Philip Glass scored his work 1 + 1 for one player and amplified table top and as the performer determines the duration of the progressions is written for indeterminate length. It was written soon after his return to New Yorkfollowing a period in Europe studying with Nadia Boulanger and sitarist Ravi Shankar and is one of Glass’s earliest published works..American composer Philip Glass is widely known as one of the most celebrated influential andprolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach areperformed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.

Per Nørgård I CHING Programme Note I CHING (1982) for Percussion Solo I. Thunder Repeated: The Image of Shock (hexagram no. 51) II. The Taming Power of the Small - 9 sounds (hexagram no. 9) III. The Gentle the Penetrating (hexagram no. 57) IV. Towards Completion: Fire over Water (hexagram no. 64) I Ching (The Book of Changes) four movements for solo percussion was written in 1982 and dedicated to the Danish percussionist Gert Mortensen. I Ching is the thousand-year-old Chinese oracle book whose 64 combinations of six 'Yang' or 'Yin' lines (bright or dark) represent 64 different states of being for all living things includinghuman beings. The 64 states of being should be thought of as an eternal hidden cycle which lies behind everything that we do: for example the supreme the enthusiastic initiative (combination or 'hexagram' no. 1 the creative) or the despair of the moment the warm and friendly and so on. The states of being exist on all levels - the official the private etc. - at the same time in many speeds. From these I selected four the sequence of which progresses from a situation from which there is apparently no solution to a (temporary) relief. In the first movement ´Thunder repeated the Image of Shock´ a vicious circle of claustrophobic closed circuits is represented by the tom-tom part. This is followed by tam-tams and wood sounds but returns full-circle to the tom-toms. The second movement ´The taming Power of the small´has its origins in the violence of the first movement but this time lets it resolve in a long glide upwards which stars with voice sounds ´borrowed´from the Beatles´´Revolution no 9´which are then transmitted to the other instruments. The third movement is ´The Gentle The Penetrating´in which lyrical poetry dominates with gentle bell-like sounds and delicate tunes. Finally the sovereign many-layered world of rhythm triumphs in the fourth movement: ´Towards Completion. Fire over