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MARCHING BAND
Partition de Poche
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2 Tubas et Piano (60)
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4 Parties Mixtes (60)
2 Violons, Alto, Violoncelle e… (58)
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Euphonium (58)
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String Trio: 3 cellos (57)
2 Trumpets (duet) (57)
Guitare Electrique (56)
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2 Violins, Piano (46)
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Hautbois 1 Clarinette en Sib 1… (44)
Percussions (44)
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Vibraphone (42)
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Mezzo-Soprano voice (41)
4 Instruments à Cordes (4 Boi… (40)
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Clarinette et Quatuor à Corde… (40)
Piano, Guitar (duet) (40)
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Cor en Fa (39)
Baritone voice (39)
2 Cornets et Piano ou Orgue (38)
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Ensemble A 4 Parties (Clavier,… (37)
Livres (37)
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Trompette, Hautbois D'Amour, V… (36)
3 Euphoniums et Piano ou Clavi… (36)
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Chorale (36)
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4 Euphoniums (35)
Dobro (35)
Trombone or Euphonium (35)
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2 Violas (duet) (35)
Trio A Cordes (35)
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Quintette avec Piano (35)
1 Piano, 6 hands (35)
Concert Band ou Harmonie et Ba… (35)
Saxophone Quintet: 5 Saxophone… (35)
Vocal duet, Piano (34)
Solistes SAT, Choeur SATB, 2 F… (34)
Guitare Tablatures Flatpick et… (34)
Big Note Piano (34)
Choeur SATTB et Basse Continue… (34)
Bass Trombone and Piano (34)
Violin, Basso continuo (34)
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Low voice (33)
2 Hautbois, 2 Violons, Alto, V… (33)
Brass Quartet: 2 trumpets, hor… (33)
4 Cellos (33)
Flute, Orchestra (33)
Choeur SATTB (33)
Solistes ST, Choeur SATB, Flû… (32)
2 Hautbois, 2 Clarinettes, Tim… (32)
2 Flûtes Traversières ou 2 F… (32)
Flute, Basso continuo (32)
Flûte Traversièreou Piccolo,… (32)
Brass Quartet: 2 trumpets, 2 t… (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Trompette et Quatuor à Cordes… (32)
Bass Clarinet (32)
Choeur SS (B) ou SA (B), 2 Vio… (31)
High voice (31)
Symphonic Band (31)
DVD Opera and Ballets (31)
Saxophone Baryton (31)
Cajon (31)
Choeur d'Enfants (31)
Flute and String Quartet (30)
Tuba Solo (30)
Timpani (30)
Saxophone Soprano, Saxophone A… (30)
2 Euphoniums et Piano ou Orgue… (30)
Flute, Cello, Piano (trio) (30)
2 Clarinets, Piano (30)
Orchestre Scolaire (29)
Solistes SST, Choeur SSAATB, 2… (29)
Solistes SBar, Choeur SATB, 2 … (29)
Quintette à vent (29)
Clarinette, Violoncelle et Pia… (29)
Woodwind Quintet (29)
Choeur Mixte et Orchestre (29)
Cornet (29)
3 Clarinettes en Sib et Clarin… (29)
Flûte à Bec F1, C1, 2 Violon… (28)
Solo Flûte à Bec F1, 2 Violo… (28)
Flûte 1 Hautbois 1 Clarinette… (28)
2 Violons, 2 Altos et 2 Violon… (28)
Quintette (28)
Orgue, 2 Hautbois, 2 Violons, … (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Clarinet, Orchestra (28)
Matériel D'Orchestre (28)
Organ, Trumpet (duet) (28)
2 Saxophones, Piano (28)
Choeur SATB et Basse Continue (27)
Solistes STTBB, Choeur SATB, 2… (27)
Solistes SATB, Choeur SATB, 2 … (27)
Violon, Cordes Et Basse Contin… (27)
3 Clarinets (trio) (27)
Chanson (27)
Solistes SST, Choeur SATB, 2 F… (26)
Solistes STBar, Choeur SATB, 2… (26)
Harpsichord and Strings (26)
Solistes SATB, Choeur SATB/SAT… (25)
Tenor voice (25)
Voix Seule (25)
Choral, Orchestra (25)
Ensemble à Cordes (25)
Flute and Strings Trio (25)
Carte Postale (25)
Djembe (25)
Accordion - Piano, Voice, Guit… (25)
Piano Quintet: piano, violin, … (25)
Hautbois et Quatuor à Cordes (24)
2 Clarinettes, 2 Violons, Orgu… (24)
Hautbois, Flûte à Bec F1 ou … (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
2 Hautbois, 3 Trompettes, Timb… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinet… (24)
Quartette Pour Flûtes à Bec … (24)
Flûte Traversière, Hautbois,… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Violon, Alto, Violoncelle et C… (24)
Flûte à Bec F2, 2 Violons et… (24)
2 Violons, 2 Altos, Violon ou … (24)
Clarinette ou Trompette ou Vio… (24)
2 Violons, Alto, Violoncelle e… (24)
3 Tubas (24)
Solistes SATBB, Choeur SATB, 2… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Flûte Traversière 2 Violons … (24)
Solistes SATTB, Choeur SSATTBB… (24)
Guitare (Fingerpick) (24)
Flûte à Bec F1, Violon et Ba… (24)
Flûte à Bec, Guitare et Musi… (24)
Quatuor à vent (24)
Stationery (24)
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Voice, String Quartet (24)
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Choeur SAT (23)
2 Cornets et 2 Tubas (23)
Xylophone or Marimba or Vibrap… (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Hautbois, 2 Flûtes Traversiè… (23)
Oeuvres Théâtrales/Oratorios… (23)
Choeur SATB/SATB, (8 Instrumen… (23)
Solistes SAB, Choeur SATB, 3 F… (23)
Livre Musical (23)
Ensemble Moyen Contemporain (23)
Trompette ou Bugle ou Cornet o… (23)
2 Oboes, Piano (23)
Percussions Diverses (23)
Instruments Acoustiques (23)
Choeur SSATTB et Basse Continu… (23)
Solistes SATB, Choeur SATB, Ha… (22)
Orchestre: Choeur TTBB, 2 Flû… (22)
Violon, Violoncelle et Alto (22)
Choeur SATB, 2 Hautbois, 2 Cla… (22)
Clavier Electronique et Ligne … (22)
Horn and Orchestra (22)
Lute (22)
Violon, Ensembles de Cordes et… (21)
Solistes SATB, Choeur SATB/SAT… (21)
Quatuor De Cuivres Et Orgue (21)
Saxhorn en Sib Basse Continue (21)
Clarinet and Strings (21)
Saxophone ensemble (21)
Ukulélé Soprano (21)
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Voix et CD Playback (21)
Lap Steel Guitar (21)
Flûte Traversière ou Violon)… (20)
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Choeur d'Enfants à 1 à 3 Par… (20)
2 Violons, Alto et Basse Conti… (20)
Oboe, Violin, Viola and Violon… (20)
Clarinette, Violon, Alto et Co… (20)
2 Hautbois, Cor Anglais et Bas… (20)
2 Violons, Alto et Violoncelle… (20)
2 Violons ou 2 Hautbois, Alto,… (20)
Pop music (20)
Ensembles de Cordes et Piano (20)
Variétés françaises (20)
Choeur SSATB et Basse Continue… (20)
Choeur d'Enfants SSA, Récitan… (20)
Clavier Ou Orgue Electronique (20)
Piccolo, Piano (20)
Choeur Mixte a Cappella (20)
Trio ou Quatuor à Cordes (20)
2 French horns, Piano (20)
Accordéon et Orchestre (20)
Choeur SATB, 2 Violons, Alto e… (20)
Petit Choeur SATB, 2 Violons, … (19)
Solistes s TB, Choeur SATB, Pi… (19)
Violoncelle Solo, 2 Flûtes Tr… (19)
Solistes TB, Choeur SATB, 2 Fl… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
2 Trompettes, Cordes Et Basse … (19)
Solistes SATB, Choeur SATB, 2 … (19)
String trio (19)
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Trombone Alto et Piano (19)
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Cello, Guitar (duet) (19)
Choeur Mixte, Soprano et Orche… (19)
Choeur SATB, 2 Violons, 2 Alto… (18)
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2 English horns and Pianoforte… (18)
3 Trompettes, 3 Trombones et T… (18)
Choeur SATB/SATB, (Basse Conti… (18)
Solo S, 2 Violons et Basse Con… (18)
Opéra (18)
Orchestre: Choeur SATB, 2 Haut… (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
Guitar Tab, Voice, Bass, Drum (18)
2 Trombones Basse et Piano (18)
Cornet en Mib et Piano (18)
Electric bass, Drums (18)
Choeur d'Enfants à 2 Parties … (18)
2 Saxophones Ténor et Piano (18)
2 Cornets et Piano (18)
Oboe and Orchestra (18)
2 Cors en Mib et Piano (18)
Solistes STBB, Choeur SATTBB, … (17)
Solo S, 2 Flûtes Traversière… (17)
2 Flûtes Traversières, 2 Cla… (17)
Solistes STB, Choeur SATB, 2 H… (17)
Solo S, Choeur SATB, 2 Flûtes… (17)
Choeur SATB/SATB et Basse Cont… (17)
Solistes SSAATB (SATB), Choeur… (17)
Solistes ATB, Choeur SATB, 3 T… (17)
Solistes ST, Choeur SSAATB, 2 … (17)
Solistes SATB, Choeur SATB/SAT… (17)
Solistes SATB, Choeur SATB, Ba… (17)
Solistes STB, Choeur SATB, 2 H… (17)
Flûte Traversière Violoncell… (17)
Flûte Traversière, Alto et G… (17)
Harmonie (17)
Solistes SATB, Choeur SATB, 2 … (17)
Percussion, Piano (duet) (17)
Flûte Traversière, Clarinett… (17)
Choeur (SATB) et Brass Band (17)
Voix Mixtes SAB et Piano (17)
Clarinet, Cello, Piano (trio) (17)
Guitare ou Luth (17)
Voix et Orff-Instruments (17)
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Solistes SATB, Choeur SATB, 2 … (16)
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Flûte Traversière Violon, Vi… (16)
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Flûte à Bec F1, Hautbois et … (16)
Choeur Mixte (SSATBB) (16)
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Solistes SATB, Choeur SATB, 2 … (16)
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Medium Voice (16)
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Quatuor Variable (16)
Flûte A Bec, Guitare Et Musiq… (16)
Cor en Mib (16)
Bass Clarinet, Piano (16)
Cor Anglais (16)
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Baryton et Orchestre (16)
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Soli (T (Evangelist), B (Jesus… (15)
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Concert Band et Solistes (15)
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Balalaika (15)
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DVD Show / Broadway (15)
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3 Ensembles Instrumentaux A 4 … (14)
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Konzert In A Für Voline Und Orchester 'Nr. 5' (MOZART WOLFGANG AMADEUS)
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[Sheet music]
Barenreiter
for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the major...
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for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773–1779. Especially important are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are partly that Mozart, who still occupied the post of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting with all the new compositional techniques acquiredduring his third trip to Italy and his stay of several months in Vienna from July to September 1773. Urtext of the New Mozart Edition. Full score and performance material (BA4712), Violin and Piano reduction (BA4712-90) and study score format 22. 5 x 16. 5cm (TP20) available for sale. The new Urtext performing editions to Mozart ’s Violin concertos nos. 1-5 contain new easy to play Piano reductions. They offer in addition to the Urtext solo Violin part, an extra Violin part prepared with bowings and fingerings by M. Wulfhorst. A brochure with cadenzas, lead-ins and fermata embellishments by Joseph Joachim, Sam Franko, Leopold Auer, Eugène Ysaye and Martin Wulfhorst is also included./ Répertoire / Partition de Poche
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Die Entführung Aus Dem Serail (L'enlèvement au sérail) (MOZART WOLFGANG AMADEUS)
Partition de Poche
[Sheet music]
Barenreiter
Par MOZART WOLFGANG AMADEUS. “I know for a fact that the Emperor is proposing ...
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Par MOZART WOLFGANG AMADEUS. “I know for a fact that the Emperor is proposing to mount a German opera in Vienna, and that he is making every effort to find a young Kapellmeister who understands German, has talent and is capable of striking out on a new path. [. . . ] I think it would be a good thing for me – provided, of course, that the pay is good. If the Emperor will give me a thousand gulden, I will write a German opera for him. ” Thus Mozart in a letter of 10–11 January 1778 from Mannheim to his father, Leopold. He continued by asking his father to “write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won’t take meon any other terms, then let him try me with an opera. After that he can do what he likes for all I care. ” Urtext of the New Mozart Edition Full score (BA4591-01), vocal score (BA4591-90) and study score format 22. 5 x 16. 5cm (TP311) available for sale Performance material available for hire (BA4591-72)/ Répertoire / Partition de Poche
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Schwingt Freudig Euch Empor (BACH JOHANN SEBASTIAN)
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[Sheet music]
Barenreiter
Cantata for the First of Advent. Par BACH JOHANN SEBASTIAN. Study Score Archive ...
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Cantata for the First of Advent. Par BACH JOHANN SEBASTIAN. Study Score Archive Copy Schwingt Freudig Euch Empor BWV 36 (final version) Cantata for the First of Advent - Urtext of the New Bach Edition - Performance material (BA10036), vocal score (BA10036-90) and study score (TP1036) available for sale Bärenreiter 's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach ’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sundayand festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then./ Répertoire / Partition de Poche
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Wie Schön Leuchtet Der Morgenstern (BACH JOHANN SEBASTIAN)
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[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. Wie Schön Leuchtet Der Morgenstern (How Bright And F...
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Par BACH JOHANN SEBASTIAN. Wie Schön Leuchtet Der Morgenstern (How Bright And Fair The Morning Star) BWV 1. Cantata for the Feast of Annunciation Day. The cantata “ Wie Schön Leuchtet Der Morgenstern ” BWV 1 was written for 25 March 1725, when the Feast of the Annunciation of the Blessed Mary coincided with Palm Sunday. It forms the conclusion of Bach ’s cantata cycle of 1724/25. The anonymous librettist retained the outer verses 1 and 7 of Philipp Nicolai’s text (1599) which is assigned to the feast of Epiphany according to old tradition but was also sung at the Annunciation of the Blessed Mary. Verses 2 to 6 form the basis for the Tenor and Bassrecitatives and the Soprano and Tenor arias. Bach ’s composition has a particularly festive brilliance with his use of 2 Horns, 2 Oboes Da Caccia and the two concertante solo Violins. The Violins’ lively figurations clearly reflect an image of the shining morning star. - Urtext of the New Bach Edition. - Original German text with English singing translation. - Idiomatic and easy-to-play Piano reduction. - Performance material (BA10001), vocal score (BA10001-90) & study score (TP1001) available for sale./ Répertoire / Partition de Poche
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Concerto Start Of The Morning (GILARDINO ANGELO)
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[Sheet music]
Berben Edizioni Musicali
Par GILARDINO ANGELO. / Répertoire / Partition de Poche
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Weinen, Klagen, Sorgen, Zagen (BACH JOHANN SEBASTIAN)
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[Sheet music]
Barenreiter
Cantata for the Sunday Jubilate. Par BACH JOHANN SEBASTIAN. Weinen, Klagen, Sorg...
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Cantata for the Sunday Jubilate. Par BACH JOHANN SEBASTIAN. Weinen, Klagen, Sorgen, Zagen (Weeping, crying, sorrow, sighing) BWV 12 Cantata for the Sunday Jubilate These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach's output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations androyal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale/ Répertoire / Partition de Poche
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Der 139. Psalm 'Herr, Du Erforschest Mich' (1964) (PEPPING ERNST)
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[Sheet music]
Barenreiter
Par PEPPING ERNST. / Répertoire / Partition de Poche
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2 Orchesterstücke Über Ein Chanson Des Binchois (1958) (PEPPING ERNST)
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Barenreiter
Par PEPPING ERNST. / Répertoire / Partition de Poche
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Te Deum (1956) (PEPPING ERNST)
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Barenreiter
Par PEPPING ERNST. / Répertoire / Partition de Poche
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Wassermusik (HAENDEL GEORG FRIEDRICH)
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Barenreiter
Par HAENDEL GEORG FRIEDRICH. The publication of the new Urtext edition of Water ...
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Par HAENDEL GEORG FRIEDRICH. The publication of the new Urtext edition of Water Music makes the work available in a revised edition reflecting the latest research findings. In October 2004, the editor Terence Best found the oldest surviving manuscript score in the archives of the Royal Society of Musicians in London – primary source A, which can be dated to 1718. This discovery demands a dramatic reappraisal of what is probably Handel ’s most famous work. Until this find, the theory formulated by Barrett Lennard in 1950 was regarded as authoritative. He divided the material into three suites according to key and instrumentation. This was based on the fact that some ofthe material in the Water Music is the same as in the Concerto HWV 331. With the help of the latest technology, it has now been possible to date this Concerto to 1722. By doing this, the rationale for dividing the music into three suites has been removed. The newly found primary source A places the movements in a richly varied sequence of keys and instrumentations which offers a great range of colours than the previous arrangement. Based on new sources, editor Terence Best has been able to reconstruct the original order of the suites and correct many points left open or unclarified in earlier publications. - New critical edition based on new sources. - Detailed Prefaces (Ger/Eng). - Urtext of the “Halle Handel Edition”/ Répertoire / Partition de Poche
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Jauchzet Gott In Allen Landen (BACH JOHANN SEBASTIAN)
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Barenreiter
Par BACH JOHANN SEBASTIAN. Jauchzet Gott In Allen Landen - Praise Ye God Through...
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Par BACH JOHANN SEBASTIAN. Jauchzet Gott In Allen Landen - Praise Ye God Throughout Creation BWV 51. Cantata for the 15th Sunday after Trinity. The solo cantata “Jauchzet Gott In Allen Landen”, written around 1730 for the 15th Sunday after Trinity, is one of Bach ’s best-known cantatas. The scoring for solo Soprano, Trumpet, Strings and Continuo is unique amongst Bach ’s cantatas and has parallels with Italian composers of the period. The enduring popularity of the work is due to the clear and succinct formal structure and not least to the virtuoso Trumpet part and Soprano arias, in which the soloists can demonstrate their total mastery. The cantata ispublished in a Vocal score based on the “New Bach Edition” with an idiomatic straightforward Piano reduction by Martin Focke. - Famous work with a festive instrumental sound. - Urtext based on the “New Bach Edition”. - Clear straightforward Piano reduction. - Study score (TP1051) performance material (BA10051) & Vocal score (BA10051-90) available for sale./ Répertoire / Partition de Poche
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Missa In Angustiis (HAYDN FRANZ JOSEF)
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Barenreiter
Nelsonmesse. Par HAYDN FRANZ JOSEF. The so-called “Nelson Mass” is the third...
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Nelsonmesse. Par HAYDN FRANZ JOSEF. The so-called “Nelson Mass” is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation. Urtext of the Joseph Haydn Complete Edition Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Flute, Oboe (2), Clarinet (in B-flat) (2), Bassoon, Horn (2), Trumpet (3), Kettledrum, Strings, Basso continuo Full score, together withMissa in B major (Theresa Mass) Hob. XXII:12 (BA4660-01), Performance material (BA4660), vocal score (BA4660-90) and study score format 22. 5 x 16. 5cm (TP98) available for sale/ Répertoire / Partition de Poche
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Die Werke Für Flöte Und Orchester (MOZART WOLFGANG AMADEUS)
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Barenreiter
Par MOZART WOLFGANG AMADEUS. Flute Concerto in G major K. 313 (285c) Flute Conce...
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Par MOZART WOLFGANG AMADEUS. Flute Concerto in G major K. 313 (285c) Flute Concerto in D major K. 314 (285d) Andante C major in K. 315 (285e) Mozart exhibited a special affinity with the woodwind family, writing prolifically for the instruments throughout his lifetime. This Urtext edition is based upon original manuscripts making it the ideal choice for both academic study and informed concert performance. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and evenconducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices! Format 16. 5 x 22. 5cm/ Répertoire / Partition de Poche
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Feuerwerksmusik (HAENDEL GEORG FRIEDRICH)
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Barenreiter
Par HAENDEL GEORG FRIEDRICH. The conductor and Keyboard player Christopher Hogwo...
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Par HAENDEL GEORG FRIEDRICH. The conductor and Keyboard player Christopher Hogwood has edited the new edition of Music For The Royal Fireworks. The edition is the result of thorough revision and correction based on the source material. During this process, some incorrect notes were corrected, and in particular, the Viola part was revised. Misunderstood instructions from Handel relating to the colla parte coupling of the Viola with the second Oboe, as in the overture or with the bass parts, have been reassessed. Doubling with other parts resulted in passages, which were too high or too low: these have now been rectified and a part suited to the range of the viola has been madepossible. - New critical edition based on new sources. - Detailed Prefaces (Ger/Eng). - Urtext of the “Halle Handel Edition”. - Full score, performance material (BA4299) and study score (TP373) available for sale./ Répertoire / Partition de Poche
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4 Stagioni Op. 8 Nos 1-4 (VIVALDI ANTONIO)
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[Sheet music]
Dover Publications
Par VIVALDI ANTONIO. One of the best known and loved collections of string music...
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Par VIVALDI ANTONIO. One of the best known and loved collections of string music in history. The programmatic nature of the Four Seasons, based on the lines of sonnets printed along with the music, brings seasonal sights and sounds readily and delightfully to the ear: the bird calls in Spring, the swarms of wasps in Summer, the hunters' horns in Autumn, the winds and icy snow of Winter. Dr. Eleanor Selfridge-Field, a recognised authority on music of the Italian Baroque, has researched primary sources in Italy to prepare this specially commissioned, authoritative new edition./ Répertoire / Partition de Poche
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2 Violinkonzerte (BACH JOHANN SEBASTIAN)
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Barenreiter
Konzert a-moll BWV 1041 und E-dur BWV 1042. Par BACH JOHANN SEBASTIAN. Study sco...
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Konzert a-moll BWV 1041 und E-dur BWV 1042. Par BACH JOHANN SEBASTIAN. Study score format 22. 5 x 16. 5cm Today the three Violin concertos, BWV 1041–3, are among Johann Sebastian Bach ’s best known and most popular instrumental works and enjoy a permanent place in the concert repertoire. This Urtext edition is based in the New Bach Edition. The revised Violin and Piano reduction includes an Urtext solo part and a solo part with bowing, fingering and comments on performance by Andrew Manze. Full score and performance material, Violin and Piano reduction and study score of BWV1041-1042 (TP269) available for sale./ Répertoire / Partition de Poche
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Eine Kleine Nachtmusik (Petite musique de nuit)
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[Sheet music]
Dover Publications
And Sinfonia Concertante Miniature Score. Par MOZART WOLFGANG AMADEUS. These thr...
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And Sinfonia Concertante Miniature Score. Par MOZART WOLFGANG AMADEUS. These three charming instrumental pieces, composed by Mozart in the 1770s and 1780s, were among a number of serenades he wrote during this period to provide an evening's entertainment at weddings, birthdays, and home concerts for his friends and patrons. Reproduced here from an authoritative edition, with bar numbered movements for easy reference./ Répertoire / Partition de Poche
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Roméo Et Juliette (BERLIOZ HECTOR)
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Barenreiter
Symphonie dramatique. Par BERLIOZ HECTOR. Romeo et Juliette Op. 17 Hol. 73: Symp...
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Symphonie dramatique. Par BERLIOZ HECTOR. Romeo et Juliette Op. 17 Hol. 73: Symphonie dramatique For his third symphony ; Romeo et Juliette (1839) Berlioz turned to his greatest literary passion, Shakespeare, drawing once again on his own most fervent experiences. Berlioz's discovery of Shakespeare in 1827 had been overwhelming not only for the dramatic force of the poetry and drama, but also because the leading actress of the company, Harriet Smithson, immediately won his heart. She later became his wife. He began to think seriously about composing some kind of musical ; Romeo and Juliet but it was not realised until 1839. The symphony is scored for doublechorus (to represent the two warring families), solo voices as secondary characters, with the lovers themselves represented by the orchestra. Urtext of the New Berlioz Edition Full score (BA5458), vocal score (BA5458-90) and study score format 22. 5 x 16. 5cm (TP334) available for sale T65Performance material (BA5458-72) available for hire/ Répertoire / Partition de Poche
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Il Barbiere Di Siviglia (Almaviva O Sia L'Inutile Precauzione) . Hrsg Patricia B. Brauner (Le barbier de Séville) (ROSSINI GIOACHINO)
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[Sheet music]
Barenreiter
Par ROSSINI GIOACHINO. This study score is based on the critical edition of “ ...
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Par ROSSINI GIOACHINO. This study score is based on the critical edition of “ The Barber Of Seville ” edited by Patricia B. Brauner and published in 2008 as part of the series “Works of Gioachino Rossini”. But who needs a new critical edition of “ The Barber Of Seville ”? The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly, none of the early editions satisfy modern demands for a scholarly-critical edition. Secondly, there is a wealth of previously unpublished material relating to this opera, of great interest to both scholars andperformers. Thus the famous overture, which Rossini had already used in his earlier opera “Aureliano in Palmira”, differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in “Aureliano in Palmira”), which includes two Flutes, two Oboes and Timpani, or in the scoring for the subsequent opera “ The Barber Of Seville ” (with just one flute, one oboe and no timpani). A series of appendices contain music and information which have been included in no other edition of the opera to date. - Takes into account all original sources, also including five manuscripts with Rossini’s autograph ornamentation. - Takes into consideration the full extent of Rossini ’s personal notational characteristics. - With a detailed foreword (Eng/Ital)/ Répertoire / Partition de Poche
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Gleichwie Der Regen Und Schnee Vom Himmel Fällt (BACH JOHANN SEBASTIAN)
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[Sheet music]
Barenreiter
Cantata for Sunday Sexagesimae. Par BACH JOHANN SEBASTIAN. Gleichwie der Regen u...
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Cantata for Sunday Sexagesimae. Par BACH JOHANN SEBASTIAN. Gleichwie der Regen und Schnee vom Himmel fällt (Like as the Raindrops and Snow from Heaven fall) BWV 18 Cantata for Sunday Sexagesimae, Leipzig Version. These editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach's output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasionssuch as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then. - Performance material vocal score & study score available for sale/ Répertoire / Partition de Poche
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Der Himmel Lacht! Die Erde Jubilieret (BACH JOHANN SEBASTIAN)
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[Sheet music]
Barenreiter
Cantata for the 1st Easter Day. Par BACH JOHANN SEBASTIAN. Study score format 22...
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Cantata for the 1st Easter Day. Par BACH JOHANN SEBASTIAN. Study score format 22. 5 x 16. 5cm Der Himmel Lacht! Die Erde Jubilieret BWV 31 (The Heavens laugh, the earth exults in gladness) BWV 31 Cantata for the 1st Easter Day - Performance material (BA10031), vocal score (BA10031-90) and study score (TP1031) available for sale. The text, by Salomon Franck who was the librettist of some of Bach 's the best-known cantatas, is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus. Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No groupof works in Johann Sebastian Bach ’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work, or at least re-work an existing one, for every Sunday and festival of the church year, as well as for numerous secular occasions such as council inaugurations, school and university celebrations and royal birthdays. Unfortunately, not all cantatas have survived. However, over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then./ Répertoire / Partition de Poche
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Sinfonia N.9 Op. 95 E Minor (DVORAK ANTONIN)
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[Sheet music]
Dover Publications
Par DVORAK ANTONIN. A great and lasting favourite in the vast symphonic literatu...
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Par DVORAK ANTONIN. A great and lasting favourite in the vast symphonic literature, Dvorak's New World Symphony is among the composer's most enduring and appealing works ever since its premiere in 1893. This work appears in full score with original instrumentation and bar numbered movements. Ideal for study purpose./ Répertoire / Partition de Poche
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Sérénade In Es (MOZART WOLFGANG AMADEUS)
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Barenreiter
a 6 et a 8. Par MOZART WOLFGANG AMADEUS. The Serenade in E-flat, K. 375, exists ...
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a 6 et a 8. Par MOZART WOLFGANG AMADEUS. The Serenade in E-flat, K. 375, exists in two versions, one for two clarinets, two horns and two bassoons, and another for the same forces plus two oboes, forming an octet. From Mozart himself we know a fair amount about the occasion that led to the first, six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl, it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October, the name-day of St. Theresa. The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics, he also altered the work's melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre, thereby enabling him, for example, to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave. - Urtext of the New Mozart Edition - Parts sextet version (BA5333), octet version (BA5334) and study score both versions format 22. 5 x 16. 5cm (TP315) available for sale/ Répertoire / Partition de Poche
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Passione Di San Matteo Bwv232 (BACH JOHANN SEBASTIAN)
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[Sheet music]
Dover Publications
Par BACH JOHANN SEBASTIAN. Long considered the noblest, most inspired musical tr...
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Par BACH JOHANN SEBASTIAN. Long considered the noblest, most inspired musical treatment of the crucifixion of Christ, Bach's St. Matthew Passion remains an immensely popular work. First performed in the late 1720s, the great choral masterpiece was scored for a vast ensemble of double chorus, soloists, double orchestra and two organs. Richly dramatic and theatrical, its deeply moving story unfolds in recitatives, ariosos, arias, and majestic choral movements. Reproduced here from an authoritative early edition, the score appears with bar-numbered movements. Ideal for classroom or home study. / Musique religieuse / Répertoire / Partition de Poche
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4 Orchestral Suites (BACH JOHANN SEBASTIAN)
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[Sheet music]
Dover Publications
Par BACH JOHANN SEBASTIAN. The four orchestral suites of J. S. Bach, are superb ...
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Par BACH JOHANN SEBASTIAN. The four orchestral suites of J. S. Bach, are superb examples of the composer's innovative mastery of the many dance forms popular in the courts of the 18th century. Reproduced from the authoritative Bach-Gesellschaft edition, this volume contains: Suite No. 1 in C major (BWV 1066) for two Oboes, Bassoon, Strings and Continuo Suite No. 2 in B minor (BWV 1067) for solo Flute, Strings and Continuo - renowned for the 'Badinerie', Suite No. 3 in D major (BWV 1068) for three Trumpets, Timpani, two Oboes, Strings and Conituno - well known for the lovely 'Air on G String' Suite No. 4 in D major (BWV 1069) for three Trumpets, Timpani, three Oboes, Strings and Conituno. All works appear in full score. At a moderate cost, this high quality edition is ideal for study purpose./ Répertoire / Partition de Poche
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Sinfonia N.4 Op. 98 E Minor (BRAHMS JOHANNES)
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[Sheet music]
Dover Publications
Par BRAHMS JOHANNES. One of the most original of Brahms symphonic works, the Fou...
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Par BRAHMS JOHANNES. One of the most original of Brahms symphonic works, the Fourth Symphony is endlessly resourceful in its melodic beauty, the ingenuity of its structure, and in the fine balance between its movements, from the wistful air of its opening measures toits splendid and formidable passacaglia finale. Published here in full Study Score format, with bar-numbered movements. One of the most original of Brahms' symphonic works, the Fourth Symphony is endlessly resourceful in its melodic beauty, the ingenuity of its structure, and in the fine balance between its movements, from the wistful air of its opening measures to its splendid and formidable passacaglia finale. Published here in full Study Score format, with bar-numbered movements./ Répertoire / Partition de Poche
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Brandenburgisches Konzert Nr. 2 (BACH JOHANN SEBASTIAN)
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[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. Authoritative Urtext edition of Johann Sebastien Bach...
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Par BACH JOHANN SEBASTIAN. Authoritative Urtext edition of Johann Sebastien Bach 's Brandenburg Concerto No. 2 In F BWV1047. The six Brandenburg Concertos BWV 1046-1051, prized jewels of the world's musical heritage, were written in 1721 during Bach ’s appointment in Cöthen. Of the six works, Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones, different rhythms, instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today./ Répertoire / Partition de Poche
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Herr Gott, Dich Loben Alle Wir (BACH JOHANN SEBASTIAN)
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[Sheet music]
Barenreiter
Cantata for the Feast of St. Michael. Par BACH JOHANN SEBASTIAN. Herr Gott, dich...
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Cantata for the Feast of St. Michael. Par BACH JOHANN SEBASTIAN. Herr Gott, dich loben alle wir (Lord God, we praise Thee all of us) BWV 130 Cantata for the Feast of St. Michael Composed for Michaelmas, 1724, Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn, as perhaps various preachers also did, to interptet the ideas of the Biblical texts. The hymn used here, composed by Paul Eber in 1554, has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional, and the last two stanzas were made into a concluding chorale withthe original text. - Urtext of the New Bach Edition/ Répertoire / Partition de Poche
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Wachet Auf, Ruft Uns Die Stimme (BACH JOHANN SEBASTIAN)
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[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. Wachet auf, ruft uns die Stimme (Wake ye maids! hark,...
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Par BACH JOHANN SEBASTIAN. Wachet auf, ruft uns die Stimme (Wake ye maids! hark, strikes the hour) (BWV 140) Cantata for the 27th sunday after Trinity The Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus, the work is scored for two Oboes, English Horn, Bassoon, Horn, Violino Piccolo, Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake', is based on a hymn by Philipp Nicolai, also written in 1731 for the 27th Sunday after Trinity. Urtext of the New Bach Edition Study scoreformat 22. 5 x 16. 5cm (TP1140), performance material (BA10140) and vocal score (BA10140-90) available for sale/ Répertoire / Partition de Poche
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Missa In Tempore Belli (HAYDN FRANZ JOSEF)
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Mass in Time of War. Par HAYDN FRANZ JOSEF. Haydn was in England, in 1795, when ...
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Mass in Time of War. Par HAYDN FRANZ JOSEF. Haydn was in England, in 1795, when he received word from his new Prince, Nicolaus II Esterházy, that the Esterházy orchestra was to be reformed, and Haydn was to serve again as active Capellmeister. Prince Nicolaus II demanded little from his Capellmeister, except the usual routine of administration; but Haydn was to compose, every year, a new Mass for the name day of the Princess Josepha Maria, which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen’s Day (26 December) 1796. The writer of these notes examined – when preparingthis edition – the music archives of the church, and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion, and thus also the work which Haydn had just finished and performed in Eisenstadt. Urtext from Joseph Haydn Werke Full score, parts (BA4652), vocal score (BA4652-90) and study score format 22. 5 x 16. 5cm (TP94) available for sale/ Répertoire / Partition de Poche
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