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Pocket, Study conductor (61)
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2 Violas, Piano (34)
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Voice, String Quartet (33)
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Cor en Fa (33)
Soli (STB), Choeur Mixte (SATB… (33)
2 Trumpets, Keyboard (piano or… (33)
Ensemble Instrumental (33)
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2 Hautbois, 2 Clarinettes, Tim… (32)
Batterie Fanfare En Sib (32)
Quatuor à vent (32)
Ensemble De Bois (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Orchestre D'Harmonie avec Soli… (32)
Harpsichord and Strings (32)
Choeur De Femmes (32)
DVD Opera and Ballets (32)
5 Saxophones (Soprano, Alto, 2… (32)
Saxophone Baryton (31)
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4 Violons, Cordes et Basse Con… (30)
Flûte à Bec Alto, 2 Flûtes … (30)
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Harp, Violin, Violoncello (30)
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Viola and orchestra (30)
Lyrics only (30)
Autoharp (30)
Piccolo (29)
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Recorder, Guitar (duet) (29)
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Ukulélé Soprano (27)
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Oboe, Basso continuo (26)
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Saxophone Alto Solo (26)
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Diverses Formations (26)
Mezzo-Soprano et Orchestre (26)
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Alto Solo (26)
Trompette en Do ou et Trompett… (26)
Trombone Solo (25)
Baritone Ukulele (25)
Guitar Tab, Voice, Bass, Drum (25)
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Solistes SATB, Choeur SATB, 2 … (25)
2 Hautbois et Orchestre (25)
Soprano, Basse, Choeur Mixte e… (25)
Xylophone (25)
3 Trombones (trio) (25)
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Petit Choeur SATB, 2 ViolonSBa… (24)
Flûte Traversière Violoncell… (24)
Quartette Pour Flûtes à Bec … (24)
2 Violons, Violoncelle Et Orch… (24)
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Double bass, Orchestra (24)
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Hautbois solo (24)
Vocal duet (24)
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Soprano, Clarinette Et Piano (24)
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Ocarina (24)
Flûte à Bec Alto ou Flûte T… (23)
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2 Clarinettes, 2 Bassons et 2 … (23)
Clarinette Solo (23)
Piano, Bass, Drums (trio) (23)
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Guitar, String Quartet (23)
2 Clarinets, Bassoon (23)
Instruments A Vent (23)
Baritone Saxophone (23)
Soprano Et Ensemble (23)
Edition Critique des oeuvres d… (23)
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2 Violons, Basse Et Basse Cont… (23)
3 Trumpets (trio) (23)
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String quintet (23)
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Libretto (22)
Double Choeur Mixte, Soprano e… (22)
Euphonium and Orchestra (22)
Orchestre (22)
Choeur SS (B) ou SA (B), 2 Vio… (22)
Trompette et Concert Band ou H… (22)
Saxophone Soprano (22)
Trumpet, Trombone (duet) (22)
Solo Avec Accompagnement De Co… (22)
Violon, Alto et Basse Continue… (21)
Voix et Orchestre à vent (21)
Trompette Et Orchestre (21)
Duos (21)
Solo B, Choeur SATB, 2 Flûtes… (21)
Violon, Ensembles de Cordes et… (21)
Saxophone Quintet: 5 Saxophone… (21)
Sextuor (21)
Euphonium Ensemble (21)
2 Violons, Alto et Basse Conti… (21)
2 French horns (duet) (21)
Hautbois et Basse Continue (21)
Saxhorn en Sib en Clé de Sol … (21)
Soprano, Ténor et Piano (21)
Saxhorn en Sib (21)
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Clavecin Et Instruments A Cord… (21)
Saxhorn or Euphonium (21)
Cor en Mib et Piano ou Orgue (21)
Solistes (SATB), Choeur Mixte … (21)
Flûte à Bec et Piano (21)
Trumpet ensemble (21)
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Choeur d'Enfants à 1 à 3 Par… (20)
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Choeur à L'Unisson et Orgue (20)
Orchestre Et Orgue (20)
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Mandoline, Cordes et Basse Con… (20)
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Marching Band et Orchestre à … (20)
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2 Violons, Alto, Basses et Cla… (20)
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Flute, Viola and harp (20)
Guitare Tablatures Electrique (20)
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Solo instrument and Organ (19)
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A Cappella (19)
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Quatuor Variable (19)
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Mug (19)
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Bagpipe (19)
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Tenor Banjo (19)
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Teoria Musicale 1 Corso (ANZAGHI LUIGI ORESTE)
Opera
[Sheet music]
Carisch
Par ANZAGHI LUIGI ORESTE. Sonore, noms des sons, du personnel, prestation de son...
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Par ANZAGHI LUIGI ORESTE. Sonore, noms des sons, du personnel, prestation de sons en rigo, valeurs musicales, mesure, temps, temps Division, subdivision du times, prolongation de sons, tons et de demi-tons, teinte, ressemblant à des échelles, l'échelle cro, …/ Théorie / Opéra Théorique ou Didactique
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Nicholas Maw: Sophie's Choice: Vocal: Vocal Score
Opera
[Sheet music]
Faber Music Limited
Sophie's Choice is an opera in four acts based upon the post-war dramatic novel ...
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Sophie's Choice is an opera in four acts based upon the post-war dramatic novel by William Styron and commissioned by BBC Radio 3 in association with the Royal Opera House Covent Garden. The opera was first performed by the artists and orchestra of the Royal Opera House in December 2002.
50.00 GBP - Sold by Musicroom UK
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Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE)
Opera
Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...
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Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
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Gustav Holst: Savitri: Opera: Vocal Score
Opera
[Sheet music]
J. Curwen and Sons
Gustav Holst has earned a place among the most revered of late 19th and early 20...
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Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.But before that great work in his use of Englsh folksongs Gnostic texts and these Vedic hymns one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. In Savitri he makes use of modal styles bitonality austerity ofOrchestration in some places richness of texture in others and an ability to suggest Indian exoticism. The piece has a performance time of thirty minutes and has minimal staging requirements.
17.99 GBP - Sold by Musicroom UK
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Faust
Opera
Barenreiter
'Faust? stands for the composer Gounod himself, who was torn between the express...
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'Faust? stands for the composer Gounod himself, who was torn between the expression of excessive sensuality and a deep spirituality which he was searching for in his Catholic faith. As such, in this most important musical setting of Goethe's drama, the work was given a deeply personal interpretation. With a detailed Foreword (Fr/Eng/Ger) this new edition presents the genesis of the work with its various, during Gounod's lifetime, completely sung versions.The main version of our edition was performed at the Paris Opéra on 3 March 1869. However, simple cross references in the score enable a reconstruction of the earlier and later stages of this work for performance. Rounding off this publication is a critical edition of the libretto. All available sources are described and the Critical Commentary provides information about any changes made to the individual numbers.The two earlier Faust versions with spoken dialogue will be included in a separate volume within this series (in preparation, BA 8714). / Opéra
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Richard Wagner Tristan Und Isolde Opera - Opera
Opera
Schirmer
Description Richard Wagner: Tristan Und Isolde (Vocal Score) Wagner's 'Trista...
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Description Richard Wagner: Tristan Und Isolde (Vocal Score) Wagner's 'Tristan und Isolde' has long been acknowledged as the beginning of musical modernism. This is the Schirmer edition of the Vocal Score, edited by Richard Kleinmichel with an English translation by Henry Grafton Songlist Tristan Und Isolde
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Pensiero Musicale V.1 (DELFRATI CARLO)
Opera
[Sheet music]
Curci
Par DELFRATI CARLO. Il pensiero musicale, articolato in tre volumi, sviluppa i c...
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Par DELFRATI CARLO. Il pensiero musicale, articolato in tre volumi, sviluppa i concetti della teoria musicale e gli elementi della notazione in modo progressivo. Ogni volume è corredato da CD audio per le attività di ascolto, ear-training, dettato musicale. IMPOSTAZIONE E METODOLOGIA: Il corso è frutto di oltre quarant'anni di studi e di insegnamento dell'autore, Carlo Delfrati, e della sua concezione fortemente innovativa della didattica musicale: la formazione teorica va di pari passo con attività pratiche, creative e analitiche. INOLTRE: L'apprendimento della lettura è graduale e progressivo, grazie ad un approccio basato sull'immediatezza percettiva di melodie e figurazioni ritmiche. Per le letture (ritmiche e melodiche) viene utilizzato il repertorio musicale di ogni periodo storico: dal Medioevo a oggi, dal tradizione popolare alla musica etnica. Un'antologia che servirà anche negli studi più avanzati./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Franco Benzi: Teoria E Solfeggio Facili Letture Per Il I Corso: Solfege: Theory
Italiano
Opera
Carisch
Teoria E Solfeggio Facili Letture Per Il I Corso
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Scipione Affricano (CAVALLI FRANCESCO)
Opera
Barenreiter
Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two do...
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Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two dozen operas he had written for Venice had helped establish Venice as the world’s first operatic superpower. “Scipione Affricano” (Venice 1664), Cavalli’s first opera after returning from France, was one of his most successful compositions. In a period that valued new works over familiar ones, “Scipione” was one of a handful of operas to live on after its premiere season: it was revived eight times and chosen to inaugurate Rome’s Teatro Tordinona in 1671. Cavalli’s librettist, Nicolò Minato, was inspired by historical accounts of the life of the Roman general Scipio, whose defeat of Carthage in 202 BCE earned him the honorary agnomen “Africanus.” In setting Minato’s libretto, Cavalli drew upon the lyrical gifts that have made operas like “La Calisto” and “Giasone” so popular today. But at the same time “Scipione Affricano” also shows the composer embracing aspects of his two years in France, and responding to musical changes that, in the 1660s, were rapidly altering the face of Italian opera: the growing dominance of arias, a clearer sense of aria organization, and increased interplay between voice and instruments. The first goal of this edition is a practical one: to develop a version of the opera suited to the needs of both professional and student performers. A second goal is to reconstruct the opera’s complete performance history. An amply documented appendix reconstructs earlier versions of 21 arias. Other appendices print the surviving additional music from revivals in Rome and Venice. The edition is framed by a substantial Introduction, covering the drama, the musical style, the composition, premiere, and revivals, and a guide for performance today, plus a detailed “decoding” of the sources. - series Francesco Cavalli – Opere / Date parution : 2022-11-08/ Répertoire / Opéra
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Georg Friedrich Händel: Parnasso In Festa HWV 73: Mixed Choir: Vocal Score
Opera
[Sheet music]
Barenreiter
Per Gli Sponsali Di Teti e Peleo - HWV 73-The main text of this edition of Hande...
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Per Gli Sponsali Di Teti e Peleo - HWV 73-The main text of this edition of Handel?s wedding serenata ?Parnasso in festa per gli sponsali di Teti e Peleo? (HWV 73) is based on the version used for the work?s first performances in March of 1734. Three appendices retrace the complex history of the work significantly different versions of which were used for revival performances in 1737 1740 and 1741. Included are abandoned and modified parts of the score as well as a documentation of changes made to the characters.Handel composed ?Parnasso in festa? for the wedding of Anne Princess Royal and Prince William of Orange which took place on March 14 1734 in London. As Handel?s contribution to the publicfestivities the serenata was performed the evening before the nuptials at King?s Theatre in the Haymarket. The bridal couple attended the performance.While the Italian text of the serenata was newly set most likely by Giacomo Rossi most of the music was drawn from pieces of Handel?s earlier works among them ?Athalia? from ?Radamisto? (HWV 12a) ?Il trionfo del Tempo e del Disinganno? (HWV 46a) and ?Delirio amoroso? (HWV 99). Newly composed parts are limited to eight vocal pieces the sinfonia at the beginning of part 3 and the beginning of the overture. The available source material reflects the history of the work: There is no autograph composition score while the conducting score reflects a collaboration between Handel and his main copyist John Christopher Smith senior. However composition scores of individual newly composed pieces have been preserved.New edition based on the latest research after thorough examination of all relevant primary and secondary sourcesExtensive editorial Foreword about the work?s conception mythological background transmission reception and a survey of sources (Ger/Eng) with extensive critical report (Eng)Selected musical facsimiles as well as complete facsimile of the printed libretto of 1734Urtext of the Halle Handel EditionFull score (BA10718-01) and vocal score (BA10718-90) available for salePerformance material (BA10718-72) available for hire
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Gian Carlo Menotti: Amahl and the Night Visitors: Opera: Score
Opera
-
Intermediate/advanced
Schirmer
Opera Full Score-The first opera written for television 'Amahl and the Night Vi...
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Opera Full Score-The first opera written for television 'Amahl and the Night Visitors' has become the most frequently performed opera of all time with over five hundred performances annually across the world. Menotti's take on theChristmas story focuses on Amahl a young handicapped boy and his mother who are visited by three Kings -- Balthazar Melchior and Kaspar -- who are on their way to find Jesus. The Kings stay the night during which Amahl'smother tries to steal some of the Kings' gold and is caught in the act. Melchior suggests that she keep the gold because the child they are visiting will rule his kingdom with love not riches. Amahl's mother gives back the gold wishing she had something to give of her own. Amahl offers his crutch as a gift and suddenly is able to walk. He decides to follow the Kings so that he himself may give his crutch to the Christ child.The work is ideal foran amateur performance (for example a secondary school or a local dramatic society) since all the action takes place in one act and one place and the work calls for limited adaptable musical forces. It also gives each principala chance to shine either in a solo or an ensemble.This is the Schirmer hardback edition of the full score.
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Monteverdi C. - L'orfeo - Vocal Score
Opera
[Vocal Score]
Barenreiter
Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orp...
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Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orpheus and his love of Eurydice, is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua. When an edition remains true to its sources, this certainly does not mean that it is not also practical to use, as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini, the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”. Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However, when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants, not only between the two editions but also amongst the eight surviving copies, are listed in the critical commentary. This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to follow his own judgment. The notation has been, when necessary, adapted to suit modern practice, for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. - Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practice - Comprehensive critical commentary (Eng) in the score - Idiomatic piano reduction Edition no.: BA 8793-90 ISMN: 9790006533121 Composer / Author: Monteverdi, Claudio Title: L'Orfeo Favola in musica in one prologue and five acts Detailed instrumentation: Soprano solo (7), Tenor solo (4), Bass solo (3), Mixed choir: SSATTB, Male choir: TTBBB, Orchestra Librettist: Striggio, Alessandro (junior) Editor: Alessandrini, Rinaldo Foreword / Introduction: Alessandrini, Rinaldo Product format: Piano reduction, Urtext edition Language(s) of work: Italian Language(s) of text: German, Italian, English Publisher: Bärenreiter Binding: Paperback Print run: 1st printing 2012 Pages / Format: XIV, 143 S. - 27,0 x 19,0 cm Weight: 428 g
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Hans Werner Henze: L'Upupa Und Der Triumphe Der Sohnesliebe: Opera: Score
Opera
[Sheet music]
Chester
The fifteenth full Opera from the prolific Hans Werner Henze and the first to f...
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The fifteenth full Opera from the prolific Hans Werner Henze and the first to feature a self-penned libretto. After the poems he wrote for his Songs from the Arabian Henze has produced this unusal tale through adaptingboth Arab and Persian legends and invoking the same half-real half-imaginary Arabia as the song cycle. The story itself is a fairy tale comedy with much in common with The Magic Flute. The orchestral arrangement is huge featuring quadruple wind five percussionists and a part for tape.
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Richard Danielpour: Margaret Garner: Opera: Vocal Score
Opera
[Sheet music]
Associated
Opera Vocal Score-'More than anything else Margaret Garner is an opera that rem...
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Opera Vocal Score-'More than anything else Margaret Garner is an opera that reminds us that we all belong to the same human family and it demonstrates what can happen when we forget this fundamental truth... - RichardDanielpour This Opera by Grammy-winning composer Richard Danielpour tells the story of Margaret Garner an enslaved African-American woman in pre-Civil War America who gained notoriety for killing her owndaughter to prevent her from suffering the degradation of a life of slavery. In this adaptation of the famous tale Edward Gaines acquires his deceased brother’s Kentucky estate and pledges to let all of the slave familieson the Maplewood Plantation stay together. However when he takes a special interest in one of the slaves Margaret Garner it is not long before her husband Robert is sent away alone to another plantation. One night Robertsneaks back to Maplewood and attempts to escape with Margaret and their children to the ‘Free State’ of Ohio. They are caught and Margaret murders her children in a crime of passion sparing them from a life of slavery. Margaretis condemned to death and although she is granted clemency at the last minute she chooses the freedom of the gallows over life as a slave. The tragic work features a libretto by Toni Morrison and gained highcritical praise at its first performance in Philadelphia in 2006. Watch a clip from the performance here:
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Cuadernos Audic V.3 Profe (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Nueva metodología de Lenguaje Musical. En este tercer libro...
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Par IBANEZ / CURSA. Nueva metodología de Lenguaje Musical. En este tercer libro, en el aspecto rítmico, se contempla: corchea-dos semicorcheas y viceversa, compás 6/8 con ritmos de tres corcheas y negra-corchea, el ritmo binario corchea con puntillo-semicorchea. En el a melódico, distinción entre el modo mayor y menor, los intervalos melódicos simples, la sensible en modos menores y las tonalidades que tienen hasta dos alteraciones en la armadura. El libro del profesor, contiene las respuestas correctas del alumno fichas de trabajo del alumno están perforadas y son facilmente extraíbles, por si el profesor considera oportuno corregirlas individualmente. Ambos presentan la misma paginación./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Cuadernos Audic V.1 Alum Medio (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Primer libro de Grado Medio de la nueva colección de metodo...
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Par IBANEZ / CURSA. Primer libro de Grado Medio de la nueva colección de metodología de Lenguaje Musical de Ibáñez/Cursá. Como en el resto de la colección, el libro del profesor, contiene las respuestas correctas del alumno y las fichas de trabajo del alumno están perfoy son fácilmente extraíbles, por si el profesor considera oportuno corregirlas individualmente. Ambos presentan la misma paginación. Algunos aspectos tratados en el libro: Alteraciones, acordes, cadencias, compases, modulación, tipos rítmicos, formaal, dictados musicales y análisis musical./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Cuadernos Audic V.1 Prof Med (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Primer libro de Grado Medio de la nueva colección de metodo...
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Par IBANEZ / CURSA. Primer libro de Grado Medio de la nueva colección de metodología de Lenguaje Musical de Ibáñez/Cursá. Como en el resto de la colección, el libro del profesor, contiene las respuestas correctas del alumno y las fichas de trabajo del alumno están perfoy son fácilmente extraíbles, por si el profesor considera oportuno corregirlas individualmente. Ambos presentan la misma paginación. Algunos aspectos tratados en el libro: Alteraciones, acordes, cadencias, compases, modulación, tipos rítmicos, formaal, dictados musicales y análisis musical./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Cuadernos Audic V.3 Alumno (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Nueva metodología de Lenguaje Musical. En este tercer libro...
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Par IBANEZ / CURSA. Nueva metodología de Lenguaje Musical. En este tercer libro, en el aspecto rítmico, se contempla: corchea-dos semicorcheas y viceversa, compás 6/8 con ritmos de tres corcheas y negra-corchea, el ritmo binario corchea con puntillo-semicorchea. En el a melódico, distinción entre el modo mayor y menor, los intervalos melódicos simples, la sensible en modos menores y las tonalidades que tienen hasta dos alteraciones en la armadura. El libro del profesor, contiene las respuestas correctas del alumno fichas de trabajo del alumno están perforadas y son facilmente extraíbles, por si el profesor considera oportuno corregirlas individualmente. Ambos presentan la misma paginación./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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John Harbison: The Great Gatsby: Vocal Album
Opera
Schirmer
Libretto. New York's Metropolitan Opera ushers in the new millennium with the wo...
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Libretto. New York's Metropolitan Opera ushers in the new millennium with the world premiere of John Harbison's splendid opera The Great Gatsby with a libretto based on F. Scott Fitzgerald's masterpiece. Among the highlights ofthe production are the fourteen Gatsby Songs written in the energetic dance style of the 1920s with sparklingly witty lyrics by Murray Horwitz.
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Otto Nicolai: The Merry Wives of Windsor: Mixed Choir: Vocal Score
Opera
Schirmer
Otto Nicolai became one of the few 'one-hit wonders' among classical composers. ...
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Otto Nicolai became one of the few 'one-hit wonders' among classical composers. Although some of his operas had success during his lifetime it is really only his final opera The Merry Wives of Windsor that has become a repertory item but with its storyline wit and an abundance of memorable tunes it is not difficult to understand why. It was a rousing success from its first performance on March 9 1849 and the bubbly overture is still especially popular. The drama takes place in three acts to a libretto by Hermann von Mosenthal the English version being by Josef Blatt.
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Georg Friedrich Händel: Xerxes (Serse): Opera: Vocal Score
Opera
[Sheet music]
Chester
Georg Frideric Händel?s Serse (Xerxes) has everything one would expect from a B...
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Georg Frideric Händel?s Serse (Xerxes) has everything one would expect from a Baroque opera - many intertwining love stories affairs intrigues scheming misunderstanding and forgiving allpresented in the great master?s magnificent music.The opera is set in Persia in 480 BC and is very loosely based upon Xerxes I of Persia though there is little in either the Baroque libretto or music that is relevant tothat setting the main focus is on the characters (Serse Arsamene Amastre Romilda Atalanta Ariodate and Elviro some of which are based on real historical persons) and their plotting. The English version forthe opera in three acts was made for the English National Opera?s production first performed in 1985 on the 300th anniversary of Händel?s birth.In this edition of the Vocal score with the original Italian and thelater English lyrics accompaniment is provided by the instruments indicated in the orchestration (2 Recorders (or Flutes) 2 Oboes 2 Horns in F Trumpet in D Strings and Continuo [Harpsichord Cello Double Bass Bassoon]) butcan also be played by the Piano. Serse?s part originally sung by a castrato can be performed by a Soprano or a Countertenor.
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Daníel Bjarnason: Brothers: Mixed Choir and Ensemble: Vocal Score
Opera
[Vocal Score]
Peters
Daníel Bjarnason?s Brothers is an opera in three acts. The 100-minute work, wit...
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Daníel Bjarnason?s Brothers is an opera in three acts. The 100-minute work, with a libretto by Kerstin Perski, is based on the screenplay of the same name by Susanne Bier and Anders Thomas Jensen. Commissioned by the Danish National Opera / Den Jyske Opera, the opera follows a miliary officer after he returns home from the war in Afghanistan, finding that his relationship with his family has changed forever. The first performance took place on 16 August 2017 at Musikhuset Aarhus. This Edition Peters product is the opera vocal score. The full score and parts are available to hire.
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Zoltán Kodály: Corso Preparatorio Di Musica: Theory
Italiano
Opera
Carisch
Corso Preparatorio Di Musica
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Geoffrey Burgon: Orpheus: Voice: Vocal Score
Opera
[Sheet music]
Chester
A chamber opera in one act for soprano tenor baritone and bass soli TTBB chor...
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A chamber opera in one act for soprano tenor baritone and bass soli TTBB chorus and orchestra commissioned for the Wells 800 Celebration in 1982. Libretto by Peter Porter. Vocal score with piano reduction. Duration: c. 55minutes.Orpheus is a Chamber Opera or perhaps more properly might be described as an ‘Opera-Cantata’. It is designed to be performed as a short opera fully staged and costumed or as a concert piece. Either way itsstructure is dramatic rather than reflective. It tells the story of Orpheus probably the most familiar story in music and en emblem of their art for composers of all periods as a direct narrative. Since the legend is set inthe world of pagan mythology it has been lightly Christianised for its Church setting. The Aeneid has often been seen as speaking of Christ avant la lettre and Renaissance Humanists were always willing to identify forerunnersof Christian types in Classical personages: in this manner Orpheus pursues without undue emphasis musical parallels with St Francis St Cecilia and even Adam and Eve.The work is framed briefly by a prologue and epilogue. ThePrologue introduces the four solo singers Hades (bass) Orpheus (tenor) Eurydice (soprano) and Charon (baritone). It also introduces the chorus who do not only portray at various stages Orpheus’s wedding companions thedenizens of Hell and Blessed Spirits in the Elysian Fields but also comments on the action as it proceeds.
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Sources Epoques Vol. 0929 (BARDEZ JEAN-MICHEL)
Opera
[Sheet music]
Carisch
Par BARDEZ JEAN-MICHEL. Très facile en clé de sol, sans accompagnement. oeuvre...
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Par BARDEZ JEAN-MICHEL. Très facile en clé de sol, sans accompagnement. oeuvres à chanter ou à jouer à l'instrument.Chaque pièce étant précédée d'une gravure ancienne, d'une préparation mélodique et rythmique issue du texte ainsi que d'un commentaire./ Recueil / Opéra Théorique ou Didactique
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