regarded as Wagner's most fairy-story-like opera its plot interwea...
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Lohengrin is regarded as Wagner's most fairy-story-like opera its plot interweaving motives from the world of legends and medieval history. The opera was premiered at the Weimar Court Theatre on 28 August 1850 under the direction of Franz Liszt in the composer's absence.This new Eulenburg study score edition follows the Wagner Complete Edition which is based on the autograph score representing the first critical edition of Lohengrin. Previous editions were based on the 1914 edition of the score which differed from the autograph in many details and was published by Michael Balling as part of the first complete edition which has remained unfinished.The original musical text isnow available in a handy format for the first time - and is perfectly suited for study purposes.With German/English preface and Critical Report!
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Pyotr Ilyich Tchaikovsky: Guide To The Practical Study Of Harmony: Reference
Opera
Dover Publications
Written during the composer’s years as a professor at the renowned Moscow...
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Written during the composer’s years as a professor at the renowned Moscow Conservatory this volume presents a clear and thorough introduction to the study of harmony - a complete course in writing music featuring numerous examples and exercises. It functions equally well as a classroom text an adjunct to private instruction or as a guide to individual musicians. Out of print for several decades and exceedingly rare in its original edition the Guide to Practical Study of Harmony holds an intrinsic historical interest. This is the unabridged republication of the classic 1900 edition and is an excellent manual which remains as useful and instructive today as it wasat the turn of the 20th century.
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Albert Roussel: Prelude 2Nd Act Extrait 14 Juillet: Orchestra: Score
Français
Opera
[Sheet music]
Chant du Monde
Albert Roussel's Prelude 2nd Act Extrait 14 Juillet Romain Rolland.
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Georg Friedrich Händel: Arminio HWV 36: Opera: Score
Opera
[Sheet music]
Barenreiter
Opera in tre atti-Antonio Salvi’s “Arminio” is one of the best...
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Opera in tre atti-Antonio Salvi’s “Arminio” is one of the best-loved operatic librettos of the Baroque period.Against the historical background of the so-called “Battle of the Teutoburg Forest” in 9 AD in which the Cherusci leader Arminius as “Liberator of Germany” (Tacitus) inflicted a devastating defeat on the Romans Handel’s opera first performed in 1737 is about the disputes between the Chatti and the Cherusci. Arminius has married the daughter of his arch-enemy Segestes. When he is imprisoned Segestes who has conspired with the Romans sees his opportunity for revenge.- Urtextedition based on the “Halle Handel Edition”- Libretto in Italian with singable German translation- Comprehensive foreword (Ger/Eng) with important information on the history of the libretto as well as on the genesis and the performance history of the work. A detailed resume of the plot is also contained.- Extensive appendix with richly ornamented versions of two arias- Idiomatic piano reduction in the vocal score- Full score (BA4100) and vocal score (BA4100-90) available for sale- Performance material (BA4100-72) for hire
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Georg Friedrich Händel: Parnasso In Festa HWV 73: Mixed Choir: Vocal Score
Opera
[Sheet music]
Barenreiter
Per Gli Sponsali Di Teti e Peleo - HWV 73-The main text of this edition of Hande...
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Per Gli Sponsali Di Teti e Peleo - HWV 73-The main text of this edition of Handel?s wedding serenata ?Parnasso in festa per gli sponsali di Teti e Peleo? (HWV 73) is based on the version used for the work?s first performances in March of 1734. Three appendices retrace the complex history of the work significantly different versions of which were used for revival performances in 1737 1740 and 1741. Included are abandoned and modified parts of the score as well as a documentation of changes made to the characters.Handel composed ?Parnasso in festa? for the wedding of Anne Princess Royal and Prince William of Orange which took place on March 14 1734 in London. As Handel?s contribution to the publicfestivities the serenata was performed the evening before the nuptials at King?s Theatre in the Haymarket. The bridal couple attended the performance.While the Italian text of the serenata was newly set most likely by Giacomo Rossi most of the music was drawn from pieces of Handel?s earlier works among them ?Athalia? from ?Radamisto? (HWV 12a) ?Il trionfo del Tempo e del Disinganno? (HWV 46a) and ?Delirio amoroso? (HWV 99). Newly composed parts are limited to eight vocal pieces the sinfonia at the beginning of part 3 and the beginning of the overture. The available source material reflects the history of the work: There is no autograph composition score while the conducting score reflects a collaboration between Handel and his main copyist John Christopher Smith senior. However composition scores of individual newly composed pieces have been preserved.New edition based on the latest research after thorough examination of all relevant primary and secondary sourcesExtensive editorial Foreword about the work?s conception mythological background transmission reception and a survey of sources (Ger/Eng) with extensive critical report (Eng)Selected musical facsimiles as well as complete facsimile of the printed libretto of 1734Urtext of the Halle Handel EditionFull score (BA10718-01) and vocal score (BA10718-90) available for salePerformance material (BA10718-72) available for hire
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Alexander Zemlinsky: A Florentine Tragedy Op.16: Opera: Study Score
Opera
Universal Edition
One of the most outstanding operas of the first half of the 20th century can be ...
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One of the most outstanding operas of the first half of the 20th century can be seen again in its full glory: Alexander Zemlinsky's gripping one-act Eine florentinische Tragödie which the composer wrote in 1916 based on a drama by Oscar Wilde has been subjected to years of critical revision by Antony Beaumont.
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Manon Lescaut (PUCCINI GIACOMO)
Opera
Ricordi
Crit. Ed. Roger Parker. Par PUCCINI GIACOMO. The Critical Edition of MANON LESCA...
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Crit. Ed. Roger Parker. Par PUCCINI GIACOMO. The Critical Edition of MANON LESCAUT is the first volume of the series THE OPERAS OF GIACOMO PUCCINI - CRITICAL EDITION - in collaboration with Archivio storico Ricordi and Fondazione Simonetta Puccini. It makes available the three main versions of the opera that have survived in various sources: an 1893 version, with the original Act I finale, the first version of Manons Act IV aria, and the uncut version of the final duet in Act IV; a 'midcareer'version imagined by Puccini in the first decade of the new century, when he sanctioned the almost complete omission of Manons Act IV aria; and finally the last version that Puccini lived to approve, with Manons aria restored, albeit with a revisedliterary text. The edition consists of two volumes of full score. The first volume is introduced by a preface to the Puccini Critical Edition and an historical introduction; the second volume ends with a detailed description of the operas many sources and alengthy critical commentary which discusses numerous problematic details in the musical text. / Opéra-opérette / Date parution : 1905-07-06/ Répertoire / Opéra
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Infinito Nero (SCIARRINO SALVATORE)
Opera
[Score]
Ricordi
Par SCIARRINO SALVATORE. Italian / Musique contemporaine / Date parution : 190...
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Par SCIARRINO SALVATORE. Italian / Musique contemporaine / Date parution : 1905-06-23/ Répertoire / Opéra
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Aphrodite (BATTISTELLI GIORGIO)
Opera
[Score]
Ricordi
Monodramma Di Costumi Antichi. Par BATTISTELLI GIORGIO. Italian / Musique contem...
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Monodramma Di Costumi Antichi. Par BATTISTELLI GIORGIO. Italian / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Opéra
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Peter Maxwell Davies: The Lighthouse: Chamber Ensemble: Score
Opera
[Sheet music]
Chester
Chamber opera in a prologue and one act. A ghost story telling of the mysteriou...
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Chamber opera in a prologue and one act. A ghost story telling of the mysterious disappearance of three lighthouse keepers in the Hebrides. This is a mystery story in the form of a chamber opera. The prologue is set as acourt of enquiry into the unexplained disappearance of the three keepers from a lighthouse. Questions are posed by a solo horn which may sound from among the audience and three officers give answer. Gradually they move fromstraight testimony into fantastical imaginings of evil during a 'flashback' to the lighthouse; but then we snap back to the courtroom. In the main act the three singers become the vanished keepers. They have been together formonths long enough to be fully aware of each other's weaknesses; petty bickerings suggest a relationship which is stable but liable to become highly unstable at any moment. They sing songs to reduce the tension Blazes beginningwith a rough ballad of street violence accompanied by violin and banjo. Sandy's song with cello and out-of-tune upright piano is a thinly disguised description of sexual bliss and Arthur's with brass and clarinet is atub-thumping hymn. But the songs serve only to resurrect in their minds ghosts from the past and as the fog descends each of the keepers becomes convinced that he is being claimed by the Beast. They prepare to meet its dazzlingeyes which become the lights of the relief vessel and the three men reappear as officers met at the lighthouse only by an infestation of rats. They leave and at the end the last hours of Blazes Sandy and Arthur begin to playover again.Study Score. Duration c. 1h 25mins.
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Richard Wagner: Gotterdammerung: Opera: Libretto
Opera
Schirmer
The final episode of the Ring cycle 'Gotterdammerung' is itself a colossal work...
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The final episode of the Ring cycle 'Gotterdammerung' is itself a colossal work - one of the longest evenings of opera in the standard repertory. Musically Wagner has gained such mastery of his music drama and his use of musicalmotives that he treats both with superb freedom - the handling of Leitmotives in this opera can be thought of as one of the most powerful psychological achievements in art. This is the Schirmer edition of the Libretto in theoriginal German with an English translation by Stewart Robb.
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Bedrich Smetana: The Bartered Bride: Opera: Libretto
Opera
Schirmer
Libretto for Bedrich Smetana's comic Opera The Bartered Bride. This edition cont...
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Libretto for Bedrich Smetana's comic Opera The Bartered Bride. This edition contains English only and was translated by Tony Harrison.
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Jean-Philippe Rameau: La Naissance d'Osiris (La F te Pamilie): SATB: Score
Opera
Novello & Co Ltd.
La Naissance d'Osiris opera-ballet by Rameau to a libretto by Louis de Cahusac ...
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La Naissance d'Osiris opera-ballet by Rameau to a libretto by Louis de Cahusac Fontainebleau 12 October 1754 written to celebrate the birth of the Duc de Berry who became Louis XVI.DRAMATIS PERSONÆPamilie (Soprano)Un Berger (Countertenor Haute-contre)Le Grand Prêtre de Jupiter (Bass-baritone)Jupiter (Bass-baritone)L’AmourLes Gr cesBergers Bergères Prêtres PeuplesORCHESTRAMusettes2 Flutes2 OboesBassoonStringsBasso continuoDuration: circa 52 minutes
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Hans Werner Henze: Phaedra: Opera: Vocal Score
Opera
[Vocal Score]
Chester
Phaedra by German composer Hans Werner Henze is a 'concert opera' in two acts wh...
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Phaedra by German composer Hans Werner Henze is a 'concert opera' in two acts whose first performance was given at the Berlin State Opera in 2007. Phaedra was Henze's penultimateopera and this item presents the vocal score with the entire work lasting around 75 minutes.?The parts are for Mezzo-Soprano Soprano Tenor Countertenor Bass Baritone as well as a mime. Featuring aunique libretto by Christian Lehnert and sound effects by Francesco Antonioni this opera presents the wonderful story of Phaedra filled with drama and fantastic music. This VocalScore?presents the work in German and English language with German lyrics. Phaedra?was co-commissioned and co-produced by Staatsoper Unter den LindenBerlin Berliner Festspiele Thé tre de la Monnaie Brussels Alte Oper Frankfurt and Wiener Festwochen. Hans Werner Henze?was a hugely prolific composer who drew influences from a wide number of sources.Phaedra is regarded as among his greatest works and would certainly make for a stunning performance.
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Gilbert And Sullivan Hms Pinafore Opera - Opera
Opera
[Vocal Score]
Schirmer
Description Gilbert And Sullivan: HMS Pinafore (Vocal Score) It was H. M. S. ...
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Description Gilbert And Sullivan: HMS Pinafore (Vocal Score) It was H. M. S. Pinafore, that established Gilbert and Sullivan as a force to be reckoned with in British comic theatre, though Sullivan's music was mainly responsible for it's long-term success. Songlist Hms Pinafore
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Richard Wagner: Die Walkure - Vocal Score: Opera: Vocal Score
Opera
[Vocal Score]
-
Intermediate/advanced
Dover Publications
The second opera in Richard Wagnerâ??s mighty The Ring cycle Die Walkure remai...
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The second opera in Richard Wagnerâ??s mighty The Ring cycle Die Walkure remains among the most popular and frequently performed of his works. It is a masterful epic with themes and motifs that combine and interplay to create some of the finest woven musical threads ever. From its gripping opening in which the hero finds himself weaponless in the house of his enemy; to its heartrending finale when a father bids farewell to his favourite daughter generations of listeners have swooned to this story and its majestic fantastical music. This Vocal Score of this Opera with lyrics in German and English features a piano reduction of the orchestral part and isideal for study rehearsal and concert performances.
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Die Harmonie der Welt Teil C (HINDEMITH PAUL)
Opera
Schott
Par HINDEMITH PAUL. The opera is set in a variety of locations between the years...
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Par HINDEMITH PAUL. The opera is set in a variety of locations between the years 1608 and 1630 and throws a spotlight on individual scenes, sometimes presented simultaneously, from the life of the astronomer Johannes Kepler (1571-1630); the opera takes its name from Kepler’s theoretical work ‘Harmonices mundi’. Hindemith utilises substantial historical studies as the basis for his sketches of individuals within Kepler’s circle who each accompany the astronomer’s scientific endeavours with a variety of personal ambitions. The military commander Wallenstein attempts to utilise Kepler’s astrological abilities to realise his own pretensions to power while Kepler’s assistant Ulrich aspires to scientific fame and recognition. Kepler’s mother urges her son to apply his scientific abilities to the services of her black magic and the Lutheran minister Hizler forbids the astronomer to receive communion because Kepler questions the doctrine of Holy Communion in the Lutheran church and expresses sympathy for Calvinist doctrine. The few figures shed in a positive light include Kepler’s wife Susanna who supports her husband’s pursuit of truth and knowledge and the child Susanna who listens to the voices of nature and the moon in her childish naivety, thereby gaining revelatory knowledge. At the end of his life, Kepler takes stock of his situation, succumbs to a state of resignation and considers death as the greatest harmony of all. In his state of agony, music of the spheres can be heard; the constellations appear as allegorical figures in the opera and contradict Kepler’s negative concepts: lying beyond all that can be researched by mankind is a final majestic realm with the powers to ‘permit us to be amalgamated into a gigantic harmony of the spheres.’ / Date parution : 2022-07-20/ Répertoire / Opéra
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Richard Wagner: Das Rheingold: Mixed Choir: Vocal Score
Opera
Schirmer
'Das Rheingold' is the first part of Wagner's 'Ring Cycle'.Alberich a gnome of ...
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'Das Rheingold' is the first part of Wagner's 'Ring Cycle'.Alberich a gnome of the Nibelung discovers the all-powerful Rhine Gold and fashions a ring out of it knowing that whoever wears it will rule the world but must renounce love. The gods Wotan and his wife Fricka have build a new castle and paid the giants by promising them Fricka's sister Freia who grows the golden apples that give the gods their power. After a struggle she is kidnapped and all the gods begin to age and weaken. To get her back they decide to steal the Ring and bargain with the giants. Meanwhile Alberich has been forcing other to mine gold and Mime makes a helmet the 'Tarnhelm' out ofit thinking this will help him seize the Ring. Alberich steals the Tarnhelm but the gods arrive and trick both it the Ring and his gold out of him taking him prisoner. In a fury he curses the Ring to bring death and envy to all who posess it. The gods use the Ring and helmet to bargain with the giants. They win Freia back and go home to their new castle but as they leave the giant Fafner murders his brother Fasolt to claim the ring continuing its bloody history... This is the Schirmer edition of the Vocal Score with an English translation by Frederick Jameson.
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Giuseppe Verdi: Don Carlo: Opera: Score
Opera
Dover Publications
5-act restauration with notations for an alternative 4-act version-Don Carlos wh...
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5-act restauration with notations for an alternative 4-act version-Don Carlos which debuted in 1867 ranks among the composer's most complex and challenging works. Based on the verse play by Schiller about tragic love and intrigue at the court of Philip II of Spain the opera features a rich assortment of memorable characters and dramatic situations. Verdi revised the work twice incorporating his changing musical ideas into a thoroughly revised Italian translation of the five act work with optional cuts for a four-act version. This new edition is of the final version reprinted from the authoritative G.Ricordi edition.
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Metaphors For The Musician
Opera
Sher Music Company
Cet ouvrage pratique et instructif contribuera à tout joueur de jazz ou de la v...
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Cet ouvrage pratique et instructif contribuera à tout joueur de jazz ou de la vocaliste regarder de la musique avec des ' nouveaux yeux '-' une théorie de la pratique et l'improvisation bookwith une touche humaine. 'Métaphores pour le musicien 'donne des aperçus de presque tous les aspects de jazz musicp, y compris la théorie de l'échelle/chord, stratégies de pratique, qui composent les techniques, la psychologie de la performance et comment créer les Etats d'esprit qui produisent les meilleures improvisations. Les pianistes de jazz graves trouveront des renseignements précieux sur la corde voicings aning, tandis que les novices bénéficieront de nouvelles approches aux échelles et des inversions. Conçu pour tout niveau de joueur, sur n'importe quel instrument, ' Métaphores pour le musicien ' fournit des nombreux exercices tout au long de pour aider le lecteur à transformer ces concepts en musiclity. / Opéra Théorique/Didactique
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Ludwig van Beethoven: Fidelio: Mixed Choir: Vocal Score
Opera
[Vocal Score]
Schirmer
'Fidelio' Ludwig van Beethoven's only opera takes as its subject a theme close...
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'Fidelio' Ludwig van Beethoven's only opera takes as its subject a theme close to the composer's heart: the defeat of tyranny through man's innate desire for liberty. The libretto was fashioned by Joseph Sonnleithner after Jean Bouilly's Leonore (1798) and revised by Leipzig-born playwright and poet Georg Friedrich Treitschke with Beethoven in 1814. It concerns Leonore's attempts to free her political-prisoner husband Florestan from the prison of the evil Pizarro by disguising herself as a man Fidelio and working in the prison. The music in 'Fidelio' is unassailably great and blazes with Beethoven's steadfast commitment to liberty and humanity.This is the Schirmeredition of the Vocal Score and contains an English translation by Theodore Baker and an essay by H.E. Krehbiel.
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Lenguaje Musical V.1 (ARENOSA / OLIVER / PILDAIN)
Español
Opera
[Sheet music]
Real Musical
Par ARENOSA / OLIVER / PILDAIN. Este volumen tiene dos misiones principales: des...
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Par ARENOSA / OLIVER / PILDAIN. Este volumen tiene dos misiones principales: desarrollar con más amplitud cada uno de los temas tratados en el volumen preparatorio y la introducción de forma gradual de nuevas materias. 91 lecciones. Contiene ámbitos, compases, elementos melódicos ycos, movimientos, formas, etc./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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