Mozart, Wolfgang Amadeus La clemenza di Tito K. 621 Facsimile of Mozart's autograph score The Seven Great Operas in Facsimile Editions of Mozart?s Autograph Scores ?Idomeneo?, ?Die Entführung aus dem Serail?, ?Le nozze di Figaro?, ?Don Giovanni?, ? Così fan tutte ?, ?Die Zauberflöte ?, ?La clemenza di Tito? ? Mozart?s seven great operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression. Through happy coincidence, all seven opera scores have survived almost complete in Mozart?s manuscript. The Packard Humanities Institute (PHI, Los Altos , California ) has now embarked on producing a facsimile edition of the seven autograph scores. Mozart scholars, libraries and of course all lovers of Mozart?s stage works now have the opportunity of acquiring these priceless manuscripts in flawless reproductions. At the same time, all risks about preserving Mozart?s legacy for the world of music are taken care of. The Packard Humanities Institute (PHI) charitable foundation, known for its philanthropic programmes in the arts and sciences, has forged an ideal cooperation for the Mozart project. Under the scholarly direction of an editorial board (Ulrich Konrad , David Packard, Wolfgang Rehm , Christoph Wolff; General editor Dietrich Berke) the International Mozarteum Foundation Salzburg and the libraries where Mozart?s manuscripts are held are working together with the Packard Humanities Institute. The production of the volumes is exquisite, for the digitalization of the manuscripts has been undertaken using the latest technology, which allows for an astounding level of authenticity and precision in detail. The printing follows the uncompromisingly high standards demanded by the edition. All seven volumes include essays on the history of literature and ideas by Hendrik Birus , Hans Joachim Kreutzer and Robert Miller as well as musicological introductions by leading Mozart scholars in German and English. The facsimile edition will be distributed by Bärenreiter- Verlag . - consolidation of Mozart manuscripts held in different places - highest level of precision in reproduction and authenticity of colour through use of the latest technology - unique offer thanks to project sponsorship by the Packard Humanities Institute (Los Altos, California) Precision in reproduction thanks to cutting edge technology In preparing the manuscripts for reproduction, equipment was used in line with the highest technical standards currently available. Mozart?s original manuscripts of the seven operas are held by several libraries. For five of the operas, the different acts have even ended up in different libraries following World War II. Thus, the autograph of Act I of ? Così fan tutte ? is in the Jagiellonian Library in Kraków and the second act in the Staatsbibliothek zu Berlin ? Preußischer Kulturbesitz . In order to achieve a uniformly high level of precision in reproduction and authenticity of colour both within a work and for all seven editions, the use of the same technical equipment in all the different places was a prerequisite. Specialist from the Salzburg firm ? Kirchberger Photography? were employed, were provided with the latest equipment by the Packard Humanities Institute and also given special additional training in the modern technology by specialists in the USA. Proofs of each edition were compared with the original in each location and improved until the likeness could not be bettered in all details. Mozart?s music and text notation is reproduced extremely clearly, and even those places where Mozart corrected or had rubbed out marks he had already made, appear in these editions in a previously unmatched transparency.

19 Bände im Versand-Schuber. Par BACH JOHANN SEBASTIAN. Awarded with the German Music Edition Prize 'Best Edition' 2008. Johann Sebastian Bach: Sämtliche Kantaten, Motetten, Choräle und Geistliche Lieder. The complete cantatas, chorales and motets in study editions in 19 volumes. This special edition exclusively offers the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. It is well presented on high quality paper and has a durable sewn binding. A MUST for everyone who is passionate about Bach´s music! No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. Bärenreiter?s unique edition, which encompasses more than 11, 000 pages, includes all cantatas together with the motets, chorales and sacred songs in the Urtext of the ?New Bach Edition? (NBA Series I and III). As a special extra, the recently rediscovered aria ? Alles mit Gott und nichts ohn ? ihn ? is also included. Only available here is an additional volume with an introduction (German/English) by Christoph Wolff and an index. The Barenreiter study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices! Barenreiter presents the Complete Cantatas, Chorales and Motets in a handy, readable and affordable paperbackformat. The special ediion of 19 volumes (including an index) exclusively offers the authoritative musical text of these masterworks. Each volume is printed on high quality paper and has a durable sewn binding A must for everyone who is passionate about Bach's music. These scores are the last word in Bach scholarship and an extraordinary publishing achievement / Mottet / Répertoire / Partition de Poche

Leichte Ensembleliteratur Für Den Unterricht. Par DIVERS AUTEURS (ARR.MARTIN TOURISH). Recueils de musique celtique arrangée pour ensemble, Ils couvrent l'Irlande, l'Ecosse, le Pays de Galles, la Cornouailles et la Bretagne. edition with CD, 1st part in C (violin, flute, recorder, tin whistle)1st part in Bb (clarinet, trumpet)2nd part in C (violin, flute, recorder, tin whistle)2nd part in Bb (clarinet, trumpet)piano/harpbass-part (cello, bassoon, double bass, e-bass)percussion (drum, Bodhrán).The parts are included on the MP3-CD as digital files to enable an easier and more flexible usage./ Recueil / Ensemble Flexible

Description This volume contains a pair of works originally written for piano by Ravel, and later orchestrated by him. Le Tombeau De Couperin is a four-piece suite written between 1914 and 1917, dedicated to close friends who died in World War I. Valses Nobles Et Sentimentales pays homage to the work of Franz Schubert. These eight uninterrupted Waltzes abound in Schubertian characteristics. Songlist Le Tombeau De Couperin [Ravel, Maurice] Valses Nobles Et Sentimentales

Solo for Oboe or Violin. Par BACRI NICOLAS. The title only appears frivolous to those who have lived little. With the passage of time, the seasons that pass, the differences in quantity and quality of light, of temperature and weather, become of ever greater importance in the meaning of our individual existence. This transformation follows the path of our lives and often mimes in front of our very own eyes, incredulous and wondrous, events that we can only experience once in a lifetime: our birth, our blossoming, our aging and our death. Such a subject could well take up ten years of my life. This was the case. Nevertheless, everything started very innocently with a proposition from my friend François Leleux to write him a double concerto that he could play with Natalia Gutman, initially named ‘Musica Concertante’. It was with this second proposition from François for another double concerto, this time with Lisa Batiashvili, that the idea came to me for a cycle of four concertos with, each time, a different instrument from the string quartet to join the oboe. The automnal colours of the cello are a perfect match for the retrospective nature of the first completed concerto in the cycle. ‘concerto nostalgico, l’automne’, whilst the love and the first child of the Leleux-Batiashvili couple could only bring Spring to mind, hence the ‘Concerto amoroso, le printemps’, was born. When Jean-Marc Bador asked me to be an associate of the Ensemble Orchestral de Paris for two years, it was quite naturally that I thought of completing this cycle for François Leleux, with winter ‘Concerto tenebroso’, created in January 2010 with Lise berthaud playing the viola. All that remained was for me to conclude, with a work that reunited all four protagonsits. It was summer, the ‘Concerto luminoso’, which took on this role’./ Répertoire / Orchestre

Description Composed for the famous ballet impresario Serge Diaghilev and the Ballet Russes, Maurice Ravel’s Daphnis and Chloe was drawn from an ancient Greek fable. At the time, Ravel announced his intention to 'compose a vast musical fresco, less scrupulous as to archaism than faithful to the Greece of my dreams.' The resulting 'choreographic symphony' features a captivating combination of orchestral traditions and modern ideals.

'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violon I

'Carmen ' est l'un des opéras plus populaires et les plus souvent jouées à travers le monde. Première mondiale a été un flop. Néanmoins, l'opéra gagné très rapidement l'acceptation à tous les grands théâtres, apportant dans son sillage des arrangements d'innombrables de certains par / Orchestre

'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Alto

'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violon II

Edition complète avec commentaire critique, reliure lin, Abteilung IX, Band 1. Par BEETHOVEN LUDWIG VAN. / Répertoire / Orchestre

Par WAGNER RICHARD. Includes overtures to 'The Flying Dutchman', 'Rienzi', 'Tannhauser', preludes To Acts I And III of 'Lohengrin' and Act I of 'The Meistersingers'. / Opéra-opérette / Répertoire / Orchestre

Le Complete Vocal Works Johann Pachelbel est connu aujourd'hui comme un compositeur de musique d'orgue et d'un célèbre canon instrumental qui comporte fréquemment dans les programmes de concert et des catalogues d'enregistrement. Cependant, la même chose peut être dite de seulement quelques-uns de ses compositions vocales. Tout au plus, les motets apparaissent parfois dans la musique d'église répertoire. Les arias de Pachelbel , des concertos vocales et magnificat à grande échelle ont reCu peu d'attention jusqu'à présent .Musiciens d'église et musicologues ont longtemps souhaité une édition critique de ces travaux importants , qui survivent dans le manuscrit de Pachelbel et ont été en grande partie composé de ses principaux lieux de travail , Erfurt et Nuremberg. Comme toujours avec ces entreprises , de nouvelles découvertes sont à prévoir en ce qui concerne le corpus d'oeuvres , du matériel source et le contexte des travaux. Cela concerne non seulement la belle musique, mais plutôt un approfondissement de notre compréhension de Pachelbel comme un personnage clé entre traditions méridionales et centrales allemandes , et la reconnaissance d'une oeuvre qui a tous été trop souvent poussé dans l'ombre par le puissant Bach. / Orchestre

Par SPENGLER ALEXANDRE. Les quatre mouvements de cette suite ne sont pas des 'illustrations', musicales descriptives. Ce sont des évocations d'ambiances, traduisant l'esprit et l'atmosphère des quatre ouvrages en question du romancier. C'est même pour cette raison que certains titres ont été modifiés, pour mieux répondre au caractère géneral desdits ouvrages. I - Voyage au Centre de la Terre est Une évocation de monde minéral et de la formidable pesanteur des inébranlables assises de l'écorce terrestre. En outre, l'idée d'une descente progressive des héros du livre à travers les anfractuosités ténebreuses de l'épaisseur granitique y est également évoquée. II - Le Nautilus et son Capitaine Nemo (Mobilis in mobilé) évoque le fabuleux sous-marin le Nautilus se glissant, mobile, rapide, puissant et insaisissable, à travers les couches liquides de l'Océan, - et l'âme indépendante, hardie et investigatrice de son animateur, le légendaire Capitaine Nemo. III - A la Recherche du Capitaine Grant Traduit l'idée-fixe d'une incessante et obstinée recherche pleine de tension angoissée, orientée toujours vers un même but, vers une même esperance, - recherche sans cesse interompue par le même obstacle : la fausse piste. Aprês un ultime et âpre effort pour aboutir, la recherche se termine dans un esprit tranquille et apaisé, - le Capitaine Grant ayant été retrouvé par hasard sur l'île Tabor. IV - Hatteras au Pôle Nord Traduit l'ambiance morne et immaculée des paysages polaires au milieu desquels vogue le navire du Capitaine Hatteras, et l'étrange et navrant drame qui se joue dans l'âme du héros qui, fasciné toute sa vie par l'obsession d'atteindre le Pôle Nord, sombre définitivement dans la démence lorsqu'il l'a atteint. Désormais, - tel une aiguille aimantée, - tout son être ne sera plus attaché qu'à un point de l'espace, un point immuable, géometrique, toujours le même, à l'exclusion de toute autre réalité... Le point qui indique le Nord (fin du morceau : un son mince, persistant, irrémédiablement isolé dans le lointain inaccessible où il se perd, - note longuement tenue par un hautbois tout seul qui finit par s'éteindre). / contemporain / Répertoire / Orchestre