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3 Clarinets (trio) (63)
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2 Euphoniums et Piano (45)
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Trompette ou Cornet, Euphonium… (44)
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String Quintet: 2 violins, 2 v… (44)
String Trio: 2 violins, cello (44)
Quintette de Cuivres (43)
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Pocket, Study conductor (43)
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Violon, Cordes et Basse Contin… (41)
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Clavier ou Orgue Electronique (41)
Trompette ou Cornet, Cor en Mi… (40)
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Oboe and Orchestra (38)
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Madrigaux (34)
5 Part Ensemble (34)
2 Clarinets, Piano (34)
2 Trumpets, Keyboard (piano or… (34)
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Piccolo (33)
Cello, String Bass (duet) (33)
Medium Voice (33)
Trumpet, Trombone (duet) (33)
Voix et Instruments Divers (33)
Lyrics only (32)
Soprano Saxophone and Piano (32)
Saxophone Baryton (32)
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Quintette avec Piano (31)
Concert Band ou Harmonie et Ba… (31)
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Bagpipe (29)
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Baritone Ukulele (29)
Solistes (SATB), Choeur Mixte … (29)
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Hautbois, Basson et Piano ou O… (28)
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Clavier Electronique et Ligne … (27)
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Petit Choeur SATB, Contrebasse… (26)
Baritone Saxophone (26)
Voix Et Orchestre (26)
Cor en Fa (26)
2 Saxophones, Piano (26)
Guitar, Orchestra (26)
Solistes SBar, Choeur SSATB, 2… (25)
Opéra (25)
Oboe, Organ (25)
2 Violons, Alto, Violoncelle e… (25)
Tout Instrument (25)
Flûte Traversière et Cordes (25)
Cello Ensemble (25)
Recorder, Guitar (duet) (25)
String Quintet: 2 violins, vio… (25)
2 Clarinettes, 2 Violons, Orgu… (24)
2 Hautbois, 2 Cors, 2 Clarinet… (24)
3 Euphoniums et Piano ou Clavi… (24)
Guitar and Bass Tablatures, Ch… (24)
Trompette, Instruments à Cord… (24)
Trompette ou Cornet, Trombone … (24)
Basson, 2 Violons, 2 Altos et … (24)
Solistes SATB, Choeur SATB, 2 … (24)
Ensembles de Cordes et Piano (24)
4 Tubas (24)
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Guitar Tab, Voice, Bass, Drum (24)
Soli (T (Evangelist), B (Jesus… (24)
Flûte Traversière, Clarinett… (24)
Baryton et Orchestre (24)
4 Cellos (24)
Violoncello, Basso continuo (23)
Violin, Horn and Piano (23)
String Quintet: 2 violins, vio… (23)
String trio (23)
Fac-similé (23)
Clarinette, Viola and Piano (t… (23)
3 Trumpets (trio) (22)
Livre Musical (22)
2 Bassoons (duet) (22)
Matériel D'Orchestre (22)
Choeur d'Enfants (22)
Solistes SATB, Choeur SATB, 2 … (22)
Solistes SAT, Choeur SATB, 2 F… (21)
2 Tubas et Piano (21)
Clavecin Et Instruments A Cord… (21)
Méthode (21)
Violon, Ensembles de Cordes et… (21)
Flute Quartet: Flute, Violin, … (21)
Ensemble à Cordes (21)
Clarinette, Cor Et Piano (21)
Trumpet ensemble (21)
Choeur de Femmes (SSA) et Pian… (21)
Guitare (Fingerpick) (21)
ENS::Ensemble d'cole (21)
Musique originale (20)
Flûte Traversière, Clarinett… (20)
Voice, Clarinet, Piano (20)
Cello, Organ (20)
Piano, Bass, Drums (trio) (20)
Clarinette et Quatuor à Corde… (20)
Marching Band et Orchestre à … (20)
Voice, String Quartet (20)
Choeur d'Enfants SSA, Récitan… (20)
Organ, Piano (duet) (20)
2 Choeurs Mixtes (SATB Et SATB… (20)
Descant (Soprano) Recorder, Ba… (20)
Soli (SAB), Choeur Mixte (SATB… (20)
Balalaika (20)
Balalaïka Et Piano (20)
Solistes SATB, Choeur SATB, 2 … (20)
Tuba and Orchestra (20)
Saxophone and Orchestra (20)
Ensemble A 4 Parties (20)
Cello, Guitar (duet) (20)
Brass ensemble, Organ (20)
4 Bassoons (20)
Bongos (20)
Solistes SB, Choeur SATB, 2 Ha… (19)
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Solistes SATBB, Choeur SATB, 2… (19)
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Harpsichord and Strings (19)
2 Violins and Basso (19)
2 Violons, Alto, Violoncelle (19)
Bass Clarinet, Piano (19)
Trompette, Cordes Et Basse Con… (19)
2 Cellos, Piano (19)
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Guitare Tablatures Electrique (19)
3 Trombones (trio) (19)
Choeur de Femmes (19)
Tenor Banjo (19)
Ukulélé Soprano (19)
Solistes SATB, Choeur SATB, Ha… (18)
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Cithare (18)
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2 Cornets, Cor en Mib et Tuba (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
3 Trombones et Fanfare (18)
Solo S, Choeur SATB, 2 Flûtes… (18)
Oboe, Clarinet, Bassoon (trio)… (18)
Quatuor avec Piano (18)
Flûte Traversière, Hautbois … (18)
Violin, Viola and Orchestra (18)
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Voix Seule (18)
Gemischter Chor (SATB) und Orc… (18)
Guitare et Voix (18)
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Solistes STBB, Choeur SATTBB, … (17)
Flügelhorn (17)
2 Saxophones Ténor et Piano (17)
Cor, Trombone et Piano (17)
Choeur d'Enfants, Solistes, In… (17)
Children choir, Instruments (17)
2 Cors en Mib et Piano (17)
Piano et Orchestre (17)
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Opéra Full Score (17)
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2 French horns, Piano (17)
Ukulele Ensemble (17)
Bodhran (17)
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Voix Mixtes SAB et Piano (17)
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Tenor (16)
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Choeur d'Enfants et Ensemble (14)
3 Violons, Basse Viol et Basse… (14)
Clarinette, Violon et Piano (14)
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2 Recorders, Piano (14)
Flute, Violoncello (14)
Saxophone en Mib et Piano (14)
Accordion - Piano, Voice, Guit… (14)
Clavier (14)
Chorale d'Enfants et Piano ou … (14)
OPERA::Op‚ra (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Violon 2 (14)
Clarinette, Violoncelle et Pia… (14)
Trompette Et Orchestre (14)
Trompette en Sib (14)
Xylophone, Piano (14)
Bassoon, Orchestra (14)
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2 Violons, 2 Altos et 2 Violon… (13)
Flute, Violin and Violoncello (13)
Solistes, Choeur d'Enfants, 3 … (13)
Basse (13)
Flute, Violin, Piano (13)
2 Saxophones Alto et Piano ou … (13)
Drums-Marching band (13)
Choral SSATBB (13)
Instruments A Vent (13)
Cornet et Brass Band (13)
5 Part Ensemble (Clavier, Guit… (13)
Instruments Acoustiques (13)
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Fake Book (13)
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Solo instrument and Organ (13)
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Clarinet and Accordion (13)
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Base Musicale (12)
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Pop music (12)
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Ensemble De Contrebasse (11)
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Die Entführung Aus Dem Serail: Study Score
Partition de Poche
[Sheet music]
Barenreiter
?I know for a fact that the Emperor is proposing to mount a German opera in Vien...
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?I know for a fact that the Emperor is proposing to mount a German opera in Vienna and that he is making every effort to find a young Kapellmeister who understands German has talent and is capable of striking out on a new path. [...] I think it would be a good thing for me provided of course that the pay is good. If the Emperor will give me a thousand gulden I will write a German opera for him.?Thus Mozart in a letter of 10 11 January 1778 from Mannheim to his father Leopold. He continued by asking his father to ?write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won?t take meon any other terms then let him try me with an opera. After that he can do what he likes for all I care.?Urtext of the New Mozart EditionFull score (BA4591-01) vocal score (BA4591-90) and study score format 22.5 x 16.5cm (TP311) available for salePerformance material available for hire (BA4591-72)
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Wolfgang Amadeus Mozart: Violin Concerto No.5 In A K.219: Violin: Study Score
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[Sheet music]
Barenreiter
for Violin and Orchestra-Mozart composed the majority of his works for solo Stri...
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for Violin and Orchestra-Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 1779. Especially important are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773.Urtext of the New Mozart Edition.Full score and performance material (BA4712) Violin and Piano reduction (BA4712-90) and study score format 22.5 x 16.5cm (TP20) available for sale.The new Urtext performing editions to Mozart’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part an extra Violin part prepared with bowings and fingerings by M. Wulfhorst.A brochure with cadenzas lead-ins and fermata embellishments by Joseph Joachim Sam Franko Leopold Auer Eugène Ysaye and Martin Wulfhorst is also included.
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Wolfgang Amadeus Mozart: Serenade In E-Flat Major K.375: Ensemble: Study Score
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Barenreiter
a 6 et a 8-The Serenade in E-flat K.375 exists in two versions one for two cl...
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a 6 et a 8-The Serenade in E-flat K.375 exists in two versions one for two clarinets two horns and two bassoons and another for the same forces plus two oboes forming an octet.From Mozart himself we know a fair amount about the occasion that led to the first six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October the name-day of St. Theresa.The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics he also altered the work’s melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre thereby enabling him for example to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave.- Urtext of the New Mozart Edition- Parts sextet version (BA5333) octet version (BA5334) and study score both versions format 22.5 x 16.5cm (TP315) available for sale
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Franz Schubert: Complete String Trios: String Trio: Study Score
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Barenreiter
This study score of Franz Schubert’s complete string trios (Violin Viola ...
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This study score of Franz Schubert’s complete string trios (Violin Viola and Violoncello) takes its text from the New Schubert Edition. It also includes Schubert’s very first essay in the genre which only resurfaced in 1997: the draft trio in B-flat major D 111A (1814). Besides this draft two other trios in B-flat major written a short while later have come down to us: D 471 and D 581. The first is likewise a fragment as it breaks off in m. 39 of the second movement. D 581 survives in two versions the first based on the autograph score the second on a set of parts prepared and thoroughly revised by Schubert. Both versionsprovide useful performance alternatives that differ widely in their form rhythm articulation and dynamics. - All of Schubert's string trios- All drafts and alternative versions for the first time in a study score- Urtext from the New Schubert Edition Contents:- Trio in B-flat major D 471 (movement 1)- Trio in B-flat major D 581 (versions 1 and 2)- Incomplete first movement to Trio in B-flat major D 111A- Incomplete second movement to Trio in B-flat major D 471
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Ouvertüre (Orchestersuite) H-Moll (BACH JOHANN SEBASTIAN)
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Barenreiter
Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that...
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Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites nowpresents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche
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Franz Joseph Haydn: The Creation In Full Score: Mixed Choir: Miniature Score
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[Sheet music]
Dover Publications
Oratorio in three parts for five solo voices chorus with SATB soloists and orc...
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Oratorio in three parts for five solo voices chorus with SATB soloists and orchestra with continuo. Composed in 1796-8 The Creation is perhaps the most majestic achievement in the last phase of Haydn's musical career. Reproduced from an authoritative early edition this score appears with bar numbered movements and includes a text underlay in both German and English.
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Johann Sebastian Bach: Cantata BWV 31 Der Himmel Lacht!: Mixed Choir: Study
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Barenreiter
Cantata for the 1st Easter Day-Study score format 22.5 x 16.5cmDer Himmel Lacht!...
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Cantata for the 1st Easter Day-Study score format 22.5 x 16.5cmDer Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter Day- Performance material (BA10031) vocal score (BA10031-90) and study score (TP1031) available for sale.The text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No groupof works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
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Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping crying sorrow sighing) BWV 12Cantata for the Sunday Jubilate These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations androyal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale
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Johann Sebastian Bach: Cantata BWV 18 Gleichwie Der Regen Und Schnee: Mixed
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Cantata for Sunday Sexagesimae-Gleichwie der Regen und Schnee vom Himmel fällt ...
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Cantata for Sunday Sexagesimae-Gleichwie der Regen und Schnee vom Himmel fällt (Like as the Raindrops and Snow from Heaven fall) BWV 18Cantata for Sunday Sexagesimae Leipzig Version. These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasionssuch as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale
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Johann Sebastian Bach: Orchestral Suite - Overture No.1 In C BWV 1066: Ensemble:
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Orchester-Suite-J.S. Bach?s Four Orchestral Suites belong to that select group o...
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Orchester-Suite-J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.- Full scores study scores and performance material available for sale.
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Johann Sebastian Bach: Orchestral Suite - Overture No.4 In D BWV 1069: Chamber
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Barenreiter
Overture-J.S. Bach?s Four Orchestral Suites belong to that select group of works...
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Overture-J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ?Violino concertato? is included.- Full scores study scores and performance material available for sale.
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Johann Sebastian Bach: Orchestral Suite - Overture No.3 In D BWV 1068: Ensemble:
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Barenreiter
J.S. Bach?s Four Orchestral Suites belong to that select group of works one coul...
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J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ?Violino concertato? is included.- Full scores study scores and performance material available for sale.
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: Mixed Choir:
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 80 Ein feste Burg ist unser Gott: Mixed
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Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mig...
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Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext ofthe New Bach EditionPerformance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale
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Mikrographien (1964) (ANTONIOU THEODORE)
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Par ANTONIOU THEODORE. / Répertoire / Partition de Poche
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Mer, La (The Sea) (DEBUSSY CLAUDE)
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Dover Publications
Par DEBUSSY CLAUDE. One of the most revolutionary and influential of modern comp...
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Par DEBUSSY CLAUDE. One of the most revolutionary and influential of modern composers, Debussy overturned traditional concepts of form, harmony and instrumental colour to create a unique body of music characterised by innovation, individuality of style and perfection of workmanship. Among his most popular, most performed, most recorded works, is La Mer, a complex masterpiece comprising three symphonic sketches. Published in full score, ideal for study purpose./ Répertoire / Partition de Poche
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String Orch.Accomp.Vol.1 - 2 Score (SUZUKI SHINICHI)
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Beginner
Alfred Publishing
Arrangeur: Paul Schwartz. Par SUZUKI SHINICHI. SUMSBM318 / Niveau : Débutant ...
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Arrangeur: Paul Schwartz. Par SUZUKI SHINICHI. SUMSBM318 / Niveau : Débutant / Date parution : 1905-06-16/ Méthode / Partition de Poche
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Johann Sebastian Bach: Cantata BWV 36 Schwingt Freudig Euch Empor: Mixed Choir:
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Cantata for the First of Advent-Study Score Archive CopySchwingt Freudig Euch Em...
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Cantata for the First of Advent-Study Score Archive CopySchwingt Freudig Euch Empor BWV 36 (final version)Cantata for the First of Advent- Urtext of the New Bach Edition- Performance material (BA10036) vocal score (BA10036-90) and study score (TP1036) available for saleBärenreiter 's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sundayand festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Sinfonia N.6 Op. 74 B Minor (TCHAIKOVSKI PIOTR ILITCH)
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Dover Publications
Pathétique. Par TCHAIKOVSKI PIOTR ILITCH. The brooding melancholy that pervades...
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Pathétique. Par TCHAIKOVSKI PIOTR ILITCH. The brooding melancholy that pervades many of Tchaikovsky's compositions is perhaps most concentrated in his Symphony No. 6, the 'Pathétique, ' a remarkably innovative, highly personal, and deeply emotional work. A perennial concert favorite since its premiere in 1893, this symphony is also characterized by two of the composer's most consistent and memorable contributions: his effortless melodic invention and superb orchestration. This miniature-score edition of the work is complete in all respects, containing the original instrumentation with bar-numbered movements. Reproduced from the authoritative Breitkopf & Härtel edition, it is ideal for study in the classroom, at home, or in the concert hall — an affordable, high-quality, conveniently sized volume that will be the edition of choice for music students and music lovers alike. A perennial concert favorite since its premiere in 1893. This miniature-score edition is complete in all respects, containing the original instrumentation with bar numbered movements. Reproduced from the authoritative Breitkopf & Hartel edition./ Répertoire / Partition de Poche
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Franz Joseph Haydn: Missa In Tempore Belli: Mixed Choir: Study Score
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Mass in Time of War-Haydn was in England in 1795 when he received word from hi...
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Mass in Time of War-Haydn was in England in 1795 when he received word from his new Prince Nicolaus II Esterházy that the Esterházy orchestra was to be reformed and Haydn was to serve again as active Capellmeister.Prince Nicolaus II demanded little from his Capellmeister except the usual routine of administration; but Haydn was to compose every year a new Mass for the name day of the Princess Josepha Maria which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen?s Day (26 December) 1796. The writer of these notes examined when preparingthis edition the music archives of the church and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score parts (BA4652) vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94) available for sale
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Wolfgang Amadeus Mozart: Don Giovanni K.527: Mixed Choir: Study Score
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Dramma giocoso (Opera) in two acts-In early 1787 Mozart made his first visit to ...
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Dramma giocoso (Opera) in two acts-In early 1787 Mozart made his first visit to Prague where he attended a performance of Le nozze di Figaro on 17 January and conducted the performance five days later. Thoroughly impressed by the huge success of his opera and the personal triumphs he had enjoyed during his visit he and his wife left the city on 7 February but not before he had concluded a contract to write a new opera for the next season. This contract signed with Pasquale Bondini the director of Count Nostitz’s National Theater led to the composition of his first opera for Prague Don Giovanni (K. 527). Ever since its première on 29 October 1787 the opera has moved audiences over andover again and has occupied a special position in Mozart’s rich and variegated output for the stage.Urtext of the New Mozart EditionFull score (BA4550-01) vocal score (BA4550-90) study score format 22.5 x 16.5cm (TP279) available for salePerformance material (BA4550-72) available for hire
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Study Score
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Harmonie-Messe.-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph...
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Harmonie-Messe.-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reason ofthe prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Missa In Angustiis: Mixed Choir: Study Score
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Nelsonmesse-The so-called ?Nelson Mass? is the third of the six great High Masse...
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Nelsonmesse-The so-called ?Nelson Mass? is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation.Urtext of the Joseph Haydn Complete EditionSoprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Flute Oboe (2) Clarinet (in B-flat) (2) Bassoon Horn (2) Trumpet (3) Kettledrum Strings Basso continuoFull score together withMissa in B major (Theresa Mass) Hob.XXII:12 (BA4660-01) Performance material (BA4660) vocal score (BA4660-90) and study score format 22.5 x 16.5cm (TP98) available for sale
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Johann Sebastian Bach: Brandenburg Concerto No.2 In F BWV 1047: Ensemble: Study
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.2 In F BWV1047.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today.
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Franz Joseph Haydn: Mass In B-flat Major: Mixed Choir: Study Score
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Theresienmesse-Between 1796 and 1802 Haydn composed 6 great Masses to celebrate ...
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Theresienmesse-Between 1796 and 1802 Haydn composed 6 great Masses to celebrate the name day of Princess Maria Hermenegild the wife of his patron Prince Nikolaus Esterhazy II.The Theresa Mass was the fourth of these composed in 1799 and although the title page of the score simply has the word 'Missa' the nickname Theresienmesse remains a matter for speculation but is usually attributed to the work’s supposed association with Marie Therese the wife of the Emperor Franz II.- Urtext from Joseph Haydn Werke- Full score (with Nelson Mass) (BA4660) available for sale- Parts (BA4661) vocal score (BA4661-90) and study scoreformat 22.5 x 16.5cm (TP99) available for sale
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Hector Berlioz: Romeo et Juliette op. 17: Mixed Choir: Study Score
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Symphonie dramatique-Roméo et Juliette Op.17 Hol.73: Symphonie dramatique For h...
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Symphonie dramatique-Roméo et Juliette Op.17 Hol.73: Symphonie dramatique For his third symphony “Roméo et Juliette” (1839) Berlioz turned to his greatest literary passion Shakespeare drawing once again on his own most fervent experiences.Berlioz’s discovery of Shakespeare in 1827 had been overwhelming not only for the dramatic force of the poetry and drama but also because the leading actress of the company Harriet Smithson immediately won his heart. She later became his wife. He began to think seriously about composing some kind of musical “Romeo and Juliet” but it was not realised until 1839. The symphony is scored for doublechorus (to represent the two warring families) solo voices as secondary characters with the lovers themselves represented by the orchestra. Urtext of the New Berlioz Edition Full score (BA5458) vocal score (BA5458-90) and study score format 22.5 x 16.5cm (TP334) available for sale T65Performance material (BA5458-72) available for hire
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Wolfgang Amadeus Mozart: Missa in C major KV 317 Coronation Mass : Mixed Choir:
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Coronation Mass-Study score 22.5 x 16.5cmComposed in 1779 Mozart?s ?Coronation ...
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Coronation Mass-Study score 22.5 x 16.5cmComposed in 1779 Mozart?s ?Coronation Mass? in C major K. 317 is one of the most popular settings of the Ordinary thanks to its festive character and the wealth and variety of its musical ideas.This edition is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty.- Full score and performance material (BA4880) vocal score (BA4880-90) and study score (TP316) available for sale.
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Johannes Brahms: A German Requiem Op.45: Mixed Choir: Miniature Score
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Dover Publications
Scored for mixed chorus two solo voices and full orchestra this masterpiece of...
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Scored for mixed chorus two solo voices and full orchestra this masterpiece of choral music is Brahms’ greatest most ambitious vocal work. It reflects his virtuosic grasp of 19th-century vocal technique as well as the polyphonic vocal traditions of the previous three centuries. One of the most performed and recorded works in the repertoire of religious music A German Requiem appears here in full score with bar-numbered movements.
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: Mixed Choir:
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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